Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons

Total Page:16

File Type:pdf, Size:1020Kb

Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons United Arab Emirates University Scholarworks@UAEU Dissertations Electronic Theses and Dissertations 11-2019 Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons Samah Gomaa Abou Marzouk Follow this and additional works at: https://scholarworks.uaeu.ac.ae/all_dissertations Part of the Arts and Humanities Commons Recommended Citation Abou Marzouk, Samah Gomaa, "Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons" (2019). Dissertations. 88. https://scholarworks.uaeu.ac.ae/all_dissertations/88 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarworks@UAEU. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarworks@UAEU. For more information, please contact [email protected]. iii Copyright Copyright © 2017 Samah Gomaa Mohamed Abou Marzouk All Rights Reserved vii Abstract Literary journalism is an art form that combines storytelling techniques with the veri- fiability of standard journalism. Research in the field is recent and predominantly Western. Unlike Anglo-American literary journalism, there are no studies on Arabic literary journalism as a stand-alone art form in Arabic and only one in English, which examines the reasons for its scarcity. This study aims to prove otherwise. The objec- tive of this research is to combine history and criticism in exploring Arabic literary journalism; examine its predecessors, characteristics, motives and how it relates to its Anglo-American counterpart; and determine whether the two are fundamentally dif- ferent or show any parallels. This study will not only illuminate the Arabic side, thereby providing a fresh perspective on several texts, but will also help deepen the understanding and appreciation of literary journalism as a global phenomenon rather than a Western one. Theories and definitions by such Anglo-American scholars in the field as Norman Sims, Thomas Connery, John Hartsock, Ben Yagoda, Kevin Kerrane, Mark Kramer, Barbarah Lounsberry, and Tom Wolfe will be utilized as a backdrop to analyze the style and purpose of a sample consisting of pieces written by 24 established Arab journalists and/or literary figures across different eras. The re- search will also benefit from a small group of theories relating to humor studies, so- ciolinguistics, literature, and definitions of literary journalism as provided by certain Arab journalism scholars