The Poems of Goethe
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Goethe, the Japanese National Identity Through Cultural Exchange, 1889 to 1989
Jahrbuch für Internationale Germanistik pen Jahrgang LI – Heft 1 | Peter Lang, Bern | S. 57–100 Goethe, the Japanese National Identity through Cultural Exchange, 1889 to 1989 By Stefan Keppler-Tasaki and Seiko Tasaki, Tokyo Dedicated to A . Charles Muller on the occasion of his retirement from the University of Tokyo This is a study of the alleged “singular reception career”1 that Goethe experi- enced in Japan from 1889 to 1989, i. e., from the first translation of theMi gnon song to the last issues of the Neo Faust manga series . In its path, we will high- light six areas of discourse which concern the most prominent historical figures resp. figurations involved here: (1) the distinct academic schools of thought aligned with the topic “Goethe in Japan” since Kimura Kinji 木村謹治, (2) the tentative Japanification of Goethe by Thomas Mann and Gottfried Benn, (3) the recognition of the (un-)German classical writer in the circle of the Japanese national author Mori Ōgai 森鴎外, as well as Goethe’s rich resonances in (4) Japanese suicide ideals since the early days of Wertherism (Ueruteru-zumu ウェル テルヅム), (5) the Zen Buddhist theories of Nishida Kitarō 西田幾多郎 and D . T . Suzuki 鈴木大拙, and lastly (6) works of popular culture by Kurosawa Akira 黒澤明 and Tezuka Osamu 手塚治虫 . Critical appraisal of these source materials supports the thesis that the polite violence and interesting deceits of the discursive history of “Goethe, the Japanese” can mostly be traced back, other than to a form of speech in German-Japanese cultural diplomacy, to internal questions of Japanese national identity . -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
1Q12 IPG Cable Nets.Xlsm
Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER -
Weimar Classicism and Intellectual Exile: Schiller, Goethe and Die Horen
Davies, S. (2019). Weimar Classicism and Intellectual Exile: Schiller, Goethe and Die Horen. Modern Language Review, 114(4), 751-787. https://doi.org/10.5699/modelangrevi.114.4.0751 Peer reviewed version Link to published version (if available): 10.5699/modelangrevi.114.4.0751 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Modern Humanities Research Association at https://www.jstor.org/stable/10.5699/modelangrevi.114.4.0751#metadata_info_tab_contents. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ 1 Steffan Davies Weimar Classicism and Intellectual Exile: Schiller, Goethe, and Die Horen ABSTRACT This article asks how Goethe and Schiller’s works in Die Horen, in the shadow of the French Revolution and the ‘émigré question’, prefigured the concerns of later exile writing. It asks how far they established principles of ‘intellectual exile’ that have gained currency in the writings of Edward Said and Vilém Flusser. It compares Schiller’s Ästhetische Briefe with Adorno’s reception of them; it examines concepts of exile in Goethe’s ‘Erste Epistel’ and Unterhaltungen deutscher Ausgewanderten. Finally, it asks how elegy fits into a poetics of exile. The article suggests a fresh perspective on Weimar Classicism, and widened scope for Exilforschung. -
Henry W. Longfellow Hyperion
