The Image of the 'Warrior Pharaoh'
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Pylon and Festival Court of Thutmose II
Pylon and Festival Court of Thutmose II Originally built by Thutmose II - 1492 BCE to 1479 BCE Modified by Hatshepsut - 1479 BCE to 1458 BCE Modified by Thutmose III - 1479 BCE to 1425 BCE Modified by Amenhotep II - 1427 BCE to 1401 BCE Modified by Thutmose IV - 1401 BCE to 1391 BCE Destroyed by: Amenhotep III - 1390 BCE to 1352 BCE Contains features: Amenhotep II Shrine, Obelisks of Festival Hall Center Pair, Obelisks of Festival Hall East Pair, Obelisks of Festival Hall West Pair, Thutmose IV Peristyle Hall Other works initiated by Hatshepsut: Obelisks of Festival Hall West Pair, Palace of Ma’at, 8th Pylon, Amenhotep I Calcite Chapel, Obelisks at Contra Temple, Obelisks of Wadjet Hall, Wadjet Hall, Red Chapel Other works initiated by Thutmose III: Akhmenu, Contra Temple, Wadjet Hall, 7th Pylon, Thutmose III Shrine, Enclosures and Gates, Sacred Lake, 6th Pylon and Court, 5th Pylon and Court, Obelisks of 7th Pylon, Station of the King and Corridor, Obelisks of Festival Hall Center Pair, Central Bark Shrine, Palace of Ma’at, Obelisks of Wadjet Hall, East Exterior Wall Other works initiated by Amenhotep II: Edifice of Amenhotep II, Station of the Pylon and Festival Court of Thutmose II King and Corridor, Wadjet Hall, Amenhotep II Shrine in its existing state. Other works initiated by Thutmose IV: Obelisk Unique, Thutmose IV Peristyle Hall Other works destroyed by Amenhotep III: Thutmose IV Peristyle Hall, Obelisks of Festival Hall West Pair, White Chapel, Amenhotep II Shrine, Amenhotep I Limestone Chapel Other halls: Akhmenu, Hypostyle Hall, Thutmose IV Peristyle Hall, Wadjet Hall Pylon and Festival Court of Thutmose II Introduction The pylon and “festival court” of Thutmose II originally stood to the west of the fourth pylon. -
ROYAL STATUES Including Sphinxes
ROYAL STATUES Including sphinxes EARLY DYNASTIC PERIOD Dynasties I-II Including later commemorative statues Ninutjer 800-150-900 Statuette of Ninuter seated wearing heb-sed cloak, calcite(?), formerly in G. Michaelidis colln., then in J. L. Boele van Hensbroek colln. in 1962. Simpson, W. K. in JEA 42 (1956), 45-9 figs. 1, 2 pl. iv. Send 800-160-900 Statuette of Send kneeling with vases, bronze, probably made during Dyn. XXVI, formerly in G. Posno colln. and in Paris, Hôtel Drouot, in 1883, now in Berlin, Ägyptisches Museum, 8433. Abubakr, Abd el Monem J. Untersuchungen über die ägyptischen Kronen (1937), 27 Taf. 7; Roeder, Äg. Bronzefiguren 292 [355, e] Abb. 373 Taf. 44 [f]; Wildung, Die Rolle ägyptischer Könige im Bewußtsein ihrer Nachwelt i, 51 [Dok. xiii. 60] Abb. iv [1]. Name, Gauthier, Livre des Rois i, 22 [vi]. See Antiquités égyptiennes ... Collection de M. Gustave Posno (1874), No. 53; Hôtel Drouot Sale Cat. May 22-6, 1883, No. 53; Stern in Zeitschrift für die gebildete Welt 3 (1883), 287; Ausf. Verz. 303; von Bissing in 2 Mitteilungen des Kaiserlich Deutschen Archäologischen Instituts, Athenische Abteilung xxxviii (1913), 259 n. 2 (suggests from Memphis). Not identified by texts 800-195-000 Head of royal statue, perhaps early Dyn. I, in London, Petrie Museum, 15989. Petrie in Journal of the Anthropological Institute of Great Britain and Ireland xxxvi (1906), 200 pl. xix; id. Arts and Crafts 31 figs. 19, 20; id. The Revolutions of Civilisation 15 fig. 7; id. in Anc. Eg. (1915), 168 view 4; id. in Hammerton, J. A. -
Part IV Historical Periods: New Kingdom Egypt to the Death of Thutmose IV End of 17Th Dynasty, Egyptians Were Confined to Upper
Part IV Historical Periods: New Kingdom Egypt to the death of Thutmose IV End of 17th dynasty, Egyptians were confined to Upper Egypt, surrounded by Nubia and Hyksos → by the end of the 18th dynasty they had extended deep along the Mediterranean coast, gaining significant economic, political and military strength 1. Internal Developments ● Impact of the Hyksos Context - Egypt had developed an isolated culture, exposing it to attack - Group originating from Syria or Palestine the ‘Hyksos’ took over - Ruled Egypt for 100 years → est capital in Avaris - Claimed a brutal invasion (Manetho) but more likely a gradual occupation - Evidence says Hyksos treated Egyptians kindly, assuming their gods/customs - Statues of combined godes and cultures suggest assimilation - STILL, pharaohs resented not having power - Portrayed Hyksos as foot stools/tiptoe as unworthy of Egyptian soil - Also realised were in danger of being completely overrun - Kings had established a tribune state but had Nubians from South and Hyksos from North = circled IMMEDIATE & LASTING IMPACT OF HYKSOS Political Economic Technological - Administration - Some production - Composite bow itself was not was increased due - Horse drawn oppressive new technologies chariot - Egyptians were - Zebu cattle suited - Bronze weapons climate better - Bronze armour included in the - Traded with Syria, - Fortification administration Crete, Nubia - Olive/pomegranat - Modelled religion e trees on Egyptians - Use of bronze - Limited instead of copper = disturbance to more effective culture/religion/d -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
