Facing Off with ISIS ISIS’S Sectarian Message in Beirut Bloodbath
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LEBANESE AMERICAN UNIVERSITY the Syrian Conflict: Through the Lens of Realpolitik by Alexander Ortiz a Thesis Submitted in Part
LEBANESE AMERICAN UNIVERSITY The Syrian Conflict: Through the Lens of Realpolitik By Alexander Ortiz A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in International Affairs School of Arts and Sciences January 2014 To loved ones v Acknowledgments To Professors Salamey, Skulte-Ouasis, and Baroudi. Thank You for everything. Your guidance and help over the length of the program has been much appreciated. To Professor Rowayheb, thank you for being on my thesis board. vi The Syrian Conflict: Through the Lens of Realpolitik Alexander Ortiz Abstract This thesis examines power relations in the security vacuum created by the Syrian conflict. The conflicting nature of Syrian domestic politics has created a political stalemate that needs outside support to be resolved. Inaction on the part of the greater international community has allowed for regional powers to become highly entrenched in the conflict. Regional involvement and the demographics of Syrian parties have been used by popular mediums to describe the conflict as sectarian by nature. The central point of this thesis is to show that the veneer of sectarianism by all parties, both Syrian and regional, is primarily a by-product of competitive self-interest. This is done by showing that the relationships made between Syrian groups and their patrons are based on self-interest and the utility provided in these temporary unions. The seminal political theories of Locke and Hobbes concerning the foundations of political power show the Syrian groups to be acting upon political necessity, not sect. The ambitions of regional powers are analyzed through realist theory to explain power relations in an unregulated political environment both in Syria and in the region. -
The Changing Ideology of Hezbollah
MIDDLE EAST TODAY The Changing Ideology of Hezbollah Massaab Al-Aloosy Middle East Today Series Editors Fawaz A. Gerges Department of International Relations London School of Economics London, UK Nader Hashemi Center for Middle East Studies Josef Korbel School of International Studies University of Denver Denver, CO, USA The Iranian Revolution of 1979, the Iran-Iraq War, the Gulf War, and the US invasion and occupation of Iraq have dramatically altered the geopolitical landscape of the contemporary Middle East. The Arab Spring uprisings have complicated this picture. This series puts forward a critical body of first-rate scholarship that reflects the current political and social realities of the region, focusing on original research about contentious politics and social movements; political institutions; the role played by non-governmental organizations such as Hamas, Hezbollah, and the Muslim Brotherhood; and the Israeli-Palestine conflict. Other themes of interest include Iran and Turkey as emerging pre-eminent powers in the region, the former an ‘Islamic Republic’ and the latter an emerging democracy currently governed by a party with Islamic roots; the Gulf monarchies, their petrol economies and regional ambitions; potential problems of nuclear proliferation in the region; and the challenges confronting the United States, Europe, and the United Nations in the greater Middle East. The focus of the series is on general topics such as social turmoil, war and revolution, international relations, occupation, radicalism, democracy, human -
Aksam Alyousef
“Harvesting Thorns”: Comedy as Political Theatre in Syria and Lebanon by Aksam Alyousef A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Drama University of Alberta © Aksam Alyousef, 2020 ii ABSTRACT At the end of the 1960s and the beginning of the 70s, political comedy grew exponentially in Syria and Lebanon. This phenomenon was represented mainly in the Tishreen Troupe ,(مسرح الشوك performances of three troupes: Thorns Theatre (Al-Shuk Theatre مسرح and Ziyad Al-Rahbani Theatre (Masrah Ziyad Al-Rahbani ,(فرقة تشرين Ferqet Tishreen) These works met with great success throughout the Arab world due to the audacity .(زياد الرحباني of the themes explored and their reliance on the familiar traditions of Arab popular theatre. Success was also due to the spirit of the first Arab experimental theatre established by pioneers like Maroun Al-Naqqash (1817-1855) and Abu Khalil Al-Qabbani (1835-1902), who in the second half of the nineteenth century mixed comedy, music, songs and dance as a way to introduce theatre performance to a culture unaccustomed to it. However, this theatre started to lose its luster in the early 1990s, due to a combination of political and cultural factors that will be examined in this essay. iii This thesis depends on historical research methodology to reveal the political, social and cultural conditions that led to the emergence and development (and subsequent retreat) of political theatre in the Arab world. My aim is to, first, enrich the Arab library with research material about this theatre which lacks significant critical attention; and second to add new material to the Western Library, which is largely lacking in research about modern and contemporary Arab theatre and culture. -