such as Mar’e Madkour and Mohammed Sayed Moham- med. This study will ultimately contribute to current debates about international lit- erary journalism in addition to introducing a new field of study to the Arab region, one that provides a better interpretation for texts that possess both literary and jour- nalistic qualities. Keywords: Arabic literary journalism, Anglo-American literary journalism, Litera- ture, Journalism, History, Criticism. viii Title and Abstract (in Arabic) تداول نقطة التداخل بين الصحافة اﻷدبية العربية واﻻنجلو-أمريكية: سبر اﻻمكانيات وتحدي المعايير الملخص ﺗﻌﺘﺒ�����ﺮﺮﺍﻟﺼ�����ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ�����ﺔ ﺷ�����ﻜﻼً ﻓﻨﻴ�����ﺎً ﻳﺠﻤ�����ﻊ ﺑ�����ﻴﻦ ﺗﻘﻨﻴ�����ﺎﺕ ﺍﻟﺴ�����ﺮﺩ ﺍﻟﻘﺼﺼ�����ﻲ ﻭ ﺍﻟﺪﻗ������ﺔ ﺍﻟﺼ������ﺤﺤﻴﺔ. ﻏﻴ������ﺮﺮﺍﻥﺮﺍﻟﺒﺤ������ﻮﺙﺙﺍﻟﻌﻠﻤﻴ���� ﺔ�� ������ﻮﻝﻝﻝ������ﺬﺍ ﺍﻟﺍﺠ������ﺎﻝﻝﻝﺪﻳﺜ������ﺔ ﺍﻟﻌﻬ������ﺪ ﻭﺗﻘﺘﺼ�����ﺮﺮﻓ�����ﻲ ﻤﻠﻬ����ﻋﻠ ﺎ������ﻰ ﺍﻟﺼ�����ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ�����ﺔ ﻓ�����ﻲﻲﺍﻟﻐ�����ﺏﺏ.ﺏﻋﻠ�����ﻰ ﻋﻋ�����ﺲﺲﺍﻟﺼ�����ﺤﺎﻓﺔ ﺍﻷﻧﻷﻠ������ﻮ ﺃﻣﻣﻳﻜﻴ������ﺔ،،ﻻ،ﺗﺘ������ﻮﻓﺮ ﺃﻱ ﺩﺭﺍﺳ������ﺎﺕﺕﺑﺎﻟﻠﻐ������ﺔ ﺍﻟﻌﺮﺑﻴ������ﺔ ﺗﺘﻨ������ﺎﻭﻝﻝﺍﻟﺼ������ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ������ﺔ ﺍﻟﻌﺮﺑﻴ�����ﺔ ﺑﺎﻋﺘﺒﺎﺭﻫ�����ﺎ ﺃﺳ�����ﻠﻮﺑﺎً ﻛﺘﺎﺑﻴ�����ﺎً ﻣﺴ�����ﺘﻘﻼً ﺑﺤ�����ﺪ ﺫﺍﺗ�����ﻪ. ﺇﺿ�����ﺎﻓﺔ ﺇﻟ�����ﻰ ﺫﻟ�����ﻚ، ﻻ ﺗﻮﺟ�����ﺪ ﺳ������ﻮﻯ ﺩﺭﺍﺳ����� �ﺔ ﻭﺍ ������ﺪﺓ ﺑﺎﺠﻧﺠﻠﻴﺰﻳ���� ﺔ�� ﻔﺎﺩﻫ������ﺎ ﺍﻥ ﺍﻹﻧﺘ������ﺎﺝ ﺍﻟﻌﺮﺑ������ﻲﻲﻓ������ﻲﻲﻲ������ﺬﺍ ﺍﻟﺍﺠ������ﺎﻝﻝ ﺷ�����ﺤﻴﺢ. ﻭﻋﻠﻴ�����ﻪ،،ﺗﻬ�����ﺪﻑ ﺍ ﻁ ﻭﺣ�����ﺔﺮﺍﻟﺮﺍﺮﻨ�����ﺔ ﺍﻟ�����ﻰ ﺗﻘ�����ﺪﻳﻢﻢﻢ�����ﺎ ﻳﺒ�����ﻴﻦﻦﻋﻋ�����ﺲﺲﺫﻟ�����ﻚﻚ ﻣ�����ﻦﻦ ﺧ������ﻼﻝ ﺍ ﺘﻘﺼ������ﺎء ﺗ������ﺎﺭﻳﺦ ﺍﻟﺼ������ﺤﺎﻓﺔ ﺍﻻﺩﺑﻴ������ﺔ ﺍﻟﻌﺮﺑﻴ����� �ﺔ ﻭﺃ ������ﺎﻟﻴﺐﺐﻧﻘ����ﺪ��ﻫﺎﻫﻭﺧﺼﺎﺋﺼ������ﻬﺎﻬ ﻭﺭﻭﺍﺩﻫ�����ﺎ، ﻭﺃﺳ�����ﺒﺎﺏ ﻧﺸ�����ﺄﺗﻬﺎ ﺃﻳﻀ�����ﺎً. ﻛﻤ�����ﺎ ﺗﺘﻄ�����ﺮﻕ ﺍﻟﺪﺭﺍﺳ�����ﺔ ﺃﻳﻀ�����ﺎً ﺇﻟ�����ﻰ ﺗﺤ�����ﺮﻱ ﻋﻼﻗ�����ﺔ ﺍﻟﺼ���������ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ���������ﺔ ﺍﻟﻌﺮﺑﻴ���������ﺔ ﺑﻈﻨﻴﺮﺗﻬ���������ﺎ ﺍﻻﻧﺠﻠ���������ﻮ ﺃﻣﻣﻳﻜﻴ���������ﺔ،،،���������ﺪﻱ ﺗ ﻘﺎﺭﺑﻘﻤ�������ﺍﻭ ﺎ�� ﺍﺧﺘﻼﻓﻬﻤ������ﺎ. ﻤ������ﺎﻻ،،ﻻ،ﺗﻬ������ ﻑﺪ ������ﺬﺬﺬﺍﻟﺪﺭﺍﺳ������ﺔ ﺍﻟ����� �ﻰ ﺗ ����ﻠ��ﻴﻂﻂﺍﻟﻀ������ﻮء ﻋﻠ������ﻰ ﺍﻟﺠ������ﺰء ﺍﻟﻌﺮﺑ�����ﻲﻲﻭﺍﻟﻨﻈ�����ﺮﺮﺍﻟ�����ﻰ ﻤﻮﻋ��� ﺔ�� �����ﻦﻦﺍﻟﻨﺼ�����ﻮﺹﺹﺹ�����ﻦﻦﻦﻨﻈ�����ﻮ ﺭ ﺪﻳ�����ﺪ ﻓ �����ﻂ. ﺑ�����ﻞﻞﺗﻬ�����ﺪﻑ ﺍﻳﻀ�����ﺎ ﺍﻟ�����ﻰ ﺗﻌﻰﻳ��� ��ﺍ ﺍﻟﺍ �����ﻢﻢﺑﻬ�����ﺬﺍ ﺍﻟ�����ﻨﻤﻂﻂﺍﻟﻜﺘ�����ﺎﻋﻠﻲﻲﺑ�����ﻰ ﺍﻟﻤﺴ�����ﺘﻮﻯ ﺍﻹﻧﻹ����ﺎﺎﻭﻟﻲﻲﻧ�����ﻴﺲ ﻓ �����ﻂﻂ ﺍﻟﻐﻐﺑﻲ. ﺗﺴ������ﺘﻨﺪ ﺍﻟﺪﺭﺍﺳ������ﺔ ﺍﻟﺍﺎﻟﻴ����� �ﺔ ﺔﻠ����� �ﻰ ﻧﻈ ﻳ������ﺎﺕﺕﺍﻟﺼ������ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ������ﺔ ﻭﻣﻔ������ﺎﻫﻴﻢﻢﻭﺿ����ﻌ��ﻬﺎﻬﻧﻘ������ﺎﺩ ﻭﻋﻠﻤ��������ﺎء ﺃﻧﺠﻠ��������ﻮ-ﺃﻣﻣﻳﻜﻴ�������� ﻥﻮ ﺜ��������ﻞ ﻧﻮﺭﻣ��������ﺎﻥ ﺳ��������ﻴﻤﺰ، ﺗﻮﻣ��������ﺎﺱ ﻛﻮﻧ��������ﻮﺭﻱ، ﺟ��������ﻮﻥ ix ﻫﺎﺭﺗﻫ�������ﻮﻙ،،ﺑ�������ﻫ ﻳ�������ﺎﺟﻮﺩﺍ، ﻛﻴﻔ�������ﻴﻦ ﻛ�������ﺮﻳﻦﻦ ﻣ�������ﺎﺭﻙ ﻛﺮﻳﻤ�������ﺮﺮ ﺑﺎﺭﺑ�������ﺎﺭﻩ ﻻﻭﻧﺰﺑﻴ�������ﺮﻱﺮ ﻭﺗ�����ﻮﻡ ﻭﻭﻟ�����ﻒ. ﺣﻴ�����ﺚ ّﺃﻥ ﻟﻬ�����ﺬﺬ ﺍﻟﺍﺍ�����ﺎﻫﻴﻢ ﻭﺍﻟﻨﻈﺮﻳ�����ﺎﺕﺮﺩﻭﺭﺍ ً ﻫﺎﻣ�����ﺎ ً ﻓ�����ﻲ ﺗﺤﻠﻴ�����ﻞ ﺃﺳ�����ﻠﻮﺏ ﻭﺃﻏ�����ﺮﺍﺽ ﻧﻤ��� ��ﺎﺫﺫ ﺘ�����ﺎﺭﺓ ﻛﺘﺒ�����ﺖﺖﺖ�����ﻦﻦﻗﺒ�����ﻞﻞﺃﺭﺑ�����ﻊ ﻭﻋﺸ�����ﺮﻭﻭ ﻛﺎﺗﺒﺎ/ﻛﺎﺗﺒ�����ﺔ ﻋﺮﻓ�����ﻮ ﺍ �����ﻦﻦ ﺧ��������ﻼﻝﻝﺃﻋﻤ�������ﻟﺎ�ﻬﻬﻬﻓ��������ﻲ ��������ﺎﻝﻝﺍﻟﺼ��������ﺤﺎﻓﺔ ﺃﻭ ﺍﻻﺩﺏ ﺍﻟﻌﺮﺑ��������ﻲﻲﻋﺒ��������ﺮﺮﻓﺘ��������ﺮﺍﺕ ﻨﻴ��������ﺔ ﻣﻣﺘﻠﻔ��������ﺔ. ﻛﻤ��������ﺎ ﺳ��������ﺘﺘﻄﺮﺮ ﺍﻟﺪﺭﺍﺳ��������ﺔ ﺇﻟ��������ﻰ ﻣﻣﻤﻮﻋ��������ﺔ ﻣ��������ﻦ ﺍﻟﻨﻈﺮﻳ��������ﺎﺕﺮﺫﺍﺕﺕﺍﻟﺼ��������ﻠﺔ ﺑﺎﻟﻔﻜﺎﻫ��������ﺔﻫﻭﺍﻻﺩﺏ ﻭﻋﻠ��������ﻢ ﺍﻟﻠﻐﻮﻳ��������ﺎﺕ ﺍﻻﺟﺘﻤﺎﻋﻴ��������ﺔ ﺇﺇ��������ﺎﻓﺔ ﺇﻟ��������ﻰ ﻣﻔ��������ﺎﻫﻴﻢ ﺍﻟﺼ��������ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ������ﺔ ﺍﺳ������ﺘﻨﺎﺩﺍ ً ﺇﻟ������ﻰ ﺑ������ﺎﺣﺜﻴﻦ ﻋ������ﺮﺏ ﻣﺜ������ﻞ ﻋ������ﻲ ﻣ������ﺪﻛﻮﺭ ﻭﻣﺤﺤ������ﺪ ﺳ������ﻴﺪ ﻣﺤﺤ������ﺪ. ﺳ������ﻴﻜﻮﻥ ﻟ ������ﺬﺬﺬﺍﻟﺪﺭﺍﺳ���� ﺭﻭﺩ ﺔ�� ������ﺎﻡ ﻓ������ﻲﻲ ﺍﻟﺍﻨ������ﺎﻅﺠﺍﺠﺭﺎﺠﻟﺍﻳ���� ﺔ�� ������ﻮﻝﻝﺍﻟﺼ������ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ������ﺔ ﻤﻟﻌﺎﻟﻤﻴ�����ﺔ ﻛﻤ���� ﺘ ﺎ� �����ﻬﻬﻬﻓ�����ﻲﻲﺗﻘ�����ﺪﻳﻢﻢﻣ�����ﻨﻬﺞﻬﺑﺤﺜ�����ﻲﻲﻲﺪﻳ�����ﺪ ﻣﻨﻔﺼ�����ﻞﻞﺑﺬﺍﺗ�����ﻪﻪ ﺑﺈﻣﻜﺎﻧ�����ﻪﻪﺗ�����ﻮﻓﻴﻣﻣ ﺗﻔﺴﻴﺮﺍﺕ ﺃﻓﻀﻞﻞﻟﻠﻨﺼﺍﻮﺹﺹﻮﺘﻲﻲﺗﺠﻤﻊﻊﺑﻴﻦﻦﺍﻟﺼﺤﺎﻓﺔ ﻭﺍﻻﺪﺣﺣﺎﺣﺎﺎﺎﺣﺣﺣ.ﺪﺣﺍﻭﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣﺣ مفاااا يل البحاااي الر ي اااية: ﺍﻟﺼ���ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ���ﺔ ﺍﻟﻌﺮﺑﻴ���ﺔ،،ﺍﻟﺼ���ﺤﺎﻓﺔ ﺍﻷﺩﺑﻴ���ﺔ ﺍﻻﻧﺠﻠ���ﻮ ﺃﻣﻣﻳﻜﻴ���ﺔ،، ﺍﻻﺩﺏﺏ، ﺍﻟﺼﺍﺎﻓﺔ،،ﺍﻟﺘﺎﺭﻳﺦ،،ﺍﻟﻨﻘﺪ. x Acknowledgements In the name of God I shall begin, Besm El-lah. I would first like to express my gratitude to my ridiculously large family, the building blocks of my being. Without their love, encouragement and constant nagging, this enterprise would have surely failed. Mama, baba, my bonus mama and baba; Khalto Wasfiya and ‘ammo Mohammed. My siblings, nieces and nephews, sisters and brothers in law, my friends – I am forever grateful to you lot! My wonderfully patient husband Anas, he endured a fair amount of tears, solo family trips and poorly prepared meals and did so with a big smile on his face. I love you to the moon and back. To my supervisor, Prof. Ali Noor for rescuing me when I needed it, and always believing in my abilities. To Dr. Doris Hambuch for a constant supply