Themes at the End of the Historical Period – Religion
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Cleopatra II and III: the Queens of Ptolemy VI and VIII As Guarantors of Kingship and Rivals for Power
Originalveröffentlichung in: Andrea Jördens, Joachim Friedrich Quack (Hg.), Ägypten zwischen innerem Zwist und äußerem Druck. Die Zeit Ptolemaios’ VI. bis VIII. Internationales Symposion Heidelberg 16.-19.9.2007 (Philippika 45), Wiesbaden 2011, S. 58–76 Cleopatra II and III: The queens of Ptolemy VI and VIII as guarantors of kingship and rivals for power Martina Minas-Nerpel Introduction The second half of the Ptolemaic period was marked by power struggles not only among the male rulers of the dynasty, but also among its female members. Starting with Arsinoe II, the Ptolemaic queens had always been powerful and strong-willed and had been a decisive factor in domestic policy. From the death of Ptolemy V Epiphanes onwards, the queens controlled the political developments in Egypt to a still greater extent. Cleopatra II and especially Cleopatra III became all-dominant, in politics and in the ruler-cult, and they were often depicted in Egyptian temple- reliefs—more often than any of her dynastic predecessors and successors. Mother and/or daughter reigned with Ptolemy VI Philometor to Ptolemy X Alexander I, from 175 to 101 BC, that is, for a quarter of the entire Ptolemaic period. Egyptian queenship was complementary to kingship, both in dynastic and Ptolemaic Egypt: No queen could exist without a king, but at the same time the queen was a necessary component of kingship. According to Lana Troy, the pattern of Egyptian queenship “reflects the interaction of male and female as dualistic elements of the creative dynamics ”.1 The king and the queen functioned as the basic duality through which regeneration of the creative power of the kingship was accomplished. -
Celtic Egyptians: Isis Priests of the Lineage of Scota
Celtic Egyptians: Isis Priests of the Lineage of Scota Samuel Liddell MacGregor Mathers – the primary creative genius behind the famous British occult group, the Hermetic Order of the Golden Dawn – and his wife Moina Mathers established a mystery religion of Isis in fin-de-siècle Paris. Lawrence Durdin-Robertson, his wife Pamela, and his sister Olivia created the Fellowship of Isis in Ireland in the early 1970s. Although separated by over half a century, and not directly associated with each other, both groups have several characteristics in common. Each combined their worship of an ancient Egyptian goddess with an interest in the Celtic Revival; both claimed that their priestly lineages derived directly from the Egyptian queen Scota, mythical foundress of Ireland and Scotland; and both groups used dramatic ritual and theatrical events as avenues for the promulgation of their Isis cults. The Parisian Isis movement and the Fellowship of Isis were (and are) historically-inaccurate syncretic constructions that utilised the tradition of an Egyptian origin of the peoples of Scotland and Ireland to legitimise their founders’ claims of lineal descent from an ancient Egyptian priesthood. To explore this contention, this chapter begins with brief overviews of Isis in antiquity, her later appeal for Enlightenment Freemasons, and her subsequent adoption by the Hermetic Order of the Golden Dawn. It then explores the Parisian cult of Isis, its relationship to the Celtic Revival, the myth of the Egyptian queen Scota, and examines the establishment of the Fellowship of Isis. The Parisian mysteries of Isis and the Fellowship of Isis have largely been overlooked by critical scholarship to date; the use of the medieval myth of Scota by the founders of these groups has hitherto been left unexplored. -
ROYAL STATUES Including Sphinxes
