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Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 Jonathan Wroot PhD Thesis Submitted to the University of East Anglia For the qualification of PhD in Film Studies 2013 1 Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 2 Acknowledgements Thanks needed to be expressed to a number of people over the last three years – and I apologise if I forget anyone here. First of all, thank you to Rayna Denison and Keith Johnston for agreeing to oversee this research – which required reining in my enthusiasm as much as attempting to tease it out of me and turn it into coherent writing. Thanks to Mark Jancovich, who helped me get started with the PhD at UEA. A big thank you also to Andrew Kirkham and Adam Torel for doing what they do at 4Digital Asia, Third Window, and their other ventures – if they did not do it, this thesis would not exist. Also, a big thank you to my numerous other friends and family – whose support was invaluable, despite the distance between most of them and Norwich. And finally, the biggest thank you of all goes to Christina, for constantly being there with her support and encouragement. 3 Abstract The thesis will examine how DVD distribution can affect Japanese film dissemination in the UK. The media discourse concerning 4Digital Asia and Third Window proposes that this is the principal factor influencing their films’ presence in the UK from 2008 to 2010. -
Ano Natsu, Ichiban Shizukana Umi Il Silenzio Sul Mare 1991 Un Film Di Takeshi Kitano
I FUORICAMPO OVVERO GLI IMMORTALI IRREPERIBILI Rassegna Audio-Video 2010 Défilé di Autnno 3 Sabato 23 ootbre 2010, ore 17 Palazzo Cini a San Vio Ano natsu, ichiban shizukana umi Il silenzio sul mare 1991 Un film di Takeshi Kitano 101’ Con Kurôdo Maki Hiroko Oshima Sabu Kawahara Susumu Terajima Toshio Matsui Yasukazu Ishitani Naomi Kubota Tatsuya Sugimoto Tatsuya Sugimoto Tetsu Watanabe Keiko Kagimoto Kengakusha Akiyama Musica di Joe Hisaishi Fotografia di Katsumi Yanagijima Quasi opera prima del grande regista giapponese, è un film nel quale la celebre poetica della sottrazione del regista si presenta al suo stato più puro. È sinora l'unico suo film dal quale sia totalmente bandita la yakuza, ma l'atteggiamento molto definito dei personaggi nei confronti del proprio destino è sempre lo stesso, e il discorso complessivo si fa molto umano ed universale. Il conflitto viene incarnato interamente da una febbrile sfida tra il protagonista Shigeru e il mare, assumendo le forme di una vicenda pienamente diretta e combattuta fra natura, la sensibilità, l’handicap e i vari composti simbolici di queste tre dimensioni. Il rapporto con la morte si fa estremamente intimo ed implicito. La storia d'amore tra due creature sordomute, di tenerezza inusitata e di pari forza, (tema presente in misura minore anche in Boiling point , Sonatine , Hana-bi e Dolls ) riesce a commuovere, intenerire e divertire, nonostante la trama ridotta ad un niente e un soggetto che in mani altrui avrebbe avuto buone probabilità di risultare forse volgarmente patetico. Tutto ciò grazie al pudore e all'essenzialità della messinscena, che privilegia i campi lunghi e i piani-sequenza, contrappuntati da primi piani allestiti sull’'espressività di una maschera No, e da rigidi piani d'insieme frontali che rimandano alle composizioni-fotografia del finale. -
Takeshi Kitano