of sound advise. To Prof. Manfred Malzahn for introducing me to literary journalism and challenging me on daily basis – our directed reading classes fueled my understanding of the form, his difficult questions inspired me to think outside the box. For that and so much more I thank him. To Dr. Fadwa Al Mughairbi, Assistant Dean for Research and Graduate Studies, and Dr. Sami Boudelaa, CHSS PhD program coordinator at the United Arab Emirates University for stepping in and saving the day on various occasions. To Dr. John Hartsock for his comments on my thesis – tackling this grand and terrifying subject matter would not have been feasible if it wasn’t for his example in A History of American Literary Journalism. xi To my fellow doctoral students for their feedback, cooperation and of course friend- ship. Rick, Wissal, Shamsa, Amna, Muna and Ahmed – it has been a long journey but we made through to the other side, together. I saved the best for last, to my children – Saif and Salam. I want to thank you for understanding when sometimes mommy missed play time , meal time or school time because she had to work. It’s been a long and hard ride for all of us, but mom did it so you would know - you can do it too. xii Dedication To my eternal cheerleader: Mama – for her boundless love and support xiii Table of Contents Title ..................................................................................................................................... i Declaration of Original Work ........................................................................................... ii Copyright ......................................................................................................................... iii Advisory Committee ......................................................................................................... iv Approval of the Doctorate Dissertation ............................................................................. v Abstract ........................................................................................................................... vii Title and Abstract (in Arabic) ........................................................................................ viii Acknowledgements ............................................................................................................ x Dedication ......................................................................................................................
