On the Orientation of the Avenue of Sphinxes in Luxor Amelia Carolina Sparavigna
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The Presence of Myth in the Pyramid Texts
The Presence of Myth in the qnamid Texts A thesis submitted in conformity with the nquirements for the degree of Doctor of Philosophy Graduate Department of Near and Middk Eastern Civilizations University of Toronto National CiBrary Bibiioth ue nationale u*m of Canada du Cana% The author has granteci a non- L'auteur a accordé une licence non exclusive ticence allowing the exclusive pennettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distri'btûe or sen reproduire, prêter, disbn'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/& de reproduction sur papier ou sur fomiat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the choit d'auteur qni protège cette thèse. thesis nor substantid exûacts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être miphés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE PRESENCE OF MYTH IN THE PYRAMID TEXTS Doctor of Philosophy 200 1 Jeder Elisabeth Hellum Graduate Department of Near and Middle Eastern Civilizations University of Toronto The Pyramid Texts, written on the waUs of the entrance corridors, antechambers, and funerary chambers of the royal pyramids of the late Fiifth and entire Skth Dynasties, are filied with mythic statements and allusions, without using prose or poetic narrative. They hctioned as a holistic group, each distinct from the other, yet each working within the group to create a situation paraHehg the mythic, celestial worid of the afterlife. -
Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
Celtic Egyptians: Isis Priests of the Lineage of Scota
Celtic Egyptians: Isis Priests of the Lineage of Scota Samuel Liddell MacGregor Mathers – the primary creative genius behind the famous British occult group, the Hermetic Order of the Golden Dawn – and his wife Moina Mathers established a mystery religion of Isis in fin-de-siècle Paris. Lawrence Durdin-Robertson, his wife Pamela, and his sister Olivia created the Fellowship of Isis in Ireland in the early 1970s. Although separated by over half a century, and not directly associated with each other, both groups have several characteristics in common. Each combined their worship of an ancient Egyptian goddess with an interest in the Celtic Revival; both claimed that their priestly lineages derived directly from the Egyptian queen Scota, mythical foundress of Ireland and Scotland; and both groups used dramatic ritual and theatrical events as avenues for the promulgation of their Isis cults. The Parisian Isis movement and the Fellowship of Isis were (and are) historically-inaccurate syncretic constructions that utilised the tradition of an Egyptian origin of the peoples of Scotland and Ireland to legitimise their founders’ claims of lineal descent from an ancient Egyptian priesthood. To explore this contention, this chapter begins with brief overviews of Isis in antiquity, her later appeal for Enlightenment Freemasons, and her subsequent adoption by the Hermetic Order of the Golden Dawn. It then explores the Parisian cult of Isis, its relationship to the Celtic Revival, the myth of the Egyptian queen Scota, and examines the establishment of the Fellowship of Isis. The Parisian mysteries of Isis and the Fellowship of Isis have largely been overlooked by critical scholarship to date; the use of the medieval myth of Scota by the founders of these groups has hitherto been left unexplored. -
International Selection Panel Traveler's Guide
INTERNATIONAL SELECTION PANEL MARCH 13-15, 2019 TRAVELER’S GUIDE You are coming to EGYPT, and we are looking forward to hosting you in our country. We partnered up with Excel Travel Agency to give you special packages if you wish to travel around Egypt, or do a day tour of Cairo and Alexandria, before or after the ISP. The following packages are only suggested itineraries and are not limited to the dates and places included herein. You can tailor a trip with Excel Travel by contacting them directly (contact information on the last page). A designated contact person at the company for Endeavor guests has been already assigned to make your stay more special. TABLE OF CONTENTS TABLE OF CONTENTS: The Destinations • Egypt • Cairo • Journey of The Pharaohs: Luxor & Aswan • Red Sea Authentic Escape: Hurghada, Sahl Hasheesh and Sharm El Sheikh Must-See Spots in: Cairo, Alexandria, Luxor, Aswan & Sharm El Sheikh Proposed One-Day Excursions Recommended Trips • Nile Cruise • Sahl Hasheesh • Sharm El Sheikh Services in Cairo • Meet & Assist, Lounges & Visa • Airport Transfer Contact Details THE DESTINATIONS EGYPT Egypt, the incredible and diverse country, has one of a few age-old civilizations and is the home of two of the ancient wonders of the world. The Ancient Egyptian civilization developed along the Nile River more than 7000 years ago. It is recognizable for its temples, hieroglyphs, mummies, and above all, the Pyramids. Apart from visiting and seeing the ancient temples and artefacts of ancient Egypt, there is also a lot to see in each city. Each city in Egypt has its own charm and its own history, culture, activities. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
