Autobiography of Lee De Forest

Total Page:16

File Type:pdf, Size:1020Kb

Autobiography of Lee De Forest Father of Radio THE autobiography OF Lee de Forest r9fo WilcoxFollett Co. CHICAGO EDITORS: Linton J. Keith Arthur Brogue DESIGNER: Stanford W. Williamson COPYRIGHT, 1950, BY Wilcox & Follett Co. Chicago, Ill. All rights in this book are reserved. No part of the text may be reproduced in any form without permission of the publisher, except brief quotations used in con- nection with reviews in magazines or newspapers. PRINTED IN THE UNITED STATES OF AMERICA Father of Radio I Dedication To my old comrades and associates in the forgotten days of Wireless -to my eager assistants in the early years of the Audion and of Radio- broadcasting-to the multitudes of young men and women who loved, as I have loved, the long night hours of listening to distant signals and far-off voices-to the keen engineers who hastened to grasp the new elec- tronic tools I laid before them, creating therewith a vast new universe- to the United States Navy, which was always prompt to use my new wireless and radio devices, whose operators heard my first radiobroadcast, and whose Admirals never failed to give me welcome encouragement when it was most sorely needed-to the United States Signal Corps, whose Chiefs and Officers have from the beginning continued to be friend and guide-to the Bell Laboratories engineers who first saw the worth of the Audion amplifier-to the radio announcers who must speak what is writ- ten though their hearts be not always therein-to the brilliant pioneers in our latest miracle of Television-to the partner of my earliest wireless ex- periments, E. W. Smythe, whose financial assistance, limited though it was, nevertheless made that beginning possible-to Max Stires, another friend in time of need-to all who have fought with or against me in the exciting battles of the patent field-and especially to the memory of those stalwart allies and firmest friends, grand old Captain Samuel E. Darby and his brilliant son, Samuel E. Darby, Jr. (both now departed)-TO ALL OF THESE this volume is devotedly dedicated. v Preface Having spent the first fifty years of this century making, and helping to make, radio and television history, it seems fitting that I should now relax a little and take time off from my still-busy round to record a bit of that history, together with such details of my per- sonal life as may be of interest to others. I do this in the hope that a frank revelation of my own struggles, disappointments, and successes may encourage others to embark on a similar career of discovery and invention. The opportunities today are just as great as they were at the start of our century. Perhaps the pitfalls and obstacles are also as great, though I believe the reader who follows my story to its end will agree that I have encountered more than the usual share of difficulties. Looking back, I realize that these difficulties are what made my life interesting-to me. I hope I have succeeded in making this ac- count of it as interesting to my readers! LEE DE FOREST April, 1950 vii Acknowledgments For their invaluable help during the years -long preparation of this volume I am deeply indebted to these three old friends: to George H. Clark, for much historical documentation for old photographs taken from his Radio Historical Library, and for his helpful sugges- tions and kind encouragement to proceed; to Hugo Gernsback, pio- neer editor of Journals covering the experimental radio field, for addi- tional material and help; and to my secretary, Alice Van Deusen Gazin, without whose untiring industry in typing and correlating the vast amount of material involved, the completion of this work would have been impossible. LEE DE FOREST viii Contents CHAPTER PAGE Introduction 1 I Family Origins 5 2 Alabama Childhood 15 3 Southern Upbringing 34 4 Talladega Youth 45 5 Mt. Hermon Days 55 6 Yale Undergraduate Years 64 7 Graduate Years 83 8 First Love 99 9 Beginning Wireless rlo io Ships Ahoy! 123 II Early Wireless Operators 136 12 1903-Historic Firsts 143 13 Wireless Goes to War 155 14 Early Litigation 159 15 Overland Wireless 163 16 Big Navy Wireless 173 17 Little Old New York 196 18 Crossing the Atlantic 201 19 Conception of the Audion 210 20 Crash of First Fortune-Founding of Second 216 21 Radio and Romance 222 ix PAGE CHAPTER 22 Radio Invades Europe 236 242 23 Radio Resurgent 24 Sadness and Joy 251 25 Opera by Radio 267 26 Radio Goes West 272 281 27 Collapse of Second Fortune 286 28 Palo Alto Again 29 A Lever to Move the World 290 Resurgent 300 30 Romance and Radio Gets a Bargain 304 31 The Telephone Company 32 The Audion No Swindle! 