HENRY W. LONGFELLOW HYPERION 2008 – All rights reserved Non commercial use permitted Hyperion By Henry Wadsworth Longfellow 1882 CONTENTS. BOOK I. Epigraph CHAPTER I. THE HERO. CHAPTER II. THE CHRIST OF ANDERNACH. CHAPTER III. HOMUNCULUS. CHAPTER IV. THE LANDLADY'S DAUGHTER. CHAPTER V. JEAN PAUL, THE ONLY-ONE. CHAPTER VI. HEIDELBERG AND THE BARON. CHAPTER VII. LIVES OF SCHOLARS. CHAPTER VIII. LITERARY FAME. BOOK II. Epigraph CHAPTER I. SPRING. CHAPTER II. A COLLOQUY. CHAPTER III. OWL-TOWERS. CHAPTER IV. A BEER-SCANDAL. CHAPTER V. THE WHITE LADY'S SLIPPER AND THE PASSION-FLOWER. CHAPTER VI. GLIMPSES INTO CLOUD-LAND. CHAPTER VII. MILL-WHEELS AND OTHER WHEELS. CHAPTER VIII. OLD HUMBUG. CHAPTER IX. THE DAYLIGHT OF THE DWARFS, AND THE FALLING STAR. CHAPTER X. THE PARTING. BOOK III. Epigraph CHAPTER I. SUMMER-TIME. CHAPTER II. FOOT-TRAVELLING. CHAPTER III. INTERLACHEN. CHAPTER IV. THE EVENING AND THE MORNING STAR. CHAPTER V. A RAINY DAY. CHAPTER VI. AFTER DINNER, AND AFTER THE MANNER OF THE BEST CRITICS. CHAPTER VII. TAKE CARE! CHAPTER VIII. THE FOUNTAIN OF OBLIVION. CHAPTER IX. A TALK ON THE STAIRS. BOOK IV. Epigraph CHAPTER I. A MISERERE. CHAPTER II. CURFEW BELLS. CHAPTER III. SHADOWS ON THE WALL. CHAPTER IV. MUSICAL SUFFERINGS OF JOHN KREISLER. CHAPTER V. SAINT GILGEN. CHAPTER VI. SAINT WOLFGANG. CHAPTER VII. THE STORY OF BROTHER BERNARDUS. CHAPTER VIII. FOOT-PRINTS OF ANGELS. CHAPTER IX. THE LAST PANG. BOOK I. Epigraph "Who ne'er his bread in sorrow ate, Who ne'er the mournful, midnight hours Weeping upon his bed has sate, He knows you not, ye Heavenly Powers." CHAPTER I. -
The Essential Goethe
Introduction Reading a French translation of his drama Faust in 1828, Goethe was struck by how “much brighter and more deliberately constructed” it appeared to him than in his original German. He was fascinated by the translation of his writing into other languages, and he was quick to acknowledge the important role of translation in modern culture. Literature, he believed, was becoming less oriented toward the nation. Soon there would be a body of writing— “world literature” was the term he coined for it— that would be international in scope and readership. He would certainly have been delighted to find that his writing is currently enjoying the attention of so many talented translators. English- speaking readers of Faust now have an embarrassment of riches, with modern versions by David Luke, Randall Jarrell, John Williams, and David Constantine. Constantine and Stanley Corngold have recently produced ver- sions of The Sorrows of Young Werther, the sentimental novel of 1774 that made Goethe a European celebrity and prompted Napoleon to award him the Le- gion d’Honneur. Luke and John Whaley have done excellent selections of Goethe’s poetry in English. At the same time the range of Goethe’s writing available in English remains quite narrow, unless the reader is lucky enough to find the twelve volumes of Goethe’s Collected Works published jointly by Princeton University Press and Suhrkamp Verlag in the 1980s. The Princeton edition was an ambitious undertaking. Under the general editorship of three Goethe scholars, Victor Lange, Eric Blackall, and Cyrus Hamlyn, it brought together versions by over twenty translators covering a wide range of Goethe’s writings: poetry, plays, novels and shorter prose fiction, an autobiography, and essays on the arts, philosophy, and science. -
