Man of High Fidelity
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Bibliography of Frank Cook's Early Library
Bibliography of Frank Cook’s Early Library Frank was a pack rat. He saved every book he ever owned. The following list represents Frank’s early readings, for the most part before his love of plants emerged. Frank gathered these books in a small library kept in his brother Ken’s basement shortly before his death. PHI provides this bibliography to friends interested in seeing some of Frank’s early influences. ALLEN, E. B. D. M. (1960). THE NEW AMERICAN POETRY (Reprint. Twelfth Printing.). GROVE PRESS. Amend, V. E. (1965). Ten Contemporary Thinkers. The Free Press. Anonymous. (1965). The Upanishads. Penguin Classics. Armstrong, G. (1969). Protest: Man against Society (2nd ed.). Bantam Books. Asimov, I. (1969). Words of Science. Signet. Atkinson, E. (1965). Johnny Appleseed. Harper & Row. Bach, R. (1989). A Gift of Wings. Dell. Baker, S. W. (1985). The Essayist (5th ed.). HarperCollins Publishers. Baricco, A. (2007). Silk. Vintage. Beavers, T. L. (1972). Feast: A Tribal Cookbook (First Edition.). Doubleday. Beck, W. F. (1976). The Holy Bible. Leader Publishing Company. Berger, T. (1982). Little Big Man. Fawcett. Bettelheim, B. (2001). The Children of the Dream. Simon & Schuster. Bolt, R. (1990). A Man for All Seasons (First Vintage International Edition.). Vintage. brautigan, R. (1981). Hawkline Monster. Pocket. Brautigan, R. (1973). A Confederate General from Big Sur (First Thus.). Ballantine. Brautigan, R. (1975). Willard and His Bowling Trophies (1st ed.). Simon & Schuster. Brautigan, R. (1976). Loading Mercury With a Pitchfork: [Poems] (First Edition.). Simon & Schuster. Brautigan, R. (1978). Dreaming of Babylon. Dell Publishing Co. Brautigan, R. (1979). Rommel Drives on Deep into Egypt. -
Big Tip Book for the Commodore
, THE BIG TIP BOOK FOR THE COMMODORE THE BIG TIP BOOK FOR THE COMMODORE John Annalaro and Bert Kersey BANTAM BOOKS TORONTO· !\"EW YORK· LONDON· SYDNEY· AUCKLAND Dedicated to R.A., B.A., ?A., and me. THE BIG TIP BOOK FOR THE COMMODORE A Bantam Book / June 1987 All rights reserved. Copyright © 1987 by John Annaloro and Bert Kersey. Cover design copyright © 1987 by Bantam Books. Inc. This book may not be reproduced in whole or in part, by mimeograph or any other means, without permission. For information address: Bantam Books, Inc. ISBN 0-553-34411-0 Published simultaneously in the United States and Canada Bantam Books are published by Bantam Books, Inc. Its trademark, consisting of the words "Bantam Books" and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, Inc., 666 Fifth Avenue, New York, New York 10103. PRINTED IN THE UNITED STATES OF AMERICA B098765432 CONTENTS Preface VI 1. Getting Started 1 2. For Beginners Only: Inside Tips 11 3. Pointers for Beginners 27 4. Converting Programs to the 128 37 5. Basic Tricks 43 6. Screen and Text Graphics 53 7. Memory and Speed 61 8. Useful Applications 71 9. Protection 77 10. Advanced Programming Tricks 87 11. Machine Language 97 12. Disks and Drives 107 13. Audio and Video Communications 123 14. Printers and Printing Tips 131 Appendix A 64 and 128 Basic Commands 141 Appendix B Abbreviations for Basic Keywords 157 Appendix C Commodore Character Codes 163 Appendix D Escape Codes for the 128 169 Index 171 PREFACE 1 like programming. -
1 Thursday, November 19, 2020 12:00 PM
Thursday, November 19, 2020 12:00 PM - 1:00 PM Eastern Time Elizabeth Velez | Chair, New York Building Congress “Social Responsibility – Economic Empowerment” Use our Voices to Advocate Directly in the Industry; High Level Economic Look at 2021/2022 Elizabeth Velez is an outspoken advocate for diversity and inclusion, and a sought after speaker on construction and infrastructure, leadership and mentoring. She is the President of the Velez Organization, a 50-year-old family owned and managed construction services firm - creating schools, hospitals and parks throughout New York. She is a Trustee of Boricua College; an accredited private institution serving students through three campuses in NY. She is the Chair of the New York Building Congress – notably the first Latina in its 99-year history. She serves on the advisory boards of numerous NYC and NYS agencies, industry non-profits, and groups supporting mentorship and scholarships for youth. She is a Board Member of Catholic Charities NY, the NYC Police Foundation, the Women’s Builders Council, Columbia University’s Center for Buildings, Infrastructure & Public Space, ACE-Mentor NY and Youthbridge. She serves as a Commissioner on the NYC Advisory Commission on Property Tax Reform, and following the COVID-19 pandemic, serves as Advisory Board Member for the NYS Forward Re-Opening Advisory Board, and on NYC Real Estate & Construction Sector Advisory Council. Following Hurricane Maria’s disastrous landfall, Elizabeth was appointed to Governor Cuomo’s NY Stands with Puerto Rico Recovery & Rebuilding Committee, and she has spearheaded numerous workforce and economic development programs – including a satellite corporate office in Ponce Puerto Rico. -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
