GUIA DE MARKETING PARA EL LANZAMIENTO DE UNA NUEVA MARCA DE MODA (Vai Olivia)

Total Page:16

File Type:pdf, Size:1020Kb

GUIA DE MARKETING PARA EL LANZAMIENTO DE UNA NUEVA MARCA DE MODA (Vai Olivia) UNIVERSIDAD TECNOLÓGICA EQUINOCCIAL FACULTAD DE ARQUITECTURA, ARTES Y DISEÑO CARRERA DE DISEÑO DE MODAS TESIS PREVIA A LA OBTENCIÓN DEL TITULO DE LICENCIADA EN DISEÑO DE MODAS GUIA DE MARKETING PARA EL LANZAMIENTO DE UNA NUEVA MARCA DE MODA (Vai Olivia) AUTORA: TATIANA BELÉN GONZÁLEZ JARAMILLO DIRECTORA: DISEÑADORA ANABELA CHAVEZ QUITO JULIO 2013 AUTORÍA Yo, Tatiana Belén González Jaramillo, declaro bajo juramento que el proyecto de grado titulado: Guía de marketing para el lanzamiento de una nueva marca de moda (Vai Olivia), es de mi propia autoría y no es copia parcial o total de algún otro documento u obra del mismo tema. Asumo la responsabilidad de toda la información que contiene la presente investigación. Atentamente, __________________________ Tatiana González II Por medio de la presente certifico que la Srta. Tatiana González, ha realizado y concluido su trabajo de grado, titulado: Guía de marketing para el lanzamiento de una nueva marca de moda (Vai Olivia) para la obtención del título de, Diseñadora de Modas de acuerdo con el plan aprobado previamente por el Consejo de Investigación de la Facultad de Arquitectura, Artes y Diseño. De igual manera asumo la responsabilidad por los resultados alcanzados en el presente trabajo de titulación. Atentamente, Anabela Chávez Director de Tesis III Dedico este trabajo a mi familia porque sin ellos no lo hubiese logrado, fueron mi apoyo, mi fuerza, mi cordura, mi aliento y mi valor en cada instante. En ocasiones la vida se torna difícil. Sin embargo, para darnos esperanza nos concede maravillosas sorpresas, que así como los arcoíris nos hacen ver que cada instante es único e irrepetible y merece ser vivido intensamente. Ahora que latimos juntos, te dedico este trabajo y todos de aquí en adelante…te dedico mi vida, porque sin conocerte te amo y te amaré porque eres mi rayo de sol, ese rayo que tras la tormenta se abre paso para llenar de color el cielo… IV Agradezco esencialmente el hecho de no haberme dado por vencida ni aun sintiéndome vencida, de haber sacado fuerzas pensando que ya no me quedaban más. Igualmente debo agradecer a mi familia quienes merecen el título también, porque cada uno de una u otra forma se desveló y trabajó hombro a hombro a mi lado a pesar de los inconvenientes. A las personas que están, a las que se fueron, a las que permanecen como recuerdos imborrables a todos aquellos que de una u otra forma simplemente están. A todos, gracias... V Resumen Localmente es difícil encontrar una guía que se adapte al mercado local de la moda para lanzar nuevas marcas que se adapten a las necesidades del medio. Este trabajo se elaboró con la intención de contribuir con un método sencillo y detallado para aquellos diseñadores y personas con otra formación que deseen incursionar en el campo de la moda lanzando una marca propia. Todo lo aprendido a lo largo de la carrera se encuentra plasmado en este trabajo, organizado y estructurado para su fácil comprensión y porque no posterior realización. La información fue extraída de los mejores libros; en el campo fue algo difícil sacar datos ya que la marca que se propone lanzar es una marca para niñas en edad prescolar y los padres de las mismas por seguridad prefieren no dar información de ningún tipo. Se logró el objetivo que se planteaba al principio puesto que a pesar de las dificultades se consiguió la información más importante que es la referente al estilo de vida de las niñas y todo lo que esto engloba. Un trabajo arduo, sin embargo muy enriquecedor ya que fue necesario diseñar estrategias un tanto rebuscadas para conseguir los datos necesarios. El trabajo finalizó, y ahora es posible siguiendo todos los pasos, lanzar una marca de moda para el mercado local contribuyendo de la misma manera con quien desee hacerlo. VI Abstract Locally it is hard to find a guide that adapts to the ecuadorian fashion market to release new brands that adjust to the needs of the country. This work was made with the intention of contribute with a simple but usefull method for fashion designers and people with other academic formation, that want to venture in the fashion world and launch their own brand. Everything learned along the career is captured in this work, organized and structured to make it easy to understand and apply in further projects. All the information was extracted from the best books; it was a little difficult to acquire data on the field because this brand is for girls on preschool, and the parents for their daughters safety prefer not to give information of any kind. At the end the goal was reached, because instead of the difficulties the most important information to get was the life style of the girls and everything this involves with hard work this was accomplished. this was hardwork but very enriching because it was necessary to design unconventionals strategies to get the needed data. The job is done now, and following all the steps described in it, is possible to release a brand in the local market and contribute with the one who likes launch a clothing brand. VII ÍNDICE CAPÍTULO 1 .................................................................................................................................. 