311 316 33 Starting a Third Fortune 328 34 Transcontinental Telephony 331 35 Radio in. New Roles 36 The Broadcasting Era Begins 336 37 A New Enchantment 345 38 Pioneering in Talking Pictures 358 367 39 Phono film Comes to Broadway 375 40 Historic Litigation 41 The Dam Goes Out-at Last 387 42 Phono film Fadeout 398 43 Marie Mosquini 408 412 44 Mountain Climbing 418 45 Early Television Work 46 Diathermy 423 47 For War and for Peace 427 48 Television 433 49 A Parent's Disappointment 441 452 50 A.R.R.L.-V.W.O.A.-I.R.E. 51 Finale 458 APPENDIX Poems 469 Evolution of the Audion 477 De Forest Patents -1902-1949 485 index 491 z Introduction I recall as though it happened but yesterday the thrill of significant achievement which possessed me on that sunny after- noon in early October, 1906, as I hurried to my laboratory carry- ing in my coat pocket the world's only supply of three -electrode vacuum tubes. They were just two in number, and I was eager to test them out to determine whether my latest invention- a tiny bent wire in the form of a grid inserted between the carbon filament and the platinum plate-was an improvement over my previous two -electrode detector; whether my new "grid Audion" could bring in wireless signals over substantially greater dis- tances than other receiving devices then in use. My eagerness grew with every step. To my excited delight I found that it did; the faint impulses which my short antenna brought to that new grid electrode sounded many times louder in the headphones than any wireless signal ever heard before. I was happy indeed. But I little realized that I held in my hand the long -sought Aladdin's lamp of our new world, "a lamp by which one might hear instead of read," a lamp which when rubbed by the hands of gifted engineers would swiftly summon gigantic Genii to do our bidding, and all but remake our world. Had I been gifted with clairvoyance, I could have seen in my little Audion a tiny acorn from which in time would grow a mighty oak with branches spreading to the farthest corners of the earth and even into the vastness of interstellar space. From I FATHER OF RADIO its trunk radiates worldwide communication by voice and code. Its leaves vibrate to the finest music that man has ever composed. From its lofty foliage straight radials reach through the dark- ened skies to guide the aviator safely to his goal. Like homing pigeons to its boughs come back its radar and sonar echoes to tell him, and sailors far at sea, their sure direction and most safe distance from mountain, rock, or shoal. Man has even fashioned great boughs of this tree into strange shape of weapons, mighty cudgels with which to fight wars and direct rockets, robot planes, and other death -dealing missiles to their targets. In every hospi- tal and doctor's office healing waves are radiated to the sick from its potent fruit. The weaving branches of this tree make strange patterns to solve in seconds complicated equations else requiring weeks of labored calculation; from its finer branches have already fallen billions of little "acorns" (some of them so called), countless improved varieties of that primal one from which the great tree sprouted. With the magical electron tube, the engineer can now command electrons to do his bidding. For the first time he has ahold of electricity itself, not just its manifestations. The electron tube enables the scientist to split the atom and measure the heat from stars infinitely distant, extending boundlessly man's knowl- edge of his universe. Already the thermionic tube is at work in a thousand industries. It will enter thousands more. Electronic devices control high- speed wrapping of packages, delicately fill bottles to the proper level, remove slate from coal at the mines, level elevators, open doors, detect smoke and fumes, measure vibrations and thick- ness. In uncounted factories electronic energy heats, welds, ce- ments, selects, and counts, saving man from limitless hours of tedious toil. A hundred technical institutes devote their resources to research and study in electronics. Many and emphatic are the authorities for these statements. 2 INTRODUCTION "When Dr. de Forest made the first electron tube he had in his hand the missing link in a great sequence of elemental revo- lutions in human history-something as wonderful as any of the great epochal discoveries in man's development, such as the mak- ing of fire; of bronze; of iron; of the wheel; of sailing vessels; of the telescope and the microscope; of the application of steam, electric and automotive power! The visible evidence is a still - growing 'I, ,000,000,000 a year electronics industry!" -From RCA booklet, Electronics in Industry, 1943 "Perhaps the most important event in the history of electronics [occurred] when a young experimenter named Lee de Forest inserted a third electrode in the form of a grid between the cath- ode and anode of a vacuum tube.