Massaab Al-Aloosy
Massaab Al-Aloosy [email protected] EDUCATION The Fletcher School of Law and Diplomacy - Tufts University PhD, Fields of study: Middle East and Security Studies February 2018 Dissertation Title: Fundamentalist Metamorphosis: Hezbollah's Evolution from Ideological Ideals to Pragmatic Practices. Related coursework: Understanding the Arab Spring , in Harvard Kennedy School, instructor David Ignatius; Islam and Politics , instructor Vali Nasr The Fletcher School of Law and Diplomacy – Tufts University Master of Arts in Law and Diplomacy June 2013 Thesis title: Iran’s Iraq; the Roots of Tehran’s Influence in Iraq James Madison College – Michigan State University Bachelor of Arts – International Relations with a minor in Political Science June 2009 PROFESSIONAL EXPERIENCE World Peace Foundation , Medford, MA (United States) Researcher June 2013 –September 2013 • Contributed regularly and assisted with editorial efforts for the official blog regarding Middle East affairs http://sites.tufts.edu/reinventingpeace/author/malalo01 • Conducted outreach to gain panelists, participated in the panel, and was part of the committee for a seminar “How Mass Atrocities End: Iraq” that included Kanan Makiya, Joost Hilterman, and Yahiah Al Kubaisi • Edited and translated unclassified government documents that were published in the website as part of the Reinventing Peace Project about Sudan with Alex De Waal Al Jazeera, Doha, Qatar Researcher in the Iraq Desk and Assistant Interview Producer October 2009 – August 2011 • Collected, and analyzed information -
Full Profile (2014)
Al-Mawred Al-Thaqafi (Culture Resource) Organization launched in 2009 a regional initiative aims to identify the main features of cultural policy in Arab countries. The ultimate goal is to build a Knowledge Base that supports cultural planning and collaboration in the region, as well as propose mechanisms to develop cultural work in Arab countries. First stage of the project targeted preliminary surveys of policies, legislations, and practices that guide cultural work in eight Arab countries: Lebanon, Syria, Jordan, Palestine, Egypt, Algeria, Tunisia, and Morocco. The process of Monitoring was conducted in the period between May 2009 and January 2010 by Arab researchers from all eight countries, and thus “Ettijahat. Independent culture” as the regional coordinator of the project developed the surveys and updated its information and data through specialized researchers who reviewed the information and amended it based on the most recent developments in the cultural scene. The study has been completed according to the Compendium model which is adopted in study about cultural policies around the world. Research is divided into the following: 1- Cultural context from a social and historical perspective. 2- Administrative Subsidiarity and decision-making. 3- General objectives and principles of cultural policies. 4- Current topics debated in cultural policy development. 5- Main legal texts in the cultural field. 6- Financing of culture events and institutions. 7- Cultural institutions and new partnerships. 8- Supporting creativity and collaborations. This survey has been conducted in 2009 and 2010 by the researchers Rita Azar and Watfaa Hamadi. The original material of the current survey is found below in black. -
In Lebanon» Project, Funded by the German Ministry of Economic Cooperation and Development Through Kfw
The Implemented by: Special Edition This supplement is produced by the UNDP «Peace Building in Lebanon» project, funded by the German Ministry of Economic Cooperation and Development through KfW. The original Arabic version is distributed with An-Nahar and As-Safir newspapers while the English version is distributed with The Daily Star and the French In Lebanon version with L’Orient-Le Jour. The supplement contains articles by writers, journalists, media professionals, researchers and artists from Lebanon and Syria and Palestine; they cover issues related to civil peace in addition to the Joint news supplement repercussions of the Syrian crisis on Lebanon and the relations between Lebanese and Syrians, employing objective approaches Issue nº 12, June 2016 that are free of hatred and misconceptions. «We’ll be back in six days... God willing» A work by the Palestinian artist Abdul Rahman Katanani This work represents a refugee family fleeing the war. In 1948, the Arabs promised Palestinians that they would be back to their villages in six days. The phrase «God willing» was used to reaffirm this. However, ever since the Nakba in 1967, the Palestinians have remained refugees. Agial Art Gallery Agial Art © 03 Season of Migration to Lebanon 08 - 09 Boosting Municipal 04 A Refugee Through the Eyes of A Refugee Capacity in Light of the Refugee Crisis 05 I Say Tomayto, You Say Tomayto 06 Palestinian Gatherings: More on the Expanding Margins 07 Between Work and School 10 Municipalities: A Services Bridge for the Displaced 11 Curfews and Human Rights Within the Syrian Context in Lebanon 12 The Syrian Camps Shawish 13 It Still Stands With Us on the Bank of Our Dream 13 Beirut is My Home and Family.. -
