Of the Tasmanian Aborigines
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Australian Curriculum: Science Aboriginal and Torres Strait Islander
Australian Curriculum: Science Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority Content elaborations and teacher background information for Years 7-10 JULY 2019 2 Content elaborations and teacher background information for Years 7-10 Australian Curriculum: Science Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority Table of contents Introduction 4 Teacher background information 24 for Years 7 to 10 Background 5 Year 7 teacher background information 26 Process for developing the elaborations 6 Year 8 teacher background information 86 How the elaborations strengthen 7 the Australian Curriculum: Science Year 9 teacher background information 121 The Australian Curriculum: Science 9 Year 10 teacher background information 166 content elaborations linked to the Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority Foundation 10 Year 1 11 Year 2 12 Year 3 13 Year 4 14 Year 5 15 Year 6 16 Year 7 17 Year 8 19 Year 9 20 Year 10 22 Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority 3 Introduction This document showcases the 95 new content elaborations for the Australian Curriculum: Science (Foundation to Year 10) that address the Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority. It also provides the accompanying teacher background information for each of the elaborations from Years 7 -10 to support secondary teachers in planning and teaching the science curriculum. The Australian Curriculum has a three-dimensional structure encompassing disciplinary knowledge, skills and understandings; general capabilities; and cross-curriculum priorities. It is designed to meet the needs of students by delivering a relevant, contemporary and engaging curriculum that builds on the educational goals of the Melbourne Declaration. -
Traditional Wiradjuri Culture
Traditional Wiradjuri Culture By Paul greenwood I would like to acknowledge the Wiradjuir Elders, past and present, and thank those who have assisted with the writing of this book. A basic resource for schools made possible by the assistance of many people. Though the book is intended to provide information on Wiradjuri culture much of the information is generic to Aboriginal culture. Some sections may contain information or pictures from outside the Wiradjuri Nation. Traditional Wiradjuri Culture Wiradjuri Country There were many thousands of people who spoke the Wiradjuri language, making it the largest nation in NSW. The Wiradjuri people occupied a large part of central NSW. The southern border was the Murray River from Albury upstream towards Tumbarumba area. From here the border went north along the edges of the mountains, past Tumut and Gundagai to Lithgow. The territory continued up to Dubbo, then west across the plains to the Willandra creek near Mossgiel. The Booligal swamps are near the western border and down to Hay. From Hay the territory extended across the Riverina plains passing the Jerilderie area to Albury. Wiradjuri lands were known as the land of three rivers; Murrumbidgee (Known by its traditional Wiradjuri name) Gulari (Lachlan) Womboy (Macquarie) Note: The Murrumbidgee is the only river to still be known as its Aboriginal name The exact border is not known and some of the territories overlapped with neighbouring groups. Places like Lake Urana were probably a shared resource as was the Murray River. The territory covers hills in the east, river floodplains, grasslands and mallee country in the west. -
A Typology of the Traditional Games of Australian Aboriginal and Torres Strait Islander Peoples
A Typology of the Traditional Games of Australian Aboriginal and Torres Strait Islander Peoples Ken Edwards Author Ken Edwards has studied health and physical education, environmental science and sports history. He has taught health and physical education at both primary and secondary school level and has been a Head of Health and Physical Education at various schools. Ken completed a Ph.D. through UQ and has been an academic at QUT and Bond University and is now an Associate Professor in Sport, Health and Physical Education at USQ (Springfield Campus). Ken has had involvement in many sports as a player, coach and administrator. Wener ganbony tilletkerrin? What shall we play (at) first (Language of the Western people of Victoria) A Typology of the Traditional Games of Australian Aboriginal and Torres Strait Islander Peoples Ken Edwards Artwork by Aboriginal artist Maxine Zealey (of the Gureng Gureng people in Queensland). Copyright © 2012 by Ken Edwards. All rights are reserved. No portion of this book may be reproduced in any form or by any means without the written permission of the Copyright owner. ISBN 978-0-9872359-0-9 Paper size: 16.5cms X 23 cms Page printing for ebook: Scale to fit A4 Acknowledgements Great excitement existed amongst the players in this game, which was begun in this manner: each player had one of these toys in his hands, standing at a mark on the ground some 30 yards or 40 yards from the disc. The thrower standing on the mark would measure the distance with his eye, and turning round would walk some few yards to the rear, and suddenly turning to the front would run back to the mark, discharging his weitweit with great force at the disc. -
The Aboriginal Struggle & the Left
