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LEBANESE AMERICAN UNIVERSITY the Syrian Conflict: Through the Lens of Realpolitik by Alexander Ortiz a Thesis Submitted in Part
LEBANESE AMERICAN UNIVERSITY The Syrian Conflict: Through the Lens of Realpolitik By Alexander Ortiz A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in International Affairs School of Arts and Sciences January 2014 To loved ones v Acknowledgments To Professors Salamey, Skulte-Ouasis, and Baroudi. Thank You for everything. Your guidance and help over the length of the program has been much appreciated. To Professor Rowayheb, thank you for being on my thesis board. vi The Syrian Conflict: Through the Lens of Realpolitik Alexander Ortiz Abstract This thesis examines power relations in the security vacuum created by the Syrian conflict. The conflicting nature of Syrian domestic politics has created a political stalemate that needs outside support to be resolved. Inaction on the part of the greater international community has allowed for regional powers to become highly entrenched in the conflict. Regional involvement and the demographics of Syrian parties have been used by popular mediums to describe the conflict as sectarian by nature. The central point of this thesis is to show that the veneer of sectarianism by all parties, both Syrian and regional, is primarily a by-product of competitive self-interest. This is done by showing that the relationships made between Syrian groups and their patrons are based on self-interest and the utility provided in these temporary unions. The seminal political theories of Locke and Hobbes concerning the foundations of political power show the Syrian groups to be acting upon political necessity, not sect. The ambitions of regional powers are analyzed through realist theory to explain power relations in an unregulated political environment both in Syria and in the region. -
The Changing Ideology of Hezbollah
MIDDLE EAST TODAY The Changing Ideology of Hezbollah Massaab Al-Aloosy Middle East Today Series Editors Fawaz A. Gerges Department of International Relations London School of Economics London, UK Nader Hashemi Center for Middle East Studies Josef Korbel School of International Studies University of Denver Denver, CO, USA The Iranian Revolution of 1979, the Iran-Iraq War, the Gulf War, and the US invasion and occupation of Iraq have dramatically altered the geopolitical landscape of the contemporary Middle East. The Arab Spring uprisings have complicated this picture. This series puts forward a critical body of first-rate scholarship that reflects the current political and social realities of the region, focusing on original research about contentious politics and social movements; political institutions; the role played by non-governmental organizations such as Hamas, Hezbollah, and the Muslim Brotherhood; and the Israeli-Palestine conflict. Other themes of interest include Iran and Turkey as emerging pre-eminent powers in the region, the former an ‘Islamic Republic’ and the latter an emerging democracy currently governed by a party with Islamic roots; the Gulf monarchies, their petrol economies and regional ambitions; potential problems of nuclear proliferation in the region; and the challenges confronting the United States, Europe, and the United Nations in the greater Middle East. The focus of the series is on general topics such as social turmoil, war and revolution, international relations, occupation, radicalism, democracy, human -
Achrafieh and Mar Mikhael
ACHRAFIEH AND MAR MIKHAEL Youth-led Architectural Heritage Mapping In Beirut Table of Contents List of figures .............................................................................................................................. 3 Introduction ............................................................................................................................... 5 Method ...................................................................................................................................... 7 I. Achrafieh ............................................................................................................................. 9 Historical overview .............................................................................................................. 9 The Petro Trad road plan ................................................................................................... 11 14 Listings of heritage buildings: APSAD and Khatib & Alami survey plans. .......................... 14 The urban morphology shaping 3 streets in Achrafieh: Petro Trad, Monot and Abdel Wahab Al Inglizi .................................................................................................................. 15 1. Zoning ......................................................................................................................... 15 16 2. Road network and lot subdivision .............................................................................. 17 3. Built environment ...................................................................................................... -
Aksam Alyousef