Vamping the Archive: Approaching Aesthetics in Global Media
University of Pennsylvania ScholarlyCommons Center for Advanced Research in Global CARGC Papers Communication (CARGC) Spring 2018 Vamping the Archive: Approaching Aesthetics in Global Media Rayya El Zein University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/cargc_papers Part of the Communication Commons Recommended Citation El Zein, Rayya, "Vamping the Archive: Approaching Aesthetics in Global Media" (2018). CARGC Papers. 8. https://repository.upenn.edu/cargc_papers/8 CARGC Paper 8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cargc_papers/8 For more information, please contact [email protected]. Vamping the Archive: Approaching Aesthetics in Global Media Description CARGC Paper 8, “Vamping the Archive: Approaching Aesthetics in Global Media,” by CARGC Postdoctoral Fellow, Rayya El Zein, is based on El Zein’s CARGC Colloquium and draws its inspiration from Metro al- Madina's Hishik Bishik Show in Beirut. CARGC Paper 8 weaves assessments of local and regional contexts, aesthetic and performance theory, thick description, participant observation, and interview to develop an approach to aesthetics in cultural production from the vantage of global media studies that she calls “vamping the archive.” Disciplines Communication Comments CARGC Paper 8 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This report is available at ScholarlyCommons: https://repository.upenn.edu/cargc_papers/8 CARGC PAPER 8 Vamping the Archive: Approaching 2018 Aesthetics in Global Media Yasmina Fayyed sings “Sona, oh Sonson,” in the Hishik Bishik Show. Photo by @foodartconcept, August 16, 2016. Vamping the Archive: Approaching Aesthetics in Global Media CARGC PAPER 8 2018 I am very proud to share CARGC been fully explored and that we feel Paper 8, “Vamping the Archive: are important for the development of Approaching Aesthetics in Glob- global media studies. -
Building Peace Into Refugee Responses Syrian Refugees in Lebanon
REPORT Building peace into refugee responses Syrian refugees in Lebanon April 2018 Building peace into refugee responses Syrian refugees in Lebanon APRIL 2018 Acknowledgements This report was developed by Saferworld in partnership with the Lebanese Center for Policy Studies (LCPS), as part of the research project ‘Syrian refugees and conflict in Lebanon: local resilience for long-term peace’. This project is funded by the Netherlands Organisation for Scientific Research (NWO-WOTRO), commissioned by the Ministry of Foreign Affairs of The Netherlands and developed in close collaboration with the Knowledge Platform Security & Rule of Law. It was written by Saleem Haddad, Lola Aliaga and Larry Attree. It received input from Zeina El-Helou, May Tamim, Jessy Nassar, Monica Stephens, Kloe Tricot O’Farrell, Luca Venchiarutti, Leonie Northedge, Benedicte Goderiaux, Robert Parker, Jatinder Padda and Jessica Summers. The project was managed for Saferworld by Larry Attree. © Saferworld, April 2018. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, without full attribution. Saferworld welcomes and encourages the utilisation and dissemination of the material included in this publication. Contents Introduction 1 Key findings 2 Experiences of Syrian refugees and Lebanese host communities and relations 2 between them Responses to the Syrian refugee crisis in Lebanon 3 Methodology 3 Terminology 4 Location -
Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons
United Arab Emirates University Scholarworks@UAEU Dissertations Electronic Theses and Dissertations 11-2019 Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons Samah Gomaa Abou Marzouk Follow this and additional works at: https://scholarworks.uaeu.ac.ae/all_dissertations Part of the Arts and Humanities Commons Recommended Citation Abou Marzouk, Samah Gomaa, "Negotiating the Intersection of Arabic and Anglo-American Literary Journalism: Exploring Possibilities, Challenging Canons" (2019). Dissertations. 88. https://scholarworks.uaeu.ac.ae/all_dissertations/88 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarworks@UAEU. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarworks@UAEU. For more information, please contact [email protected]. iii Copyright Copyright © 2017 Samah Gomaa Mohamed Abou Marzouk All Rights Reserved vii Abstract Literary journalism is an art form that combines storytelling techniques with the veri- fiability of standard journalism. Research in the field is recent and predominantly Western. Unlike Anglo-American literary journalism, there are no studies on Arabic literary journalism as a stand-alone art form in Arabic and only one in English, which examines the reasons for its scarcity. This study aims to prove otherwise. The objec- tive of this research is to combine history and criticism in exploring Arabic literary journalism; examine its predecessors, characteristics, motives and how it relates to its Anglo-American counterpart; and determine whether the two are fundamentally dif- ferent or show any parallels. This study will not only illuminate the Arabic side, thereby providing a fresh perspective on several texts, but will also help deepen the understanding and appreciation of literary journalism as a global phenomenon rather than a Western one. -