Recommended publications
  • October, 2005
    O C T O B E R, 2005 V O L . 2 I S S U E N º 1 The Internet Noiseletter of Looser Than Loose Publishing LOOSER THAN LOOSE 373 South Willow Street Nº 227 Manchester, New Hampshire 03103 www.looserthanloose.com J U S T R E L E A S E D ! Glass Slide Disc Available as of October 27th, 2005 We proudly inaugurate our all-new Welcome to the Picture Palace series with this disc featuring more than 200 glass slides from the collection of Mark Johnson. Many of the images from these vintage advertisements have been digitally restored and all are presented in high resolution for your viewing pleasure. Additionally, the mechanical attributes of the original slide projection equipment have been replicated so that the images enter and exit your screen, “pushing” each other alternately from the left and right, exactly as they would have done in the theater so very many years ago. Completing the picture palace environment are the soundtracks, which have been compiled from authentic theater organ recordings - some dating from the 1930s. Each musical element has been painstaking- ly remastered and in most cases the resulting restora- tions feature the full dynamic range of the original instruments. A number of “extras” are present on this disc and those details are outlined below. This is the first of at least three volumes of glass slides that will be issued as a part of the Welcome to the Picture Palace series. It is our hope that each entry brings to life some aspect of the early movie- going experience.
    [Show full text]
  • The Red Mill Music by Victor Herbert Book and Lyrics by Henry Blossom
    The Red Mill Music by Victor Herbert Book and Lyrics by Henry Blossom Performing version edited by James Cooper Cast of characters “Con” Kidder “Kid” Conner } Two Americans “doing” Europe Burgomaster Burgomaster of Katwyk-aan-Zee Franz Sheriff of Katwyk-aan-Zee Willem Keeper of The Red Mill Inn Capt Davis Van Damm In love with Gretchen Governor of Zealand Engaged to Gretchen Gretchen The Burgomaster’s daughter Bertha The Burgomaster’s sister Tina Barmaid at The Red Mill Inn, Willem’s daughter Hon. Dudley (pronounced “Fanshaw”) Solicitor from London touring Holland by Featherstonhaugh car with his daughters Countess de la Pere Touring Holland by car with her sons Giselle and Brigitte Dudley’s daughters Hans and Peter Countess’s sons or villagers Rose and Daisy Flower Girls Gaston Burgomaster’s servant Chorus of peasants, artists, burghers and other townspeople Time: 1906 Place: Katwyk-aan-Zee Act I: At the sign of The Red Mill Act II: The Burgomaster’s Mansion 1 Musical Numbers Overture 4 Act I 1. By the Side of the Mill 12 2. Mignonette (Tina and Girls) 27 3. You can Never Tell About a Woman (Burgomaster and Willem) 34 4. Whistle It (Con, Kid, Tina) 41 5. A Widow Has Ways (Bertha) 47 6. The Isle of Our Dreams (Davis and Gretchen) 51 7. The Streets of New York (Con and Kid and Chorus) 58 8. The Accident (Ensemble) 68 8b. When You’re Pretty and the World is Fair (Ensemble) 81 9. Finale I – Moonbeams (Gretchen, Davis and Chorus) 92 Act II 10. Gossip Chorus (Ensemble) 107 11.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • The Fortune Teller the OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director the Fortune Teller