Recommended publications
  • LEBANESE AMERICAN UNIVERSITY the Syrian Conflict: Through the Lens of Realpolitik by Alexander Ortiz a Thesis Submitted in Part
    LEBANESE AMERICAN UNIVERSITY The Syrian Conflict: Through the Lens of Realpolitik By Alexander Ortiz A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in International Affairs School of Arts and Sciences January 2014 To loved ones v Acknowledgments To Professors Salamey, Skulte-Ouasis, and Baroudi. Thank You for everything. Your guidance and help over the length of the program has been much appreciated. To Professor Rowayheb, thank you for being on my thesis board. vi The Syrian Conflict: Through the Lens of Realpolitik Alexander Ortiz Abstract This thesis examines power relations in the security vacuum created by the Syrian conflict. The conflicting nature of Syrian domestic politics has created a political stalemate that needs outside support to be resolved. Inaction on the part of the greater international community has allowed for regional powers to become highly entrenched in the conflict. Regional involvement and the demographics of Syrian parties have been used by popular mediums to describe the conflict as sectarian by nature. The central point of this thesis is to show that the veneer of sectarianism by all parties, both Syrian and regional, is primarily a by-product of competitive self-interest. This is done by showing that the relationships made between Syrian groups and their patrons are based on self-interest and the utility provided in these temporary unions. The seminal political theories of Locke and Hobbes concerning the foundations of political power show the Syrian groups to be acting upon political necessity, not sect. The ambitions of regional powers are analyzed through realist theory to explain power relations in an unregulated political environment both in Syria and in the region.
    [Show full text]
  • The Changing Ideology of Hezbollah
    MIDDLE EAST TODAY The Changing Ideology of Hezbollah Massaab Al-Aloosy Middle East Today Series Editors Fawaz A. Gerges Department of International Relations London School of Economics London, UK Nader Hashemi Center for Middle East Studies Josef Korbel School of International Studies University of Denver Denver, CO, USA The Iranian Revolution of 1979, the Iran-Iraq War, the Gulf War, and the US invasion and occupation of Iraq have dramatically altered the ­geopolitical landscape of the contemporary Middle East. The Arab Spring uprisings have complicated this picture. This series puts forward a critical body of first-rate scholarship that reflects the current political and social realities of the region, focusing on original research about contentious politics and social movements; political institutions; the role played by non-­governmental organizations such as Hamas, Hezbollah, and the Muslim Brotherhood; and the Israeli-Palestine conflict. Other themes of interest include Iran and Turkey as emerging pre-eminent powers in the region, the former an ‘Islamic Republic’ and the latter an emerging democracy currently governed by a party with Islamic roots; the Gulf monarchies, their petrol economies and regional ambitions; potential problems of nuclear proliferation in the region; and the challenges ­confronting the United States, Europe, and the United Nations in the greater Middle East. The focus of the series is on general topics such as social turmoil, war and revolution, international relations, occupation, radicalism, democracy, human
    [Show full text]
  • Aksam Alyousef
    “Harvesting Thorns”: Comedy as Political Theatre in Syria and Lebanon by Aksam Alyousef A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Drama University of Alberta © Aksam Alyousef, 2020 ii ABSTRACT At the end of the 1960s and the beginning of the 70s, political comedy grew exponentially in Syria and Lebanon. This phenomenon was represented mainly in the Tishreen Troupe ,(مسرح الشوك performances of three troupes: Thorns Theatre (Al-Shuk Theatre مسرح and Ziyad Al-Rahbani Theatre (Masrah Ziyad Al-Rahbani ,(فرقة تشرين Ferqet Tishreen) These works met with great success throughout the Arab world due to the audacity .(زياد الرحباني of the themes explored and their reliance on the familiar traditions of Arab popular theatre. Success was also due to the spirit of the first Arab experimental theatre established by pioneers like Maroun Al-Naqqash (1817-1855) and Abu Khalil Al-Qabbani (1835-1902), who in the second half of the nineteenth century mixed comedy, music, songs and dance as a way to introduce theatre performance to a culture unaccustomed to it. However, this theatre started to lose its luster in the early 1990s, due to a combination of political and cultural factors that will be examined in this essay. iii This thesis depends on historical research methodology to reveal the political, social and cultural conditions that led to the emergence and development (and subsequent retreat) of political theatre in the Arab world. My aim is to, first, enrich the Arab library with research material about this theatre which lacks significant critical attention; and second to add new material to the Western Library, which is largely lacking in research about modern and contemporary Arab theatre and culture.