“Harvesting Thorns”: Comedy as Political Theatre in Syria and Lebanon by Aksam Alyousef A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Drama University of Alberta © Aksam Alyousef, 2020 ii ABSTRACT At the end of the 1960s and the beginning of the 70s, political comedy grew exponentially in Syria and Lebanon. This phenomenon was represented mainly in the Tishreen Troupe ,(مسرح الشوك performances of three troupes: Thorns Theatre (Al-Shuk Theatre مسرح and Ziyad Al-Rahbani Theatre (Masrah Ziyad Al-Rahbani ,(فرقة تشرين Ferqet Tishreen) These works met with great success throughout the Arab world due to the audacity .(زياد الرحباني of the themes explored and their reliance on the familiar traditions of Arab popular theatre. Success was also due to the spirit of the first Arab experimental theatre established by pioneers like Maroun Al-Naqqash (1817-1855) and Abu Khalil Al-Qabbani (1835-1902), who in the second half of the nineteenth century mixed comedy, music, songs and dance as a way to introduce theatre performance to a culture unaccustomed to it. However, this theatre started to lose its luster in the early 1990s, due to a combination of political and cultural factors that will be examined in this essay. iii This thesis depends on historical research methodology to reveal the political, social and cultural conditions that led to the emergence and development (and subsequent retreat) of political theatre in the Arab world. My aim is to, first, enrich the Arab library with research material about this theatre which lacks significant critical attention; and second to add new material to the Western Library, which is largely lacking in research about modern and contemporary Arab theatre and culture. -
Massaab Al-Aloosy
Massaab Al-Aloosy [email protected] EDUCATION The Fletcher School of Law and Diplomacy - Tufts University PhD, Fields of study: Middle East and Security Studies February 2018 Dissertation Title: Fundamentalist Metamorphosis: Hezbollah's Evolution from Ideological Ideals to Pragmatic Practices. Related coursework: Understanding the Arab Spring , in Harvard Kennedy School, instructor David Ignatius; Islam and Politics , instructor Vali Nasr The Fletcher School of Law and Diplomacy – Tufts University Master of Arts in Law and Diplomacy June 2013 Thesis title: Iran’s Iraq; the Roots of Tehran’s Influence in Iraq James Madison College – Michigan State University Bachelor of Arts – International Relations with a minor in Political Science June 2009 PROFESSIONAL EXPERIENCE World Peace Foundation , Medford, MA (United States) Researcher June 2013 –September 2013 • Contributed regularly and assisted with editorial efforts for the official blog regarding Middle East affairs http://sites.tufts.edu/reinventingpeace/author/malalo01 • Conducted outreach to gain panelists, participated in the panel, and was part of the committee for a seminar “How Mass Atrocities End: Iraq” that included Kanan Makiya, Joost Hilterman, and Yahiah Al Kubaisi • Edited and translated unclassified government documents that were published in the website as part of the Reinventing Peace Project about Sudan with Alex De Waal Al Jazeera, Doha, Qatar Researcher in the Iraq Desk and Assistant Interview Producer October 2009 – August 2011 • Collected, and analyzed information -
Beirut Port Explosions Response
BEIRUT PORT RESPONSE EXPLOSIONS Beirut Municipality Rapid Building-level Damage Assessment Municipality of Beirut and UN-Habitat October 2020 Working Version With support from Citation format: Municipality of Beirut and UN-Habitat (2020), Beirut: UN-Habitat Lebanon. Copyright © 2020 Municipality of Beirut and UN-Habitat. All rights reserved. Cover photo: © UN-Habitat (2020). PARTNERS Engineering and construction companies: Academic institutions: International non-governmental organisations: CREDITS UN-Habitat Lebanon Authors: Elie Mansour; Georges Abi Sleiman. GIS and IM: Christelle Bercachy. Data Analysis/Visualization and Report Production/Design Layout: Georges Abi Sleiman; Joseph Metni. Editor: Suzanne Maguire; Taina Christiansen Municipality of Beirut Head of Engineering Department: Jihad Bekaii. Hani Diab el-Arab; Maroun Abi Najem. TABLE OF CONTENTS Introduction 1 Purpose of report Administrative boundaries and assessment zones Background and context Methodology 3 Zoning Visual inspection steps for surveyors PURPOSE OF REPORT Habitability based on signs of damage Work progress milestones Findings 7 Coding of buildings for damage and habitability Assessment findings Next steps 9 Annex 10 360 degree surveys Responding to requests for municipal assistance Rubble removal Photo gallery ADMINISTRATIVE BOUNDARIES AND ASSESSMENT ZONES AND ASSESSMENT BOUNDARIES ADMINISTRATIVE INTRODUCTION The Port of Beirut explosions of 4th August 2020, evacuation whilst also providing evidence for formulating situated within the boundaries of the Municipality -
In Medias Res Amélie Niermeyer Regisseurin
