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The Handmaiden and Colonial Korea, an Interview with Dr. Kelly Jeong Transcript
Episode 8: The Handmaiden and Colonial Korea, An Interview with Dr. Kelly Jeong Transcript Stephanie [00:00:00] Hello, I'm Steph. Melissa [00:00:01] And I'm Mel. Stephanie [00:00:02] And this is East Asia for All, a podcast about East Asian pop culture and media. Melissa [00:00:07] If you're listening right now, you, like us, probably also have an addiction to East Asian films, cartoons, memes, music and much, much more. Stephanie [00:00:17] Between the two of us, we've lived on and off in China, Taiwan, and Japan since 2007. Melissa [00:00:22] We also both have PhDs in Chinese history, and we're both working as professors in the Midwest. Stephanie [00:00:28] I'm at St. Olaf College in the Departments of History and Asian Studies. Melissa [00:00:31] And I teach history at St. Mary's University of Minnesota. Stephanie [00:00:35] So we're taking our love for East Asia, our experiences there, and the knowledge we've gained in the ivory tower and making it available beyond our classroom walls. Melissa [00:00:47] Today's episode is about The Handmaiden, a 2016 film by South Korean director Park Chan-wook. Stephanie [00:00:54] ...of Oldboy fame. If you keep up with Park's filmography. Melissa [00:00:57] The Handmaiden has a really interesting lineage. It's an adaptation of Sarah Waters' 2002 novel Fingers Smith. Stephanie [00:01:04] Waters' novel is set in Victorian-era Britain and it's sort of a crime story, historical mystery and lesbian romance. -
Editor Recommended Texts Here Are Some Ideas for Texts and Films That
Editor recommended texts Here are some ideas for texts and films that our language editors have recommended. These are just suggestions though so if there is a particular author or film you would rather look at, you may do so! English translations can be found in libraries and online bookstores but we encourage giving the texts in their original versions a go too - especially for 6th form submissions! Many of the films can be found online (Amazon, Mubi, Youtube, Netflix) or can be bought on DVD. FRENCH o TEXTS: Monsieur Ibrahim et les fleurs du coran, Eric Schmitt Stupeur et tremblements, Amélie Nothomb Le Petit Prince, Antoine de Saint Exupéry Boule de Suif, Guy de Maupassant Oran, langue morte Assia Djebar (collection of short stories) Le Silence de la mer, Vercors (Jean Bruller) (A-level) Candide, Voltaire (A-Level) o FILMS: Entre les murs, Laurent Cantet (15) https://www.imdb.com/title/tt1068646/ Portrait de la jeune fille en feu, Céline Sciamma (15) https://www.imdb.com/title/tt8613070/ Stupeur et tremblements, Alain Corneau (12A) https://www.imdb.com/title/tt0318725/ Les misérables (2019), Ladj Ly (15) https://www.imdb.com/title/tt10199590/?ref_=tt_pg Amélie, Jean-Pierre Jeunet (15) https://www.imdb.com/title/tt0211915/?ref_=tt_pg Populaire, Régis Roinsard (12A) https://www.imdb.com/title/tt2070776/ Les Choristes, Christophe Barratier (12A) https://www.imdb.com/title/tt0372824/?ref_=fn_al_tt_1 Kirikou et les bêtes sauvages, Michel Ocelot, Bénédicte Galup (U) https://www.imdb.com/title/tt0455142/?ref_=fn_al_tt_1 -
THE PEEL REPORT 5 Proteste Be Made to Au a Look at the Events Leading up to the Repp'rt and the Likely Outcome
hope that decisicHi wiU reflect those principles of. humanity and justice for which men like Jacob VOLUME 48, NUMBERS 17 & 18 Prai have been prepared to make sudi great sacrifice. I therefore make the plea that the strongest possible THE PEEL REPORT 5 proteste be made to aU A look at the events leading up to the repp'rt and the likely outcome. (Queensland's largest and most governments invdved in the accessible letter section). continuing daughter hi West Papua and the possible SOLAR SELL-OUT 7 extradidon of Jacob Prai. Do not let us have to Two special reports on the eneigy problem - how big business is JACOB PRAI'S ask who was Jacob Prai. cashing in on the SUP panies, to the total ex ^UDY ANDREWS ARREST AND THE clusion of the local people. WEST IRIAN RE P.O. Box 106 MEXICAN GRASS NOW DEVIL WEED 9 An example is "Freeport Kuranda. North Old. SISTANCE TO Muierals" whose copper 4872. How the U.S. Govt, is poisoning American marijuana smokers. INDONESIA mine at Tembagapuiii_ is 80% American owned'the remaining 20% belonguig to MARY WHITEHOUSE GAY LIBERATION MOVEMENT H I write tiUs in the hope hidtmesian partners. DESERVES RESPECT dut your puUlcation, as a Local opposition to ~" ' ~ Part 2 of our series 'Coming out in the Seventies'. traditional champion of Indonesian mle in Irian i am an outside aoquam- hfeedom and justice will bring to notice the cir 5!'"