    VICTOR HERBERT The Fortune Teller THE OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director The Fortune Teller Music......................................Victor Herbert ENSEMBLE: Book and Lyrics......................Harry B. Smith Jacob Allen, Natalie Ballenger, Sarah Best, Lori Birrer, John Vocal Score Reconstruction........Adam Aceto Callison, Ashley Close, Christopher Cobbett, Mary Griffin, Anna-Lisa Hackett, Geoffrey Kannerberg, Andy Maughan, Ohio Light Opera Olivia Maughan, Evan McCormack, Geoffrey Penar, Will Perkins, Madeline Piscetta, Zachary Rusk, Mark Snyder, Raina Thorne, Artistic Director........................Steven Daigle Angela Vågenes, Joey Wilgenbusch. Conductor.................................Steven Byess Stage Director.......................Ted Christopher Sound Designer..........................Brian Rudell PROGRAM NOTES ...............................Michael D. Miller Choreographer.....................Carol Hageman Victor Herbert, acknowledged as Costume Designer.................Whitney Locher the Father of American Operetta, Scenic Designer...............................Erich Keil was born in Dublin in 1859, the Lighting Designer.....................Krystal Kennel grandson of Irish novelist-artist- Production Stage Manager...Katie Humphrey composer Samuel Lover. The family eventually moved to Stuttgart where CAST: Victor’s initial studies toward a Musette / Irma...........................Amy Maples career in medicine or law were soon Sandor...........................David Kelleher-Flight replaced
    [Show full text]
  • American Arsenal
    AMERICAN ARSENAL This page intentionally left blank PATRICK COFFEY AMERICAN ARSENAL A Century of Waging War 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Th ailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Patrick Coff ey 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitt ed, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitt ed by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Coff ey, Patrick. American arsenal : a century of waging war / Patrick Coff ey. pages cm Includes bibliographical references and index. ISBN 978-0-19-995974-7 1.
    [Show full text]
  • Thornton Talks of Railway Merger
    WHERE TO GO TO-NIGHT WEATHER FORECAST Coliseum—“Locked Doom." For 3C hours radio# 5 p.m., Thursday: Columbia—-•‘The Covered Wagon.” OomUiten Chance*” Victoria and Vtchiltr—Partly cloudy Playhouse—“Aad This I» London.- and eool, with ahawara. 4 — Capitol—“Gerald Cranston'» Lady.* == = VOL. 66 NO. 96 VICTORIA, B.C., WEDNESDAY, APRIL 22,1925 —16 PAGES. PRICE FIVE CENTS THORNTON TALKS OF RAILWAY MERGER Dredges Ordered MADE SUCCESSFUL FLIGHT FROM LAKEHURST, NJ., TO GREAT STURGEON BULGARIA IS BERMUDA; UNITED SÎATES DIRIGIBLE LOS ANGELES In VS. by Russians CAUGHT IN FRASER C.N.-C.P.R. UNION New York. April 21.—Fire repre­ New Westminster. April 22.—A sentatives of the Russian Soviet sturgeon, said to be one of the PERMITTED TO mining end machine construction largest ever caught In British Co­ WOULD PRODUCE Industries sailed for home to-day lumbia water*, wa* brought Into w after having placed an order for five thl* city yesterday. The fish, electric dredges with the Yuba weighing 1,015 pound* and Manufacturing Company of San measuring 12 feet « Inches In EREASEARMY :-/*■> Francisco. The machines, which will length, was caught by Patrick Ed­ GREAT SAVING jBy be valued at $1.200.000, will be used ward*. a fisherman, late Monday w In the ural platinum fields. night In a salmon gill net In the Allied Ambassadors Agree Fraser River a few miles below MISSION BOARD MEETS Mission City. Cut in Expenditures Would Take Care of Some of Fixed 7,000 More Men Needed to Toronto. April 22—The Foreign1 Charges of Both Systems, Sir Henry Thornton Tell» Keep Order Missions Board of the Presbyterian Men In Victoria with a long Church in Canada Is In session hero acquaintance with fishing say Railway Committee of Commons; President Up­ * -4i for what will be the last gathering of that twenty-five or thirty years Strict Press Censorship in the board before the consummation ago sturgeon weighing as much holds C.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Sexes Split Over Textbook Revision
