Cfp: International Conference on the Centennial of Oskar Panizza’S Death
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Literary Satire and Oskar Panizza's
3 ‘Writing back’: literary satire and Oskar Panizza’s Psichopatia criminalis (1898) Birgit Lang Oskar Panizza’s Psichopatia criminalis (1898) constitutes the most biting parody of the psychiatric case study genre in German literature, and has been praised as a subversive work in the broader context of the anti-psychiatry movement of the 1960s and 1970s.1 As a former psy- chiatrist who had been designated for priesthood and later prosecuted in court for blasphemy, Panizza (1853–1921) had intimate knowledge of ‘the three great professions of the Western tradition – law, medicine, and theology – [that] developed practices centred on cases’.2 Psichopatia criminalis for the first time and in literary form problematised the overlap- ping of legal and medical discourse, as well as the interdisciplinary nature of forensics. A short work, Psichopatia criminalis echoes the deterministic reasoning that characterised the psychiatric discourse about creative artists explored in Chapter 2. Panizza’s text is of satirical and even dystopian character. A site of casuistric mastery, it is also the site of the first appearance of Panizza’s doppelgänger, the German Emperor, who became the central figure in the author’s increasingly delusional system of thought. The intrinsic element of judgement that is inherit to the case study genre suited both of these ‘objectives’ well. For a range of reasons Psichopatia criminalis has remained deeply un- comfortable for readers from the very beginning. As this chapter explores, the text has found varying and disparate reading publics. German playwright Heiner Müller (1929–95) affirmatively claimed Panizza as a textual terrorist, and over time various audiences have felt drawn to the theme of political repression in Psichopatia criminalis, without necessar- ily being able to reflect on the link between their attraction and Panizza’s perceived victimisation. -
Germany from Luther to Bismarck
University of California at San Diego HIEU 132 GERMANY FROM LUTHER TO BISMARCK Fall quarter 2009 #658659 Class meets Tuesdays and Thursdays from 2 until 3:20 in Warren Lecture Hall 2111 Professor Deborah Hertz Humanities and Social Science Building 6024 534 5501 Readers of the papers and examinations: Ms Monique Wiesmueller, [email protected]. Office Hours: Wednesdays 1:30 to 3 and by appointment CONTACTING THE PROFESSOR Please do not contact me by e-mail, but instead speak to me before or after class or on the phone during my office hour. I check the mailbox inside of our web site regularly. In an emergency you may contact the assistant to the Judaic Studies Program, Ms. Dorothy Wagoner at [email protected]; 534 4551. CLASSROOM ETIQUETTE. Please do not eat in class, drinks are acceptable. Please note that you should have your laptops, cell phones, and any other devices turned off during class. Students do too much multi-tasking for 1 the instructor to monitor. Try the simple beauty of a notebook and a pen. If so many students did not shop during class, you could enjoy the privilege of taking notes on your laptops. Power point presentations in class are a gift to those who attend and will not be available on the class web site. Attendance is not taken in class. Come to learn and to discuss. Class texts: All of the texts have been ordered with Groundworks Books in the Old Student Center and have been placed on Library Reserve. We have a systematic problem that Triton Link does not list the Groundworks booklists, but privileges the Price Center Bookstore. -
Download Download
