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Le Fest Val Du Pér Style 07 PROGRAMME Le fest val du pér style 07. 0 6 01.09.2018 concerts lundi samedi L’Opéra Underground est un projet de l’Opéra de Lyon Opéra Pendant 75 soirées, 3 du 7 juin au 1er septembre, Underground le festival présentera des musiques de tous bords. présente Le jazz et la musique régionale le Festival jusque-là privilégiés y seront toujours représentés, avec des du Péristyle nombreuses collaborations éditorial dont Jazz à Vienne et le CMTRA. Les musiques lyonnaises Peu de lieux à Lyon sont ne se limitant ni au jazz, aussi riches de symboles ni aux limites physiques de Lyon que le Péristyle de l’Opéra. intra‑muros, elles comprendront Lieu de rencontre littéral également des musiciens des Lyonnais qui s’y donnent issus du chaâbi, de la bossa rendez-vous, des jeunes nova ou du fado. Et puisque danseurs qui prennent leurs Lyon est aussi une ville marques, des adolescents tournée vers le monde, qui marquent leur territoire le monde y sera représenté. et de l’architecture Nouvel Attendez-vous à y découvrir qui rencontre une architecture des musiciens de Addis-Abeba, plus ancienne. de Caracas, de New York, Le Péristyle est autant de São Paulo, de Tel-Aviv, palimpseste social d’Athènes – voire même qu’architectural. de Samois ou Paris… Depuis maintenant 15 ans, Mais bien plus que le Péristyle est aussi le lieu l’appartenance géographique d’un festival estival jusqu’ici de ces musiciens, ce sont dédié au jazz régional. leur démarche qui les Pour cette édition 2018, définissent, et les unissent. le Café Jazz du Péristyle se Ils ont tous en commun mue en un Festival du Péristyle, un profond attachement programmé par l’Opéra aux traditions musicales Underground, nouveau qui les ont nourris, allié à projet de l’Opéra de Lyon. un besoin de les réinventer Sa programmation s’inspire, voire même de les corrompre. entre autres, de ce palimpseste En résumé : une ligne artistique qu’il espère traduire contre l’intégrisme culturel, en musique. pour le droit d’adorer les idoles, et le droit de détruire les idoles. 4 Maa Ngala est et les rythmes la grande divinité de Maracaibo prennent Maa mandingue, le créateur aisément des accents de toute chose mandingues. et c’est sous son Une grande Ngala signe que se placent fête de famille Ablaye Cissoko les Vénézuéliens en perspective… et La Gallera de la Gallera Social club et le griot sénégalais Social Club Ablaye Cissoko. Ablaye Cissoko : voix, kora Au-delà de la culture Miguel Romero : musicale africaine, voix, basse électrique, clavier l’apport de la civilisation Alexis Romero : voix, beats, 7 9 juin sampler, cuatro, guitare électrique, mandingue étend maracas et güiro 19h, 20h15 et 22h son influence jusqu’en Adel Khababa : congas, Amérique latine timbales, timbal brésilien, Gratuit et plus spécialement cymbales au Venezuela. Benjamin de Saint-Lèger : Les rythmes Congas, timbales, caisse claire, high hat, maracas, krin, cymbales, chimbangueles, cloches la quichimba ou le caraballeda puisent ainsi leurs racines dans cette culture africaine. La rencontre de Ablaye Cissoko et Gallera Social Club fait émerger les points communs de leurs deux cultures, il en résulte une musique fraîche et ludique où la kora prend naturellement la place de la harpe llanera vénézuélienne 5 Né dans les années d’Istanbul ou des 1920 au Pirée, le port Balkans. Rebetien d’Athènes, le rebetiko cultive un style singulier Rebetien est une musique et des atmosphères Rebetiko d’exil que chantent autant mélancoliques les clandestins, et romantiques les marginaux et que dynamiques les déracinés. En 1922, et dansantes. 11 13 juin après la Grande Catastrophe et l’incendie 19h, 20h15 et 22h de Smyrne, des Giannis Zarias : Gratuit centaines de milliers violon, luth baglama d’exilés d’Asie mineure Avgerini Gatsi : chant, accordéon trouvent refuge au Pirée. Fotis Vergopoulos : Ils apportent avec eux chant, bouzouki une culture métissée, Kostis Kostakis : des modes et rythmes chant, guitare orientaux qui vont se mêler aux traditions Photographie du Péloponnèse et © Mountzoureas des îles grecques pour former le rebetiko. Rebetien, dont la carrière a démarré dans les cafés athéniens renoue avec la tradition acoustique et ouverte du rebetiko. Aux côtés des chansons des années 30-50, qui célèbrent la petite pègre, le haschisch et la nostalgie, les quatre musiciens accueillent des sonorités des îles grecques, 6 Nouiba est synonyme de la nouba arabo- de « petite nouba » andalouse et fusionne Nouiba (suite musicale les mélodies empruntées Chaâbi arabo-andalouse) aux divers héritages et de petite fête populaires de la région. ou fiestita. Nouiba est également le nom 14 16 juin d’une formation Siham Moulali : tar et chant musicale qui pratique Aurélie Tissot : qanun et chant 19h, 20h15 et 22h un style de musique Mohamed Msahel : darbouka et chant Gratuit traditionnelle et Nacer Hamzaoui : populaire du Maghreb : mandole et chant Le chaâbi (Algérie) et