ROYAL STATUES Including sphinxes EARLY DYNASTIC PERIOD Dynasties I-II Including later commemorative statues Ninutjer 800-150-900 Statuette of Ninuter seated wearing heb-sed cloak, calcite(?), formerly in G. Michaelidis colln., then in J. L. Boele van Hensbroek colln. in 1962. Simpson, W. K. in JEA 42 (1956), 45-9 figs. 1, 2 pl. iv. Send 800-160-900 Statuette of Send kneeling with vases, bronze, probably made during Dyn. XXVI, formerly in G. Posno colln. and in Paris, Hôtel Drouot, in 1883, now in Berlin, Ägyptisches Museum, 8433. Abubakr, Abd el Monem J. Untersuchungen über die ägyptischen Kronen (1937), 27 Taf. 7; Roeder, Äg. Bronzefiguren 292 [355, e] Abb. 373 Taf. 44 [f]; Wildung, Die Rolle ägyptischer Könige im Bewußtsein ihrer Nachwelt i, 51 [Dok. xiii. 60] Abb. iv [1]. Name, Gauthier, Livre des Rois i, 22 [vi]. See Antiquités égyptiennes ... Collection de M. Gustave Posno (1874), No. 53; Hôtel Drouot Sale Cat. May 22-6, 1883, No. 53; Stern in Zeitschrift für die gebildete Welt 3 (1883), 287; Ausf. Verz. 303; von Bissing in 2 Mitteilungen des Kaiserlich Deutschen Archäologischen Instituts, Athenische Abteilung xxxviii (1913), 259 n. 2 (suggests from Memphis). Not identified by texts 800-195-000 Head of royal statue, perhaps early Dyn. I, in London, Petrie Museum, 15989. Petrie in Journal of the Anthropological Institute of Great Britain and Ireland xxxvi (1906), 200 pl. xix; id. Arts and Crafts 31 figs. 19, 20; id. The Revolutions of Civilisation 15 fig. 7; id. in Anc. Eg. (1915), 168 view 4; id. in Hammerton, J. A. -
On the Orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna
On the orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna To cite this version: Amelia Carolina Sparavigna. On the orientation of the Avenue of Sphinxes in Luxor. Philica, Philica, 2018. hal-01700520 HAL Id: hal-01700520 https://hal.archives-ouvertes.fr/hal-01700520 Submitted on 4 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. On the orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna (Department of Applied Science and Technology, Politecnico di Torino) Abstract The Avenue of Sphinxes is a 2.8 kilometres long Avenue linking Luxor and Karnak temples. This avenue was the processional road of the Opet Festival from the Karnak temple to the Luxor temple and the Nile. For this Avenue, some astronomical orientations had been proposed. After the examination of them, we consider also an orientation according to a geometrical planning of the site, where the Avenue is the diagonal of a square, a sort of best-fit straight line in a landscape constrained by the presence of temples, precincts and other processional avenues. The direction of the rising of Vega was probably used as reference direction for the surveying. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Demotic Dictionary Project
oi.uchicago.edu PHILOLOGY DEMOTIC DICTIONARY PROJECT Janet H.Johnson This year, as for the past several years, the Demotic Dictionary staff concentrated on checking drafts of entries for individual letters in the Egyptian "alphabet" and preparing and entering computer scan copies of the actual Demotic words. The only student work ing on the project this year was Thomas Dousa, whose command of Egyptian and Greek and the extensive literature in both has allowed him to make major contributions to the checking and rewriting of first draft entries. Thanks to a very generous bequest from Professor and Mrs. George R. Hughes, we anticipate being able next year to hire a recent Ph.D. graduate as Research Associate to work full time on checking of draft and preparation of scans and copies. The checking and rewriting of first draft entries involves double checking of all in formation provided in the entry and the incorporation of several categories of informa tion that we decided to include after the first drafts had been written. Many of these categories are being added to provide social or cultural information as part of the "meaning" of a word. For example, whenever the "word" is the name of a deity, a refer ence is provided to every geographic location (e.g., a specific city or cemetery) with which the deity is associated in the texts of the corpus from which the Chicago Demotic Dictionary is being drawn. Similarly, whenever the "word" being discussed is the name of a geographic location, reference is made to all deities mentioned in the texts of our corpus in conjunction with that geographic location. -
THE DESTINY of the WORLD : a STUDY on the END of the UNIVERSE in the Llght of ANCIENT EGYPTIAN TEXTS