    [Show full text]
  • Massaab Al-Aloosy
    Massaab Al-Aloosy [email protected] EDUCATION The Fletcher School of Law and Diplomacy - Tufts University PhD, Fields of study: Middle East and Security Studies February 2018 Dissertation Title: Fundamentalist Metamorphosis: Hezbollah's Evolution from Ideological Ideals to Pragmatic Practices. Related coursework: Understanding the Arab Spring , in Harvard Kennedy School, instructor David Ignatius; Islam and Politics , instructor Vali Nasr The Fletcher School of Law and Diplomacy – Tufts University Master of Arts in Law and Diplomacy June 2013 Thesis title: Iran’s Iraq; the Roots of Tehran’s Influence in Iraq James Madison College – Michigan State University Bachelor of Arts – International Relations with a minor in Political Science June 2009 PROFESSIONAL EXPERIENCE World Peace Foundation , Medford, MA (United States) Researcher June 2013 –September 2013 • Contributed regularly and assisted with editorial efforts for the official blog regarding Middle East affairs http://sites.tufts.edu/reinventingpeace/author/malalo01 • Conducted outreach to gain panelists, participated in the panel, and was part of the committee for a seminar “How Mass Atrocities End: Iraq” that included Kanan Makiya, Joost Hilterman, and Yahiah Al Kubaisi • Edited and translated unclassified government documents that were published in the website as part of the Reinventing Peace Project about Sudan with Alex De Waal Al Jazeera, Doha, Qatar Researcher in the Iraq Desk and Assistant Interview Producer October 2009 – August 2011 • Collected, and analyzed information
    [Show full text]
  • Full Profile (2014)
    Al-Mawred Al-Thaqafi (Culture Resource) Organization launched in 2009 a regional initiative aims to identify the main features of cultural policy in Arab countries. The ultimate goal is to build a Knowledge Base that supports cultural planning and collaboration in the region, as well as propose mechanisms to develop cultural work in Arab countries. First stage of the project targeted preliminary surveys of policies, legislations, and practices that guide cultural work in eight Arab countries: Lebanon, Syria, Jordan, Palestine, Egypt, Algeria, Tunisia, and Morocco. The process of Monitoring was conducted in the period between May 2009 and January 2010 by Arab researchers from all eight countries, and thus “Ettijahat. Independent culture” as the regional coordinator of the project developed the surveys and updated its information and data through specialized researchers who reviewed the information and amended it based on the most recent developments in the cultural scene. The study has been completed according to the Compendium model which is adopted in study about cultural policies around the world. Research is divided into the following: 1- Cultural context from a social and historical perspective. 2- Administrative Subsidiarity and decision-making. 3- General objectives and principles of cultural policies. 4- Current topics debated in cultural policy development. 5- Main legal texts in the cultural field. 6- Financing of culture events and institutions. 7- Cultural institutions and new partnerships. 8- Supporting creativity and collaborations. This survey has been conducted in 2009 and 2010 by the researchers Rita Azar and Watfaa Hamadi. The original material of the current survey is found below in black.
    [Show full text]
  • In Lebanon» Project, Funded by the German Ministry of Economic Cooperation and Development Through Kfw
    The Implemented by: Special Edition This supplement is produced by the UNDP «Peace Building in Lebanon» project, funded by the German Ministry of Economic Cooperation and Development through KfW. The original Arabic version is distributed with An-Nahar and As-Safir newspapers while the English version is distributed with The Daily Star and the French In Lebanon version with L’Orient-Le Jour. The supplement contains articles by writers, journalists, media professionals, researchers and artists from Lebanon and Syria and Palestine; they cover issues related to civil peace in addition to the Joint news supplement repercussions of the Syrian crisis on Lebanon and the relations between Lebanese and Syrians, employing objective approaches Issue nº 12, June 2016 that are free of hatred and misconceptions. «We’ll be back in six days... God willing» A work by the Palestinian artist Abdul Rahman Katanani This work represents a refugee family fleeing the war. In 1948, the Arabs promised Palestinians that they would be back to their villages in six days. The phrase «God willing» was used to reaffirm this. However, ever since the Nakba in 1967, the Palestinians have remained refugees. Agial Art Gallery Agial Art © 03 Season of Migration to Lebanon 08 - 09 Boosting Municipal 04 A Refugee Through the Eyes of A Refugee Capacity in Light of the Refugee Crisis 05 I Say Tomayto, You Say Tomayto 06 Palestinian Gatherings: More on the Expanding Margins 07 Between Work and School 10 Municipalities: A Services Bridge for the Displaced 11 Curfews and Human Rights Within the Syrian Context in Lebanon 12 The Syrian Camps Shawish 13 It Still Stands With Us on the Bank of Our Dream 13 Beirut is My Home and Family..
