The University of Chicago a Philosophy to Live By

Total Page:16

File Type:pdf, Size:1020Kb

The University of Chicago a Philosophy to Live By THE UNIVERSITY OF CHICAGO A PHILOSOPHY TO LIVE BY: GOETHE‘S ART OF LIVING IN THE SPIRIT OF THE ANCIENTS A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF GERMANIC STUDIES BY GEORGINNA ANNE HINNEBUSCH CHICAGO, ILLINOIS DECEMBER 2018 Table of Contents List of Abbreviations....................................................................................................................... v Acknowledgements ....................................................................................................................... vii Introduction ..................................................................................................................................... 1 Goethe and Ancient philosophy .................................................................................................. 6 Philosophy as an Art of Living: Making the most of life ........................................................ 10 Art & Science as a Goethean Art of Living .............................................................................. 18 Introduction of Chapters ........................................................................................................... 19 Chapter 1 Ancient Philosophy as an Art of living........................................................................ 26 Central Claim & Methodology ................................................................................................. 29 Outline of this chapter ............................................................................................................... 31 I. Philosophy as a Way of life .................................................................................................. 34 Pierre Hadot's Conception of Ancient Philosophy as Spiritual Exercise .............................. 34 Goethe's conception of Philosophy ....................................................................................... 44 II. An ancient art of living as the practice of Epicurean & Stoic spiritual exercise .................. 59 Epicurean & Stoic Therapeutics & the Exercise of a Concentration on the Present ............ 60 Goethean affinities with Epicureanism & Stoicism .............................................................. 66 Goethe's valorization of the present and its Epicurean and Stoic resonances....................... 72 Ancient exercises in a View from above & Cosmic consciousness ...................................... 91 III. Goethean scientific & artistic variations on the spritual exercise of a view from above and cosmic consciousness................................................................................................................ 95 Goethean view from above and the intuition of a natural archetype .................................... 95 Viewing Nature as a Whole .................................................................................................. 96 Gegenständliches Sehen...................................................................................................... 102 Intuitive Apprehension ........................................................................................................ 105 Artistic Intuition ...................................................................................................................110 Résumé ................................................................................................................................ 124 IV. The Italian Journey as the fount of Goethean art of living ................................................ 126 Reading the Italien Journey as a spiritual text in the Ancient philosophical tradition ....... 126 Chapter 2 Goethe's Italian Journey: a therapeutic journey in the spirit of the ancients ............. 147 I. Goethe's Malaise of the Passions ......................................................................................... 152 Goethe's Art of Healing: Classical Rebirth ......................................................................... 160 ii II. The ancient therapeutics of presence.................................................................................. 162 Goethe's Therapeutics of Presence ...................................................................................... 163 Stoic duty to the present: the imperative of self-reliance ................................................... 169 Epicurean happiness in the present ..................................................................................... 190 Conclusion .............................................................................................................................. 227 Chapter 3: Goethean Spiritual exercises in Natural Investigation .............................................. 233 I. Natural Observation as Spiritual Therapy ........................................................................... 237 II. Natural Investigation as a Self-transformative Exercise .................................................... 245 The Ancients' attitude toward nature .................................................................................. 245 Goethe's observational stance towards nature .................................................................... 246 Ancient Spiritual techniques in Observation ...................................................................... 248 Goethean spiritual techniques in natural observation ......................................................... 251 III. Seeing Nature from a physical point of view: Polarity & Intensification ........................ 