THE DESTINY OF THE WORLD : A STUDY ON THE END OF THE UNIVERSE IN THE LlGHT OF ANCIENT EGYPTIAN TEXTS Sherine M. ElSebaie A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Near and Middle Eastern Civilizations University of Toronto O Copyright by Sherine M. ElSebaie (2000) National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KfA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The Destiny of The World: A Study on the End of The Universe in The Light of Ancient Egyptian Texts Sherine M. ElSebaie Master of Arts, 2000 Dept. of Near and Middle Eastern Civilizations University of Toronto ABSTRACT The subject of this thesis is a theme that has not been fully çtudied until today and that has long been thought to be overlooked by the ancient Egyptians in a negative way. -
Origin of the Egyptian Domestic Cat
UPTEC X 12 012 Examensarbete 30 hp Juni 2012 Origin of the Egyptian Domestic Cat Carolin Johansson Molecular Biotechnology Programme Uppsala University School of Engineering UPTEC X 12 012 Date of issue 2012-06 Author Carolin Johansson Title (English) Origin of the Egyptian Domestic Cat Title (Swedish) Abstract This study presents mitochondrial genome sequences from 22 Egyptian house cats with the aim of resolving the uncertain origin of the contemporary world-wide population of Domestic cats. Together with data from earlier studies it has been possible to confirm some of the previously suggested haplotype identifications and phylogeny of the Domestic cat lineage. Moreover, by applying a molecular clock, it is proposed that the Domestic cat lineage has experienced several expansions representing domestication and/or breeding in pre-historical and historical times, seemingly in concordance with theories of a domestication origin in the Neolithic Middle East and in Pharaonic Egypt. In addition, the present study also demonstrates the possibility of retrieving long polynucleotide sequences from hair shafts and a time-efficient way to amplify a complete feline mitochondrial genome. Keywords Feline domestication, cat in ancient Egypt, mitochondrial genome, Felis silvestris libyca Supervisors Anders Götherström Uppsala University Scientific reviewer Jan Storå Stockholm University Project name Sponsors Language Security English Classification ISSN 1401-2138 Supplementary bibliographical information Pages 123 Biology Education Centre Biomedical Center Husargatan 3 Uppsala Box 592 S-75124 Uppsala Tel +46 (0)18 4710000 Fax +46 (0)18 471 4687 Origin of the Egyptian Domestic Cat Carolin Johansson Populärvetenskaplig sammanfattning Det är inte sedan tidigare känt exakt hur, när och var tamkatten domesticerades. -
Sphinx Sphinx
SPHINX SPHINX History of a Monument CHRISTIANE ZIVIE-COCHE translated from the French by DAVID LORTON Cornell University Press Ithaca & London Original French edition, Sphinx! Le Pen la Terreur: Histoire d'une Statue, copyright © 1997 by Editions Noesis, Paris. All Rights Reserved. English translation copyright © 2002 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2002 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Zivie-Coche, Christiane. Sphinx : history of a moument / Christiane Zivie-Coche ; translated from the French By David Lorton. p. cm. Includes bibliographical references and index. ISBN 0-8014-3962-0 (cloth : alk. paper) 1. Great Sphinx (Egypt)—History. I.Tide. DT62.S7 Z58 2002 932—dc2i 2002005494 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materi als include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further informa tion, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 987654321 TO YOU PIEDRA en la piedra, el hombre, donde estuvo? —Canto general, Pablo Neruda Contents Acknowledgments ix Translator's Note xi Chronology xiii Introduction I 1. Sphinx—Sphinxes 4 The Hybrid Nature of the Sphinx The Word Sphinx 2. -
The Image of the 'Warrior Pharaoh'
The image of the ‘warrior pharaoh’ The mighty ‘warrior pharaoh’ is one of the most enduring images of ancient Egypt and dates to the beginnings of Egyptian civilisation around 3000 BC . It was both a political and a religious statement and emphasised the king’s role as the divine upholder of maat, the Egyptian concept of order. The king is shown triumphing over the forces of chaos, represented by foreign enemies and bound captives. In earlier times, the king, a distant and mysterious being, was held in godlike awe by his subjects. However, by New Kingdom times he was a more earthly, vulnerable figure who fought alongside his troops in battle. The militarism of the New Kingdom gave birth to a new heroic age. To the traditional elements of the warrior