28 1.1 GENERALIDADES DE LA MODA .......................................................................................... 28 1.2 DESARROLLO HISTÓRICO DEL MARKETING DE MODA ...................................................... 33 DECADA 1900 – 1910 ........................................................................................................... 38 CHARLES FREDERICK WORTH ........................................................................................... 38 PAUL POIRET .................................................................................................................... 38 LUCILLE DUFF GORDON ................................................................................................... 38 MARIANO FORTUNY......................................................................................................... 39 JEANNE LANVIN ................................................................................................................ 39 JEANNE PAQUIN ............................................................................................................... 39 JEANNE PATOU ................................................................................................................ 40 EDWARD MOLINEAUX...................................................................................................... 40 MADELEINE VIONNET ...................................................................................................... 40 JACQUES DOUCET ............................................................................................................ 41 DÉCADA 1910 – 1920 ........................................................................................................... 41 COCO CHANEL .................................................................................................................. 41 NINA RICCI ........................................................................................................................ 41 MAINBOCHER ................................................................................................................... 42 AUGUSTA BERNARD ......................................................................................................... 42 CALLOT SOEURS ............................................................................................................... 42 DÉCADA 1920 – 1930 ........................................................................................................... 43 ELSA SCHIAPARELLI .......................................................................................................... 43 LOUISE BOULANGER ........................................................................................................ 43 ANDRÉ PERUGIA ................................................................................................................... 43 DÉCADA 1930 – 1940 ........................................................................................................... 44 RALPH LAUREN ................................................................................................................. 44 PIERRE BALMAIN .............................................................................................................. 44 CRISTOBAL BALENCIAGA .................................................................................................. 44 JACQUES FATH ................................................................................................................. 45 VIII DÉCADA 1940 – 1950 ........................................................................................................... 45 PIERRE CARDIN ................................................................................................................. 45 HUBERT DE GIVENCHY ..................................................................................................... 45 DÉCADA 1950 – 1960 ........................................................................................................... 46 CHRISTIAN DIOR ............................................................................................................... 46 ELIO BERHANYER .............................................................................................................. 46 PERTEGAZ ........................................................................................................................