Phytopoetics: Upending the Passive Paradigm with Vegetal Violence and Eroticism Joela Jacobs University of Arizona [email protected] Abstract This article develops the notion of phytopoetics, which describes the role of plant agency in literary creations and the cultural imaginary. In order to show how plants prompt poetic productions, the article engages with narratives by modernist German authors Oskar Panizza, Hanns Heinz Ewers, and Alfred Döblin that feature vegetal eroticism and violence. By close reading these texts and their contexts, the article maps the role of plant agency in the co-constitution of a cultural imaginary of the vegetal that results in literary works as well as societal consequences. In this article, I propose the notion of phytopoetics (phyto = relating to or derived from plants, and poiesis = creative production or making), parallel to the concept of zoopoetics.1 Just as zoopoetics describes the role of animals in the creation of texts and language, phytopoetics entails both a poetic engagement with plants in literature and moments in which plants take on literary or cultural agency themselves (see Moe’s [2014] emphasis on agency in zoopoetics, and Marder, 2018). In this understanding, phytopoetics encompasses instances in which plants participate in the production of texts as “material-semiotic nodes or knots” (Haraway, 2008, p. 4) that are neither just metaphor, nor just plant (see Driscoll & Hoffmann, 2018, p. 4 and pp. 6-7). Such phytopoetic effects manifest in the cultural imagination more broadly.2 While most phytopoetic texts are literary, plant behavior has also prompted other kinds of writing, such as scientific or legal Joela Jacobs (2019). -
(Student Performance Objectives) Ccos
COURSE OUTLINE : GRMN 012 Last Revised and Approved: 10/23/2008 CURRICULUM Subject Code and Course Number: GRMN 012 Division : Languages Course Title : GERMAN LITERATURE IN TRANSLATION Summarize the need/purpose/reason for this proposal German 12 appeals to the general college population as well as students already enrolled in German language classes. Since the German program cannot offer literature courses in German at this point, reading major works in translation is the next best thing. Furthermore, a survey of German literary movements enhances students' understanding of the history and culture of the German-speaking countries and complements the popular German Civilization course. Beyond that, studying works of German literature that represent different historical periods and cultural contexts will challenge students to analyze broader issues and ideas and make connections with global themes addressed in other courses in the Languages, English, and Social Sciences Divisions. Finally, Literature in Translation is already well established in the Languages Division in these foreign language classes: Chinese 12, Japanese 12, Spanish 12, and Italian 12. SLOs (Student Learning Outcomes) 1. Recognize and discuss key characteristics of major periods of German literature. 2. Compare and contrast dominant themes, relevant topics, and stylistic conventions in representative works. SPOs (Student Performance Objectives) 1. Describe core characteristics of major movements in German literature 2. Demonstrate a basic knowledge of the geography, history and culture of Germany 3. Analyze individual works of literature in their historical, socio-economic and philosophical context 4. Identify elements of style and structure in different genres of literature 5. Relate German literary themes and traditions to prevalent trends in world literature CCOs (Course Content Outline) Note: This outline lists all topics of interest. -
Literaturwissenschaft)
Technische Universität Braunschweig Seminar für deutsche Sprache und Literatur BA Germanistik Leseliste (Literaturwissenschaft) I. Deutsche Literatur vom Mittelalter bis zum Barock 1. Hildebrandslied 2. Pfaffe Konrad: Rolandslied 3. Heinrich von Morungen: Minnesang 4. Hartmann von Aue: Erec 5. Hartmann von Aue: Iwein 6. Nibelungenlied 7. Wolfram von Eschenbach: Parzival 8. Gottfried von Straßburg: Tristan 9. Walther von der Vogelweide: Minnesang 10. Walther von der Vogelweide: Politische Spruchdichtung 11. Neidhart: Minnesang 12. Johannes von Tepl: Der Ackermann aus Böhmen 13. Sebastian Brant: Das Narrenschiff 14. Thüring von Ringoltingen: Melusine 15. Hermann Bote: Till Eulenspiegel 16. Hans Sachs: Meisterlieder 17. Hans Sachs: Fastnachtspiele 18. Martin Luther: Von der Freiheit eines Christenmenschen 19. Faustbuch 20. Grimmelshausen: Der abentheuerliche Simplicissimus Teutsch 21. Volker Meid (Hg.): Lyrik des Barock 22. Andreas Gryphius: Papinian II. Deutsche Literatur von der Aufklärung