The Aboriginal Struggle & the Left Terry Townshend 2 The Aboriginal Struggle & the Left About the author Terry Townsend was a longtime member of the Democratic Socialist Party and now the Socialist Alliance. He edited the online journal Links (links.org) and has been a frequent contributor to Green Left Weekly (greenleft.org.au). Note on quotations For ease of reading, we have made minor stylistic changes to quotations to make their capitalisation consistent with the rest of the book. The exception, however, concerns Aborigines, Aboriginal, etc., the capitalisation of which has been left unchanged as it may have political significance. Resistance Books 2009 ISBN 978-1-876646-60-8 Published by Resistance Books, resistanceboks.com Contents Preface...........................................................................................................................5 Beginnings.....................................................................................................................7 The North Australian Workers Union in the 1920s and ’30s.....................................9 Comintern Influence..................................................................................................12 The 1930s....................................................................................................................15 Aboriginal-Led Organisations & the Day of Mourning............................................19 Struggles in the 1940s: The Pilbara Stock Workers’ Strike........................................23 The 1940s: Communists -
The Story of Aboriginal and Torres Strait Islander Darebin
THE STORY OF ABORIGINAL AND TORRES STRAIT ISLANDER DAREBIN Acknowledgements Darebin City Council acknowledges the Wurundjeri people as the Traditional Owners and custodians of the land we now call Darebin and pays respect to their Elders past, present and future. We also acknowledge the diverse Aboriginal and Torres Strait Islander community, from across Australia, who have come to live, work and study within our municipality. Darebin City Council recognises that this is by no means a comprehensive re- telling of the Aboriginal history of the local area, nor is it the only way that even this small part of the story could be told. Council also recognises that contemporary Aboriginal and Torres Strait Islander history within our municipality, and further afield, is constantly evolving. Much of the contemporary history remains with the Aboriginal and Torres Strait Islander people to whom it belongs. This resource complements the Darebin Aboriginal and Torres Strait Islander Recognition and Discovery Map available at the following link: http://www.darebin.vic.gov.au/en/Darebin-Living/Community- support/Aboriginal-and-Torres-Strait-Islander-Darebin Aboriginal and Torres Strait Islander people should be aware that this material contains names of deceased persons. i August 2018 A4702042 In order to do justice to the story of Aboriginal and Torres Strait Islander Darebin, people need to look further afield to Aboriginal Victoria and even to Aboriginal Australia, as all are inextricably linked. Just as Aboriginal and Torres Strait Islander peoples moved through their traditional lands freely, without boundary fences and walls, so too the Aboriginal and Torres Strait Islander history of Darebin reaches far beyond our current municipal borders. -
THE Lycett ALBUM
THE Lycett ALBUM Drawings of Aborigines and Australian scenery with commentary by Jeanette Hoorn THE Lycett ALBUM Drawings of Aborigines and Australian scenery with commentary by Jeanette Hoorn National Library of Australia © 1990 National Library of Australia National library of Australia Cataloguing-in-Publication I.ycett, Joseph, ca. 1775-1828. The Lycett album: drawings of Aborigines and Australian scenery. Bibliography. ISBN 0 642 10507 3. I. Lycett, Joseph, ca. 1775-1828. |2|. Aborigines, Australian, in art. I. Hoorn, Jeanette. II. National Library of Australia. III. Title. 741.994 Edited for publication by Dana Rowan and Carol Miller Designed by Michael Pugh Printed by Owen King Printers Pty Ltd, Melbourne Contents Foreword vii Introduction 1 The Watercolours 7 References 29 The Plates 31 Foreword In 1972, the National Library of Australia purchased from Sotheby and Company in London an album of twenty watercolour drawings dating probably from the 1820s and attributed to the convict artist Joseph Lycett (c. 1775-1828). The drawings, each measuring approximately 17.8 x 28 cm, depict aspects of Aboriginal life in New South Wales. The album, bound in half morocco leather and measuring 34 x 23.5 cm, appears to have been assembled at a later date. The title page carries an inscription which incorrectly identifies the contents as 'Drawings of the Natives & Scenery of Van Diemens Land 1830'. The album was offered for sale by Mrs C.E. Blake, a grand-daughter of Charles Albert La Trobe whose signature appears on the inside of the upper cover, and great-grand-daughter of Charles Joseph La Trobe, Lieutenant-Governor of Victoria 1851-54. -
A History of Aboriginal Illawarra, Volume 2 : Colonisation Mike Donaldson University of Wollongong, [email protected]
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2017 A History of Aboriginal Illawarra, Volume 2 : Colonisation Mike Donaldson University of Wollongong, [email protected] Les Bursill University of Wollongong, [email protected] Mary Jacobs TAFE NSW, [email protected] Publication Details Mike Donaldson, Les Bursill and Mary Jacobs, A History of Aboriginal Illawarra, Volume 2: Colonisation, Dharawal Publications, Yowie Bay, 2017, 130p. Volume 1 is HERE. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A History of Aboriginal Illawarra, Volume 2 : Colonisation Abstract Near Broulee Point, south of Batemans Bay, once stood a wooden look-out platform used for generations by Leonard Nye’s family. The Dhurga were fisherfolk and through the ages they would gather to assess the seas and the weather before setting off. The oj b of the lookout who remained there was to signal those on the water and on the beach below about the location and direction of sea mammals and shoals of fish. Such lookout posts exist also at Hill 60 at Port Kembla and up and down the South Coast, and it is from them that people observed the passage of James Cook’s ship in 1770. One of them told her granddaughter Coomee, who died at Ulladulla in 1914, all about “the first time the white birds came by”. During the vessel’s slow northward movement along the South Coast over eight days, heavy surf at Bulli Beach prevented a provisioning party from getting ashore on 28 April. -
