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4 JUEVES 14 DE MARZO DE 2013 VIVIR BIEN TRADICIÓN Y VERDAD Tercer lugar, Kate Moss. Poco podemos decir Quinto lugar, Doutzen Kroes. Es una supermo- de ella que aún no se haya dicho, pero es justo reco- delo neerlandesa y una de los famosos Ángeles de Vic- nocer su capacidad de reinventarse -sorteando ade- toria’s Secret.Es uno de los rostros de cosméticos más más algún que otro escándalo-. Además de sus múl- conocidos internacionalmente y es una de las mujeres tiples campañas publicitarias, Moss aún sigue ob- más deseadas,por su belleza holandesa y sus labios teniendo jugosos ingresos de su alianza con carnosos rosados. Su paga es de 6 millones de dólares. Topshop.Su paga es de 13.5 millones de dólares. Segundo lugar, Heidi Klum. Se dio a conocer por desfilar para Victoria’s Secret donde se convir- tió en uno de los primeros “Ángeles” y por posar pa- ra las revistas Elle, Sports Illustrated Swimsuit Cuarto lugar, Adriana Lima. Es una Super- Issue o para las ediciones alemana y francesa de la modelo internacional de fotografía, pasarela, spots revista Vogue.A pesar de haber abandonado a los publicitarios y uno de los rostros de Victoria’s Se- ángeles de Victoria´s Secret, Klum ha sabido rein- cret. Lima ha sabido demostrar su versatilidad en ventarse como empresaria. Sus ingresos provienen, las recientes colaboraciones que ha protagonizado en su mayoría, de sus proyectos televisivos.Actual- para Loewe y Givenchy.Su paga actualmente es de mente su paga es de 20 millones de dólares. 8 millones de dólares. -
Celebrities, Culture and a Name Economy
Celebrities, culture and a name economy Moeran, Brian Document Version Final published version Publication date: 2001 License CC BY-NC-ND Citation for published version (APA): Moeran, B. (2001). Celebrities, culture and a name economy. Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Celebrities, Culture and a Name Economy Brian Moeran Visiting Professor Department of Intercultural Communication and Management Copenhagen Business School Dalgas Have 15 DK-2000 Frederiksberg Denmark [email protected] Abstract Drawing on previous research, this paper discusses how celebrities act as intermediaries between culture and economy in the promotional industries. By focusing on celebrity endorsements in advertising, it outlines how film actors and actresses, athletes, models, pop singers, sportsmen and women mediate between producers and consumers via the products and services that they endorse. Here celebrities are cultural intermediaries as they give commodities ‘cultural personalities’ and perform across different media, linking different cultural spheres into an integrated whole. But, given the facts that who they advertise for and what they do or do not do have major financial implications for the corporations whose products they endorse, celebrities can also be said to be economic intermediaries. -
00920062000026.Pdf (3.411Mb)
Europa de la A a la Z Introducción Hace algunos años, mientras preparaba materiales para un curso sobre Didáctica de la Lengua Inglesa para el CPR de Jerez de los Caballeros, me encontré en el Dave’s Café con la experiencia de un profesor ameri- cano que realizaba con sus alumnos una actividad en- caminada a fomentar la tolerancia y el respeto entre aquellos, que pertenecían a diferentes naciones. La ac- tividad se llamaba “Your Country A to Z”, y consistía en familiarizarse con los aspectos más conocidos y tópicos de cada uno de los países de los alumnos. El Proyecto Comenius nos ha brindado una magnífica oportunidad para realizar una actividad parecida. Desde el principio, nos hemos marcado dos ex- tremos. Por lo bajo, podíamos realizar algo parecido al 1066 and all that, de Sellar y Yeatman, que allá por los años veinte realizaron una compilación de la historia de Inglaterra según la recordaban a bote pronto los estudi- antes de Oxford. Por lo largo, nuestro modelo era el The A to Z of Great Britain, de la editorial Oxford. Una vez realizado el proyecto, y pese a sus múltiples lagunas, creo que nos hemos quedado más cerca de la segunda, lo cual tiene un mérito especial si se tiene en cuenta que el trabajo de recopilación de datos, términos y definiciones ha quedado totalmente en manos de los alumnos, que estudian de 1º ESO a 1º de Bachillerato, es decir, de 12 a 17 años. El proceso se ha desarrollado como sigue: en 1 Europa de la A a la Z primer lugar hemos repartido los países de Europa por grupos y clases. -