259 Exercises in Observing Nature through topographic polarities .......................................... 262 Exercises in observing nature through the Polarity of Generation and Destruction ........... 266 Exercises in observing nature from the perspective of normality and abnormality ........... 272 Temporal Exercises in Seeing ............................................................................................. 274 IV. Goethe's Scientia Intuitiva as a species of ancient cosmic consciousness ........................ 288 The ethical worldview of an ancient cosmic consciousness ............................................... 288 Goethe's Spinozan ethical worldview ................................................................................. 292 Intuitive observations of nature .......................................................................................... 294 Chapter 4 Goethean Spiritual Exercises in Observing and Producing Artworks........................ 308 I. Self-Formative Travel & Spiritual Knowledge .................................................................. 313 II. Therapeutics of Art Observation ....................................................................................... 320 The artwork's presence ........................................................................................................ 320 Therapeutic primacy of Presence ........................................................................................ 322 Goethean exercises in animating presence ......................................................................... 327 The Therapeutics of life-affirming art interpretation .......................................................... 333 Exercises in averting one's gaze from death & directing one's gaze towards life .............. 344 III. Goethean Aesthetic exercises in the observation of art through polarities ....................... 352 Baumgarten's Conception of Aesthetic Exercises & its Goethean Resonances .................. 352 Baumgarten on the regulation of subjective affects & Goethe on 'gegenständliches Sehen' ............................................................................................................................................. 360 Ideal and Real Observations of art: Seeing 'in concreto' vs. Seeing 'in abstracto' .............. 364 iii Perceptual discrepancies between ideal and real ................................................................ 365 Aesthetic Exercises Mediating Ideal and Real.................................................................... 368 Historical versus Ahistorical exercises in Seeing ............................................................... 373 Exercises in Historical regard ............................................................................................. 376 Achieving a Classical Regard ............................................................................................. 394 Exercises in Ahistorical viewing: the importance of natural context ................................. 398 Exercises in seeing in light and in darkness........................................................................ 401 IV. The Intensification of Aesthetic Exercises through Productive Seeing ............................411 Baumgarten and Aesthetic Judgment ...................................................................................411 Aesthetic exercises in productive seeing ............................................................................ 414 Synthesizing Subjective & Objective ................................................................................. 416 Reconciling Form & Content .............................................................................................. 420 The Logic of Part & Whole ...............................................................................................
Recommended publications
  • Etz Isch Noch Go Gnuag Hai Hunta! Etz Isch Nooch Gau Gnua Hai Honta!*
    Etz isch noch go gnuag Hai hunta Ludwig Mich. Dorner Etz isch noch go gnuag Hai hunta! Etz isch nooch gau gnua Hai honta!* (Jetzt ist dann demnächst genug Heu herunten!) 3475 gesammelte Sprüche, Redensarten, Lebensweisheiten, Lieder und vieles mehr aus Oberschwaben Beispiel (zugleich Erklärung zum Titel der Sammlung): A) Etz isch noch go gnuag Hai hunta! (Unterstrichenes betonen!) B) Jetzt ist dann demnächst genug Heu herunten! C) Stammt aus der bäuerlichen Viehfütterung, als man vom Heuboden (Lagerraum im Dachgeschoß) die benötigte Tagesration an Heu (oder Öhmd) durch eine Luke abwarf, um sie dann dem Vieh vorzulegen. a) Kommentar zur eigenen Arbeit (auch im Team): Für heute ist es genug. Lasst uns Feierabend machen. b) Warnung an einen anderen, er habe genug provoziert. Das Maß sei jetzt voll. D) Schussen Legende (wie jeder Datensatz aufgebaut ist) A) Spruh, Redensart, Leensweisheit, Lied … B) möglichst wortgetreue Übertragung in die Schriftsprache C) Erklärung, ggf. Wortherkunft einzelner Begriffe, Sinn des »Spruchs« D) (oft) Die Region innerhalb Oberschwabens: Allgäu, Schussen, Riß, Donau Angaben zu B-D können ggf. entfallen. Etz isch noch go gnuag Hau hunta: Sprachregion Allgäu, Schussen *Kleine Überschrift darunter »Etz isch nooch gau gnua Hai honta!«: Sprachregion Riß, Donau (Näheres zu den Sprachregionen im Vorwort) Appetitmacher 1 Etz isch noch go gnuag Hai hunta Ludwig Mich. Dorner Etz isch noch go gnuag Hai hunta! Etz isch nooch gau gnua Hai honta! Die Sammlung entstand über geschätzt vier Jahrzehnte. Im Silberburg-Verlag waren zwei Bücher von mir erschienen. Sie enthielten größere Teile der jetzt vorliegenden Sammlung, die ich aber bis zum Erscheinen dieser Ausgabe unermüdlich weiterführte und im Umfang annähernd verdoppeln konnte.