THE DESTINY of the WORLD : a STUDY on the END of the UNIVERSE in the Llght of ANCIENT EGYPTIAN TEXTS
THE DESTINY OF THE WORLD : A STUDY ON THE END OF THE UNIVERSE IN THE LlGHT OF ANCIENT EGYPTIAN TEXTS Sherine M. ElSebaie A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Near and Middle Eastern Civilizations University of Toronto O Copyright by Sherine M. ElSebaie (2000) National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KfA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The Destiny of The World: A Study on the End of The Universe in The Light of Ancient Egyptian Texts Sherine M. ElSebaie Master of Arts, 2000 Dept. of Near and Middle Eastern Civilizations University of Toronto ABSTRACT The subject of this thesis is a theme that has not been fully çtudied until today and that has long been thought to be overlooked by the ancient Egyptians in a negative way. -
Nr. 31/1, 2011
31/1 31. 31. J UNI 2 0 1 1 ÅRGANG PAPYRUS Æ GYPTOLOGISK T IDSSKRIFT Indhold PAPYRUS 31. årgang nr. 1 2011 ENGLISH ABSTRACTS The triads of Mycerinos Johnny Barth Everyone interested in ancient Egypt is familiar with at least one of the triads of Mycerinos. Superb works of art, some in mint condition – but questions about them remain to be asked, in particular as to their original number and significance. The author assesses the evidence. Late 18th dynasty harems Lise Manniche The Amarna correspondence reveals exciting aspects of the rhetoric among sovereigns in the Near East in the late 18th dynasty, and it also provides a unique insight into human resources in the institution of an Egyptian harem. Pictorial and other evidence, however disjointed, adds to our understanding of its significance which was not solely aimed at the sexual gratification of the king of Upper and Lower Egypt. Mummy bandages in Danish Collections Thomas Christiansen A much neglected source of copies of chapters of the Book of the Dead is to be found on mummy bandages from the very end of the pharaonic period to the first Haremsbeboer: kvinde ved navn Tia, “amme” for prinsesse Ankhesenpaaten. century AD. For technical and other reasons their artistic qualities do not compete with those on papyrus, Blok fra Aten-templet i Amarna, nu i Metropolitan Museum of Art, New but they are nevertheless of interest as a niche medium York (foto LM). for conveying a message important to Egyptians at the time. The author presents examples from the Ny Carlsberg Glyptotek, the National Museum and the Carlsberg Papyrus Collection in Copenhagen. -
Sphinx Sphinx
SPHINX SPHINX History of a Monument CHRISTIANE ZIVIE-COCHE translated from the French by DAVID LORTON Cornell University Press Ithaca & London Original French edition, Sphinx! Le Pen la Terreur: Histoire d'une Statue, copyright © 1997 by Editions Noesis, Paris. All Rights Reserved. English translation copyright © 2002 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2002 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Zivie-Coche, Christiane. Sphinx : history of a moument / Christiane Zivie-Coche ; translated from the French By David Lorton. p. cm. Includes bibliographical references and index. ISBN 0-8014-3962-0 (cloth : alk. paper) 1. Great Sphinx (Egypt)—History. I.Tide. DT62.S7 Z58 2002 932—dc2i 2002005494 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materi als include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further informa tion, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 987654321 TO YOU PIEDRA en la piedra, el hombre, donde estuvo? —Canto general, Pablo Neruda Contents Acknowledgments ix Translator's Note xi Chronology xiii Introduction I 1. Sphinx—Sphinxes 4 The Hybrid Nature of the Sphinx The Word Sphinx 2. -
Astronomy, Myths & Legends of the Ancient Egyptians
Astonomy, Myts & Legends of te Ancient Egyptans Volume 1 by Monica Sevila Contnts Stars and Galaxies Te Constlatons Te Giza Pyramids and te Belts Stars of Orion Ancient Egyptan Pyramids: Resurrecton Machines Ancient Egyptans and te Sphinx Te Sun Ancient Egyptans and te Creaton of te World Te Pharaohs: Te Horus Kings Ancient Egyptans and teir Tombs Te Sun and te Gods Stars and Galaxies The early universe was extremely hot. As it cooled, sub atomic particles began to clump together and formed the first atom, the hydrogen atom. Later, as the universe began to cool even further, dust and hydrogen gas joined together through the force of gravity and became dense enough to form the first stars, the protostars. Through extreme heat and pressure, hydrogen gas atoms began to fuse together. The result of this nuclear fusion produced light and heat energy. This process describes the formation of the first stars. Billions and billions of stars were created through this process and grouped together to form the galaxies within the universe today. Galaxies are massive systems of stars, dust, and gas held together by gravity. Gravity causes stars to attract each other and clump together into groups. Because stars have extreme amounts of mass, they exert the force of gravity, the attractive force which draws other objects with mass, such as other stars, to itself. Our sun and our solar system is part of a galaxy known as the Milky Way. It is described as a spiral galaxy because its shape looks like a spiral. On a dark night, the edge of the Milky Way can be seen in the Northern Sky. -