Ï*.V El Politiques OÙ VONT-ILS EN VACANCES? Certains Ont Leurs Habitudes Sur La Côte D'azur Et Ne Détestent Pas V Être Reconnus
JOURS DE FRANCE Pays : France Date : JUIL 15 Périodicité : Trimestriel Page de l'article : p.32-39 Journaliste : Julie Rambal Page 1/8 «fr,, ^a^(fc^ .jlBÉSWlsiiilB^B^Bar"1'''""''''''^ ï*.v el politiques OÙ VONT-ILS EN VACANCES? Certains ont leurs habitudes sur la Côte d'Azur et ne détestent pas v être reconnus... D'autres préfèrent se détendre en Normandie "*** ou se cacher en Corse. Voici un tour de France des lieux où vous pourrez croiser cet été quèlques visages célèbres. JULIE RAMBAL Comme tous les ans, Caria Bruni- Sarkozy passe une partie de l'été dans la résidence familiale du cap Tous droits réservés à l'éditeur SAINT-SIMEON 6804384400524 JOURS DE FRANCE Pays : France Date : JUIL 15 Périodicité : Trimestriel Page de l'article : p.32-39 Journaliste : Julie Rambal Page 2/8 Tous droits réservés à l'éditeur SAINT-SIMEON 6804384400524 JOURS DE FRANCE Pays : France Date : JUIL 15 Périodicité : Trimestriel Page de l'article : p.32-39 Journaliste : Julie Rambal Page 3/8 Le charme du village de Saint-Tropez attire toujours autant les people LA COTE W l/l K ême si chaque ete elle est Luc Besson, le cap Senat Laurent Voulzy prise d assaut par des hordes raconte qu il s est offert la maison de de vacancieis la Rruera ses levés a Beaulieu tandis que Philippe M française demeure une des Bouvard a opte pour les hauteurs de destinations privilégiées par la jet set qui Cannes Malgre l'engouement touristique V a ses habitudes Claudia Schiffer Ringo pour Ramatuelle France Gall ^ a garde Starr, Boris Becker et Ornella Muti ont elu sa \illa, tandis -
Celebrities, Culture and a Name Economy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenArchive@CBS Celebrities, Culture and a Name Economy Brian Moeran Visiting Professor Department of Intercultural Communication and Management Copenhagen Business School Dalgas Have 15 DK-2000 Frederiksberg Denmark [email protected] Abstract Drawing on previous research, this paper discusses how celebrities act as intermediaries between culture and economy in the promotional industries. By focusing on celebrity endorsements in advertising, it outlines how film actors and actresses, athletes, models, pop singers, sportsmen and women mediate between producers and consumers via the products and services that they endorse. Here celebrities are cultural intermediaries as they give commodities ‘cultural personalities’ and perform across different media, linking different cultural spheres into an integrated whole. But, given the facts that who they advertise for and what they do or do not do have major financial implications for the corporations whose products they endorse, celebrities can also be said to be economic intermediaries. Introduction The relation between culture and economy is, to say the least, tricky. It is one that has been exercising the minds of scholars in management, organisation and consumer studies, on the one hand, and of those in disciplines like sociology, cultural studies and anthropology, on the other. Yet, even though it is now well over two decades since Raymond Williams (1977: 136) noted that ‘large scale capitalist economic activity and cultural production are now inseparable’, we have not got that much further in our understandings of just how they are inseparable. This paper focuses on the activities of celebrities, and in particular of models, as a means of trying to bridge the conceptual gap between culture and economy. -