STUDY the AESTHETIC ASPECTS of GOETHE's POEM Zeynab
International Journal of Asian Social Science, 2016, 6(6): 347-358 International Journal of Asian Social Science ISSN(e): 2224-4441/ISSN(p): 2226-5139 URL: www.aessweb.com STUDY THE AESTHETIC ASPECTS OF GOETHE’S POEM Zeynab Rahmanyan1 1Department of Persian Language Literature, Payame Noor University, Tehran, Iran ABSTRACT Goethe, the prominent German poet, writer, philosopher and scholar should be regarded as a joint between the literature of Classicism and Romanticism. Some of his works belong to the classical movement and another part of his work belongs to the radical and progressive movement in German Romanticism. In fact, Goethe is known as a poet, scholar and philosopher between the two main streams in Europe: Classicism and Romanticism. He carries the ideas of Classicism and also establishes new ideas of Romanticism. Hence, in terms of aesthetics, he is considered to be among the leading theorists of Romanticism school because he has reflected many creative and pure ideas of Romanticism in his literary and philosophical works. German literature owes to Goethe's intellectual and aestheticism. This article tries to display aesthetic aspects of Goethe’s poem in addition to study the literary and artistic features and characteristics of Romanticism school. © 2016 AESS Publications. All Rights Reserved. Keywords: Poetry, Aesthetics, German literature, Romanticism, Goethe. Contribution/ Originality This study is one of very few studies which have investigated about Goethe and its Aesthetic poetry. Johann Wolfgang von Goethe is one of the German Poets, Writers, Philosophers, and thinkers that he should see a Joint among Classicism and Romanticism literature. Some of his works has belong to the classical movement and another part of his Works belonged to the Radical Movement Romantic is in Germany. -
Science Fiction Review 37
SCIENCE FICTION REVIEW $2.00 WINTER 1980 NUMBER 37 SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITZ® P.O. BOX 11408 NOVEMBER 1980 — VOL.9, NO .4 PORTLAND, OR 97211 WHOLE NUMBER 37 PHONE: (503) 282-0381 RICHARD E. GEIS, editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY — $2.00 COVER BY STEPHEN FABIAN SHORT FICTION REVIEWS "PET" ANALOG—PATRICIA MATHEWS.40 ASIMOV'S-ROBERT SABELLA.42 F8SF-RUSSELL ENGEBRETSON.43 ALIEN THOUGHTS DESTINIES-PATRICIA MATHEWS.44 GALAXY-JAFtS J.J, WILSON.44 REVIEWS- BY THE EDITOR.A OTT4I-MARGANA B. ROLAIN.45 PLAYBOY-H.H. EDWARD FORGIE.47 BATTLE BEYOND THE STARS. THE MAN WITH THE COSMIC ORIGINAL ANTHOLOGIES —DAVID A. , _ TTE HUNTER..... TRUESDALE...47 ESCAPE FROM ALCATRAZ. TRIGGERFINGER—an interview with JUST YOU AND Ft, KID. ROBERT ANTON WILSON SMALL PRESS NOTES THE ELECTRIC HORSEMAN. CONDUCTED BY NEAL WILGUS.. .6 BY THE EDITOR.49 THE CHILDREN. THE ORPHAN. ZOMBIE. AND THEN I SAW.... LETTERS.51 THE HILLS HAVE EYES. BY THE EDITOR.10 FROM BUZZ DIXON THE OCTOGON. TOM STAICAR THE BIG BRAWL. MARK J. MCGARRY INTERFACES. "WE'RE COMING THROUGH THE WINDOW" ORSON SCOTT CARD THE EDGE OF RUNNING WATER. ELTON T. ELLIOTT SF WRITER S WORKSHOP I. LETTER, INTRODUCTION AND STORY NEVILLE J. ANGOVE BY BARRY N. MALZBERG.12 AN HOUR WITH HARLAN ELLISON.... JOHN SHIRLEY AN HOUR WITH ISAAC ASIMOV. ROBERT BLOCH CITY.. GENE WOLFE TIC DEAD ZONE. THE VIVISECTOR CHARLES R. SAUNDERS BY DARRELL SCHWEITZER.15 FRANK FRAZETTA, BOOK FOUR.24 ALEXIS GILLILAND Tl-E LAST IMMORTAL.24 ROBERT A.W, LOWNDES DARK IS THE SUN.24 LARRY NIVEN TFC MAN IN THE DARKSUIT.24 INSIDE THE WHALE RONALD R. -