    [Show full text]
  • Jahresbericht Der KAB Hüls
    Jahresbericht 2015 1 Jahresbericht 2015 KAB St. Cyriakus Krefeld-Hüls e.V. ISSN 1619-7275 2 KAB St. Cyriakus Krefeld-Hüls e.V. KAB St. Cyriakus - Krefeld-Hüls Vorstand 2015 1. Vorsitzender Ralf Krudewig, Kempener Str. 12 32 50 780 2. Vorsitzende Monika Thißen, Im Paradies 36a 73 14 63 Geschäftsführer Gerd Hombergs, Leidener Str. 39 73 41 25 Geistliche Begleiterin Dr. Adelheid Jacobs-Sturm, Rektoratsstr. 19 73 96 492 Schriftführer Jutta Foerster, Herrenweg 24 73 48 44 Öffentlichkeitsarbeit Werner Stenmans, Josef-Heinrichs-Str. 12 73 49 49 Arbeitsgruppen/Arbeitskreise ABS - AK für bessere Spielbedingungen Hildegard Fuhs, Oedter Str. 14 74 33 26 Jochen Scheller, Am Brustert 50 62 15 955 Arbeitskreis Junge Familien Nadja von der Ruhren, Botzweg 53a 89 16 372 Seniorenarbeit: - KAB-60plus - Dritter Lebensabschnitt Willy Goertz, Kreuzstr. 19 73 14 19 Hans Hinkes, Lerchenstr. 23 A 73 19 36 - Alten- und Rentnergemeinschaft z.Zt. NN Kontakt: 73 41 25 - Doppelkopf Wilfried Stöckel, Bruckersche Str. 168 73 15 53 - Reisegruppe Hans Hinkes, Lerchenstr. 23 A 73 19 36 - Schwimmgruppen: - Frauen Heike Thiem, Bruckersche Str. 27 44 61 807 - Menschen mit Behind. Helga Pesch, Schönwasserstr. 171 59 34 14 - Alten- und Rentnergem. Hildegard Tekath, Mannshofweg 22 73 45 24 AK f. Menschen m. Behind. Heike Lothmann, Leidener Str. 117 A 73 55 81 Frauengruppe Gertrud Koenen, Jakob-Hüskes-Str. 33 73 23 39 AG Geselligkeit u. Theater Ludwig Croonenbroeck, Im Hessle 7 73 37 43 Vertretung der KAB-Hüls im Forum 1 A für Stadtteilplanung Renate Stenmans, Josef-Heinrichs-Str. 12 73 49 49 Vertrauensleute: Walter Acker, Klever Str.
    [Show full text]
  • The Handmaiden and Colonial Korea, an Interview with Dr. Kelly Jeong Transcript
    Episode 8: The Handmaiden and Colonial Korea, An Interview with Dr. Kelly Jeong Transcript Stephanie [00:00:00] Hello, I'm Steph. Melissa [00:00:01] And I'm Mel. Stephanie [00:00:02] And this is East Asia for All, a podcast about East Asian pop culture and media. Melissa [00:00:07] If you're listening right now, you, like us, probably also have an addiction to East Asian films, cartoons, memes, music and much, much more. Stephanie [00:00:17] Between the two of us, we've lived on and off in China, Taiwan, and Japan since 2007. Melissa [00:00:22] We also both have PhDs in Chinese history, and we're both working as professors in the Midwest. Stephanie [00:00:28] I'm at St. Olaf College in the Departments of History and Asian Studies. Melissa [00:00:31] And I teach history at St. Mary's University of Minnesota. Stephanie [00:00:35] So we're taking our love for East Asia, our experiences there, and the knowledge we've gained in the ivory tower and making it available beyond our classroom walls. Melissa [00:00:47] Today's episode is about The Handmaiden, a 2016 film by South Korean director Park Chan-wook. Stephanie [00:00:54] ...of Oldboy fame. If you keep up with Park's filmography. Melissa [00:00:57] The Handmaiden has a really interesting lineage. It's an adaptation of Sarah Waters' 2002 novel Fingers Smith. Stephanie [00:01:04] Waters' novel is set in Victorian-era Britain and it's sort of a crime story, historical mystery and lesbian romance.