Recommended publications
  • Marcas E Editoriais De Moda Em Diferentes Nichos De Revistas Especializadas
    UNIVERSIDADE DA BEIRA INTERIOR Engenharia Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas O caso Vogue, i-D e Dazed & Confused Joana Miguel Ramires Dissertação para obtenção do Grau de Mestre em Design de Moda (2º ciclo de estudos) Orientador: Prof. Doutora Maria Madalena Rocha Pereira Covilhã, Outubro de 2012 Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas II Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas Agradecimentos Ao longo do percurso que resultou na realização deste trabalho, foram várias as pessoas que ajudaram a desenvolve-lo e que disponibilizaram o seu apoio e amizade. Desta forma, o primeiro agradecimento vai para a orientadora, Professora Doutora Maria Madalena Rocha Pereira, que desde o início foi incansável. Agradeço-lhe pela disponibilidade, compreensão, por me ter guiado da melhor forma por entre todas as dúvidas e problemas que foram surgindo, e por fim, pela força de vontade e entusiamo que me transmitiu. A todos os técnicos e colaboradores dos laboratórios e ateliês do departamento de engenharia têxtil da Universidade da Beira Interior agradeço o seu apoio e os ensinamentos transmitidos ao longo da minha vida académica. Agradeço em especial á D. Lucinda pela sua amizade, e pelo seu apoio constante ao longo destes anos. Às duas pessoas mais importantes da minha vida, pai e mãe agradeço do fundo do coração por todo o amor, carinho, compreensão, e por todos os sacrifícios que fizeram, de modo a me permitirem chegar ao final de mais esta etapa de estudos. Aos meus avós e restante família que também têm sido um pilar fundamental na minha vida a todos os níveis, os meus sinceros agradecimentos.
    [Show full text]
  • Horse Play Frida Giannini Is Taking Gucci on an Edgy Ride for Pre-Fall, Delivering a Sporty Collection Full of Linear Shapes and Soft Textures
    The Inside: Top Pantone ChoicesPg. 12 COACH ENTERS RUSSIA/3 BCBG EYES BEAUTY/13 WWD WWDWomen’s Wear Daily • The Retailers’THURSDAY Daily Newspaper • January 31, 2008 • $2.00 List Sportswear Horse Play Frida Giannini is taking Gucci on an edgy ride for pre-fall, delivering a sporty collection full of linear shapes and soft textures. The mood of the clothes, Giannini says, is “about an equestrian beauty blended with luxury and a savoir-faire attitude.” Here, a wool coat with leather trim, cashmere and wool turtleneck and wool and Lycra spandex riding pants. On and Off the Mark: Wal-Mart Finding Way With Target in Sights By Sharon Edelson s Target losing its cool and Wal-Mart Ifinding its way at last? For years Wal-Mart Stores Inc. struggled to find the right apparel formula as its competitor, Target Corp., solidified its reputation as the go-to discounter for affordable style. But the apparel fortunes of Target and Wal- Mart seem to have taken dramatically different turns of late. Wal-Mart has tweaked its George collection to give it more currency and is selectively expanding its fast- fashion line, Metro 7. The company is also zeroing in on the under $10 price See Wal-Mart, Page14 PHOTO BY KHEPRI STUDIO PHOTO BY WWD.COM WWDTHURSDAY Sportswear FASHION Summer dresses strike a fl oral pose, from a tropical motif to a playful 6 fruit and fl ower print, and should keep things cool as the heat rises. GENERAL Wal-Mart is counting on apparel to boost its bottom line, as it restructures 1 the division, tweaks its George line and selectively expands Metro 7.