Creativity and Innovation in the Reign of Hatshepsut
iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP Creativity and Innovation in the Reign of Hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 2014 studies in ancient ORientaL civiLizatiOn • numbeR 69 THE ORIENTAL INSTITUTE of THE UNIVERSITY of CHICAgo chicagO • IllinOis v Table of Contents List of Abbreviations .............................................................................. vii Program of the Theban Workshop, 2010 Preface, José M. Galán, SCIC, Madrid ........................................................................... viii PAPERS FROM THE THEBAN WORKSHOP, 2010 1. Innovation at the Dawn of the New Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of Innovation and Their Application to the Early New Kingdom of Egypt. Eberhard Dziobek, Heidelberg and Leverkusen....................................................... 7 3. Worldview and Royal Discourse in the Time of Hatshepsut. Susanne Bickel, University of Basel ............................................................... 21 4. Hatshepsut at Karnak: A Woman under God’s Commands. Luc Gabolde, CNRS (UMR 5140) .................................................................. 33 5. How and Why Did Hatshepsut Invent the Image of Her Royal Power? Dimitri Laboury, University of Liège .............................................................. 49 6. Hatshepsut and cultic Revelries in the new Kingdom. Betsy M. Bryan, The Johns Hopkins -
The New Kingdom and Its Aftermath
A Short History of Egypt Part III: The New Kingdom and its Aftermath Shawn C. Knight Spring 2009 (This document last revised February 3, 2009) 1 The Early Eighteenth Dynasty The expulsion of the Hyksos was completed by Ahmose, thought by most Egyptologists to be the son of Seqenenre Ta'o II and the younger brother of Kamose. Ahmose brought order and unity to Egypt once more and drove the ruling Hyksos Fifteenth and Sixteenth Dynasties out of the land. He also gave great honors to the women of his family: his mother Queen Tetisheri, and his wife Queen Ahmose-Nefertari were regarded highly for generations to come. His son Amenhotep I, together with Ahmose-Nefertari, was actually worshipped as a god centuries later, as the protector of the royal cemeteries near Thebes. Amenhotep was succeeded by Thutmose I, who abandoned the Seventeenth Dynasty cemetery at Dra Abu el Naga in favor of a nearby valley. Thutmose's architect Ineni recorded that \I supervised the excavation of the cliff tomb of His Majesty alone, no one seeing, no one hearing."1 The valley became the burial site of choice for the rest of the New Kingdom pharaohs, as well as those courtiers (and even pets) whom they particularly favored, and is known to us today as the Valley of the Kings. Thutmose was succeeded by his son, Thutmose II. When Thutmose II died, he was succeeded by his second wife, Hatshepsut, the stepmother of the young heir, Thutmose III. Hatshepsut is perhaps the best-known of all the female pharaohs, with the possible exception of Cleopatra VII. -
1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose Died When He Was 12
1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose died when he was 12 and Amenhotep was advised by his mother in the early years of his reign • Inherited a reign of great peace and prosperity from his father; had to maintain rather than expand or improve • Married to his Great Royal Wife Tiye by the second year of his reign • Promoted his eldest daughter, Sitamun, to Great Royal Wife • Entered into numerous of marriages with foreign princesses to ensure stable diplomatic relations These scarabs were issues throughout the Empire and boast about his hunting prowess. They promote the stereotypical image of the pharaoh as a great hunter, emphasising his strength and virility. Not always based in fact, but rather an artistic convention which symbolised the king’s fitness to rule and his