18, 1937 WEEK ENDING SEPTEMBER CURTIS MITCHELL L ANNENBERG Editor UBLISHER Smash Features
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Arnold Jacobsen Collection ARS.0122
http://oac.cdlib.org/findaid/ark:/13030/c8zs2tv1 No online items Guide to the Arnold Jacobsen Collection ARS.0122 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2012 The Board of Trustees of Stanford University. All rights reserved. Guide to the Arnold Jacobsen ARS.0122 1 Collection ARS.0122 Descriptive Summary Title: Arnold Jacobsen Collection Dates: 1889-1994 Collection number: ARS.0122 Collection size: 13 boxes: 227 open reel tapes ; multiple folders Repository: Archive of Recorded Sound Abstract: The Arnold Jacobsen Collection consists of open reel tapes of 78-era popular vocal music and accompanying documentation from the collection of record dealer and store owner Arnold Jacobsen. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Arnold Jacobsen Collection, ARS-0122. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Arnold Jacobsen Collection was donated to the Stanford Archive of Recorded Sound by Maurice Jacobsen in 2006. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Arnold Jacobsen Collection consists of tapes of 78-era music and speech from the collection of collector, dealer, and record store owner Arnold Jacobsen, as well as correspondence, song lists, and other business records. -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
Collection of Radio Series Scripts, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8dj5hrq No online items Collection of radio series scripts, ca. 1933-1980, bulk ca. 1940-1959 Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of radio series scripts, PASC 135 1 ca. 1933-1980, bulk ca. 1940-1959 Title: Collection of radio series scripts Collection number: PASC 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.5 linear ft.(33 boxes) Date (bulk): Bulk, 1935-1964 Date (inclusive): ca. 1933-1980 (bulk ca. 1940-1959 Abstract: Collection consists of American radio series scripts including over 143 titles. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Camp TV Trans Gender Queer Sitcom History
Camp TV Trans Gender Queer Sitcom History Quinlan Miller Console-ing Passions Television and Cultural Power Edited by Lynn Spigel Quinlan Miller Camp TV Trans Gender Queer Sitcom History Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro and Helvetica Neue by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Miller, Quinlan, [date] author. Title: Camp TV : trans gender queer sitcom history / Quinlan Miller. Description: Durham : Duke University Press, 2019. | Series: Console-ing passions | Includes bibliographical references and index. Identifiers: lccn 2018037344 (print) | lccn 2018044915 (ebook) isbn 9781478003397 (ebook) isbn 9781478001850 (hardcover : alk. paper) isbn 9781478003038 (pbk. : alk. paper) Subjects: lcsh: Situation comedies (Television programs)—United States— History and criticism. | Television—Social aspects—United States—History— 20th century. | Transgender people in popular culture—United States. | Gender nonconformity on television. | Gender identity on television. | Homosexuality and television—United States—History. Classification: lcc pn1992.8.c66 (ebook) | lcc pn1992.8.c66 m44 2019 (print) | ddc 791.456/53—dc23 lc record available at https://lccn.loc.gov/2018037344 cover art: ( To p) Hedda Hopper’s Hollywood © Pamandisam, llc, David Susskind Papers, Wisconsin Center for Film and Theater Research. (Bottom) Beverly Hillbillies. for Erica Contents ix Acknowledgments 1 Introduction. Trans Gender Queer New Terms for TV History 27 1. Camp TV and Queer Gender Sitcom History 55 2. Queer Gender and Bob Cummings Hollywood Camp TV 88 3. Marriage Schmarriage Sex and the Single Person 131 4. -