    (tottrrttrut iatlij Qkmjma Serving Storrs Since 1896 VOL. LXXVIII NO. 47 STORRS, CONNECTICUT TUESDAY, NOVEMBER 12, 1974 5 CENTS OFF CAMPUS DeHaan cites panel with conflict charges By KEN LUCAS housing since the administration Staff Reporter announced the revised policy in Conflict-of-interest charges were mid-September. brought against a University Senate David Ivry, acting director of subcommittee Monday for its academic planning, said DeHaan recommendations regarding the insinuated the senate was selfish and administration's revised policy for lacking in initiative in its report. University-owned housing. In other business, DeHaan said the Richard J. DeHaan, vice president for University will run out of funds finance and administration, charged a allocated for fuel in January. Bills will conflict of interest among two exceed appropriated funds by $500 subcommittee members who wrote the thousand. report because they live in He aaid $600 thousand is available for University-owned housing. possible transfer from the Personal The subcommittee on housing policy Services Appropriation account. A of the Faculty Standards Committee motion was passed to delay debate of a issued a report Monday recommending possible transfer until the next meeting. that "an appropriate University official A report presented by the senate assure present tenants that they will not Growth and Development Committee be forced to leave in June 1975. showed only 13.6 per cent of student The subcommittee also fees paid at University branches return recommended the appointment of an there. Of $605,175 paid in student fees, advisory committee to make an in-depth $82,556 returned to the branches last study of the housing policy for faculty year in equipment, services, and and graduate students.
    [Show full text]
  • Man of High Fidelity
    Man of High Fidelity: EDWIN HOWARD ARMSTRONG A Biography – By Lawrence Lessing With a new forward by the author Page iii Pratt DISCLAIMER DISCLAIMER TO THIS SCANNED AND OCR PROCESSED COPY This PDF COPY is for use at Pratt Institute for Educational Purposes Only I affirm that sufficient print copies of the original Bantam Book Paperback are in stock in ARC E-08 that would more than adequately cover a full class use of the text. HOWEVER, due to the fact that the 1969 text is no longer in publication, complicated by the fact that these copies are forty-four (44) years old and in a very fragile condition, this PDF version of the text was created for student use in the Department of Mathematics and Science. - Professor Charles Rubenstein, January 2013 Man of High Fidelity: Edwin Howard Armstrong EDWIN HOWARD ARMSTRONG Was the last – and perhaps the least known – of the great American Inventors. Without his major contributions, the broadcasting industry would not be what it is today, and there would be no FM radio. But in time of mushrooming industry and mammoth corporations, the recognition of individual genius is often refused, and always minimized. This is the extraordinary true story of the discovery of high fidelity, the brilliant man and his devoted wife who battled against tremendous odds to have it adopted, and their long fight against the corporations that challenged their right to the credit and rewards. Mrs. Armstrong finally ensured that right nearly ten years after her husband’s death. Page i Cataloging Information Page This low-priced Bantam Book has been completely reset in a type face designed for easy reading, and was printed from new plates.