Design Theory and the Australian Tula Adze
Design Theory and the Australian Tula Adze TRUDY DOELMAN AND GRANT W. G. COCHRANE introduction The tula (or tuhla) adze is a unique composite tool, invented and adapted to arid zone Australia and used through the late Holocene until recent times (Veth et al. 2011). A wealth of ethnographic descriptions and archaeological studies have already provided a strong corpus of information about the manufacture and use of this imple- ment. Our goal here is to explain why Aboriginal toolmakers manufactured it accord- ing to relatively rigid design specifications over large expanses of space and time. We do this through a reexamination of the ethnographic and archaeological evidence and the application of design theory. We will argue that tula adzes were designed to be reliable implements during a period of environmental unpredictability. However, the economic benefits of these reliable design features cannot be measured merely in terms of greater efficiency in resource harvesting. More significantly, they helped to ensure the consistent production of high-quality trade items that were crucial to the establishment and maintenance of cooperative relationships between social groups. design theory Design theory draws upon concepts employed by modern-day design engineers in order to explain why particular design choices were made. Its application to the mate- rial culture of past hunter-gatherers was first proposed by Bleed (1986) and subse- quently developed by a number of other researchers (e.g., Eerkens 1998; Nelson 1991; Torrence 2001). It is important to stress that in most archaeological contexts, design theory is only one part of a more complex theoretical process. -
Jon Altman Research Collection Part a MS 4721 Finding Aid Prepared by T Hansson, S Berry, C Oxley, C Biggs and C Zdanowicz
Jon Altman research collection Part A MS 4721 Finding aid prepared by T Hansson, S Berry, C Oxley, C Biggs and C Zdanowicz This finding aid was produced using the Archivists' Toolkit August 07, 2017 Describing Archives: A Content Standard Australian Institute of Aboriginal and Torres Strait Islander Studies Library April 2015 1 Lawson Crescent Acton Peninsula Acton Canberra, ACT, 2600 +61 2 6246 1111 [email protected] Jon Altman research collection Part A MS 4721 Table of Contents Summary Information ................................................................................................................................. 4 Biographical note...........................................................................................................................................5 Scope and Contents note............................................................................................................................... 8 Arrangement note...........................................................................................................................................8 Administrative Information .........................................................................................................................8 Related Materials ...................................................................................................................................... 10 Controlled Access Headings........................................................................................................................12 -
Performing Cultures 6/11
.. Aboriginal and Torres Strait Islander Arts Board, Australia Council PO Box 788 Strawberry Hills NSW 2012 Tel: (02) 9215 9065 Toll Free: 1800 226 912 Fax: (02) 9215 9061 Email: [email protected] www.ozco.gov.au cultures . PERFORMING ..... Protocols for Producing Indigenous Australian Performing Arts An initiative of the Aboriginal and Torres Strait ISBN: 0 642 47241 6 Islander Arts Board of the Australia Council Performing Cultures: Protocols for Producing Indigenous Australian Performing Arts Indigenous control 19 contents Communication, consultation and consent 20 Duration of consultation on performances 20 Introduction 1 Caution with consultation 20 Using the Performing Cultures guide 2 Interpretation, integrity and authenticity 21 What are protocols? 2 Interpretation 21 What is Indigenous performance? 3 Integrity 21 Special nature of Indigenous performance 4 Authenticity 21 Indigenous heritage 5 Interpretation, integrity and authenticity when recording 21 Current protection of heritage 6 Secrecy and confidentiality 22 Drama principles and protocols 8 Representation of deceased people 22 Respect 8 Secret and sacred materials 22 Acknowledgment of country 8 Personal privacy 22 Representation 8 Attribution 22 Accepting diversity 9 Proper returns 23 Living cultures 9 Continuing cultures 23 Indigenous control 9 Recognition and protection 23 Communication, consultation and consent 9 Common issues 26 Time frames for consultation and consent 12 Welcome to country 26 Complexity of the consultation process 12 Fees and employment conditions -
Owning Racism – Can We Talk?