Peter Lindbergh a Different Vision on Fashion Photography
Peter Lindbergh A Diff erent Vision on Fashion Photography 10 SEPTEMBER 2016 - 12 FEBRUARY 2017 An exhibition initiated, produced and toured by Kunsthal Rotterdam, in collaboration with Peter Lindbergh Studio, Paris and curator Thierry Maxime Loriot. : Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiff er, Naomi Campbell, er, Patitz, Helena Christensen, Linda Evangelista, Claudia Schiff Tatjana : Cindy Crawford, Wild At Heart F/W 1991) © Peter Lindbergh, Paris / Gagosian Gallery 1991 (Versace, Brooklyn, Mulder & Stephanie Seymour, Karen PRESS RELEASE Peter Lindbergh A Diff erent Vision on Fashion Photography 10 SEPTEMBER 2016 - 12 FEBRUARY 2017 2nd press release, 8 June 2016 Kunsthal Rotterdam presents major retrospective on Peter Lindbergh Opening September 10th, the fi rst exhibition in the Netherlands devoted to German photographer Peter Lindbergh, which is initiated, produced and toured by Kunsthal Rotterdam will feature more than 220 photographs. This spectacular overview of Lindbergh’s extensive oeuvre will also present exclusive material varying from previously unseen material from personal notes, storyboards, props, polaroids, contact sheets and fi lms to monumental prints, in a large-scale retrospective of the photographer’s work. His avant-garde images quickly addressed the concerns and stakes of society with his singular vision, in a world with established aesthetic codes. Lindbergh’s pure black-and-white photographs have determined the course of fashion photography since the early 1980s. The exhibition ‘A Diff erent Vision on Fashion Photography’ is an ode to Lindbergh’s multi- faceted oeuvre from 1978 to the present day. Regarded as one of the most infl uential fashion photographers, the multimedia exhibition is presented in a thematic approach marking his creative development and focusing on his themes, imaginary world and passions through the years, into nine diff erent sections: Supermodels, Couturiers, Zeitgeist, Dance, The Darkroom, The Unknown, Silver Screen, Icons and an exclusive Rotterdam gallery. -
Balance Ascendant Balance
ESTELLE Une place parmi les étoiles Il est coutumier de dire que le plus difficile dans le monde du spectacle est de se faire un nom. Toutefois, lorsque Neptune s’insinue, il n’est pas rare que le jeu soit redistribué. Voilà sans doute pourquoi notre personnalité du mois a pour sa part décidé de se faire un prénom ! la fin des années 1980 et pendant la première moitié des années 1990, il y a eu un véritable phénomène de mode À concernant justement le monde de la mode : de nombreux mannequins ont accédé à une notoriété qui, à quelques exceptions près, ne leur était pas ouverte auparavant. Cette fois, pour vendre un produit, il ne suffisait plus de l’associer à une beauté inconnue : c’est le nom d’une beauté qui fournissait un « plus » en matière d’arguments de vente. Plusieurs mannequins et top models ont ainsi surfé sur cette vague qui leur a permis de se faire une place au soleil, à côté de ces « stars » que sont les actrices et les comédiennes. On pense naturellement à Claudia Schiffer, Naomi Campbell, Cindy Crawford et autres Karen Mulder… En France, après Inès de la Fressange et avant Laetitia Casta (dont la carte du ciel a été analysée dans Astres 625), c’est sans aucun doute Estelle Lefébure qui représente le mieux cette tendance, puisqu’elle est devenue la coqueluche de plusieurs marques, notamment dans les domaines de la haute couture et de la parfumerie, sans oublier sa collaboration très complice avec un magazine féminin dont elle a fait de nombreuses fois la couverture en France. -
Videofashion Content Catalogue 2020