!,";^ii?"'H'n^^*these people vutiiaUy hav^e ^^ of^ Sempe*?^r an, d my' SEX AND SMELL 13 cumstances surrounding only bows and arrows to «»"»«>*«.«« in reference Research into the impact of smell on human sexual behaviour. -
INFORMATION THURSDAY NIGHT SPECIAL - DINNER and FILM Presented by Members of Hastings Pride
39a High Street | Hastings | TN34 3ER | [email protected] | www.electricpalacecinema.com | [email protected] | 3ER TN34 | Hastings | Street High 39a CALENDAR OCTOBER CINEMA Sat 1 July 8pm 20th Century Women Sun 2 July 8pm 20th Century Women Thu 6 July 11am & 8pm Toni Erdmann JULY Fri 7 July 8pm Queen of Katwe Sat 8 July 8pm Queen of Katwe Sun 9 July 7.30pm 8½ Thu 13 July 11am & 8pm Cezanne et Moi Fri 14 July 8pm Hidden Figures Sat 15 July 8pm Hidden Figures Sun 16 July 8pm Duck Soup Thu 20 July 11am & 8pm Certain Women Fri 21 July 8pm Certain Women Sat 22 July 8pm Certain Women Sun 23 July 8pm The Earrings of Madame De Thu 27 July 11am & 8pm A Quiet Passion Fri 28 July 8pm A Quiet Passion Sat 29 July 8pm A Quiet Passion Sun 30 July 8pm The Green Slime NOVEMBER JULY | AUGUST| SEPTEMBER | 2017 | SEPTEMBER AUGUST| | JULY Thu 3 Aug 11am & 8pm Letters From Baghdad Fri 4 Aug 8pm Random Acts Sat 5 Aug Closed for Carnival Night Sun 6 Aug 8pm We Love This Town! Thu 10 Aug 11am & 8pm Frantz AUGUST Fri 11 Aug 8pm The Lost City of Z Sat 12 Aug 8pm The Lost City of Z Sun 13 Aug 8pm Paths of the Soul Thu 17 Aug 11am & 8pm The Handmaiden Fri 18 Aug 8pm The Handmaiden Sat 19 Aug 8pm David Lynch: The Art Life Sun 20 Aug 8pm Invisible Invaders Thu 24 Aug 11am & 8pm The Sense of An Ending Fri 25 Aug 8pm The Sense of An Ending Sat 26 Aug 8pm Who’s Gonna Love Me Now? Sun 27 Aug 8pm The Sense of An Ending Thu 31 Aug 11am & 8pm Their Finest Fri 1 Sept 8pm Their Finest Sat 2 Sept 8pm Monterey Pop Sun 3 Sept 8pm Their Finest Thu 7 Sept -
Electronic Interactions in Semiconductor Quantum Dots and Quantum Point Contacts
Electronic Interactions in Semiconductor Quantum Dots and Quantum Point Contacts A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Physics of the College of Arts and Sciences by Tai-Min Liu M. S. National Chung Cheng University, Chia-Yi, Taiwan B. S. National Taiwan Normal University, Taipei, Taiwan July 2011 Committee Chair: Andrei Kogan, Ph.D. Abstract We report several detailed experiments on electron transport through Quantum Point Contacts (QPCs) and lateral Quantum Dots (QDs), created in a Single-Electron Transistor (SET). In the experiment for QPCs, we present a zero-bias peak (ZBP) in the differential conductance, G, which splits in an external magnetic field. The observed splitting closely matches the Zeeman energy and shows very little dependence on gate voltage, suggesting that the mechanism responsible for the formation of the peak involves electron spin. We also show that the mechanism that leads to the formation of the ZBP is different from the conventional Kondo effect found in QDs. [1] In the second experiment, we present transport measurements of a QD in a spin-flip cotunneling regime and a quantitative comparison of the data to the microscopic theory by Lehman and Loss. The differential conductance is measured in the presence of an in-plane Zeeman field. We focus on the ratio of the nonlinear G at bias voltages exceeding the Zeeman threshold to G for those below the threshold. The data show good quantitative agreement with the theory with no adjustable parameters. -
T"°Fran Kl in News Record