Arabic Literary Journalism As a Stand-Alone Art Form in Arabic and Only One in English, Which Examines the Reasons for Its Scarcity
United Arab Emirates University Scholarworks@UAEU Philosophy Dissertations Philosophy 11-2017 Negotiating the Intersection of Arabic and Angloamerican Literary Journalism: Exploring Possibilities, Challenging Canons Samah Gomaa Mohamed Marzouk Follow this and additional works at: https://scholarworks.uaeu.ac.ae/philosophy_dissertations Part of the Journalism Studies Commons Recommended Citation Marzouk, Samah Gomaa Mohamed, "Negotiating the Intersection of Arabic and Angloamerican Literary Journalism: Exploring Possibilities, Challenging Canons" (2017). Philosophy Dissertations. 9. https://scholarworks.uaeu.ac.ae/philosophy_dissertations/9 This Dissertation is brought to you for free and open access by the Philosophy at Scholarworks@UAEU. It has been accepted for inclusion in Philosophy Dissertations by an authorized administrator of Scholarworks@UAEU. For more information, please contact [email protected]. iii Copyright Copyright © 2017 Samah Gomaa Mohamed Abou Marzouk All Rights Reserved vii Abstract Literary journalism is an art form that combines storytelling techniques with the veri- fiability of standard journalism. Research in the field is recent and predominantly Western. Unlike Anglo-American literary journalism, there are no studies on Arabic literary journalism as a stand-alone art form in Arabic and only one in English, which examines the reasons for its scarcity. This study aims to prove otherwise. The objec- tive of this research is to combine history and criticism in exploring Arabic literary journalism; examine its predecessors, characteristics, motives and how it relates to its Anglo-American counterpart; and determine whether the two are fundamentally dif- ferent or show any parallels. This study will not only illuminate the Arabic side, thereby providing a fresh perspective on several texts, but will also help deepen the understanding and appreciation of literary journalism as a global phenomenon rather than a Western one. -
“Our Homes Are Not for Strangers” Mass Evictions of Syrian Refugees by Lebanese Municipalities
HUMAN “Our Homes Are Not RIGHTS for Strangers” WATCH Mass Evictions of Syrian Refugees by Lebanese Municipalities “Our Homes Are Not for Strangers” Mass Evictions of Syrian Refugees by Lebanese Municipalities Copyright © 2018 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-6231-35966 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org APRIL 2018 ISBN: 978-1-6231-35966 “Our Homes Are Not for Strangers” Mass Evictions of Syrian Refugees by Lebanese Municipalities Summary ............................................................................................................................ 1 Recommendations .............................................................................................................. 7 Methodology .................................................................................................................... -
Integrated Border Management, Development Without Accountability, and the Role of European Partners in the Securitisation of Lebanon
In defence of European border policies ? Integrated Border Management, development without accountability, and the role of European partners in the securitisation of Lebanon. Auguste Breteau Little has so far been written about border security and the influence of international donors in Lebanon. Lebanon has not proved a major transit point for migrants in the same way that countries such as Turkey, Morocco or Libya have captured the attention of the media. Rather, over 1.5 million Syrian migrants have remained in Lebanon whilst others transited through Turkey towards the European Union. Lebanon’s border with Syria, heavily funded and sponsored by international benefactors, brings together a complex politico-security landscape with donors that seek to bolster the presence of Lebanese security agencies in border policies. In the last seven years, the UK alongside the EU-funded International Centre for Migration Policy Development (ICMPD) have supported Lebanese security agencies with training, financial support and infrastructure, developing Lebanese control over the Syrian- Lebanese border. Whilst this has had a certain but limited impact, it is the lack of accountability from such donors that is the particular focus of this short paper. In particular, National Strategic Guidelines have not been enforced in the eleven years since they were first mentioned. These aim to centralise the administration of the border, provide legal safeguards and direct the role of each agency. The consequence is a security system in which donors operate directly with security agencies and bypass coordination mechanisms. This has led to increased competition between Lebanese security agencies and a loss of accountability for donors.