CONTENT CATALOGUE 2020 Founded in 1976, Videofashion is the world’s premiere producer and supplier of fashion news programming, video content, and footage. We have over 3,000 television programs; over 19,000 fashion video segments; and over 18,000 hours of fashion-related footage — with more than 100 new programs produced annually. All of our content is available for licensing worldwide, in all formats, and for all media. What follows is an overview of our ten most popular program series, plus short form content and footage. Select programs are available in 4K. Additional program series not listed in this guide are available as well. Contact us for details and specifics. TABLE OF CONTENTS 10 Most Popular Current HD Program Series 1. Videofashion News p. 3 2. Videofashion Designers p. 4 3. Videofashion Models p. 5 4. Fashion VIP p. 6 5. The Year In Fashion p. 7 6. Videofashion Bridal p. 8 7. Videofashion Swim p. 9 8. Videofashion Men p. 10 9. Videofashion Style p. 11 10. Fashion: Uncensored Uncut p. 12 Short Form Content p. 13 Footage p. 14 Contact Information p. 15 Page 2 Videofashion News SPECS: 24-minute episodes | New episode every week | HD | With Voiceover | 43 Seasons Behind the scenes. Beyond the runway. Continuously produced since 1976, Videofashion’s flagship series is your 360-degree weekly insider look at what’s happening in fashion, and why it matters. The total fashion experience. Watch the trailer here: https://vimeo.com/271312583 SCREENER: Videofashion News 43#2: Fashion Camp In this special episode of Videofashion News, we go inside the Metropolitan Museum of Art’s latest Costume Institute Exhibition, Camp: Notes on Fashion, for a lesson in all things camp! Then, explore camp on the catwalk through the decades, via the Videofashion Archives. -
Next34 October11
NEXT 34_OCTOBER 11 David Favrod, de la série Le Tremblement du temps, 2011 NEXT 34_OCTOBER 11_P3 SOMMAIRE / CONTENTS Yann Mingard, de la série The Yellow Leaves, Tuva, Sibérie, 2003-2009 NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 34_OCTOBER 11_P4 SOMMAIRE / CONTENTS Thomas Rousset, de la série Prabérians, 2009 RUBRIQUES / SECTIONS NEAR P13 EVENEMENTS / EVENTS P17 EXPOSITIONS / EXHIBITIONS P45 FESTIVALS P191 PUBLICATIONS P223 PRIX / AWARDS P243 FORMATION / EDUCATION P255 NEXT − WEBZINE NEXT est le webzine mensuel édité par l'association NEAR qui vous offre une vision d'ensemble de l'actualité de la photographie contemporaine en Suisse et ailleurs : événements, expositions, publications, festivals et prix internationaux, formation… Vous y trouvez également des informations sur les activités de NEAR et sur ses membres, notamment dans les portfolios et les interviews. Edited by NEAR − swiss association for contemporary photography − NEXT is a monthly webzine of news concerning mainly contemporary photography in Switzerland and elsewhere : events, exhibitions, publications, international festivals and awards, education... You will also find information about activities organized by NEAR and about its members in the portfolios and interviews. Tous les numéros / All issues : http://www.near.li/html/next.html Maquette / Graphic design : Ilaria Albisetti, www.latitude66.net Rédactrice en chef / Chief editor : Nassim Daghighian, présidente de NEAR ; [email protected] -
1 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Selma Peleias Felerico Garrini Do Corpo Desmedido Ao Corpo Ultramedido a Revi
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Selma Peleias Felerico Garrini Do Corpo Desmedido ao Corpo Ultramedido A revisão do corpo na Revista Veja de 1968 a 2010. DOUTORADO EM COMUNICAÇÃO E SEMIÓTICA Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Doutor em Comunicação e Semiótica sob a orientação do Profa. Doutora Jerusa Pires Ferreira SÃO PAULO 2010 1 Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Banca Examinadora _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ 2 Agradecimentos Aos meus pais por darem vida a meu corpo. Ao meu marido Wilson, por emprestar seu talento nas ilustrações corporais e estar sempre ao meu lado. Ao meu filho Pedro, corpo rico em emoções: o maior presente que a natureza me deu. A Tania, corpo motivador, conselheiro e parceiro em meus estudos corporais. A Kathia, corpo amigo que encontrei em minha caminhada corporal. Ao Cezarotto, corpo observador em meu mestrado e doutorado A Jerusa, o corpo orientador desse trabalho. A Cecília, corpo genético acolhedor em meus estudos. A Suzete e a Rosangela, corpos revisores dos meus textos. E a todos os corpos femininos inspiradores desse trabalho. 3 RESUMO Considerando que a revista Veja é publicação de interesse geral e de maior circulação no país e também um manual de conduta sociocultural, desde os anos de 1960, o objeto desta pesquisa é a imagem do corpo feminino e suas significações passíveis de serem analisadas nas reportagens de capa da revista Veja que tratam do culto ao corpo, desde sua criação em 11 de setembro de 1968 até 2010. -