DAS OPERNHAUS Spielplan-Pressekonferenz, Freitag, 5. April 2019, 10.00 Uhr Es sprechen: Roland Geyer Intendant des Theater an der Wien Franz Patay SAISON Geschäftsführer der Vereinigten Bühnen Wien Gäste: in medias res Amélie Niermeyer Regisseurin Nikolaus Habjan Regisseur & Puppenspieler Die Pressekonferenz wird via Livestream übertragen: livestream.theater-wien.at facebook.com/theateranderwien Hauptsponsor Theater an der Wien beyond | Leopold Kogler THEATER AN DER WIEN: In medias res – Die Saison 2019/20 Mit der Spielzeit 2019/20 startet das Opernhaus der Stadt Wien in seine vierzehnte Saison. Diese umfasst 13 Premieren im Theater an der Wien und in der Kammeroper mit Werken von Georg Friedrich Händel, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Gaspare Spontini, Vincenzo Bellini, Stanisław Moniuszko, Charles Gounod, Christoph Willibald Gluck, Antonín Dvořák, Richard Strauss, Sergei Prokofjew sowie Uraufführungen von Christian Jost und Tscho Theissing. Anlässlich der Spielplan-Präsentation 2018/19 im April letzten Jahres hat Intendant Roland Geyer ein Vier-Jahres-Konzept entwickelt und vorgestellt, das in der Vorsaison A priori „Im Morgengrau“ begann und in der kommenden Spielzeit 2019/20 In medias res gehen wird. Der neue Programmkatalog ist mit Bildern des österreichischen Malers Leopold Kogler gestaltet. > Im Fokus #1: Die Wurzeln des Saisonprogramms: Mozart und Beethoven Das Fundament der Spielzeit 2019/20 bilden die „Hausgötter“ des Theater an der Wien: Wolfgang Amadeus Mozart und Ludwig van Beethoven. Am 17. Oktober gelangt Mozarts letzte Oper La clemenza di Tito zur Premiere, unter der musikalischen Leitung von Stefan Gottfried mit dem Concentus Musicus Wien. Erstmals führt der britische Regisseur Sam Brown Regie, als Tito ist der Tenor Joseph Kaiser zu erleben. -
Full Profile (2014)
Al-Mawred Al-Thaqafi (Culture Resource) Organization launched in 2009 a regional initiative aims to identify the main features of cultural policy in Arab countries. The ultimate goal is to build a Knowledge Base that supports cultural planning and collaboration in the region, as well as propose mechanisms to develop cultural work in Arab countries. First stage of the project targeted preliminary surveys of policies, legislations, and practices that guide cultural work in eight Arab countries: Lebanon, Syria, Jordan, Palestine, Egypt, Algeria, Tunisia, and Morocco. The process of Monitoring was conducted in the period between May 2009 and January 2010 by Arab researchers from all eight countries, and thus “Ettijahat. Independent culture” as the regional coordinator of the project developed the surveys and updated its information and data through specialized researchers who reviewed the information and amended it based on the most recent developments in the cultural scene. The study has been completed according to the Compendium model which is adopted in study about cultural policies around the world. Research is divided into the following: 1- Cultural context from a social and historical perspective. 2- Administrative Subsidiarity and decision-making. 3- General objectives and principles of cultural policies. 4- Current topics debated in cultural policy development. 5- Main legal texts in the cultural field. 6- Financing of culture events and institutions. 7- Cultural institutions and new partnerships. 8- Supporting creativity and collaborations. This survey has been conducted in 2009 and 2010 by the researchers Rita Azar and Watfaa Hamadi. The original material of the current survey is found below in black. -
In Lebanon» Project, Funded by the German Ministry of Economic Cooperation and Development Through Kfw
The Implemented by: Special Edition This supplement is produced by the UNDP «Peace Building in Lebanon» project, funded by the German Ministry of Economic Cooperation and Development through KfW. The original Arabic version is distributed with An-Nahar and As-Safir newspapers while the English version is distributed with The Daily Star and the French In Lebanon version with L’Orient-Le Jour. The supplement contains articles by writers, journalists, media professionals, researchers and artists from Lebanon and Syria and Palestine; they cover issues related to civil peace in addition to the Joint news supplement repercussions of the Syrian crisis on Lebanon and the relations between Lebanese and Syrians, employing objective approaches Issue nº 12, June 2016 that are free of hatred and misconceptions. «We’ll be back in six days... God willing» A work by the Palestinian artist Abdul Rahman Katanani This work represents a refugee family fleeing the war. In 1948, the Arabs promised Palestinians that they would be back to their villages in six days. The phrase «God willing» was used to reaffirm this. However, ever since the Nakba in 1967, the Palestinians have remained refugees. Agial Art Gallery Agial Art © 03 Season of Migration to Lebanon 08 - 09 Boosting Municipal 04 A Refugee Through the Eyes of A Refugee Capacity in Light of the Refugee Crisis 05 I Say Tomayto, You Say Tomayto 06 Palestinian Gatherings: More on the Expanding Margins 07 Between Work and School 10 Municipalities: A Services Bridge for the Displaced 11 Curfews and Human Rights Within the Syrian Context in Lebanon 12 The Syrian Camps Shawish 13 It Still Stands With Us on the Bank of Our Dream 13 Beirut is My Home and Family.. -
Political Party Mapping in Lebanon Ahead of the 2018 Elections