t"°Fran kl in Franklin’sNews Oldest Community Newspaper recorD "eel.21. No. 46 Twosections, 30 pages Thursday,November 13, 1975 Phone:725-3300 Secondclasss postage paid in Princeton,N.J. 08540 $4.50/ycet 15 cents/copy Porro inquiry soug t ’~ The Franklin TownshipSewerage he waspaid outlandishfees for his work Mr. Porro was also paid another Eckardt will continue their in- Authorityhas suspendedits attorney, on the PhaseThree sewer bend,. $50,000for legal expensesconnected vcaligation into the attorney’s legal : Alfred Porto, and askedfor on in- with the authority so far this year, ac- workin Franklin,as they havebeen ! vestigationinto his activities as legal ACCORI)INGTOfigures released by cordingto the director, LarryGerber¯ doingfor sometime. counselto that authority¯ Mr. Koszkulios,the attorneyreceived Theattorney sent a letter to the In his letter tothe authority, Mr. ~/i+i Mr.Porro was also indictedlast weekover ~3,000for the PhaseThree ban- authority,assuring them that he wouldPorro said "no shame" would be by a BergenCounty grand jury which dine, a figurehe claimsis oneof the welcomethe investigationand denied broughttotheauthorRyasaresult,ofhts .: charged him with¯ conspiracy and highestever recordedfor a $5 million any wrongdoing both here and in legal representation. misconductin office¯He was accused of bondby the Institute for Analysisof BergenCounty¯ receivingmoney while he wasattorney PublicIssues in Princeton¯ Mr. Koszkultos said he and Mr. (See’PORRO,page 14-A) " ’ ’ "’" ........... to the East Rutherford Sewerage Authorityfrom some of the firms which underwrotethe authority’sbonds. ’ MONDAYNIGHT the Franklin authority suspendedMr. Porro and decidedto withholdhis paypending an Dem hits FTA impact investigation by SomersetCounty Prosecutor Stephen Champi. East ~’ Brunswickattorney Ella Schneiderwill by nrian Wand Mrs. -
Portland Daily Press: January 11, 1900
pjOEEi PORTLAND DAILY PRESS. EHE1 1900. THREE CKNT8, ESTABLISHED JUNE 23, 1862—VOL. 38. PORTLAND, MAINE, THURSDAY MOItNINO, JANUARY 11, _PRICE. tbe foreign olBoe Iim been ed. Invited t» meet tae guest* ot tb> hold the territories completely la their Dirdrsaralb, evening wets the members of the cabi- local affairs assort- Inform'd, le etlll In-progreso. MR BALFOUR’S EXCUSES. power, administering net, of both brnnobee of Congrvsa, the ing to their own whims and accountable Supreme court, olUoere of the a-my and to no one bare armed forces which ALONG TUGELA. They QUIET navy and a contingent of realdoot secre- terrorise the tahat Hants. peaoefnl British Forces at Frere fimj (osllsss taries. About SHOO mvltatlona bad been lba rebel forose on the other band bars “BOBS" ARRIVES. Inactive, tamed. 1'he Kaat room was decors tad never lacked for mows/. The Inhabitants, Explains in Behalf of Plan to Cacch Them Mall In Its usual beaullfo) manner. The oon- driven to desperation tbs necessity of Condon, January II.—The Daily by srrvatory wae thrown open and the Ma- to fonr times tbs normal has tbe following despatch dated January War Failed. baring pay Department. rine band played. President ami Mm. for rood staffs against 8, from ffrrr* Damp: ptleaa organised McKinley received their guests In the not, no "WIU the eiseptlon of the usual shell- Insurgent depredations: having bine Introductions were the naval parlor. 'Jibs arms, were unable to resist tbslr ing of the Doer position* by made by Col blaghsm of the army, be- gone the British force remains inactive. -
ARGENTINA (Pop: 44.3 Million; GDP: $912 Billion)
ARGENTINA (Pop: 44.3 million; GDP: $912 billion) (1) ARGENTINA: THEATRICAL MARKET OVERVIEW, 2010-17 2010 2011 2012 2013 2014 2015 2016 2017 Screens 827 800 800 866 867 875 933 963 Theatrical admissions (millions) 38.2 42.5 46.3 46.9 44.2 50.4 50.1 47.5 Per capita attendance 0.94 1.00 1.10 1.10 1.10 1.20 1.20 0.93 Box office (EUR millions*) 127.6 174.6 164.7 188.6 194.0 194.9 254.7 194.2 Average ticket price (EUR*) 3.36 4.70 4.66 4.80 4.29 4.02 5.05 4.08 Releases 290 313 310 370 322 325 403 433 Domestic releases 75 108 102 134 96 79 150 165 US releases 127 119 114 134 129 136 136 129 European releases** 60 56 72 59 82 62 85 91 German releases 7 3 4 4 5 11 4 11 Domestic market share 7.89% 5.40% 6.32% 15.10% 29.80% 14.50% 37.2% 13.1% German market share 0.14% 0.73% 1.43% 0.33% 0.44% 0.12% 0.13% 1.00% *EUR equivalents are calculated throughout at the exchange rate for