triumph over the forces of L: Wild bull-hunt commemorative scarab chaos. R: Lion hunt commemorative scarab Building programs • Unprecedented, massive and ostentatious • Overseer or All the King’s Works, Amenhotep, son of Hapu, is behind most of it • Honoured the gods with building projects, but the nature and size of his projects may indicate that he was using the country’s resources to glorify himself Large and impressive. Contains relief showing Amun’s role in the divine birth and coronation of Amenhotep III. Temple of Amun at Luxor Pylons at Karnak Built a new pylon after demolishing the shrines and monuments of earlier pharaohs and using that rubble to fill his pylon. Lengthy inscription praises himself and Amen, and lists the gifts he had given to the temple. -
Ceremonial Execution and Public Rewards: Some Historical Scenes on New Kingdom Private Stelae
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 1988 Ceremonial Execution and Public Rewards: Some Historical Scenes on New Kingdom Private Stelae Schulman, Alan R. Abstract: The repertoire of scenes on Egyptian private stelae is relatively limited to scenes of the funerary banquet, of the deceased receiving offerings, or making them. About the reign of Thutmose IVinthe New Kingdom, and lasting through the end of Dynasty 20, scenes which seemingly have nothing to do with these motifs begin to occasionally appear in the stelae repertoire: the king smiting his enemies, receiving a weapon from a god, a god’s barque carried in procession, the deceased being rewarded with gold collars or riding in his chariot, and the like. The present work attempts to discern why such scenes appear on private stelae. After a careful examination of all of the known private monuments of this class which depict who specific motifs, a) the king smiting an enemy and b) the awarding of gold sbiw-collars to the stela’s dedicatee, a total of approximately 35 monuments, the conclusion was reached that such representations are not merely timeless stereotypes but actually represented specific events which took place at specific points in time. Thus the stelae function on two levels simultaneously, a concreteone commemorating the original event, and an abstract one in which the scene illustrated is repeated for eternity. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-149722 Monograph Published Version Originally published at: Schulman, Alan R. -
Textual Evidence for the Function of the “Botanical Garden” of Karnak in the Initiation Ritual
oi.uchicago.edu i ORIENTAL INSTITUTE, THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION • NUMBER 61 CHICAGO • ILLINOIS Series Editors Leslie Schramer and Thomas G. Urban oi.uchicago.edu oi.uchicago.edu iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP SACRED SPACE AND SACRED FUNCTION IN ANCIENT THEBES edited by PETER F. DORMAN and BETSY M. BRYAN STUDIES IN ANCIENT ORIENTAL CIVILIZATION • VOLUME 61 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO CHICAGO • ILLINOIS oi.uchicago.edu Library of Congress Control Number: 2006941012 ISBN: 978-1-885923-46-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 2007 by The University of Chicago. All rights reserved. Published 2007. Printed in the United States of America. Series Editors’ Acknowledgments Lindsay DeCarlo and Katie L. Johnson assisted in the produc- tion of this volume. Cover Illustration Watercolor by David Roberts Showing Columns Decorated by Ramesses IV at the Great Hypostyle Hall, Karnak. See herein page 53 and figure 5.4. Printed by McNaughton & Gunn, Saline, Michigan The paper used in this publication meets the minimum requirements of American National Standard for Information Services — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. oi.uchicago.edu v TABLE OF CONTENTS List of Abbreviations .................................................................................................................................. vii List of Figures ............................................................................................................................................ -
Themes at the End of the Historical Period – Religion