Political Party Mapping in Lebanon Ahead of the 2018 Elections Foreword This study on the political party mapping in Lebanon ahead of the 2018 elections includes a survey of most Lebanese political parties; especially those that currently have or previously had parliamentary or government representation, with the exception of Lebanese Communist Party, Islamic Unification Movement, Union of Working People’s Forces, since they either have candidates for elections or had previously had candidates for elections before the final list was out from the Ministry of Interior and Municipalities. The first part includes a systematic presentation of 27 political parties, organizations or movements, showing their official name, logo, establishment, leader, leading committee, regional and local alliances and relations, their stance on the electoral law and their most prominent candidates for the upcoming parliamentary elections. The second part provides the distribution of partisan and political powers over the 15 electoral districts set in the law governing the elections of May 6, 2018. It also offers basic information related to each district: the number of voters, the expected participation rate, the electoral quotient, the candidate’s ceiling on election expenditure, in addition to an analytical overview of the 2005 and 2009 elections, their results and alliances. The distribution of parties for 2018 is based on the research team’s analysis and estimates from different sources. 2 Table of Contents Page Introduction ....................................................................................................... -
The Mariinsky II Opening Gala
The Mariinsky II Opening Gala Live HD transmission from st Petersburg tHursDay may 2, 2013 Worldwide live transmission from The Mariinsky II (New stage of the Mariinsky Theatre) Thursday May 2, 2013 | 8.00pm St Petersburg time tv director Don Kent | running time 1 x 100’ | format HD Valery Gergiev Artistic Director > The OpeningMariinsky Gala II Opening Gala > Starring tHe mariinsky tHeatre front view tHe mariinsky ii auDitorium The Mariinsky Theatre, one of Il viaggio a Reims, and the Cappella opera ballet the largest and most acclaimed Boys’ Chorus of St Petersburg and Anna Netrebko Soprano Diana Vishneva Principal dancer performing arts institutions in the a Children’s Chorus comprised of Olga Borodina Mezzo-soprano Yekaterina Kondaurova Principal dancer world, under the leadership of Artistic students from [St. Petersburg] local Sergei Semishkur Tenor Ulyana Lopatkina Principal dancer and General Director Valery Gergiev schools will sing Beethoven’s Ode to Placido Domingo Baritone Vladimir Shklyarov Principal dancer will be inaugurated on May 2nd with Joy and Rachmaninoff’s The Angel. Alexei Markov Baritone the Opening Night Black Tie Gala This evening of multi generational Yevgeny Nikitin Bass-baritone and soloists and corps de ballet Concert, featuring some of the performances at Mariinsky II will Ildar Abdrazakov Bass of the Mariinsky Theatre Mariinsky’s most notable vocalists pay homage to the grand tradition René Pape Bass Vaganova Ballet Academy and instrumentalists and the of the Theatre and will celebrate Mikhail Petrenko Bass dynamic range of all of the Mariinsky the beginning of a new era. Theatre’s prestigious companies: Academy of Young Singers soloists the opera, orchestra, ballet, chorus, “The opening of Mariinsky II is the Children chorus and chorus Denis Matsuev Piano and youth ensembles (see cast). -
Sunday 20Th June
PROGRAMME: SUNDAY 20 JUNE Joseph Middleton Director Jane Anthony Founder leedslieder1 @LeedsLieder @leedsliederfestival #LLF21 Welcome to The Leeds Lieder 2021 Festival Ten Festivals and a Pandemic! In 2004 a group of passionate, visionary song enthusiasts began programming recitals in Leeds and this venture has steadily grown to become the jam-packed season we now enjoy. With multiple artistic partners and thousands of individuals attending our events every year, Leeds Lieder is a true cultural success story. 2020 Ameling Elly was certainly a year of reacting nimbly and working in new paradigms. Middleton Joseph We turned Leeds Lieder into its own broadcaster and went digital. It has Director, Leeds Lieder Director, been extremely rewarding to connect with audiences all over the world Leeds Lieder President, throughout the past 12 months, and to support artists both internationally known and just starting out. The support of our Friends and the generosity shown by our audiences has meant that we have been able to continue our award-winning education programmes online, commission new works and provide valuable training for young artists. In 2021 we have invited more musicians than ever before to appear in our Festival and for the first time we look forward to being hosted by Leeds Town Hall. The art of the A message from Elly Ameling, song recital continues to be relevant and flourish in Yorkshire. Hon. President of Leeds Lieder As the finest Festival of art song in the North, we continue to provide a platform for international stars to rub shoulders with the next generation As long as I have been in joyful contact with Leeds Lieder, from 2005 until of emerging musicians.