P24-25 Layout 1
24 Friday Lifestyle | Feature Friday, September 6, 2019 File photo shows German photographer Peter Lindbergh during a press conference for his show ‘Peter In this file photo taken on September 24, 2010 a visitor walks past the photographs ‘Kate Moss’ (right, Lindbergh - On Street’ in Berlin. — AFP photos 1994) and ‘Mathilde’ (1989) by German fashion photographer Peter Lindbergh during a press preview of the exhibition ‘On Street - Photographs and Film’ in Berlin. eter Lindbergh, the German photographer up, big-hair studio shoots of the day-that helped imperfections was legendary. “There is no credited with launching the careers of su- define his stark, cinematic style. beauty without truth. All this fake making up of Ppermodels such as Naomi Campbell, The new faces included Evangelista, Christy a person into something that is not them cannot Cindy Crawford and Linda Evangelista, has died Turlington and Tatjana Patitz, all of whom would be beautiful. It is just ridiculous,” he said in No- aged 74, his family told AFP Wednesday. Lind- go on to become stars of the international cat- vember 2016 when launching the 2017 Pirelli bergh’s stark black-and-white images of models walks. “He had a way of turning your imperfec- calendar. and stars staring straight at the camera, which tions into something unique and beautiful... and For that feminist-friendly edition of a calendar played with light and shadow, helped overturn his images will always be timeless,” Crawford long synonymous with langorous nudes, he glossy standards of beauty and fashion in the wrote on her Instagram account. “Caring, kind, roped in veteran stars Helen Mirren and Char- 1980s and 1990s. -
Peter Lindbergh: a Different Vision on Fashion Photography”
Vogue September 7, 2016 GAGOSIAN GALLERY Inside “Peter Lindbergh: A Different Vision on Fashion Photography” Todd Plummer Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder, and Stephanie Seymour, Brooklyn, 1991. Photo: Peter Lindbergh / Courtesy of Peter Lindbergh, Paris / Gagosian Gallery The influence of Peter Lindbergh on how we see fashion today cannot be understated. Of course, when people think of Lindbergh, the original supermodels come to mind; long before the current generation of Snapchat-savvy models, his iconic shot of Linda, Tatjana, and Christy frolicking in their white oxford shirts created the original #SquadGoals. For the first time, an exhibition at the Kunsthal Rotterdam—”Peter Lindbergh: A Different Vision on Fashion Photography”—will offer a robust survey of the photographer’s opus. Lindbergh, who is currently represented by Gagosian Gallery, has had segments of his work included in gallery shows, museum exhibitions, and permanent collections around the world, but this exhibit at the Kunsthal offers a fresh glimpse of the man behind the camera. A range of never-before-seen personal notes, props, Polaroids, contact sheets, and storyboards will be shown, organized by Lindbergh’s “influences and obsessions,” as curator Thierry- Maxime Loriot explains. Loriot, a former model who worked with Lindbergh in the 1990s, is also the brains behind the wildly successful “The Fashion World of Jean Paul Gaultier” show that started in Montreal, as well as the Viktor & Rolf retrospective opening at the National Gallery of Victoria in Melbourne next month. Loriot spoke with Vogue.com about why this Lindbergh exhibition might just warrant a flight to Rotterdam.