RPTF: Caucus on Spanish Language and Bilingual Radio
1 LIBRARY OF CONGRESS + + + + + RADIO PRESERVATION TASK FORCE + + + + + SAVING AMERICA'S RADIO HERITAGE: RADIO PRESERVATION, ACCESS, AND EDUCATION + + + + + SESSION: CAUCUS ON SPANISH LANGUAGE AND BILINGUAL RADIO + + + + + SATURDAY FEBRUARY 27, 2016 + + + + + The Caucus convened in the University of Maryland College Park Hornbake Library, Prange Lobby, 4130 Campus Drive, College Park, Maryland, at 1:30 p.m., Ines Casillas, Caucus Chair, presiding. CAUCUS MEMBERS INES CASILLAS, Caucus Chair; UC-Santa Barbara BILL CRAWFORD, Border Radio Research Institute CHRISTINE EHRICK, University of Louisville GENE FOWLER, Border Radio Research Institute KATHY FRANZ, Smithsonian Museum of American History JOSE LUIS ORTIZ GARZA, Universidad Panamericana SONIA ROBLES, Brenau University MONICA DE LA TORRE, Washington University NEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVE., N.W. (202) 234-4433 WASHINGTON, D.C. 20005-3701 www.nealrgross.com 2 P-R-O-C-E-E-D-I-N-G-S (1:42 p.m.) CHAIR CASILLAS: Thank you so much for coming. I'm Ines Casillas from UC Santa Barbara and someone who's been researching and writing about Spanish language radio, in the U.S. specifically, for the past five years. So I'm very excited about the possibility of this caucus. So what we're going to do, we're going to start with two of us who do more U.S.-based, kind of, Spanish language radio, work our way to two others who do more border-related, and then end up in Latin America, okay? So my research highlights how U.S. Spanish language radio across the 20th century has really capitalized, very lucratively, on the conversation around immigration. -
Bull Electrical-Jun03.Qxd
Constructional Project PRACTICAL RADIO CIRCUITS RAYMOND HAIGH Part 1: Introduction, Simple Receivers and a Headphone Amp. Dispelling the mysteries of radio. This new series features a variety of practical circuits for the set builder and experimenter. owards the end of the 19th century, physicist who first demonstrated the exis- (V. Poulsen), and by mechanical alterna- sending a radio signal a few hun- tence of electromagnetic waves in 1886. tors (E. Alexanderson). Semiconductors T dred yards was considered a major Before the valve era, radio frequency now play an increasing role, but valves are achievement. At the close of the 20th, man oscillations were generated by using an still used in high-power transmitters. was communicating with space probes at electrical discharge to shock-excite a tuned As their name suggests, the waves com- the outermost edge of the solar system. circuit (H. Hertz and G. Marconi), by the prise an electric and a magnetic field No other area of science and technology negative resistance of an electric arc which are aligned at right angles to one has affected the lives of people another. The electric field is more completely. And because it formed by the rapid voltage fluctu- is so commonplace and afford- ations (oscillations) in the aerial. able, it is accepted without a sec- Current fluctuations create the ond thought. The millions who magnetic field. enjoy it, use it, even those whose lives depend upon it, often have HITCHING A RIDE little more than a vague notion of Electromagnetic waves cannot, A) how it works. by themselves, convey any informa- This series of articles will view tion. -
A Comparison of Nick Hornby's High Fidelity and Juliet, Naked
Hugvísindasvið Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Maí 2011 Háskóli Íslands Hugvísindasvið Enska Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Kt.: 230476-4389 Leiðbeinandi: Ingibjörg Ágústsdóttir Maí 2011 Abstract In 1995 Nick Hornby published his first novel, High Fidelity, a story about obsession, love and the complications of modern life. Hornby published Juliet, Naked in 2009, where he tackles similar topics to those in High Fidelity. A key difference between these novels is the presence of the Internet in Juliet, Naked, which is not featured in High Fidelity. A comparison of Juliet, Naked and High Fidelity offers an interesting insight into Hornby‟s vision of life before and after the spread of the Internet, and how it has affected the characters‟ obsessions, communication and their lives in general. This essay is, however, not limited to the changes the Internet has brought, as other topics are discussed in the essay‟s several chapters. The first chapter is a general introduction and is followed by a chapter containing background information on both Hornby and the novels, as well as illustrating how these novels were received by critics. The third chapter tackles a dominant theme in both books, obsession, especially male obsession with popular culture. The ensuing chapter deals with love and its complications, and how it is presented in both novels. The fifth chapter focuses on the Internet and the benefits and limitations it brings to modern life. -
Ideology of the Air
IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by SETH D. ASHLEY Dr. Stephanie Craft, Dissertation Supervisor MAY 2011 The undersigned, appointed by Dean of the Graduate School, have examined the dissertation entitled IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 presented by Seth D. Ashley a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Stephanie Craft ____________________________________________________________ Professor Tim P. Vos ____________________________________________________________ Professor Charles Davis ____________________________________________________________ Professor Victoria Johnson ____________________________________________________________ Professor Robert McChesney For Mom and Dad. Thanks for helping me explore so many different paths. ACKNOWLEDGEMENTS When I entered the master’s program at the University of Missouri School of Journalism, my aim was to become a practitioner of journalism, but the excellent faculty members I worked with helped me aspire to become a scholar. First and foremost is Dr. Stephanie Craft, who has challenged and supported me for more than a decade. I could not have completed this dissertation or this degree without her. I was also fortunate to have early encounters with Dr. Charles Davis and Dr. Don Ranly, who opened me to a world of ideas. More recently, Dr. Tim Vos and Dr. Victoria Johnson helped me identify and explore the ideas that were most important to me. -
Biographical Sketch: Alan Willner
Biographical Sketch: Alan Willner Alan Willner received a Ph.D. (1988) in Electrical Engineering from Columbia University and a B.A. (1982) in Physics and an Honorary Doctorate (Honoris Causa, 2012) from Yeshiva University. Prof. Willner was a Postdoctoral Member of Technical Staff at AT&T Bell Labs and a Member of Technical Staff at Bellcore. He is currently a Distinguished Professor of Electrical & Computer Engineering and the Steven & Kathryn Sample Chaired Professor of Engineering in the Ming Hsieh Dept. of Electrical & Computer Eng. of the Viterbi School of Eng. at the Univ. of Southern California. Prof. Willner has been a Visiting Professor at Columbia Univ., Univ. College London, and Weizmann Institute of Science. He has been a Member of the U.S. Army Science Board, a Member of the Defense Sciences Research Council (16-member body that provided reports to DARPA Director & Office Directors), and a member on many advisory boards. He was also Founder & CTO of Phaethon Communications, a company whose technology was acquired by Teraxion, that created the ClearSpectrum® dispersion compensator product line which is presently deployed in many commercial 40-Gbit/s systems worldwide. Prof. Willner has received the following honors: Member of the U.S. National Academy of Engineering, International Fellow of the U.K. Royal Academy of Engineering, Presidential Faculty Fellows Award from the White House, Ellis Island Medal of Honor, IEEE Eric Sumner Technical Field Award, Packard Foundation Fellowship in Science & Engineering, John Guggenheim Foundation Fellowship, U.S. Dept. of Defense Vannevar Bush Faculty Fellowship, Fellow of National Academy of Inventors, Institution of Eng. -
Jasmine Sadry
Jasmine Sadry BIO: Radio/TV/Podcast personality, host, emcee, and social media influencer. Jasmine Sadry is a broadcaster based out of Dallas,Texas and currently co-hosts the "First & 10's Podcast” (a satirical sports talk show which also airs on WJOX-FM in Birmingham, Alabama) and “Locked On Big 12 Podcast” (an entertainment sports talk show that highlights all teams in the Big 12 Conference). Working in media/broadcasting for 19 years, Jasmine has worked for Cumulus, iHeart Media, KVUE-TV, ESPN, CBS Radio, Clear Channel, Fox Sports Radio, and The Dallas Cowboys, doing everything from sports/guy talk to news, music driven formats, anchoring, reporting, emceeing and producing/editing. She has served as co-host to nationally syndicated radio and TV host, Chris Jagger on “The Jagger Show”. She has been a producer, the host of her own shows (one of which was syndicated in Houston and Atlanta) was part of the Dallas Cowboys broadcast team for the official flagship radio station and has done assorted TV work. Her written articles have been featured on ESPN, Forbes, Cosmo, and The Washington Post websites. She has also written and produced comedic bits for her respective shows, complete with character voices and keyboard accompaniment. One of her bits was featured on MTV2's "Ain't That America." She was also seen as a character in an episode of TNT's "Dallas". In addition to a storied broadcasting career, Jasmine has done commercial film work with national partners AutoZone and Top Golf and her voice over work includes national commercials ranging from CNN, Fox, Ideal Image, Apartments.com, Raising Cane’s, Yahoo!, eHarmony, Reliant Energy, Sleep Experts, Cinemark, Chevy, and many local spots for restaurants and local TV stations. -
Regenerative Radio Receivers 2/1/16, 7:47 PM
regenerative radio receivers 2/1/16, 7:47 PM WWW.ELECTRONICS-TUTORIALS.COM Recommend 28 Share 28 4 •NEW! ‣ - Amazon Electronic Component Packs. Check out the Amazon Electronic Component Packs page. What are the basics of regenerative radio receivers? Foreword - by Ian C. Purdie VK2TIP A regenerative radio receiver is unsurpassed in comparable simplicity, weak signal reception, inherent noise-limiting and agc action and, freedom from overloading and spurious responses. The regenerative radio receiver or, even super-regenerative radio receiver or, "regen" if you prefer, are basically oscillating detector receivers. They are simple detectors which may be used for cw or ssb when adjusted for oscillation or a-m phone when set just below point of oscillation. In contrast direct conversion receivers use a separate hetrodyne oscillator to produce a signal. In the comprehensive electronic project presented here, Charles Kitchin, N1TEV has provided us with a three stage receiver project which overcomes some of the limitations of this type of receiver, principally the provision of an rf amplifier ahead of the detector. We are indeed particularly grateful to "Chuck" Kitchin, a well noted technical author, for sharing this very valuable material with us to use, learn, experiment and above all, to enjoy. Introduction to the regenerative radio receiver project designed by "Chuck" Kitchin, N1TEV The radio described here is a two band short wave receiver which is both very sensitive and very portable. It receives AM, single sideband (SSB), and CW (code) signals over a frequency range of approximately 3.5 to 12MHz. This includes the 80, 40, and 30 meter Ham bands plus several international short wave bands. -
Vintage Radio
VINTAGE RADIO Building a vintage radio "replica" Have you always wanted a 1920s or 1930s lacquer finish of some sort. Second, a glance at the front panel reveals that "cathedral" style radio. They're as scarce as these sets can receive FM transmis- sions as well as AM. In reality, FM hens' teeth these days - or are they? If you didn't get under way in Australia un- can't get an original, what about one of the til well after the era that the "replica" is supposed to represent. many replicas now coming onto the market? However, it's not until you expect the "insides" of such radios that you From time to time, "replicas" of ites but of course, they're not true realise just how far away they are early radio sets appear in catalog ad- replicas. First, the cabinets are noth- from being a true replica of the era. vertisements from various electronics ing like the those from the 20s, 30s Hidden inside the cabinet will be a and electrical retailers. Consoles and and 40s, usually being made from small transistor radio and that's hardly cathedral sets seem to be the favour- cheap ply or particle board with a something that was around in the 1920s or 1930s! So these sets are in no way an accu- rate copy or replica of any early radio. The fact is, there are very few genu- ine 1920s (and not many more 1930s) sets now available on the market. Many collectors will never own ra- dios of this vintage.