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL SÉRGIO LUIZ LIMA GRECCO TAKESHI KITANO UM CINEASTA DE DOIS MUNDOS: HOLLYWOOD E O TRADICIONAL CINEMA JAPONÊS Porto Alegre 2007 SÉRGIO LUIZ LIMA GRECCO TAKESHI KITANO UM CINEASTA DE DOIS MUNDOS: HOLLYWOOD E O TRADICIONAL CINEMA JAPONÊS Monografia em Comunicação Social Para a formação no curso de Comunicação Social – Publicidade e Propaganda Universidade Federal do Rio Grande do Sul Faculdade de Biblioteconomia e Comunicação Social (FABICO) Cinema Orientadora: Profa. Dra. Miriam de Souza Rossini Porto Alegre 2007 AGRADECIMENTO Agradeço a ajuda das pessoas que, das mais diversas maneiras, tornaram esta monografia possível: Aiko Tsukamoto, Ana Paula Wisnievski da Cunha, Bruno Storchi Bergmann, Mariana Yatsuda Ikuta, Mariana Pacheco Corrêa, minha orientadora Miriam Rossini, e aos meus pais: Sérgio Luiz Grecco e Lucimar Soares de Lima Grecco. Muito obrigado! RESUMO Este trabalho tem como objetivo estudar e entender o cinema de Takeshi Kitano através de suas duas influências principais, o cinema hollywoodiano e o cinema tradicional japonês. Para isso, foi primeiramente estudada a cultura do homem atual, dando destaque para o Japão globalizado, onde convivem o passado tradicional e a cultura ocidental e tecnológica atual. Depois, buscou-se compreender as diferentes particularidades e aspectos das escolas de cinema norte-americana e japonesa, suas conexões com suas respectivas culturas, e suas influências nos trabalhos de Kitano. No final, fez-se uma análise, baseada nos estudos anteriores, de um dos filmes de Takeshi Kitano: Brother, de 2000. PALAVRAS-CHAVE: cinema, cultura, tradição, globalização, Japão, Hollywood. SUMÁRIO INTRODUÇÃO ...................................................................................................................... 5 1 CULTURA E TRADIÇÃO: O LOCAL E O GLOBAL NA CONTEMPORANEIDADE ................................................................................................ -
Takeshi Kitano O'brien, Shelley Available from Sheffield Hallam University Research Archive (SHURA) At
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Filmbites presents : Takeshi Kitano O'BRIEN, Shelley Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/15360/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version O'BRIEN, Shelley (2015). Filmbites presents : Takeshi Kitano. In: Filmbites presents : Takeshi Kitano, Sheffield, Three Sundays in May. (Unpublished) Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk FILMBITES PRESENTS TAKESHI KITANO PRESENTED BY THE SHOWROOM CINEMA in association with SHEFFIELD HALLAM UNIVERSITY Tutor: Shelley O'Brien Takeshi Kitano aka 'Beat' Takeshi Takeshi Kitano has gained a reputation as the most original Japanese director of recent years. He can also be regarded as a renaissance man in that he is a multi- talented film editor, screenwriter, actor, comedian, television personality, painter, tap dancer and author. Each of these facets underpin his work as a director. Indeed, Kitano can be regarded as an auteur - in the truest sense - writing, directing, acting in and editing films under his company label Office Kitano, as well as employing the same personnel such as actor, Susumu Terajima, and composer, Joe Hisaishi. -
Zeughauskino: Kinematografie Heute: Japan
KINEMATOGRAFIE HEUTE: JAPAN Seit Jahren eine der größten Filmproduktionen der Welt ist dem japanischen Kino eine einzigartige Vielfalt und Kraft eigen: ein Reichtum fiktionaler Formen, der aus der Geschichte des japani- schen Films wie auch aus den gesellschaftlichen Verwerfungen der Gegenwart schöpft; eine lebendige Dokumentarfilmkultur, die klas- sischen Anliegen und Arbeitsweisen folgen kann, die aber auch moderne und hybride Formen kennt, und schließlich natürlich ein Kino des animierten Films, das weltweit einzigartig ist. In mancher Hinsicht dem europäischen oder westlichen Kino ähnlich, hat das japanische Filmschaffen auch Filmsprachen und Bilderwelten her- vorgebracht, die hierzulande nicht entstehen: Die Vorführung eines japanischen Films kann zu einem atemberaubenden Erlebnis werden. Die Filmreihe KINEMATOGRAFIE HEUTE: JAPAN, die das zeitgenössi- sche japanische Kino der letzten vier Jahre vorstellt, ermöglicht eine Vielzahl dieser Erlebnisse. Eine Filmreihe anlässlich des Jubiläums »150 Jahre Japan – Deutsch- land«, mit freundlicher Unterstützung der Botschaft von Japan. Kūki Ningyō Air Doll J 2009, R: Hirokazu Koreeda, D: Doona Bae, Arata, Itsuji Itao, Jō Odagiri, 125’ | 35 mm, OmeU Das Kino kann beschrieben werden als eine Apparatur, die tote, erstarrte Bilder durch Bewegung dynamisiert und zum Leben erweckt. Vielleicht sind auch deshalb Erzählungen über künstliches Leben seit jeher ein privilegier- tes Sujet des Mediums. Hirokazu Koreeda schließt an diese Tradition an, bedient sich insbesondere bei Ernst Lubitschs Stummfilmklassiker Die Pup- pe und fügt ihr eine eigenwillige Variante hinzu: Zum Leben erweckt wird hier eine Sexpuppe. Koreeda nimmt diese absurde Prämisse wortwörtlich, ohne dass Air Doll deswegen zum Exploitationfilm werden würde. Statt des- sen erzählt der Film die Subjektkonstitution eines sich seiner eigenen Funk- tion bewussten Sexspielzeugs als modernes Märchen. -
Maquette Hana-Bi
Un film de Takeshi Kitano LYCÉENS AU CINÉMA EN RÉGION CENTRE SOMMAIRE AVANT-PROPOS 3 Takeshi qui rit et Takeshi qui pleure LE CINÉASTE 4 Docteur Kitano et Mister “Beat” Takeshi L’ÉQUIPE DU FILM 5 Le musicien et l’homme-orchestre HISTOIRE DU FILM 6 De l’accident à la reconnaissance LES PERSONNAGES 7 Artistes et modèles ANALYSE DU RÉCIT 8 Un escalator narratif MISE EN SCÈNE 10 Le musical et le pictural CHEMINS DE TRAVERSE 12 Le générique de début : tout un programme Atelier montage « Beaucoup de critiques et de journalistes parlent de mes films comme d’œuvres avant tout violentes. Or, pour moi, le rapport entre la douceur et la violence ressemble au mouvement d’un pendule. Plus un homme PISTES DE RÉFLEXION 16 est tendre, plus il peut devenir extrêmement cruel et brutal. C’est en lui que l’écart entre les deux états Un film qui se voit en peinture d’âme peut être le plus extrême, car il a une capacité de ressentir les émotions les plus profondes. Cela peut paraître une exagération, mais il me semble que l’acte amoureux ultime peut être le meurtre de celui que AUTOUR DU FILM 19 vous aimez ». Les femmes et les enfants d’abord Takeshi Kitano, Entretien avec Michel Ciment, Positif n°441, 1997 Extraits critiques DOCUMENTS 20 L’éternité retrouvée Lycéens au cinéma en région Centre est coordonné par l’Atelier de Production Centre Val de Loire, réalisé avec le soutien du Centre National de la Bibliographie Cinématographie, de la Région Centre, de la DRAC Centre et du Rectorat de l’Académie Orléans-Tours et le concours des salles de cinéma partici- pant à l’opération. -
Movie Museum MAY 2019 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
Movie Museum MAY 2019 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! ARCTIC 2 Hawaii Premieres! ARCTIC HANJIRO HONNOUJI HOTEL (2018-Iceland) SAMURAI HUSTLE (2018-Iceland) (2010-Japan) (2017-Japan) in English, in widescreen Chô kôsoku! Sankin kôtai in English, in widescreen Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws with Mads Mikkelsen (2014-Japan) with Mads Mikkelsen 12:00, 4:30 & 9:00pm 11:00am, 3:45 & 8:30pm 12:00, 3:30, 5:15 & 8:45pm Japanese w/Eng subtitles ws 10:45am, 2:45 & 6:45pm ------------------------------------ --------------------------------- ---------------------------------- 12:00, 4:30 & 9:00pm ------------------------------------ MURMUR OF THE TOKYO TOWER: TORA-SAN, HIS ------------------------------------ Hawaii Premiere! HEARTS MOM AND ME, AND TENDER LOVE HANJIRO HONNOUJI