Newsletter Der Goethe-Gesellschaft in Weimar E.V. Erscheint Zwei- Bis Dreimal Jährlich
Goethe-Gesellschaft in Weimar e.V. Ausgabe 2 – September 2018 8. Jahrgang Editorial. Grußwort des Präsidenten Inhaltsverzeichnis uraufgeführt – auch dazu Genaueres Titel in dieser Ausgabe. 1 Editorial Stipendiaten sind in Weimar zu Aktuell Gast gewesen und sind es noch, 2 Stipendiatenprogramm nicht gering ist wieder die Zahl an Honorarprofessur für Dr. Golz Neuerscheinungen, über die wir in Ehrung für Dr. Albert Auswahl orientieren. Erschienen ist 86. Hauptversammlung das neue Goethe-Jahrbuch, das am 21. August im Goethe- und Schiller- Ausland Archiv Premiere hatte. Einen den 3 Goethe in Indien Leseappetit weckenden Überblick Neue Bücher über unser Jahrbuch vermittelt 4 Das Goethe-Jahrbuch 2017 auch diesmal wieder unser Mitglied 7 Walther Wolfgang von Goethes Andreas Rumler, der außerdem Briefwechsel mit Großherzog Carl Alexander enn Sie, liebe Newsletter- einen Band unserer Schriftenreihe 9 Goethe im Spiegel der Leser, diese Ausgabe in sowie eine weitere Veröffentlichung vorstellt; ihm ist für sein Jahreszeiten W den Händen halten, wird 11 Goethe in Mannheim hoffentlich die brütende publizistisches Engagement in Sommerhitze gewichen, der Kopf Sachen Newsletter herzlich zu 13 Impressum danken. Herzlicher Dank gebührt wieder frei sein für neue Veranstaltungen auch meinem Mitherausgeber Nachrichten aus dem Reich, das 14 Schopenhauer-Konferenz Goethe heißt. Über den Sommer Hans-Joachim Kertscher, der sich Goethe-Lieder in Sessenheim sind wir nicht untätig gewesen, wiederum als aufmerksamer Veranstaltungen der GG haben gemeinsam mit der Berichterstatter erweist − diesmal 15 Netzwerk von der Tagung der Schopenhauer-Gesellschaft für Ende RückBlick September eine Konferenz im Ortsvereinigungen in Dessau, die allen Teilnehmern in bester 16 Jahrestagung der Vorstände der Goethe-Nationalmuseum OV vorbereitet, zu der wir herzlich Erinnerung ist. -
The Life of Goethe. Conclusion
THE LIFE OF GOETHE.* BY THE EDITOR. GOETHE began his great drama Got::: von Bcrlichingcn at the it in end of 1771 : he finished it in 1772 and submitted manu- script to Herder, but when Herder called the poet's attention to its shortcomings Goethe recast the whole, mercilessly canceled long pas- sages and introduced new material. In this revised shape he had it printed at his own expense in June 1773. because he could not find a publisher in Germany who would risk its publication. JOHANN BERNHARD BASEDOW. Many men of prominence had become interested in Goethe and visited him in his father's house. Among them must be mentioned first Johann Caspar Lavater (1741-1801), a pious pastor of Zurich, and Johann Bernhard Basedow, an educator of Hamburg. In com- pany with these two men, both with outspoken theological interests, the young worldling, as Goethe called himself in a poem of that period, undertook a trip along the Rhine in the summer of 1774. * The first instalment of this sketch appeared in the June number. 