Owning Racism – Can We Talk? Symposium Report Owning Racism – Can We Talk? A symposium hosted by the Immigration Museum, Museum Victoria 23 & 24 August, 2012 Page | 1 Owning Racism – Can We Talk? Table of Contents Abstract 3 Key observations 4 Welcome to country 6 Caroline Martin, Manager, Bunjilaka Aboriginal Cultural Centre Opening address 8 Dr Patrick Greene, CEO, Museum Victoria First Key Note 10 Bonita Bennett, Director, District Six Museum, Cape Town Part One Methodologies for change Part Two Unity does not grow wild First Plenary 19 Research – Methodologies around engaging with racism Second Plenary 31 Best practice First Breakout 42 Youth – Growing up in multicultural Melbourne Second Breakout 43 Anti-racism policy developments Third Breakout 49 Cyber-bullying in the classroom Third Plenary 51 Museums – Learning in public spaces Second Keynote 64 Indigenous identity and representation Richard Frankland, Singer, Writer, Actor, Activist Fourth Plenary 77 How creative practice deals with the issues Fourth Breakout 94 Education – Capacity building, intercultural understanding, Multiculturalism in the classroom Fifth Breakout 97 Media – Mirror, mirror on the wall … Has the media moved beyond the ‘white picket fence’ view of Australian society? Summary 112 Page | 2 Owning Racism – Can We Talk? Abstract The two-day symposium Owning Racism – Can we Talk? – a symposium for academics, service providers and arts practitioners – is the first major initiative to emerge from Identity: yours, mine, ours, a permanent exhibition launched at the Immigration Museum in 2011. The symposium brought together a community of practitioners and academics to speak about their research, program work, service delivery or study around themes exploring racism and cultural and social intervention in order to facilitate social cohesion. -
Aboriginal Words in Australian English
東京家政学院筑波女子大学紀要第5集 169~180ページ 2001年 Aboriginal Words in Australian English Hiroyuki YOKOSE Abstract Aboriginal Ianguages have been used in radio and television. The study of Aboriginal words is necessary in the study of Australian English. The term of Aborigine came from the first British settlement that was inhabited with a total population of about 300,000 Aborigines. There were roughly 600 tribes with an average of 500 members each. At first the settlers seemed to believe that there was only one Aboriginal language and words from the Sydney area were used by the white man in other areas as these were opened up. The white man’s habit of picking up words in one area and taking them to another can make it difficult to trace just where a word was adopted and whether certain words found in Aboriginal languages are part of their inherited word stock or recent importations. In some cases it is difficult to be certain whether a word is of Aboriginal origin or not. ‘Mopoke’ and ‘jumbuck’ are Australian words and Aboriginal origin has been claimed for them. However, ‘mopoke’ may have been coined by the early settlers in imitation of the bird’s call, and ‘jumbuck’ may be a form of the English phrase ‘jump up’. Altogether the white man has adopted over 200 words from the Aborigines. These fall into the following categories: fauna, e. g. kangaroo, kookaburra, taipan flora, e. g. kurrajong, mulga, jarrah Aboriginal culture, e. g. boomerang, coolamon colloquial terms, e. g. yabber, yakka How are they related to Australian English? Are they related to languages outside Australia? How many are there? Are they simple? The Australian Aborigines do not develop a system for writting their languages.