    [Show full text]
  • Vamping the Archive: Approaching Aesthetics in Global Media
    University of Pennsylvania ScholarlyCommons Center for Advanced Research in Global CARGC Papers Communication (CARGC) Spring 2018 Vamping the Archive: Approaching Aesthetics in Global Media Rayya El Zein University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/cargc_papers Part of the Communication Commons Recommended Citation El Zein, Rayya, "Vamping the Archive: Approaching Aesthetics in Global Media" (2018). CARGC Papers. 8. https://repository.upenn.edu/cargc_papers/8 CARGC Paper 8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cargc_papers/8 For more information, please contact [email protected]. Vamping the Archive: Approaching Aesthetics in Global Media Description CARGC Paper 8, “Vamping the Archive: Approaching Aesthetics in Global Media,” by CARGC Postdoctoral Fellow, Rayya El Zein, is based on El Zein’s CARGC Colloquium and draws its inspiration from Metro al- Madina's Hishik Bishik Show in Beirut. CARGC Paper 8 weaves assessments of local and regional contexts, aesthetic and performance theory, thick description, participant observation, and interview to develop an approach to aesthetics in cultural production from the vantage of global media studies that she calls “vamping the archive.” Disciplines Communication Comments CARGC Paper 8 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This report is available at ScholarlyCommons: https://repository.upenn.edu/cargc_papers/8 CARGC PAPER 8 Vamping the Archive: Approaching 2018 Aesthetics in Global Media Yasmina Fayyed sings “Sona, oh Sonson,” in the Hishik Bishik Show. Photo by @foodartconcept, August 16, 2016. Vamping the Archive: Approaching Aesthetics in Global Media CARGC PAPER 8 2018 I am very proud to share CARGC been fully explored and that we feel Paper 8, “Vamping the Archive: are important for the development of Approaching Aesthetics in Glob- global media studies.
    [Show full text]
  • Facing Off with ISIS ISIS’S Sectarian Message in Beirut Bloodbath
    November 20, 2015 3 Cover Story Facing off with ISIS ISIS’s sectarian message in Beirut bloodbath James Bruce Hitherto, the 29 bombings since October 2012 had been claimed by Beirut ISIS’s rivals, primarily al-Qaeda af- filiates such as the Abdullah Azzam n the arcane world of jihad- Brigades, named after Osama bin ist organisations, two suicide Laden’s Palestinian mentor. bombings in Hezbollah’s Bei- In a statement issued on social rut stronghold that killed 46 media, ISIS bluntly declared that people and wounded more the objective of the November 12th Ithan 200 marked a departure as bombings was simply to kill as well as being the deadliest attack of many Shias as possible. its kind in the city since Lebanon’s There were none of the usual de- civil war ended in 1990. nunciations of Hezbollah helping A third bomber was apparently the Syrian dictatorship stay in pow- killed when the second bomber er against the will of the Syrian peo- detonated his explosives. ple or calls for it to disengage from The devastating November 12th the Syrian war in which it has suf- attack may be the opening salvo in fered heavy losses or to free Sunni an escalating battle between Sunni extremists imprisoned in Lebanon extremists and Hezbollah, Shia where security is firmly controlled Iran’s prized proxy and its loyal ally by Hezbollah. Lebanese soldiers and forensic inspectors examine the site of two explosions on November 12th in in keeping Syrian President Bashar The Lebanese Army, long neglect- the southern suburbs of Beirut.