Egyptian Temples
Originalveröffentlichung in: Christina Riggs (Hrsg.), The Oxford Handbook of Roman Egypt, Oxford 2012, S. 362-382 CHAPTER 22 EGYPTIAN TEMPLES MARTINA MINAS-NERPEL From the beginning of their rule in Egypt, the Ptolemies initiated a gigantic temple con struction and decoration programme, which the Roman emperors continued well into the second century ce. Temples were still decorated on a much smaller scale into the third and the beginning of the fourth centuries. The last known cartouche of a Roman emperor in a temple was inscribed under Maximinus Daia (305-13 ce) on blocks belonging to the temple of Horus at Tahta (Holbl 2000: 45 n. 177; 114, fig. 157). Otherwise, the latest evidence comes from Esna (Sauneron 1975:65-6, no. 495; 84-7, no. 503), where the temple of Khnum was still being decorated under Decius (249-51 ce). Stelae inscribed in hieroglyphs continued to be set up in Egyptian temples, for example in the Bucheum at Armant, of which the latest is dated to 340, the fifty-seventh year of the era of Diocletian (Holbl 2000:45 n. 178; Goldbrun- ner 2004:78-9,302). The temple of Isis at Philae, where hieroglyphs were carved in the tem ple of Harendotes as late as 394 (Winter 1982:1023), was the last to be kept open, being closed down under Justinian between 535 and 537 (Winter 1982:1026), when it was converted to a church (Dijkstra 2008). The Hellenistic and Roman periods of Egypt are often subsumed under the term ‘Graeco- Roman Egypt’. In his examination of Egyptian society under Ptolemaic and Roman rule, Naphtali Lewis (1970) correctly pointed out that this phrase should not be used to imply con tinuity between the two eras, since the changes in the governmental structure, social pat terns and politics, administration, and the economy were so fundamental in Roman times as to render the term misleading. -
Chicago House Bulletin IV, No.2
oi.uchicago.edu CHICAGO HOUSE Volume IV, No.2 BULLETIN AprilJO, 1993 Privately circulated Issued by The Epigraphic Survey of The Oriental Institute of The University of Chicago THE CHANGING FACE OF CURRENT ARCHAEOLOGICAL CHICAGO HOUSE WORK IN LUXOR: THE WEST BANK By Peter Dorman, Field Director By Ray Johnson, Senior Artist Chicago House (Concluded from the Winter Bulletin) April 4, 1993 Busy as the east bank seems, the west bank is even busier Dear Friends, these days. With the end of another season, the house seems eerily The director of the Canadian Institute in Cairo, Ted Brock, silent and a bit forlorn; the normal sounds of activity have and his wife, Lyla Pinch Brock, resumed their work in the begun to fade away as our artists, photographers, and Valley of the Kings in the tomb of Merneptah this month, where epigraphers leave for their homes in America and Europe. In they are cleaning and recording the fragments of an enormous Luxor the signs of spring, which we greet with such relief and shattered sarcophagus. Also in the Valley of the Kings, Drs. anticipation in Chicago after the hard freezes of winter, are Otto Schaden and Earl Ertman managed to gain entrance into instead harbingers of the end of our field work, and they the lower chambers of the poorly understood tomb of king presage the frenzy of last-minute work and harried packing. Amenmesse and recorded in photograph and in hand copy On our own compound, the bauhinia trees burst into small, some of the ruined wall paintings there. -
This Pdf of Your Paper in Current Research in Egyptology 2014 Belongs to the Publishers Oxbow Books and It Is Their Copyright
This pdf of your paper in Current Research in Egyptology 2014 belongs to the publishers Oxbow Books and it is their copyright. As author you are licenced to make up to 50 offprints from it, but beyond that you may not publish it on the World Wide Web until three years from publication (April 2018), unless the site is a limited access intranet (password protected). If you have queries about this please contact the editorial department at Oxbow Books (editorial@ oxbowbooks.com). An offprint from CURRENT RESEARCH IN EGYPTOLOGY 2014 Proceedings of the Fifteenth Annual Symposium University College London and King’s College London April 9–12, 2014 edited by Massimiliano S. Pinarello, Justin Yoo, Jason Lundock and Carl Walsh Paperback Edition: ISBN 978-1-78570-046-0 Digital Edition: ISBN 978-1-78570-047-7 © Oxbow Books 2015 Oxford & Philadelphia www.oxbowbooks.com Published in the United Kingdom in 2015 by OXBOW BOOKS 10 Hythe Bridge Street, Oxford OX1 2EW and in the United States by OXBOW BOOKS 908 Darby Road, Havertown, PA 19083 © Oxbow Books and the individual contributors 2015 Paperback Edition: ISBN 978-1-78570-046-0 Digital Edition: ISBN 978-1-78570-047-7 A CIP record for this book is available from the British Library All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the publisher in writing. For a complete list of Oxbow titles, please contact: UNITED KINGDOM UNITED STATES OF AMERICA Oxbow Books Oxbow Books Telephone (01865) 241249, Fax (01865) 794449 Telephone (800) 791-9354, Fax (610) 853-9146 Email: [email protected] Email: [email protected] www.oxbowbooks.com www.casemateacademic.com/oxbow Oxbow Books is part of the Casemate Group Front cover: Original Artwork by Isabel Zemani, © Isabel Zemani.