HOTEL (2015-Hong Kong/Taiwan) SOMETIMES DAD (1970-Japan) (2010-Japan) (2017-Japan) Mandarin w/Eng subtitles ws (2007-Japan) Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws Directed by Sylvia Chang Japanese w/Eng subtitles ws with Kiyoshi Atsumi with Takaaki Enoki with Haruka Ayase 2:15 & 6:45pm 2 1:15 & 6:00pm 3 1:45 & 7:00pm 4 2:15 & 6:45pm 5 12:30, 4:30 & 8:30pm 6 TORA-SAN, HIS Hawaii Premiere! EVERYBODY KNOWS Mother's Day 2 Hawaii Premieres! TENDER LOVE SAMURAI HUSTLE (2018-Spain/France/Italy) SWEET BEAN A MAN CALLED (1970-Japan) (2014-Japan) Spanish/Eng w/Eng subs ws (2015-Japan/France/Germany) INTREPID Japanese w/Eng subtitles ws Japanese w/Eng subtitles -
THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% Discount for JCCC Members
THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% discount for JCCC members DAVID IKEDA Sales Representative 416-234-2424 www.ikedasells.com Sutton Group Old Mill Realty Inc., Brokerage For Experienced Professional Real Estate Services Beyond your Expectations Please call for a consultation - no obligation bonni maikawa sales representative www.bonnimaikawa.com 416 966 0300 2 Sutton Group Associatiates Realty Inc., Brokerage 2016 - 17 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2-7 JCCC Upcoming Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 8-9 Heritage News VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 9-11 Community News Directors Jonathan Carter Mark Hashimoto Kristin Kobayashi 11-12 Donations Keiichi Kubo Dereck Oikawa Chris Reid 13-16 日本語紙面 Cary Rothbart Ross Saito Nao Seko Peter Wakayama Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston May William Hatanaka Sid Ikeda Sat 6 JCCC Annual Bazaar Steve Oikawa Thu 11 The 4th Ishizue Awards Connie Sugiyama JCCC Foundation Chair Shari Hosaki PHOTOLAB II Exhibit Opening JCCC Staff Sat 13 JCCC Karaoke Club James Heron Karate Tournament Executive Director Thu 18 JCCC Movie Night [email protected] 416-441-2345 ext.224 "After the Storm" Kathy Tazumi Accounting/General Administration Manager Sat 20 JCCC Karaoke Club [email protected] 416-441-2345 ext.229 -
Cineclubuned 24.Pdf
Asociación Cultural UNED SORIA Presidente Saturio Ugarte Martínez Vicepresidente Carmelo García Sánchez Secretario José Jiménez Sanz Tesorero Cristina Granado Bombín Vocales Mª Desirée Moreno Pérez Anselmo García Martín Jesús Labanda Izquierdo Dario García Palacios Coordinador Carmelo García Sánchez 24 Secciones Pantalla Grande Curso Programación y Textos Roberto González Miguel (RGM) 2017.2018 José María Arroyo Oliveros (JMA) Julián de la Llana del Río (JLLR) Ángel García Romero (AGR) Miradas de Cine Programación y Textos Roberto González Miguel (RGM) José María Arroyo Oliveros (JMA) Edita Soria de Cine Asociación Cultural UNED. Soria Selección y Textos Julián de la Llana del Río (JLLR) D.L. So-159/1994 Cineclub UNED c/ San Juan de Rabanera, 1. 42002 Soria. t. 975 224 411 f. 975 224 491 Colaboradores [email protected] www.cineclubuned.es Colaboración especial Susana Soria Ramas Pedro E. Delgado Cavilla © Fotografías: Alberto Caballero García Cabeceras: Unsplash (diferentes autores) Peliculas: Distribuidoras Producción Audiovisual Visorvideo. Victor Cid (www.visorvideo.tv) Diseño Gráfico/Maqueta Roberto Peña (www.elprincipiokiss.es) Impresión Arte Print Otras colaboraciones José Reyes Salas de proyección Centro Cultural Palacio de la Audiencia (Plaza Mayor) Casa de la Tierra- UNED. (c/ San Juan de Rabanera, 1). 24 OCTUBRE NOVIEMBRE DICIEMBRE ENERO i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do 01 01 02 03 04 05 01 02 03 01 02 03 04 05 06 07 02 03 04 05 06 07 08 06 07 08 09 10 11 12 04 05 06 07 -
Catalogo Catalogue 2019.Pdf