bis zur Klassik 23. Johann Gottfried Schnabel: Die Insel Felsenburg 24. Christian Fürchtegott Gellert: Leben der Schwedischen Gräfin von G. 25. Friedrich Gottlieb Klopstock: Oden 26. Christoph Martin Wieland: Geschichte des Agathon 27. Gotthold Ephraim Lessing: Minna von Barnhelm 28. Gotthold Ephraim Lessing: Emilia Galotti 29. Gotthold Ephraim Lessing: Nathan der Weise 30. Gotthold Ephraim Lessing: Hamburgische Dramaturgie 31. Johann Joachim Winckelmann: Gedanken über die Nachahmung der griechischen Original-Werke 32. Johann Gottfried Herder: Kritische Wälder 33. Johann Gottfried Herder: Journal meiner Reise 1769 34. Jakob Michael Reinhold Lenz: Der Hofmeister 35. Jakob Michael Reinhold Lenz: Die Soldaten 36. Karl Philipp Moritz: Anton Reiser 37. Johann Wolfgang Goethe: Die Leiden des jungen Werthers 38. Johann Wolfgang Goethe: Götz von Berlichingen 39. Johann Wolfgang Goethe: Wilhelm Meisters Lehrjahre 40. -
Literary Clusters in Germany from Mid-18Th to Early-20Th Century
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kuld, Lukas; O'Hagan, John Working Paper Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century TRiSS Working Paper Series, No. TRiSS-WPS-03-2019 Provided in Cooperation with: Trinity Research in Social Sciences (TRiSS), Trinity College Dublin, The University of Dublin Suggested Citation: Kuld, Lukas; O'Hagan, John (2019) : Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century, TRiSS Working Paper Series, No. TRiSS-WPS-03-2019, Trinity College Dublin, The University of Dublin, Trinity Research in Social Sciences (TRiSS), Dublin This Version is available at: http://hdl.handle.net/10419/226788 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
HILDEGARD EMMEL Der Weg in Die Gegenwart: Geschichte Des
Special Service ( 1973) is also his most popular dynamic movement that serves to acceler among readers of Spanish, probably be ate the flow of events and heighten ironic cause of its rollicking humor. Pantoja is a contrasts. diligent young army officer who, because of his exceptionally fine record as an ad In his dissection of Peruvian society, ministrator, is sent to Peru's northeastern Vargas Llosa satirizes the military organiza tropical region on a secret mission, the tion as well as the corruption, hypocrisy, purpose of which is to organize a squad and cliché-ridden language of his fellow ron of prostitutes referred to as "Special countrymen. A difficult book to trans Service." It seems that a series of rapes late, Captain Pantoja . loses some of has been committed by lonely soldiers its impact in the English version. Still, it stationed in this remote zone, and high- should be greatly enjoyed by American ranking officers in Lima reason that the readers with a taste for absurd humor prostitutes would satisfy sexual appetites and innovative narrative devices. and thus reduce tensions between civilians and military personnel. Although less than enthusiastic about his new post, Pantoja George R. McMurray flies to the tropical city of Iquitos where, despite many obstacles, he makes his unit the most efficient in the Peruvian army. Meanwhile, a spellbinding prophet called Brother Francisco has mesmerized a grow ing sect of religious fanatics, whose rituals include the crucifixion of animals and human beings. The novel is brought to a climax by the death of Pantoja's beautiful HILDEGARD EMMEL mistress, one of the prostitutes, and his Der Weg in die Gegenwart: Geschichte dramatic funeral oration revealing the des deutschen Romans. -
Villa Aurora and Thomas Mann House in Los Angeles by Kerstin Zilm