    [Show full text]
  • PARIS Cushman & Wakefield Global Cities Retail Guide
    PARIS Cushman & Wakefield Global Cities Retail Guide Cushman & Wakefield | Paris | 2019 0 Regarded as the fashion capital of the world, Paris is the retail, administrative and economic capital of France, accounting for near 20% of the French population and 30% of national GDP. Paris is one of the top global cities for tourists, offering many cultural pursuits for visitors. One of Paris’s main growth factors is new luxury hotel openings or re-openings and visitors from new developing countries, which are fuelling the luxury sector. This is shown by certain significant openings and department stores moving up-market. Other recent movements have accentuated the shift upmarket of areas in the Right Bank around Rue Saint-Honoré (40% of openings in 2018), rue du Faubourg Saint-Honoré, and Place Vendôme after the reopening of Louis Vuitton’s flagship in 2017. The Golden Triangle is back on the luxury market with some recent and upcoming openings on the Champs-Elysées and Avenue Montaigne. The accessible-luxury market segment is reaching maturity, and the largest French proponents have expanded abroad to find new growth markets. Other retailers such as Claudie Pierlot and The Kooples have grown opportunistically by consolidating their positions in Paris. Sustained demand from international retailers also reflects the current size of leading mass-market retailers including Primark, Uniqlo, Zara brands or H&M. In the food and beverage sector, a few high-end specialised retailers have enlivened markets in Paris, since Lafayette Gourmet has reopened on boulevard Haussmann, La Grande Épicerie in rue de Passy replacing Franck & Fils department store, and more recently the new concept Eataly in Le Marais.
    [Show full text]
  • The Challenges of Luxury Fashion Flagship Hotels: the Case of Maison Moschino
    This is a repository copy of The challenges of luxury fashion flagship hotels: The case of Maison Moschino. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/124921/ Version: Accepted Version Article: Dallabona, A orcid.org/0000-0002-1051-9389 (2018) The challenges of luxury fashion flagship hotels: The case of Maison Moschino. Critical studies in fashion and beauty, 8 (2). pp. 219-237. ISSN 2040-4417 https://doi.org/10.1386/csfb.8.2.219_1 (c) 2017 Intellect Ltd Article. This is an author produced version of a paper published in Critical Studies in Fashion & Beauty; https://doi.org/10.1386/csfb.8.2.219_1 Uploaded in accordance with the publisher's self-archiving policy Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ALICE DALLABONA University of Leeds The challenges of luxury fashion flagship hotels: The case of Maison Moschino Abstract In the last few years, many luxury fashion labels have ventured into the hospitality industry.
    [Show full text]
  • Large Print Guide
    Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir.
    [Show full text]
  • ANNUAL REPORT PART 1 H&M in Words and Pictures 2009
    ANNUAL REPORT PART 1 H&M in words and pictures 2009 Dress €39.95 H&M 2009 35 markets 1,988 stores 76,000 employees sales including VAT SEK 118.7 billion profit after tax SEK1 6.4 billion Jacket € 39.95 Autumn 2009 Women H&M 2009 – page 3 Denim jacket € 14.95 Spring 2010 Spring 2010 Women Divided Knitted hat € 4.90 Spring 2010 Spring 2010 Women Divided H&M 2009 – page 5 Autumn 2009 Jimmy Choo for H&M SkorSkor 999:-799:- Shoes € 79.95 Skor 799:- Autumn 2009 Jimmy Choo for H&M H&M 2009 – page 7 Blouse € 14.90 Spring 2009 Spring 2010 Children Sonia Rykiel pour H&M Jumper € 39.95 Spring 2009 Spring 2010 Children Sonia Rykiel pour H&M H&M 2009 – page 9 Blouse € 34.95 Spring 2010 Women Business concept FAsHioN & QuAliTy at the till BEsT PricE H&M’s business concept is to offer fashion and quality at the best price. H&M’s growth target is to increase the number of stores by 10 –15 percent per year, but also to increase sales in comparable units. The growth, which is fully self-financed, will proceed with an emphasis on quality and continued high profitability. H&M is driven by strong values such as simplicity, continuous improvement, team spirit, cost-consciousness and entrepreneurship. Focusing on the customer, H&M’s in-house designers create a wide and varied range for everyone who loves fashion. Quality is a central concept, right through from first idea to final customer. New items are offered to customers every day.