    [Show full text]
  • Italian Journey Treasures from the Archives
    GRAND TOUR ITALIANO: CINEMA TREASURES FROM THE ARCHIVES (c. 1909–12, total screening time: 70 mins.) Curated by Andrea Meneghelli, Cineteca di Bologna This program is presented virtually on wexarts.org Feb 28–Mar 6, 2021, as part of Cinema Revival: A Festival of Film Restoration, organized by the Wexner Center for the Arts. At the beginning of the 20th century, cinema offered production houses in Italy—and elsewhere—the extraordinary possibility of depicting Italy to the world and to the new citizens of the unified state, permitting everyone to go on a low cost, virtual Grand Tour. The production of “real life” Italian cinema during the early 1910s gives us the picture of a modern, industrialized country, which, at the same time, boasts the age-old traditions of its history and the incomparable artistic and natural beauty of its territory. In the ports of Genoa and Naples, while groups of foreign tourists disembark from steamboats, the docks are crowded with millions of emigrants, ready to set sail for Argentina, Canada, the United States...Italy is no longer a country for them. Images were shot throughout Italy, from Sicily to Valle d’Aosta, from the Tyrrhenian Sea to the Adriatic. The films were made by both Italian and international production houses, because the Bel paese (beautiful country) at once became the destination of choice for cine-camera operators sent out to capture “the Beautiful.” The operators (and their production houses) followed the lessons of the Lumière brothers, framing Italy with wisdom, using a new language written for the moving image, and with true technical know-how: manually colored images, split-screen, fixed cameras, cameras in movement..
    [Show full text]
  • Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
    Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation.
    [Show full text]
  • Lacrimosa Dr
    Juli / August 14 AusgAbe 37 - JAhrgAng 7 Deine Lakaien LacrimoSa Dr. mark benecke Letzte inStanz opeth grA mitnehmen entombeD a.D. tis zum otto Dix SubStaat 2 eDitoriaL inhaLt Hoherlehmer Straße 5 – 15738 Zeuthen Tel. 03376/2462946 www.negatief.de Nach zweijähriger Absenz wagten wir mit der letz- 31 Ankh ten Ausgabe den Sprung ins kalte Wasser und be- 8 Astari Nite Herausgeber, Vertrieb & V.i.S.d.P.: lebten das NEGAtief neu. Viel Arbeit und Idealismus 5 CD-Tipps Bruno Kramm ([email protected]) sind in das Heft geflossen und umso erfreuter waren 6 Deine Lakaien Chefredaktion & Redaktionsleitung: wir über die positiven Resonanzen, die wir auf Face- Sascha Blach ([email protected]) book, in den Clubs, von Labels und Bands und vor 15 Digitalis Purpurea Marketing: Johannes Thon ([email protected]) allem beim Wave Gotik Treffen in Leipzig bekommen 24 Entombed A.D. Marketing Multimedia: Yvonne Brasseur 10 Lacrimosa ([email protected]) haben. Vier Tage lang stand unser eifriges Team dort Layout: Miriam Barth ([email protected]) in der Agra-Halle am NEGAtief-Stand und sorgte da- 7 Letzte Instanz Internet: Sandro Griesbach für, dass es jeder, der ohne das Heft nach Hause ge- 19 Löwenhertz Redaktion: Sascha Blach, Daniel Dreßler, Gert hen wollte, schwer hatte. Unseren WGT-Nachbericht 16 Mark Benecke Drexl, Peter Istuk, Bruno Kramm, Jennifer Laux, lest ihr ebenso in der euch nun vorliegenden Juli/ Sigmar Ost, Stephanie Riechelmann, Peter Sailer, Lea 9 Multimedia August-Ausgabe wie spannende Storys über Lacri- 14 No:Carrier Sommerhäuser, Laura Thon, Frank „Otti“ van Düren, mosa, Opeth, Letzte Instanz, Substaat oder Deine Kerstin Vielguth, Paul Winterfeld 26 Opeth Lakaien.
    [Show full text]
  • Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
    International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world.
    [Show full text]
  • Mapping Topographies in the Anglo and German Narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson
    MAPPING TOPOGRAPHIES IN THE ANGLO AND GERMAN NARRATIVES OF JOSEPH CONRAD, ANNA SEGHERS, JAMES JOYCE, AND UWE JOHNSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kristy Rickards Boney, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by: Professor Helen Fehervary, Advisor Professor John Davidson Professor Jessica Prinz Advisor Graduate Program in Professor Alexander Stephan Germanic Languages and Literatures Copyright by Kristy Rickards Boney 2006 ABSTRACT While the “space” of modernism is traditionally associated with the metropolis, this approach leaves unaddressed a significant body of work that stresses non-urban settings. Rather than simply assuming these spaces to be the opposite of the modern city, my project rejects the empty term space and instead examines topographies, literally meaning the writing of place. Less an examination of passive settings, the study of topography in modernism explores the action of creating spaces—either real or fictional which intersect with a variety of cultural, social, historical, and often political reverberations. The combination of charged elements coalesce and form a strong visual, corporeal, and sensory-filled topography that becomes integral to understanding not only the text and its importance beyond literary studies. My study pairs four modernists—two writing in German and two in English: Joseph Conrad and Anna Seghers and James Joyce and Uwe Johnson. All writers, having experienced displacement through exile, used topographies in their narratives to illustrate not only their understanding of history and humanity, but they also wrote narratives which concerned a larger global ii community.