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I GUY LOMBARDO LEADS BEN BERNIE IN JAZZ KING VOTING! I The NATIONAL WEEKLY of PROGRAMS and PERSONALITIES Volume 2 Chicago, III., Week of February 5-11, 1933 Number 16 "HELLO EVERYBODY" ~~H ELLO EVERYBODY!!" Recognize these words? You should ••. They're familiar to miHions of dial twisters as Kate Smith's cheery radio greeting over the Columbia network. Now this famous salutation serves as the title for the portly songbird's first starring picture. A sensation in three mediums-stage, recordings and radio-Kate has added a screen triumph to her dazzling career. Critics and others who've seen previews of "Hello Everybody" stamp it as a great box-office attraction. Paramount regards the film as one of its outstanding pictures of the year. RADIO GUIDE regards it as a personal achievement for radio's greatest vocal ist •.. Kate proves she (an act as well as sing. There's a reason-Kate always acts ..• whether it's before a camera or when she frolics with the neighbors' children at the Ted Collins' family home in Long Island. Only twentr-three, Kate's golden voice, coupled witb her friendly charm, has cata· pulted her to dizzy heights. Ne"er before in radio or theatrical history has a person at tained such honors in such a comparatively short time. Her (Continued on Back Page) Page 2 BADIO AND AMUSEMENT GUIDE I News! I JAZZ KING BALLOT I News! I Machine Age Cocktails • Roark Likes It Making the -electric tongue" mix a My ~hoice for America's Jazz King Is When an author himself lauds a staAr. -
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CONNIE BOSWELL LEADS 'IT' GIRL VOTE; I ___________________________________DRAGONETTE (TllrnSECOND; fo Page ThreeJ 'MARGE'----- THIRD- ---'- I The NATIONAL WEEKLY of PROGRAMS and PERSONALITIES Volume 1 Chicago, III:, Week of October 9-15, 1932 Number 51 'Why I Made a Million' -Ben Bern ie HERE were ele\'cn little Ancds. There is only one Ben Bctnie. T You know him-the suave, sophisticated, wise ctaekin' Hud Man. He is paid $9,000 a week. He's probably tbe biggest attraction (with his band) on the air today. He is famous wherever there is a radio set and wherever humans dance. In Kalamazoo and Kam chatka. in the Bronx and in Baluchistan, in Chicago's ultra-ultra cafes. and in Hawaii's hula-hula shacks. they dance to his syncopa tion. roar at his gags, and discuss his passion for horse races and long black cigars. Sure. YOll know him-the Old Maestro! You know Ben Bernie. Do you know Bernard Ancel? They lived-this Ancel tribe-in Bayonne, New Jersey. Papa Ancel was a blacksmith. His father before him had been 3 blacksmith. Papa An'cel was· pious, black-bearded, brawny. Mama Ancel was a raven-haired, dynamic woman. In her veins beat the wild melodies of tbe Hungarian rhapsodies. There were eleven little Ancels, and the birth of each meant that" Papa Ancel's sledge had to (Continued on Puge Fiue) • Meet the Old Maest r o ! And t he bon h .. hind it . 11. Both h i. father a nd gr andfatber were hlad"'lXIith., h ilt Ber nie do ...n ' t . -
The Burns and Allen Show Episodes
The burns and allen show episodes click here to download This article lists the episodes of The George Burns and Gracie Allen Show, an American situation comedy television series that ran for eight seasons (–58) . The George Burns and Gracie Allen Show (–). Episode List .. a huge fight with Blanche to show him how silly it is to quarrel with one's best friend. With George Burns, Gracie Allen, Bea Benaderet, Harry von Zell. The George Burns and Gracie Allen Show () George Burns and Gracie Allen C. CBS George Burns and Gracie Allen C. Harry Morton episodes, TVGuide has every full episode so you can stay-up-to- date and watch your favorite show The George Burns and Gracie Allen Show anytime, anywhere. Below is a complete The George Burns and Gracie Allen Show episode list that spans the show's entire TV run. Photos from the individual The George Burns. Disc One FIRST SHOW - In this rare, very first episode of the Burns and Allen Show from , George explains the premise of their TV series and the dynamics. Here we have episodes of the Burns and Allen Show on DVD. Plus I'll throw in nine George Burns TV Specials including a rare show in color with. A guide listing the titles and air dates for episodes of the TV series The George Burns and Gracie Allen Show. The title of their top-rated show changed to The Burns and Allen Show on the show as a regular, though she appeared in a few episodes as. Series: "THE BURNS AND ALLEN SHOW" "THE ADVENTURES OF . -