Villa Aurora and Thomas Mann House in Los Angeles by Kerstin Zilm Kerstin Zilm: During the Nazi Regime, German artists, scientists, and other intellectuals found refuge in Southern California. Lion Feuchtwanger and Thomas Mann were two of the more prominent “exiles in paradise.” Their new surroundings reminded them of the Mediterranean while they were constantly thinking about the country, friends, and family they had to leave behind. Exile, transatlantic relationships, and debates about pressing global issues — those themes fill Feuchtwanger’s and Mann’s former homes again today. Take a trip to the Villa Aurora and the Thomas Mann House in Pacific Palisades. Margit Kleinman: Feuchtwanger himself was then under the Vichy government interned in the South of France for about six months, in Les Milles, an internment camp. And she, Marta, was only interned for a couple of weeks in a women’s camp. Kerstin Zilm: Margit Kleinman, director of the Villa Aurora, tells the story about how Lion and Marta Feuchtwanger came to Los Angeles. She leads a spontaneous tour through the maze of rooms, staircases, and hallways, across creaky wooden floors, past black and white pictures, drawings, and busts. About 15 visitors follow her through the last home that the Feuchtwangers created for themselves. Lion died in California in 1958, his wife almost thirty years later, in 1987. Lion Feuchtwanger had been a critic of Adolf Hitler since the 1920s. The Nazis took away his German citizenship and publicly burned his books. The couple first fled to Southern France, which proved to not be safe. Margit Kleinman: .. -
Humanistische Bildung Und Literarische Sozialisation. Aus Der Bayerischen Schulzeit Dreier Schriftsteller Der Moderne 113
Heinrich Mann- Jahrbuch 11/1993 Herausgegeben von •ielmut Koopmann und Peter-Paul Schneider RSMH! Die Deutsche Bibliothek - CIP-Einheitsaufnahme Heinrich-Mann-Jahrbuch. - Lübeck: Schmidt-Römhild. Erscheint jährlich. - Mit der Titeländerung beginnt eine neue Zählung. - Früher veri, vom Senat der Hansestadt Lübeck, Amt für Kultur. -Aufnahme nach 9. 1991 (1992) Bis Nr. 17 (1982) u. d. T.: Arbeitskreis Heinrich Mann: Mitteilungsblatt ISSN 0176-3318 9. 1991 (1992) - Verl.-Wechsel-Anzeige Anschriften der Herausgeber: Prof. Dr. Helmut Koopmann Dr. Peter-Paul Schneider Universität Augsburg Deutsches Literaturarchiv Neuere deutsche Literatur Università tsstr. 10 Postfach 1162 W-86159 Augsburg W-71666 Marbach/Neckar Redaktion: Dr. Jürgen Eder Manuskripte werden an einen der beiden Herausgeber erbeten. © Lübeck 1994 Alle Rechte der Verbreitung, auch durch Film, Funk und Fernsehen, fo• tomechanische Wiedergabe, Tonträger jeder Art, auszugsweisen Nach• druck oder Einspeicherung und Rückgewinnung in Datenverarbei• tungsanlagen aller An, sind vorbehalten. Gesamtherstellung: Schmidt-Römhild, Lübeck ISSN 0176-3318 ISBN 3-7950-1213-9 INHALT BEITRÄGE THEO STAMMEN Politik und politische Kultur im wilhelminischen Reich 9 HELMUT KOOPMANN Der Tyrann auf der Jagd nach Liebe. Zu Heinrich Manns •Professor Unrat< 31 HANS WISSKIRCHEN Heinrich Mann >Der Untertan«: Epochenroman oder Satire? 53 KARL KRÖHNKE Der Citoyen und der Abbé. Zu Heinrich Manns Projekt, 1937 eine eigene Partei aufzubauen 73 HUBERT ORLOWSKI Zur Korrespondenz Heinrich Mann - Ubbo-Emmius Struckmann -
German Exiles in California
German Exiles in California MUHL 588, spring 2017 M 12:00 pm – 1:50 pm 2.0 Units, TMC G156 Prof. Sean Nye Email: [email protected] Office Hours: Wednesday, 4-5 p.m., and Thursday, 3-5 p.m. Description: During the 1930s and 1940s, a considerable number of German-speaking exiles fleeing the political oppression, anti-Semitism, and aggressive expansion of the Third Reich settled in Los Angeles. Upon their arrival, they met an already sizable community of émigrés in L.A. whose status, on account of the catastrophe in Europe, became in various respects one of exile. This larger history of L.A. emigration and the status of exile, between the 1920s and 1950s, will be the focus of this course. The exile encounter with California resulted in diverse reactions, which had profound effects on musical culture for both California and Europe. Major composers and conductors, including Arnold Schoenberg, Hanns Eisler, and Bruno Walter, were based here. Stars such as Marlene Dietrich lived and worked in Hollywood. Theodor W. Adorno, one of the foremost critical theorists and philosophers of music of the twentieth century, spent approximately ten years in Los Angeles. Novelists with profound interests in music, including Thomas Mann and Lion Feuchtwanger, also resided here. These are but some examples of the diverse intersection of music and exile in California. Through these encounters, we will explore multiple cultural developments and questions that emerge from this period: how were the German exiles transformed by their encounters with Los Angeles? How was Los Angeles itself transformed by the settling of German exiles in the area? Finally, how was modern musical culture, more broadly, transformed by this history? In the spirit of the diverse experiences of the exiles, this course will explore a number disciplines at the intersection of exile studies: musicology, cultural studies, media studies, and German studies, among others. -