    [Show full text]
  • Arabic Literary Journalism As a Stand-Alone Art Form in Arabic and Only One in English, Which Examines the Reasons for Its Scarcity
    United Arab Emirates University Scholarworks@UAEU Philosophy Dissertations Philosophy 11-2017 Negotiating the Intersection of Arabic and Angloamerican Literary Journalism: Exploring Possibilities, Challenging Canons Samah Gomaa Mohamed Marzouk Follow this and additional works at: https://scholarworks.uaeu.ac.ae/philosophy_dissertations Part of the Journalism Studies Commons Recommended Citation Marzouk, Samah Gomaa Mohamed, "Negotiating the Intersection of Arabic and Angloamerican Literary Journalism: Exploring Possibilities, Challenging Canons" (2017). Philosophy Dissertations. 9. https://scholarworks.uaeu.ac.ae/philosophy_dissertations/9 This Dissertation is brought to you for free and open access by the Philosophy at Scholarworks@UAEU. It has been accepted for inclusion in Philosophy Dissertations by an authorized administrator of Scholarworks@UAEU. For more information, please contact [email protected]. iii Copyright Copyright © 2017 Samah Gomaa Mohamed Abou Marzouk All Rights Reserved vii Abstract Literary journalism is an art form that combines storytelling techniques with the veri- fiability of standard journalism. Research in the field is recent and predominantly Western. Unlike Anglo-American literary journalism, there are no studies on Arabic literary journalism as a stand-alone art form in Arabic and only one in English, which examines the reasons for its scarcity. This study aims to prove otherwise. The objec- tive of this research is to combine history and criticism in exploring Arabic literary journalism; examine its predecessors, characteristics, motives and how it relates to its Anglo-American counterpart; and determine whether the two are fundamentally dif- ferent or show any parallels. This study will not only illuminate the Arabic side, thereby providing a fresh perspective on several texts, but will also help deepen the understanding and appreciation of literary journalism as a global phenomenon rather than a Western one.
    [Show full text]
  • Media Framing of the Syrian Conflict: Aljazeera, BBC, and ETV In
    Media Framing of the Syrian Conflict: Aljazeera, BBC, and ETV in Comparative Perspective Mohammed Salih A Thesis Submitted to the School of Journalism and Communication Presented In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Journalism and Communication Addis Ababa University Addis Ababa, Ethiopia November, 2014 i Addis Ababa University School of Graduate Studies This is to certify that the thesis prepared by Mohammed Salih, entitled Media Framing of the Syrian Conflict: Aljazeera, BBC, and ETV in Comparative Perspective and submitted in partial fulfillment of the requirements for the Degree of Master of Arts in Journalism and Communication complies with the regulations of the University and notes the accepted standards with respect to originality and quality. Signed by the Examining Committee: Examiner__________________________________Signature_____________Date___________ Examiner__________________________________ Signature_____________ Date__________ Advisor____________________________________ Signature____________ Date__________ ________________________________________________________________ Chair of department or Graduate Coordinator ii Acknowledgements First of all, I would like to thank God for the courage and energy He gave me throughout the journey. Next, I would like to express my heartfelt gratitude to my advisor Dr. Zenebe Beyene who exerted a lot of scholarly effort in commenting, guiding, and in providing me with new insights about the research topic. Without his persistent help, this research paper wouldn't have been possible. I would also like to thank Dr. Abdissa Zerai for his constructive comments during the proposal presentation. My thanks also go to Dr. Gebremedhin Simon for the advice he gave me while starting the research paper. Finally, my sincere appreciation also goes to my father, my mother, and all my brothers and sisters for their moral and material support during my study.
    [Show full text]
  • Hezbollah, a Historical Materialist Analysis
    Daher, Joseph (2015) Hezbollah : a historical materialist analysis. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23667 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Hezbollah, a Historical Materialist Analysis Joseph Daher Thesis submitted for the degree of PhD 2015 Department of Development SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work, which I present for examination. Signed: ________________________ Date: _________________ 2 Abstract This research aims at giving a comprehensive overview and understanding of the Lebanese party Hezbollah.
    [Show full text]
  • Atelier Guide
    21-27 March 2015 Beirut, Lebanon Atelier Guide “The true role of a festival is to help artists to dare, to engage in new projects…” (Bernard Faivre d’Arcier) 0 Index Welcome by Nora Joumblatt, President Beiteddine Art Festival ............................................................................ 2 Welcome by The Festival Academy and the European Festivals Association .......................................................... 3 Programme .............................................................................................................................................................. 5 Mentors and Presenters ........................................................................................................................................ 10 Guest Speakers ...................................................................................................................................................... 17 Cultural Beirut ........................................................................................................................................................ 22 Participants ............................................................................................................................................................ 30 The Festival Academy and its mission ................................................................................................................... 34 Atelier for Young Festival Managers: Mission, history, success ...........................................................................
    [Show full text]