462 THE OPEN COURT. They visited Friedrich Heinrich Jacobi (1743-1819) on his estate at Pempelfort near Diisseldorf. Lavater was a well-known pulpiteer and the founder of the study of physioo^nomw a subject in which Goethe too was interested: JOHANN KASPAR LAVATER. After a water color by H. Lips in the K. K. Familien-Fideikommiss-Bibliothek. and Basedow the founder of an educational institution called the Philanthropin. Jacobi had deep philosophical interests and regarded himself as a disciple of Spinoza, whose philosophy, however, he THE LIFE OF GOETHE. -
Walter Benjamin: Critical Constellations
Copyright © Graeme Gilloch 2002 The right of Graeme Gilloch to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 2002 by Polity Press in association with Blackwell Publishers Ltd Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1 UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK Published in the USA by Blackwell Publishers Inc. 350 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Library of Congress Cataloging-in-Publication Data Gilloch, Graeme. Walter Benjamin-critical constellations I Graeme Gilloch. p. em. - (Key contemporary thinkers) Includes bibliographical references and index. ISBN 0-7456-1007-2 (HB)---ISBN 0-7456-1008-0 1. Benjamin, Walter, 1892-1940-Philosophy. I. Title. II. Key contemporary thinkers (Cambridge, England) PT2603.E455 Z6743 2001 838'.91209-dc21 2001002110 Typeset in 10t on 12 pt Palatino by Best-set Typesetter Ltd., Hong Kong Printed in Great Britain by TJ International, Padstow, Cornwall This book is printed on acid-free paper. -
Schubert Lied Edition Vol
554667bk DSL 16 17/12/2003 09:44 pm Page 32 Also available on Naxos: Deutsche Schubert Lied Edition Vol. 8 DEUTSCHE Schiller-Lieder, Vol. 2 Deutsche Schubert Lied Edition Vol. 1 Die Bürgschaft • Gruppe aus dem Tartarus a.o. SCHUBERT-LIED-EDITION • 16 Winterreise Regina Jakobi, Mezzo-soprano Roman Trekel, Baritone Ulrich Eisenlohr, Piano. 8.554741 Ulrich Eisenlohr, Piano. 8.554471 Deutsche Schubert Lied Edition Vol. 9 Deutsche Schubert Lied Edition Vol. 2 Schubert’s Friends, Vol. 1 SCHUBERT Schwanengesang • Auf dem Strom • Herbst Schatzgräbers Begehr • Jägers Liebeslied a.o. Lebensmut • Lieder on texts by Ludwig Rellstab Markus Eiche, Baritone / Jens Fuhr, Piano. 8.554799 Michael Volle, Baritone / Ulrich Eisenlohr, Piano Goethe Lieder • 3 Sjön Scott, Horn. 8.554663 Deutsche Schubert Lied Edition Vol. 10 Austrian Contemporaries, Vol. 1 Deutsche Schubert Lied Edition Vol. 3 Drang in die Ferne • Die Sterne • Am Fenster a.o. Johannes Kalpers, Tenor Goethe-Lieder, Vol. 1 Christoph Genz, Tenor An den Mond • Der Fischer • Ganymed • Meeres Stille Wolfram Rieger, Piano. .8.554796 Prometheus • Wandrers Nachtlied I & II a.o. Burkhard Kehring, Piano Ulf Bästlein, Baritone / Stefan Laux, Piano. .8.554665 Deutsche Schubert Lied Edition Vol. 11 North German Poets Deutsche Schubert Lied Edition Vol. 4 Auf der Bruck • Im Frühling • Der Wanderer a.o. Mayrhofer-Lieder, Vol. 1 Hanno Müller-Brachmann, Bass-Baritone Der Alpenjäger • An die Freunde • Auf der Donau Ulrich Eisenlohr, Piano . .8.555780 Aus “Heliopolis” I & II • Der Hirt a.o. Cornelius Hauptmann, Bass Deutsche Schubert Lied Edition Vol. 12 Stefan Laux, Piano. .8.554738 Mayrhofer-Lieder, Vol. 2 Erlafsee • Uraniens Flucht • Auflösung a.o.