Literaturverzeichnis
Literaturverzeichnis Vorbemerkung Zur Zitierweise im vorangegangenen Text: Auf Titel Feuchtwangerscher Primärquellen wird - in Kurzform - als Klammerbemerkung hingewiesen: Diese Titel sind kursiv gesetzt. Im lau fenden Text erwähnte Titel Feuchtwangers sind durch » ••• « gekennzeich net. Die Sekundärliteratur wird lediglich durch einen Hinweis auf ihren Autor oder auf den Sachtitel des Buches belegt. Am Ende einzelner Kapi tel finden sich themenspezifische Literaturhinweise Zur Auswahlbibliographie: Die Werke Feuchtwangers sind - soweit recherchierbar - in großer Breite verzeichnet. Nicht einsehbare Quellen (z. B. Feuchtwanger-Manuskripte oder Briefe) wurden, ebenso wie einige in der Sowjetunion veröffentlichte Aufsätze, nicht berücksichtigt. Das Verzeichnis der Sekundärliteratur beschränkt sich auf die wichtig sten Beiträge. Diverse Zeitungsartikel (z. B. anläßlich des Todes von Lion oder Marta Feuchtwanger oder der Feuchtwanger-Ausstellungen) sind nicht verzeichnet. In der Feuchtwanger-Sammlung der Akademie der Künste Berlin (West) findet man mehrere hundert Hinweise auf Agentur und Kurzmeldungen, die hier ohne Interesse sind. Prirnär- und Sekundärliteratur sind - um möglichst große Benutzer freundlichkeit zu erreichen - alphabetisch geordnet. 1. Primärliteratur Feuchtwanger 1.1. Selbständige Veröffentlichungen, Sammlungen, Editionen Verzeichnet sind die Erstausgaben sowie - in Klammern - die z. T. 1m Text benutzten Neuausgaben. Altindische Schauspiele. Vasantasena; Der König u. die Tänzerin. Leipzig 0.]. (Dramen I, Berlin, Weimar 1984). Appius und Virginia. Ein Trauerspiel in fünf Akten. Nach dem Englischen 150 des siebzehnten Jahrhunderts. München 1918 (Dramen I, Berlin, Wei mar 1984). Briefwechsel 1933-1958. L. E u. Arnold Zweig. 2 Bde., hg. v. H. von Hofe. Berlin, Weimar 1984. Centum Opuscala. Eine Auswahl zusammeng. v. W. Berndt. Rudolstadt 1956 (entspr. Ein Buch nur für meine Freunde s. d.). Das Haus des Desdemona oder Größe und Grenzen der historischen Dich tung. -
Marta Feuchtwanger Papers 0206
http://oac.cdlib.org/findaid/ark:/13030/kt10003750 No online items Finding Aid for Marta Feuchtwanger papers 0206 Finding aid prepared by Michaela Ullmann USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding Aid for Marta 02061223 1 Feuchtwanger papers 0206 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Marta Feuchtwanger papers creator: Franklin, Carl M. (Carl Mason) creator: Waldo, Hilde creator: Feuchtwanger, Marta Identifier/Call Number: 0206 Identifier/Call Number: 1223 Physical Description: 98.57 Linear Feet173 boxes Date (inclusive): 1940-1987 Abstract: This archive contains the correspondence of Marta Feuchtwanger, wife of German-Jewish writer Lion Feuchtwanger, who survived her husband by almost thirty years. Marta Feuchtwanger remained an important figure in the exile community and devoted the remainder of her life to promoting the work of her husband. The collection contains Marta Feuchtwanger's personal correspondence, texts and manuscripts by her and others, royalty statements received for the works of her husband, correspondence with publishers, and newspaper clippings mentioning Lion and Marta Feuchtwanger and other exiles. The collection also includes correspondence regarding the establishment and administration of the Feuchtwanger Memorial Library and Villa Aurora. Storage Unit: 91g Storage Unit: 91h Scope and Content This archive contains the correspondence of Marta Feuchtwanger, wife of German-Jewish writer Lion Feuchtwanger, who survived her husband by almost thirty years. Marta Feuchtwanger remained an important figure in the exile community and devoted the remainder of her life after his death to promoting the work of her husband.