December 31 of the year in question. **Excluding German majority films Market Study Argentina 2010-2017, published May 2018, by Split Screen for German Films 1 Argentina: Theatrical Market Shares 2010-17 40 35 30 25 20 Domestic 15 German 10 5 Percentage of annual box office Percentage annual of box 0 2010 2011 2012 2013 2014 2015 2016 2017 Argentina: Theatrical Releases 2010-17 500 400 Total 300 Domestic 200 US 100 European German 0 2010 2011 2012 2013 2014 2015 2016 2017 Market Study Argentina 2010-2017, published May 2018, by Split Screen for German Films 2 (2) ARGENTINA: THEATRICAL RELEASES OF GERMAN FILMS, 2010-17 Title Distributor Release date Admissions 2010 German films -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Media Release. Tiff Reveals Best Films of the Decade
November 27, 2019 MEDIA RELEASE. TIFF REVEALS BEST FILMS OF THE DECADE Featuring works by Lucrecia Martel, Barry Jenkins, Jean-Luc Godard, and more TORONTO — TIFF today unveiled The Best of the Decade: An Alternative View, featuring a total of 19 films figuring in the top 10 list — the first two of which were directed by women. All films will play at TIFF Bell Lightbox January 23 through March 11, 2020 to mark the 30th anniversary of TIFF’s Cinematheque. TIFF asked film curators, historians, and archivists from Canada and around the world to choose the best films of the 2010s — any length, genre, or format. TIFF created its first Best of the Decade poll at the turn of the millennium in 2000, and sparked a huge sensation when a relatively unknown film, Victor Erice’s The Quince Tree Sun (Dream of Light), placed first. The 2010 survey named Apichatpong Weerasethakul’s Syndromes and a Century the best film of the 2000s. “Many of the films in the poll’s top 10 address the perilous era we have just lived through, with such prescient works as Film Socialisme, Neighboring Sounds, and Sieranevada predicting various types of ecological, political, and social calamity,” said Senior Programmer James Quandt. “The film of the decade, Lucrecia Martel’s astonishing Zama, transforms an existential novel into a fiercely political work that comments on both its racist, colonialist period setting and our own dire times.” The Best of the Decade: An Alternative View comprises: 1 Zama (2017), dir. Lucrecia Martel 2 Toni Erdmann (2016), dir. Maren Ade 3 Adieu au langage (2014), dir. -
I've Got THIS
' 'MARINE CORPS Helping to keep Hawaii Marine green April 13, 1973 Four Marines, Two Sailors Honored By Sgt. John Midgette K-BAY Four Marines and two t Sailors received medals du ring ceremonies here Friday. Major Royal! W. Geis, station management engineers office,. and Captains Thomas Zalewski, assistant commun ic a dons officer, were presented the Bronze Star .with 11 Combat V. Meritorious Service Medals went to Lie tan an t Colonel Dwight R. Timmons, commanding officer, 2nd Battalion, 3d Marines, and Major Torrence W. Rogers, S-2 officer in 1st Battalion, 1201 Marines. Chief Dental Technicians Thomas G. Finnegan and Beings) R. Raguindin of the K-Bay Dental Department received Navy Commendation Medals. Geis, while serving with Marine Medium Helicopter Squadron-263, Marine Aircraft Group-I6 from May, 1970 to April, 1971, provided managerial support as operations officer in Vietnam. On Oct. 1, Geis was reassigned as assistant group logistics officer while also serving as base development officer. He directed daily logistics operations, provided policy guidance to subordinate units, and initiated 419R. many improvements in base facilities, ROGERS RAGUINDIN FINNEGAN Photo by Sgt. E.S. Saylors including the installation of 40 hot supervised and coordinated activities and bridge fabrication, a complete Hagerman, Inspector General, Dental, ON WATCH - Corporal James Andrews, a lifeguard with K-Bay Special Services, water heaters in the enlisted and of his section, Fiscal/Supply and Shop porcelain processing capability, and who was visiting and inspecting dental keeps his eyes peeled for swimmers who find themselves "over their head" in officer living areas. Stores. He was also recognized for his automatic casting an partial denture facilities throughout the 14th Naval trouble.