Themes at the end of the Historical Period – Religion 1. The position of Amen-Re and priesthood of Amun Forbes(2005) identified an important shift in religion and kingship during Thutmose IV’s reign that focused on ‘reshaping the image of the king vis-a- vis his relationship with the gods’, in particular the king’s ‘personal identification with the sun god, Re through an emphasis on solar worship.’ This handout focuses on religion, and its political implications. But a re-evaluation of Thutmose IV’s few years on the throne has shown that, to a significant degree, this was when the first seeds were sown which produced the religious revolution ultimately wrought by his grandson, ......Akhenaten. It is now also fully recognized that the fourth and final Thutmose initiated a foreign policy favouring diplomacy over militancy, which would be continued by both his son and grandson. Imperial Lives, Dennis Forbes, 2005. p.199 With Egypt now in a peacetime economy, Thutmose IV was able to focus his attention on reshaping the image of the king vis-a-vis his relationship with the gods. Although he maintained the fiction of himself as warrior-pharaoh, Menkheperure was principally, interested in establishing his personal identification with the sun god, Re. This began with his unprecedented veneration of the Great Sphinx of Giza as Horemakhet-Khepri-Re-Atum (or “Horus on the Horizon,” the sun god in all of his aspects, morning, noon and evening). Menkheperure’s emphasis on solar worship saw the bringing to the fore of a previously quite obscure sun-deity, the Aten: more specifically, the physical disk of the sun visible in the daytime sky. -
Hatshepsut), Triumphant, Repeated Honors to Me
Genealogy of the early 18th Dynasty 17th Dynasty (Second Intermediate Period) 18th Dynasty (New Kingdom) = Red indicates people who ruled as kings Autobiography of Turi, King’s Son of Kush (viceroy) under Thutmose I: the coronaon decree "This royal [decree is brought] to inform you that My Majesty, may he live, prosper and be healthy, has arisen as King of Upper and Lower Egypt upon the Horus throne of the living, with no equal in eternity. My Jtulary has been composed as: `Horus Mighty Bull, Beloved of Truth, He of the Two Ladies, Risen with the fiery serpent, Great of Strength, Horus of Gold, Perfect of Years. He who makes hearts live, King of Upper and Lower Egypt Aakheperkara Son of Ra Thutmose living forever and eternity.' Now you are to have divine offerings presented to the temples of the Southern Reach of ElephanJne in doing what is praised upon the life-prosperity-health of the King of Upper and Lower Egypt Aakheperkara given life, and you are to have oaths taken in the name of My Majesty, may he live, prosper and be healthy, born of the King's Mother Seniseneb, in health. This is sent to inform you of this, and that the Royal domain flourishes and prospers. Year 1, month 3 of winter, day 21, day of the feast of the coronaon." Thutmose I at Karnak (added 5th pylon) Yet more from Ahmose son of Ibana: Then his majesty (Thutmosis I) was informed that the Nubian…. At this, his majesty became enraged like a leopard. His majesty shot, and his first arrow pierced the chest of that foe. -
Ancestry and Pathology in King Tutankhamun's Family
Supplementary Online Content Hawass Z, Gad YZ, Ismail S, et al. Ancestry and pathology in King Tutankhamun’s family. JAMA. 2010;303(7):638-647. eAppendix. Details of Methods, Results, and Comment eFigure 1. Comparison of El Amarna Art (circa 1353-1323 BC) With the Remains of Akhenaten (KV55) eFigure 2. Variant STEVOR Gene Sequences Obtained From DNA Extracts of Tutankhamun eFigure 3. Grave Goods Found in Tutankhamun’s Tomb KV62 This supplemental material has been provided by the authors to give readers additional information about their work. © 2010 American Medical Association. All rights reserved. Downloaded From: https://jamanetwork.com/ on 09/29/2021 eAppendix. Details of Methods, Results, and Comment METHODS Radiology. The scanning parameters used were KV=130 effective MAS ranged from 23 to 63. Pitch ranged from 0.83 to 1.8. FOV from 350 to 500. Slice thickness 0.6 to 1.25 mm. Reconstruction 0.4 to 0.8 mm. The scan took a few minutes and produced thousands of images. The refinement process was undertaken using 3D reconstruction, real-time extraction with saggital, coronal, and axial planes as well as oblique planes. The use of soft tissue kernel and high- resolution kernel supplemented with different ranges of window width and level followed by maximum intensity projection, multiplanner reconstruction (MIP, MPR) were carried out. In a second step, surface shaded display (SSD) with different threshold values was performed. Colored mapping of different volumes using the volume rendering technique (VRT) was also applied (online interactive feature). Molecular Genetics: Good Working Practice, Data Authentication. A dedicated ancient DNA laboratory was established in the basement of the Egyptian Museum in Cairo.