pharaoh image was added the chariot, one of the most important innovations of this period. The essential features of the New Kingdom ‘warrior pharaoh’ image include the pharaoh: • leading his soldiers into battle and returning in victory • attacking the enemy while riding in his chariot • wearing war regalia, for example, the blue war crown or other pharaonic headdress • depicted larger than life-size, holding one or more of the enemy with one hand, while he clubs their brains out with a mace (also known as ‘smiting the enemy’) • in the guise of a sphinx, trampling his enemies underfoot • offering the spoils of war to the god Amun, the inspiration for his victory. FIGURE 21 Thutmose III smiting the enemy Another aspect of the warrior pharaoh image that developed over time was the pharaoh as elite athlete and sportsman, a perfect physical specimen. -
Part IV Historical Periods: New Kingdom Egypt to the Death of Thutmose IV End of 17Th Dynasty, Egyptians Were Confined to Upper
Part IV Historical Periods: New Kingdom Egypt to the death of Thutmose IV End of 17th dynasty, Egyptians were confined to Upper Egypt, surrounded by Nubia and Hyksos → by the end of the 18th dynasty they had extended deep along the Mediterranean coast, gaining significant economic, political and military strength 1. Internal Developments ● Impact of the Hyksos Context - Egypt had developed an isolated culture, exposing it to attack - Group originating from Syria or Palestine the ‘Hyksos’ took over - Ruled Egypt for 100 years → est capital in Avaris - Claimed a brutal invasion (Manetho) but more likely a gradual occupation - Evidence says Hyksos treated Egyptians kindly, assuming their gods/customs - Statues of combined godes and cultures suggest assimilation - STILL, pharaohs resented not having power - Portrayed Hyksos as foot stools/tiptoe as unworthy of Egyptian soil - Also realised were in danger of being completely overrun - Kings had established a tribune state but had Nubians from South and Hyksos from North = circled IMMEDIATE & LASTING IMPACT OF HYKSOS Political Economic Technological - Administration - Some production - Composite bow itself was not was increased due - Horse drawn oppressive new technologies chariot - Egyptians were - Zebu cattle suited - Bronze weapons climate better - Bronze armour included in the - Traded with Syria, - Fortification administration Crete, Nubia - Olive/pomegranat - Modelled religion e trees on Egyptians - Use of bronze - Limited instead of copper = disturbance to more effective culture/religion/d -
Mud-Brick Architecture
UCLA UCLA Encyclopedia of Egyptology Title Mud-Brick Architecture Permalink https://escholarship.org/uc/item/4983w678 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Emery, Virginia L. Publication Date 2011-02-19 Peer reviewed eScholarship.org Powered by the California Digital Library University of California MUD-BRICK ARCHITECTURE عمارة الطوب اللبن Virginia L. Emery EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Emery, 2011, Mud-Brick Architecture. UEE. Full Citation: Emery, Virginia L., 2011, Mud-Brick Architecture. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0026w9hb 1146 Version 1, February 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0026w9hb MUD-BRICK ARCHITECTURE عمارة الطوب اللبن Virginia L. Emery Ziegelarchitektur L’architecture en brique crue Mud-brick architecture, though it has received less academic attention than stone architecture, was in fact the more common of the two in ancient Egypt; unfired brick, made from mud, river, or desert clay, was used as the primary building material for houses throughout Egyptian history and was employed alongside stone in tombs and temples of all eras and regions. Construction of walls and vaults in mud-brick was economical and relatively technically uncomplicated, and mud-brick architecture provided a more comfortable and more adaptable living and working environment when compared to stone buildings. على الرغم أن العمارة بالطوب اللبن تلقت إھتماما أقل من العمارة الحجرية من قِبَل المتخصصين، فقد كانت في الواقع تلك العمارة ھي اﻷكثر شيوعا في مصر القديمة، وكان الطوب اللبن (أوالنيء) المصنوع من الطمي أو الطين الصحراوي مستخدما كمادة بناء بدائية للمنازل على مدار التاريخ المصري واستخدمت إلى جانب الحجارة في المقابر والمعابد في جميع المناطق وخﻻل جميع الفترات.