    [Show full text]
  • From Karl Lagerfeld to Erdem: a Series of Collaborations Between Designer Luxury Brands and Fast-Fashion Brands
    J Brand Manag https://doi.org/10.1057/s41262-018-00146-2 ORIGINAL ARTICLE From Karl Lagerfeld to Erdem: a series of collaborations between designer luxury brands and fast-fashion brands 1 1 1 Mona Mrad • Maya F. Farah • Stephanie Haddad Revised: 2 June 2018 Ó Springer Nature Limited 2018 Abstract Numerous designer luxury brands have been Introduction interested in creating co-branding partnerships with the fast-fashion retailer H&M. Despite the recognition by some Fierce competition and dynamic marketing environments researchers of the value of examining whether consumer steadily pressure companies to adopt innovative branding reactions to the co-partnering luxury brands will be affec- strategies to capitalize on their brand equity (Ko et al. ted by the collaboration, to the best of our knowledge, no 2016; Nobre and Ferreira 2017). As a response to current research to date has examined luxury consumer reactions to market instabilities, companies are increasingly interested such partnerships. Accordingly, this research specifically in establishing co-branding partnerships (Shen et al. 2017; explores how the collaboration between a luxury brand and Voss and Mohan 2016). The purpose of such partnerships a fast-fashion brand impacts on consumer reactions to the is to benefit from the likely positive spillover associations luxury brand. Considering the exploratory nature of this between the allying brands, which could enhance brand study, thirty face-to-face in-depth interviews were con- image and awareness (Oeppen and Jamal 2014; Xiao et al. ducted in the UK to reveal insights into consumer reac- 2014). tions, given the limited knowledge on the subject matter.
    [Show full text]
  • Können Jetzt Einpacken!
    ICONNOVEMBER 2009 SIE KÖNNEN JETZT EINPACKEN! Christbaumkugeln von WIR SIND’S Sibilla Pavenstedt WIEDER! etzt können Sie einpacken! Warum klingt Tannenbaum und nicht an der Kasse! Wir hier in der das in unserem Sprachgebrauch eigentlich ICON-Redaktion, die sich durchaus gern mit Stil be- so negativ, während die Aufforderung zum schäftigen, haben auf die zum Jahresende gestellten J Anpacken so frisch und sympathisch ’rü- Fragen, „wie pack ich es an“ und vor allem „worin packe berkommt? Verpacktes wird allgemein ich es ein“, ein entschiedenes Sowohl-als-auch zu bie- nicht gern gesehen, fürchtet man doch ge- ten. Die einen halten es mit einem less is more, behaup- täuscht zu werden. Es sei denn an Festtagen, dann wird ten also, im Weglassen bestünde ein gewisser Schmuck. das Verbergen mit Schleifen und Glanzpapier zur Kunst Doch die anderen haben mindestens ebenso recht, erhoben. Die Hamburgerin Waltraud Bethge macht seit wenn sie finden, dass nur Mehr mehr ist. Und für die ha- Jahrzehnten gute Geschäfte damit, dass sie Schreibwa- ben wir dieses Heft gemacht. Für diejenigen nämlich, ren zu Luxusartikeln gemacht hat. Ihre ist nur eine der denen es Freude macht zu schmücken, zu verpacken, zu vielen Geschichten, die wir in diesem Heft auspacken. schenken, haben wir Anregungen vom Porsche-Gutsle- Apropos: Gleich ob Sie das Geschenkpapier im gehobe- Förmchen bis zu Hornemann-Juwelen zusammenge- nen Fachhandel kaufen oder die Bögen vom letzten tragen. Wem das alles doch zuviel Aufwand ist, der kann Jahr noch einmal aufbügeln, alles ist besser als das gern spenden. Auch dazu haben wir Vorschläge ins Heft schnöde Anreichen unverpackter Waren, wie es in gepackt.