    [Show full text]
  • Tesla's Connection to Columbia University by Dr. Kenneth L. Corum
    * Tesla’s Connection to Columbia University by Kenneth L. Corum and James F. Corum, Ph.D. “The invention of the wheel was perhaps rather obvious; but the invention of an invisible wheel, made of nothing but a magnetic field, was far from obvious, and that is what we owe to Nikola Tesla.” Professor Reginald Kapp, 1956 INTRODUCTION The Electrical Engineering curriculum at Columbia University, though not the first in the US, is one of the oldest and most respected EE programs in the world. From the beginning, a conscientious effort was made to base it on a foundation of science. It has been guided by the specific philosophy stated by Professor Michael Pupin: “Professor Crocker and I maintained that there is an ‘electrical science’ which is the real soul of electrical engineering.” Arguably the most stunning and significant lecture in modern history was presented one spring evening, more than a century ago, at Columbia University. The wealth of nations turned on its merits. Weighing on the balances would be our vast cities, civilization, and quality of life. But, what was it? . .Whatever it was, its impact has been as momentous for the progress and prosperity of civilization as the invention of the wheel! . It was Tesla’s great discovery and analysis of the rotating magnetic field, and a means for the electrical distribution of energy.1 As a result of the analysis presented in this lecture, the great Falls of Niagara would soon be harnessed for the benefit of mankind and launch civilization into the “Electromagnetic Century”. The Engineering Council for Professional Development (now called ABET) has defined “Engineering” as “that profession which utilizes the resources of the planet for the benefit of mankind”.
    [Show full text]
  • Labor Zionist Show to Star Phil Baker
    ______-----: /'1::::,:--------~-~--_-_-_.._- _-_-_-_-_-_---_-_-_-_-_-_-_-_-_-_~_-_-_-_-_-_-_-_-_-_-_-_-_..._-_-_-_-_-_-_--------------, --::.-:':'.:.:.'.::.:.::.-::::.-=.:.::.-::::_-::::_-:=_-::::_-=_------- ~- / Ter:ple Bet!:t-El 688 Broad St. Frcv i le'.1::e , R. I. h~t~ = Uiss Pincus Rhode Island's Only Anglo-Jewish Greatest Newspaper Independent Weelc.ly The Jewish Herald · in Rhode Island VOL. mvI. No. 51 PII.IDA Y. FEBRUARY 22. 1952 PROVIDENCE. R . L SIXTEEN PAGES 10 CENTS THE COPY Labor Zionist Show . ' To Star Phil Baker Event to be Held This Sunday Night P hil <S64 Questioni Baker Is Providence-bound. The quizmaster extraordinary, the wise-cracking comic who gained national radio fame with his ..Take It Or Leave It" show, will be here next Sunday evening, Feb. 24. Phil will be at the Plantations Auditorium, and the performance gets under way at 8 P . M . Sharing the stage with him will be Israel's first Attorney G eneral, Yaacov Shapiro, one of the new country's most outstand­ ing attorneys. They will appear under the PHH, BAKER of the Son:lh Providence C<,nvq:ation last Sunday auspices of the Labor Zionist n.i.cht observed the 50:lh anniTenary of the found.inK of the S:n,a­ Council of Providence in behalf ' gocne. Prominent in the arrangements were. left to right, William of the State of Israel's $500,000,· t-0ured the United States with the Newman.
    [Show full text]
  • Arnold Jacobsen Collection ARS.0122
    http://oac.cdlib.org/findaid/ark:/13030/c8zs2tv1 No online items Guide to the Arnold Jacobsen Collection ARS.0122 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2012 The Board of Trustees of Stanford University. All rights reserved. Guide to the Arnold Jacobsen ARS.0122 1 Collection ARS.0122 Descriptive Summary Title: Arnold Jacobsen Collection Dates: 1889-1994 Collection number: ARS.0122 Collection size: 13 boxes: 227 open reel tapes ; multiple folders Repository: Archive of Recorded Sound Abstract: The Arnold Jacobsen Collection consists of open reel tapes of 78-era popular vocal music and accompanying documentation from the collection of record dealer and store owner Arnold Jacobsen. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Arnold Jacobsen Collection, ARS-0122. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Arnold Jacobsen Collection was donated to the Stanford Archive of Recorded Sound by Maurice Jacobsen in 2006. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Arnold Jacobsen Collection consists of tapes of 78-era music and speech from the collection of collector, dealer, and record store owner Arnold Jacobsen, as well as correspondence, song lists, and other business records.
    [Show full text]