    [Show full text]
  • On Christian Asceticism Spiritual Exercises in Saint Augustine's
    Studies in Spirituality 25, 21-43. doi: 10.2143/SIS.25.0.3112887 © 2015 by Studies in Spirituality. All rights reserved. JOSEPH GRABAU ON CHRISTIAN ASCETICISM Spiritual Exercises in Saint Augustine’s Confessions* SUMMARY – The present article seeks to address an important point of contact between early Christian ascetic practice and the heritage of ­Platonism through the end of the fourth century AD. In short, I find marked similarities between Pierre Hadot’s reading of Plato’s Phaedo, for example, and that of St Augustine’s personal prayer book, the Confes- sions. After outlining essential characteristics of Hadot’s take on spiritual exercises and Augustinian anthropology, I subject the text of the Confes- sions to critical examination in order to determine whether an emphasis on ‘spiritual exercises’ is indeed present. I argue that similar spiritual practices may be clearly discerned. First, I discuss the distinct ‘Christian’ and Augustinian character of ‘spiritual exercises’ which incorporate bibli- cal typology of Adam and Christ as paradigmatic for the spiritual life. Next, in terms of concrete practices, I then discern from the first four books of the Confessions a series of exercises through which such a path of spiritual progress (i.e. from ‘Adam’ to ‘Christ’) may occur. Of note, I consider the dialectic praxis of 1) contemplative reading, 2) prayer- writing and 3) prayer itself, or ‘pure’ prayer – distinct from Augustine’s written reflections; 4) the role of lectio divina or meditation on Scrip- ture; and, finally, 5) meditation on death. In addition to developing these individual practices, it is the traditional Augustinian anthropology (rooted as it is in a theology of divine grace) that reveals the essential ‘Christian’ contribution of Augustine’s.
    [Show full text]
  • Die Goldene Bulle Politik - Wahrnehmung - Rezeption
    Die Goldene Bulle Politik - Wahrnehmung - Rezeption Band II Herausgegeben von Ulrike Hohensee, Mathias Lawo, Michael Lindner, Michael Mcnzel und Olaf B. Rader Akademie Verlag MICHAEL NIEDERMEIER Goethe und die Goldene Bulle' Als mich Michael Lindner von der Arbeitsstelle der Monumenta Germaniae Histo- rica bat, aus Sicht des Goethe-Forschers einen Beitrag zu Johann Wolfgang von Goethe und seinem Verhältnis zur Goldenen Bulle beizusteuern, war ich zunächst zögerlich. Sicher, so meinte ich mich zu erinnern, hat Goethe in seinen Lebenser- innerungen auch - unter anderem - etwas zur Goldenen Bulle geschrieben. Nach einiger Zeit wurde mir allerdings klar, dass den Historikern der MGH als den Ken- nern der Goldenen Bulle Goethe in diesem Zusammenhang weit öfter begegnet war als mir, ja so muss man eingestehen, der Goethe-Forschung insgesamt. Freilich gibt es im Goethe-Wörterbuch einen Verweis über "Bulle, siehe Goldene Bulle", um dann im Wortartikel "golden" einen eigenen - freilich nur knappen - Eintrag zu erhalten.' Erstaunlich ist jedoch, dass mir in der fast unübersehbaren Goethe- Literatur kein einziger eigenständiger Aufsatz zum Thema begegnete und selbst in den diversen Goethe-Handbüchern nicht einmal ein eigener spezieller Artikel. Im Vorwort der von Wolfgang D. Fritz besorgten Monumenta-Ausgabe.' wird hingegen ausdrücklich Goethes Schilderung der Frankfurter Königswahl Josephs ]1. 1764 in ,Dichtung und Wahrheit' angeführt als Beleg für die Tatsache, dass der Geltungs- bereich der Goldenen Bulle zumindest für das Zeremoniell der Königswahl und das Kurfürstenkolleg noch bis 1806 Geltung besaß. Es zeigte sich, dass Historiker Goethe als eine verlässliche Quelle gebrauchten, während die spezielle germanisti- sche Goethe-Forschung auf den ersten Blick eher wenig beizutragen hat.4 Die leicht überarbeitete Schriftfassung des Vortrages behält den Vortragsgestus bei.