    [Show full text]
  • Fashion & Family During the Time of COVID 19 FBS C19 Issue 6
    Fashion & Family During the Time of COVID_19 FBS C19 Issue 6: 12.06.20 The journey we all make is only a chapter in the story of our family. “Who Do You Think You Are” and dozens of other programmes trace the chapters leading up to our personal story. Fashion reflects that story in our colour sense, our aesthetic and our attitude towards clothes. Today and moving forward it’s shifting and changing, in exactly the same way as the idea of how fashion works shifts and changes. As we move deeper into the twenty first century it isn’t so much about moving countries to pursue the establishment of our fashion brand, house or label, it’s often about staying where we are. It’s often about staying true to our family and our own signature evolved through our own experiences. In terms of fashion creativity, the mix in our family tree may be imperceptible but it’s still there, a Polish name may have been born in Belgium, but the heritage is part of our approach to styling or beauty. Conde Nast has recognised these cultural nuances having diversified into ! "! many editions of Vogue matching local creative cultures, climates, and couture. The fact that a Vogue issued for Greece, and a Vogue produced for the Ukraine, should be different is obvious today, but this is comparatively recent. During the global crisis of COVID 19 most the the Vogue family have developed their own specific approaches to online communication. Mixing international voices with the more local, and also identifying that cross disciplinary creativity is essential; Fashion is about a great deal more than just “clothes”.
    [Show full text]
  • Samedi 10 Avril 2021 #Mode & Bijoux
    SAMEDI 10 AVRIL 2021 #MODE & BIJOUX Prêt-à-porter, accessoires de mode et maroquinerie Dont : Giorgio ARMANI, BALENCIAGA, BERLUTI, Pierre CARDIN, CÉLINE, CHANEL, Christian DIOR, DOLCE & GABBANA, HERMES, KENZO, Christian LACROIX, LANVIN, Christian LOUBOUTIN, PRADA, FRANCESCO SMALTO, YVES SAINT LAURENT, VALENTINO, Louis VUITTON… VENTE AUX ENCHÈRES PUBLIQUES À ROUEN SAMEDI 10 AVRIL 2021 à 10h00 SESSION 1 (10H00) - LOTS 1 à 160 SESSION 2 (14h00) - LOTS 161 à 498 EXPOSITION PUBLIQUE Du mercredi 7 au vendredi 9 avril 10h00 - 12h30 et 14h30 - 18h00 GALERIE SEQUANA 81 ter Boulevard des Belges - 76000 Rouen T. +33 2 35 71 71 41 [email protected] www.sequana.auction EXPERTS MODE MARCILHAC J. Consulting, Melle Joséphine MARCILHAC 16 rue des Saints Pères - 75007 PARIS T. +33 1 42 36 67 04 [email protected] Laissez un ordre d’achat secret #JÉROME DRÈGE COMMISSAIRE-PRISEUR ou enchérissez en direct sur internet avec Photographe : Luc PÂRIS Tous les lots illustrés sur : SEQUANA OVV N°067-2015 - SELARL JÉRÔME DRÈGE TITULAIRE D’UN OFFICE DE COMMISSAIRE-PRISEUR JUDICIAIRE Remerciements à : Carla VIAL et Maxime DOMERCQ www.interencheres.com/76002 Bijoux, or, numismatique 29 1ère de couverture > Robe : lot 426 - Pectoral : lot 200 (**)Frais réduits à 14,40% TTC 4ème de couverture > Broche : lot 89 (*)Frais judiciaires à 14,28% TTC .2 MODE & BIJOUX l SAMEDI 10 AVRIL 2021 5 14 1 8 Lot de pièces en argent comprenant : 109 pièces en argent de 5 Fr. Semeuse France. 4 pièces de 50 Francs Hercule 1977, 1978 - 2 pièces de 1960 (x46) - 1961 (x8) - 1962 (x21) - 1963 (x24) - 1964 (x9) - 1966 10 Francs Hercule 1967, 1970 - 1 pièce de 5 Francs Hercule, Poids total : 1308 g 1873 (montée en broche) - 1 pièce de 100 Francs Général de La (sous boite individuelle) 550 / 600 Fayette, 1987 - Espagne.