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................ -
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J U L Y Grf!la Garbo I.as sia",'" "onp 10 I,i"cf!s! 11 nd it "8 "I' '0 "fllI 10 sel I... r ri"h'• • Can Vou Solve This MOVIE MIX-UP? HERE'S real fun Mlx·Up today- at the MOVIE MIX'UP, a nearest S. H. Kress fascinating new kind Store or Newsstand. of jig.saw puzzle! It's only lO¢. If you're a movie If you can't get the fan, you'll love it. If MOVIE Mlx·Up you you're a jig.saw fan. want at your Kress you'll get a big kick store or newsstand. out of it. If you're fill out tt:e coupon and Dell PulJli 8 hi n~ Co., Inc. send it with 1O¢ in 100 Fifth Ave., ~ ew York City, N. Y. both (and who isn't?). Please send me the MOI'I K :\1I C't· UI' whi ch 1 hav e cherked below. I am en you'll get a double stamps or coin (l5¢ dosing 10¢ in slamps or ('oin for each one desired (IS¢ apie<:e for C D Tladian ~~ break! in Canada. coin only) coin only), for each MovlE MIX. o NORMA SHEAltER Try it tonight! And o GARY COOPER Up desired. o GRETA GARBO see how long it takes o CLAItK GAI\LE you to put your star Prinl N AME here .•.. ••. •• . .. ......•.. _. together. Get a MOVIE MOVIE MIX-UP.' STREET A onKESS • • •••••••••• .. ••••••••• • CITl' •• • ••• .••••••••••• ••• STATI': , • • •••• • • RADIO STARS THESCOTT~: RADIO delivers such Clear. Consisfent Year 'Round WOR ION ~1lTmI1. -
ABSTRACT “Where East Texas Dances”: the Cooper Club Of
ABSTRACT “Where East Texas Dances”: The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, M.A. Mentor: Thomas L. Charlton, Ph.D. A historical study of the Cooper Club in Henderson, Texas, which was open from 1932 to 1942, uncovers an exciting period in both American and East Texas history. Nationally, dance orchestras embarked on tours of the United States, playing one-night stands in small towns. Locally, the nightclub existed during the great East Texas oil boom. Under the management of owner Hugh Cooper, the Cooper Club became a staple for music lovers in East Texas who appreciated its elegant atmosphere and high caliber of entertainment. Local, regional, and national dance bands played one-night stands and brought to the oil field the latest in popular sweet music, swing, and jazz. The Cooper Club has significance and is deserving of scholarly research, for it shines light on the social and cultural history of Henderson, Texas, from 1932 to 1942, as well as the excitement of famous orchestras coming to a small town. "Where East Texas Dances": The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, A.A., B.A. A Thesis Approved by the American Studies Program Douglas R. Ferdon, Ph.D., Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee Thomas L. Charlton, Ph.D., Chairperson Jean Ann Boyd, Ph.D. Douglas R. Ferdon, Ph.D. -
Synchronized Sound Cinema in Montreai 1926-1 93 1 Joanne
That's Not What 1 Heard: Synchronized Sound Cinema in Montreai 1926-1 93 1 JoAnne Stober A Thesis in The Dement of Communication Studies Resented in mal Fulfillment of the Requirements for the Degree of Master of Arts at Conwrdia University Montreai, Quebec, Canada 8 JoAnne Stober, 200 1 National library Bibliiothèque nationale 1*1 &Ma du Canada Acquisitions and Acquisitions et Bibliographii Services services bibliographiques The author has granteci a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Liirary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distniute or seil reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfih, de reproduction sur papier ou sur format électronique. The author retains ownershtp of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT That's Not What 1 Heard: Synchronized Sound Cinema in Montreal 1926-193 1 JoAnne Stober This thesis recognizes the introduction of synchronized sound cinema as a point of departure into a sîudy of the cultural and social dimensions of moviegoing. This research focuses on Montreal between 1926 and 193 1 where the tbt Canadian demonstrations and exhibitions of synchronized sound cinema took place.