    [Show full text]
  • Beyond Autonomy in Eighteenth-Century and German Aesthetics
    10 Goethe’s Exploratory Idealism Mattias Pirholt “One has to always experiment with ideas.” Georg Christoph Lichtenberg “Everything that exists is an analogue to all existing things.” Johann Wolfgang Goethe Johann Wolfgang Goethe made his famous Italian journey in the late 1780s, approaching his forties, and it was nothing short of life-c hanging. Soon after his arrival in Rome on November 1, 1786, he writes to his mother that he would return “as a new man”1; in the retroactive account of the journey in Italienische Reise, he famously describes his entrance into Rome “as my second natal day, a true rebirth.”2 Latter- day crit- ics essentially confirm Goethe’s reflections, describing the journey and its outcome as “Goethe’s aesthetic catharsis” (Dieter Borchmeyer), “the artist’s self-d iscovery” (Theo Buck), and a “Renaissance of Goethe’s po- etic genius” (Jane Brown).3 Following a decade of frustrating unproduc- tivity, the Italian sojourn unleashed previously unseen creative powers which would deeply affect Goethe’s life and work over the decades to come. Borchmeyer argues that Goethe’s “new existence in Weimar bore an essentially different signature than his pre- Italian one.”4 With this, Borchmeyer refers to a particular brand of neoclassicism known as Wei- mar classicism, Weimarer Klassik, which is less an epochal term, seeing as it covers only a little more than a decade, than a reference to what Gerhard Schulz and Sabine Doering matter-o f- factly call “an episode in the creative history of a group of German writers around 1800.”5 Equally important as the aesthetic reorientation, however, was Goethe’s new- found interest in science, which was also a direct conse- quence of his encounter with the Italian nature.
    [Show full text]
  • Peter J. Schwartz
    Peter J. Schwartz Department of World Languages & 40 Gordon Street Literatures Allston, MA 02134 Boston University Cell: (617) 645-4717 745 Commonwealth Avenue email: [email protected] Boston, MA 02215 Curriculum Vitae, 9/2016 Professional employment 7/2011- Associate Professor of German present Department of Modern Languages and Comparative Literature, Boston University 9/2002- Assistant Professor of German 6/2011 Department of Modern Languages and Comparative Literature, Boston University 09/1996- Preceptor 06/1999 Department of Germanic Languages and Literatures, Columbia University 01/1994- Teaching Assistant 05/1996 Department of Germanic Languages and Literatures, Columbia University Education 10/2002 Ph.D. in German Literature, Columbia University Dissertation: After Jena: Historical Notes on Goethe's Elective Affinities Advisor: Andreas Huyssen 08/1996 Zomercursus Nederlandse taal en cultuur (Zeist, Netherlands) 02/1996 M.Phil. in German Literature, Columbia University 05/1994 MA in German Literature, Columbia University 05/1989 BA in Modern European and Ancient History (cum laude in General Studies), Harvard College Research languages English, German, French, Dutch, Italian 1 Peter J. Schwartz • CV Courses taught CAS CC 102 Core Humanities I: Antiquity & the Medieval World CAS WR 150 The Social Contract CAS XL 100 Finding a Voice: An Introduction to Literature CAS XL 222 Introduction to Comparative Literature (Western Tradition) CAS XL 351 The Faust Tradition / LG 283 CAS XL 470 Topics in Comparative Literature: Monsters and Robots CAS LG 250 Introduction to German Literature in Translation: The Difficulty of Being Human CAS LG 282/ Marx, Nietzsche, Freud CAS LG 387 Weimar Cinema CAS LG 340 Topics in German Civilization: Germany after 1989 CAS LG 350 Introduction to German Literature: True Crime.
    [Show full text]