    [Show full text]
  • Vogue Italia Di Settembre: Le 100 Copertine
    Leggi l'articolo su beautynews Vogue Italia di settembre: le 100 copertine Con il numero di settembre, come di consueto il più importante dell'anno, Vogue Italia presenta ai lettori un progetto unico e speciale: un numero da collezione con cento personaggi per cento copertine: modelle famose e attrici, artisti e persone della strada - tutte speciali, con la loro storia unica da raccontare. Vogue manda in edicola così ancora una volta un'edizione da collezione, in cui le copertine numerate diventano un’opera d’arte e un manifesto della moda per tutti, all’insegna della diversità. «Lo scorso aprile, quando abbiamo scelto di lasciare bianca la nostra copertina, eravamo convinti che il silenzio fosse un giusto messaggio di rispetto e pudore», scrive nel suo editoriale Emanuele Farneti, direttore di Vogue Italia. «Adesso invece, all’inizio di una nuova stagione per molti versi decisiva, pensiamo sia il momento di parlare ad alta voce di bellezza e di speranza. Per la prima volta abbiamo scattato, e stampato, cento cover. Ciascuna di loro è dedicata a una protagonista diversa: per età, aspetto fisico, colore della pelle. È il ritratto di una comunità che, pur nel giusto rispetto delle restrizioni di distanze e tempi imposte dal contesto, dopo aver diligentemente atteso ora si ritrova e ricomincia». Ci sono supermodel iconiche: Cindy Crawford, Pat Cleveland, Patti Hansen, Donna Jordan. Le top del momento: Kaia Gerber, Bella Hadid, Julia Nobis, Freja Beha Erichsen, Sasha Pivovarova, Irina Shayk, Alek Wek, Raquel Zimmermann, Saskia De Brauw, Rebecca Longendyke. Instagram star come Emily Ratajkowski e Paloma Elsesser.
    [Show full text]
  • In the Garden Cara Delevingne in the Hosts a Garden Party for the Wilderness Window Festival in England
    IN THE GARDEN CARA DELEVINGNE IN THE HOSTS A GARDEN PARTY FOR THE WILDERNESS WINDOW FESTIVAL IN ENGLAND. KATE MARA AND STYLIST PAGE 10 JOHNNY WUJEK TEAM UP COPENHAGEN CHEER TO CREATE WINDOWS AN UPBEAT MOOD PREVAILED AT COPENHAGEN FASHION FOR H&M FOR NEW YORK WEEK AS DANISH FASHION EXPORTS RISE. PAGES 8 AND 9 FASHION WEEK. PAGE 6 RENTS CLIMBING FAST New Retail Mecca: Lower Manhattan By DAVID MOIN NEW YORK — Retailing in lower Manhattan is gain- ing promise and getting pricier. With sweeping transformation hitting the area, lower Manhattan asking rents soared 37.8 percent in the second quarter this year over the same period TUESDAY, AUGUST 12, 2014 ■ $3.00 ■ last year, faster than any other section of the borough, WWD Cushman & Wakefi eld reported Monday. The commercial real estate services fi rm exam- ined 10 Manhattan neighborhoods and concluded that lower Manhattan’s asking rents, in percent increases, stand “head and shoulders above the rest.” Average asking rents for ground-fl oor space in lower Manhattan averaged $346 a square foot in the second quarter of Pretty, 2014, compared to $251 in the same quarter a year ago. The area’s vacancy rate stood at 6.4 percent com- pared to 9.1 percent in the year-ago period. “This central business district is the fourth-largest in the country and it’s under-retailed,” Cushman & Pretty Wakefi eld vice chairman Joanne Podell told WWD. “It’s a rediscovered market. Broadway is the best cor- ridor for street retail. There’s very little availability and rents are skyrocketing.” Cushman & Wakefi eld defi nes lower Manhattan as Pleats extending from Chambers Street to the southern tip Girly pleating is of the island.
    [Show full text]