le melhoun (Maroc). Deux styles qui mêlent chants populaires, poésies anciennes, et improvisations. Des chanteurs de la casbah d’Alger, aux interprètes de musique judéo-arabe, aux chantres de l’immigration en France, aux poètes kabyles, le chaâbi (« populaire » en arabe) est au cœur de la musique populaire algérienne. Le groupe Nouiba rend hommage à tous ces répertoires, en privilégiant l’esprit même du chaâbi. Le groupe brise les frontières des modes 7 Le musicien et chercheur Yannick Lestra est un colombien Jaime pianiste et compositeur Salazar fait appel dont les influences Free aux pianistes Yannick multiples vont de Lestra et Leonardo Debussy à Craig Taborn, Montana pour présenter Morton Feldman, Cages sa nouvelle création Deerhoof et Alas No Montana, musicale inspirée tant Axis. Leonardo Montana Lestra et Salazar des musiques indigènes est un pianiste brésilien colombiennes que vivant en France, De John Cage de l’univers sonore spécialisé dans les à la Colombie et minimaliste de la musiques improvisées. musique contemporaine des années 40. Mélangeant les Jaime Salazar : voix, 18 20 juin techniques pour piano percussions et compositions 19h, 20h15 et 22h préparé du compositeur Leonardo Montana : piano et piano préparé américain John Cage, Yannick Lestra : Gratuit la richesse sonore du Fender Rhodes et effets Fender Rhodes traité avec des pédales d’effets, et les mélodies intemporelles d’inspiration indienne, cette nouvelle création propose une musique élastique et riche en timbres. Jaime enseigne au CNSMD de Lyon et à la Pontificia Universidad de Bogotá. En tant que musicien, il est responsable de divers projets d’inspirations colombiennes tels que Nilamayé et Pixvae. 8 Le Fœhn est un vent orientales, latines ou sec et chaud des africaines. Une musique Fœhn Hautes-Alpes qui personnelle qui réchauffe parfois les impressionne non montagnes de manière par une virtuosité facile, trio soudaine, voire mais par la sincérité Piano trio extrême. de l’émotion et la Le phénomène sert constance des grooves. d’inspiration à un trio Le premier album de musiciens de jazz du trio, Magnésie, 22 23 Juin lyonnais qui apportent est sorti au printemps 19h, 20h15 et 22h à leur musique une dernier sur le label chaleur subtropicale. Mad Chaman. Gratuit Le trio piano est de facture apparemment classique – piano, basse, Christophe Waldner : batterie – augmenté par piano, composition moment d’un clavier Cyril Billot : contrebasse électronique poussant Kevin Borqué : batterie le trio acoustique En partenariat avec à la frontière des Jazz(s) Ra musiques amplifiées. Au-delà de leurs références aux Photographie © Laurie Diaz standards du genre, les compositions du Fœhn Trio s’appuient sur des mélodies toujours très articulées et usent de rythmes métissés et de subtilités harmoniques aussi bien issues du jazz que de musiques 9 Mohamed Abozekry Le trio Abozekry est est né au Caire dans un tout nouveau projet une famille d’amoureux qui inclut le frère de Trio de la musique classique Mohamed – Abdallah – arabe. Fasciné par son au saz, ainsi que oncle qui jouait du oud le batteur Nicolas Thé Abozekry dans les réunions à la batterie. Le trio Du Nil de famille, il se met développe un répertoire au Rhône à étudier l’instrument. ancré dans les musiques À 15 ans, il intègre du monde arabe, l’Orchestre d’Orient allié à des éléments dirigé par Shamma et en qui sont le fruit des 25 27 juin 2009, à l’âge de 18 ans, aventures musicales il reçoit le premier de Mohamed Abozekry. 19h, 20h15 et 22h prix au concours Gratuit international de Oud, à Damas. Aujourd’hui Mohamed Abozekry : oud basé à Lyon, le oudiste Abdallah Abozekry : saz de 27 ans s’est déjà fait Nicolas Thé : batterie une place remarquable tant dans le monde Photographie arabe, qu’en France Photo© Nada Elissa et dans le reste du monde. Son groupe Heejaz a sorti deux disques très remarqués et sa curiosité naturelle l’a amené à collaborer avec des personnalités telles que Randy Weston, Marcel Khalifé, Denis Péan (de Lo’Jo) ou Titi Robin. 10 Voilà plus de 25 ans Stephen Ulrich : guitare électrique que le guitariste culte Yuval Lion : batterie Big Lazy de la scène new- Andrew Hall : contrebasse New York yorkaise, Stephen Ulrich, Surf Noir véritable peintre sonore, En partenariat avec a formé le trio devenu Jazz à Vienne mythique, Big Lazy. S’inspirant des films 28 30 juin noirs des années 40, du surf des années 60, 19h, 20h15 et 22h de Ennio Morricone, de Bernard Herrmann Gratuit et de Billy Strayhorn… Les compositions du trio sont tour à tour mordantes, cyniques, spirituelles et profondes. La musique de Big Lazy décrit des paysages à la manière des photographies de Edward Weston – en noir et blanc et donnant à ces paysages les plus physiques une dimension abstraite, et un point de vue totalement subjectif. Le point de vue, très souvent, d’un new-yorkais fasciné par les espaces américains – soient-ils géographiques ou musicaux.
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