IN UN MONDO CHE CAMBIA, PUOI AMARE IL CINEMA FESTA DEL CINEMA DI ROMA DA UN’ALTRA PROSPETTIVA. 17-27 Ottobre 2019 PRODOTTO DA MAIN PARTNER Promosso da Partner Istituzionali Messaggio pubblicitario con finalità promozionale. WE LOVE CINEMA In collaborazione con BNL Main Partner della Festa del Cinema di Roma, dal 17 al 27 ottobre. Seguila da un altro punto di vista, su welovecinema.it e con la nostra app. by BNL - BNP PARIBAS welovecinema.it Sponsor Uffi ciali Auto Uffi ciale La banca per un mondo che cambia Partner Partner Tecnico Main Media Partner TV Uffi ciale Media Partner Sponsor FOOD PROMOTION & EVENTS MANAGEMENT Sponsor Tecnici PRODUZIONI E ALLESTIMENTI L'APP DELLA REGIONE LAZIO CON SCONTI E PROMOZIONI PER I GIOVANI DAI 14 AI 29 ANNI su cinema, eventi, libri, concerti, teatro, sport, turismo, pub e ristoranti SCARICA L’APP DAGLI STORE SCOPRI DI PIÙ NELLO SPAZIO DELLA REGIONE LAZIO ALLA FESTA AUDITORIUM PARCO DELLA MUSICA VIVILE STAGIONI DELLE ARTI CONCERTI FESTIVAL RASSEGNE VIALE PIETRO DE COUBERTIN • 00196 ROMA INFO: 06 8024 1281 • BIGLIETTERIA: 892 101 (SERVIZIO A PAGAMENTO) PROGRAMMAZIONE E BIGLIETTI SU AUDITORIUM.COM Siamo con il CINEMA ITALIANO ovunque voglia arrivare. cinecittaluce.it festadelcinema_165 X240 .indd 1 18/09/19 09:20 esecutivo-pagina-cinema.pdf 1 17/09/2019 09:47:37 C M Y CM MY CY CMY K Lavoriamo ogni giorno per valorizzare il set più bello del mondo. Mazda CX-30 Cat FestaCinema 165x240.indd 1 01/10/19 10:13 SIAE_per_FestaCinemaRoma_2019_165x240.pdf 1 10/09/19 11:47 SOGNI IDEE ARTE EeMOZIONI 14A EDIZIONE | 14TH EDITION -
A Film by Hirokazu Kore-Eda (Nobody Knows)
Mar del Plata Tokyo Film Festival, Film Festival, GOLDEN BLUE RIBBON AWARD ASTOR Best Film Best Director San Sebastián Film Festival, CEC AWARD Best Film still walking a film by hirokazu kore-eda (nobody knows) Starring: Hiroshi Abe, Yui Natsukawa, You, Kazuya Takahashi, Shohei Tanaka, Kirin Kiki, Yoshio Harada, Ryôga Hayashi, Yui Natsukawa; Cinematography: Yutaka Yamazaki; Production Design: Toshihiro Isomi, Keiko Mitsumatsu; Lighting: Eiji Oshita; Music: Gontiti; Sound: Yutaka Tsurumaki, Shuji Ohtake; Costume Stylist: Kazuko Kurosawa; Production: TV Man Union; Editing: Hirokazu Kore-eda; Screenplay: Hirokazu Kore-eda; Direction: Hirokazu Kore-eda still_walking_vs.indd 1 31.3.2009 14:53:18 Uhr STILL WALKING Aruitemo, aruitemo – Hirokazu Kore-eda, Japon 2008 La famille Yokoyama se réunit pendant une belle et chaude journée d’été, pour commémorer, comme chaque année, la mort tragique du fils aîné, décédé quinze ans plus tôt en sauvant un enfant de la noyade. Dans la spacieuse maison familiale, qui fut autrefois aussi le cabinet médical du père, rien ne semble avoir bougé. L’accueil de la mère est toujours aussi généreux et réconfortant, à l’image du festin délicatement préparé par la mère pour ses enfants et ses petits-enfants. Pourtant, les uns et les autres ont imperceptiblement changé avec le temps passé … Hirokazu Kore-eda s’est fortement inspiré de sa propre histoire familiale pour réaliser ce subtil mélange d’humour, de chagrin et de mélancolie où les membres d’une famille japonaise ordinaire expriment leur amour, leurs ressentiments, laissant aussi entrevoir les secrets que chacun porte en lui-même. La vie et la mort – la vie et l’amour Fiche technique « Dans ce film, plus que dans tous les Still Walking est certainement l’œuvre la Réalisation: Hirokazu Kore-eda autres, je crois que je suis arrivé à plus personnelle du cinéaste japonais Hirokazu Scénario: Hirokazu Kore-eda dessiner l’être humain et son comporte- Kore-eda, si fortement liée qu’elle est à Image: Yutaka Yamazaki ment d’une façon spéciale et nuancée. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver