VICTOR HERBERT The Fortune Teller THE OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director The Fortune Teller

Music...... Victor Herbert ENSEMBLE: Book and Lyrics...... Harry B. Smith Jacob Allen, Natalie Ballenger, Sarah Best, Lori Birrer, John Vocal Score Reconstruction...... Adam Aceto Callison, Ashley Close, Christopher Cobbett, Mary Griffin, Anna-Lisa Hackett, Geoffrey Kannerberg, Andy Maughan, Ohio Light Opera Olivia Maughan, Evan McCormack, Geoffrey Penar, Will Perkins, Madeline Piscetta, Zachary Rusk, Mark Snyder, Raina Thorne, Artistic Director...... Steven Daigle Angela Vågenes, Joey Wilgenbusch. Conductor...... Steven Byess Stage Director...... Ted Christopher Sound Designer...... Brian Rudell PROGRAM NOTES ...... Michael D. Miller Choreographer...... Carol Hageman Victor Herbert, acknowledged as Costume Designer...... Whitney Locher the Father of American Operetta, Scenic Designer...... Erich Keil was born in Dublin in 1859, the Lighting Designer...... Krystal Kennel grandson of Irish novelist-artist- Production Stage Manager...Katie Humphrey composer Samuel Lover. The family eventually moved to Stuttgart where CAST: Victor’s initial studies toward a Musette / Irma...... Amy Maples career in medicine or law were soon Sandor...... David Kelleher-Flight replaced by an overwhelming desire Stanislas...... Stephen Faulk to become a professional cellist. Mlle. Pompom...... Elisa Matthews Young Herbert began playing Victor Herbert (1859-1924) Fresco...... Gary Moss with concert orchestras throughout Count...... Logan Walsh Europe, eventually securing a position in Vienna with the orchestra of Eduard Strauss, the youngest brother of Waltz Boris...... Max Nolin King, Johann Strauss Jr. Vaninka...... Sarah Best In 1886, he married opera soprano Therese Förster (1862- Rafael...... Lori Birrer 1927) who soon thereafter was engaged by New York’s General Korbay...... Geoffrey Penar Metropolitan Opera Company to open the 1886-87 season Lieutenant...... Geoffrey Kannenberg in the title role of Goldmark’s The Queen of Sheba. She Wanda...... Natalie Ballenger accepted, but only under the condition that her husband be Vera...... Madeline Piscetta engaged as cellist in the opera orchestra. Once in America, Matosin...... Jacob Allen Herbert pursued conducting and composing in addition to his ❦ 2 ❦ Metropolitan Opera duties. By draw, Nielsen had starred in score which is rich in all varieties of 1893, with two children and a Herbert’s The Serenade the delightful operetta music. There wife who had given up her own previous season in New York and are numbers grave and gay, light career to support his, Herbert had then toured the work with her and serious, catchy in the most turned his hand to composing for own company. She brought The popular manner and musicianly in the musical stage. Fortune Teller to London in 1901. a thoroughly praise-worthy style.” The Fortune Teller, the eighth At the premiere, The Times The first-act csardas “Romany life” of more than 50 Herbert stage noted, “Herbert has written a and the second-act “Gypsy love works, opened in Toronto, in a pre- song” both became instant hits. Broadway tryout in September In 1929 The Fortune Teller 1898. The New York Times re- returned to Broadway as part of ported “a remarkably smooth first an operetta revival series that also night performance,” with “the showcased Herbert’s Mlle. Modiste ensembles and finales being so and Naughty Marietta (both avail- strong as to closely resemble grand able in complete recordings on the opera.” Twelve days later, the work Albany label). The leading role was premiered at Wallack’s Theater on assumed by operetta star Tessa Broadway. The Times was un- Kosta in her last Broadway appear- qualified in its praise for the show, ance. In the opening night audi- its composer and its star, Alice Soprano Alice Nielsen (1872-1943) ence was Alice Nielsen, long re- Nielsen. An enormous box office starring in The Fortune Teller tired from the stage.

FROM THE ARTISTIC DIRECTOR For more than 30 years little of everything: a well-known Wooster, its community and The Ohio Light Opera has been and lesser-known Gilbert and nearly 500,000 patrons who dedicated to producing, promo- Sullivan, a Viennese operetta, a have championed the company's ting and preserving the best of French operetta, an American dedication to operetta have given the traditional operetta reper- operetta and a revival of a long- OLO a reputation that reaches toire. In any summer season, forgotten work that is given a internationally. In no small way, 20,000 patrons come to hear much-deserved rebirth for an Albany Records has added to the and see more than sixty perfor- appreciative audience. This CD company’s success. The company mances of seven productions on set will hopefully give the oper- and the operetta art form are the beautiful campus of The Col- etta aficionado a taste of what indebted to John Ostendorf and lege of Wooster in Ohio. These makes this company unique. Albany for their commitment. shows offer the operetta fan a The support of the College of Steven Daigle ❦ 3 ❦ PLOT SYNOPSIS teller, so closely resembles Irma Irma’s brother Fedor. Mlle. ACT I. The Ballet School at that Fresco buys her from her Pompom, Fedor’s girlfriend, the Budapest Opera. Count father, intending to represent arrives, further complicating Berezowski, an impoverished her to the Count as the fugitive matters. A messenger arrives Polish composer, has discovered Irma. Musette’s lover, Sandor, announcing war has broken that a pupil in the ballet class at objects and convinces her to out. All go off to fight for the the opera is the heiress to a escape after the wedding. The homeland. great estate. He visits the school Count is distraught at Irma’s to find and wed her. Fresco, the suicide until Musette enters in ACT III. The camp of the ballet-master, insists the Count one of Irma’s dresses. He is Hungarian forces. The real Fedor split the profits of the potential fooled by the resemblance, and has not yet returned, and sister match. It is discovered that the all depart for the chateau for Irma must continue to take his heiress is Irma. She is chosen as the wedding. place. The Count and Fresco the Count’s bride. cannot claim Irma’s inheritance: Alone with her lover, Cap- ACT II. The Count’s chateau. as she has “disappeared,” tain Ladislas, Irma dreads the Preparations are being made everything will go to Fedor. Mlle. impending marriage and deter- for the wedding. Meanwhile, Pompom enters. Still taking Irma mines to run away. Ladislas tells Musette has fled. Irma now re- for Fedor, she accuses him of her that her twin brother Fedor appears on the scene in her deserting her, and involves has deserted from his regiment brother Fedor’s uniform, having Fedor/Irma in a duel. Just as to elope with a French opera heard that another bride was matters reach their most con- singer. If discovered, Fedor will about to take her place. fused state, an officer appears to be shot. Irma proposes that she Fresco, who has discovered the reveal that, instead of deserting, dress in her brother’s uniform flight of Musette, persuades the real Fedor has in fact led a and take Fedor’s place, thereby Irma, whom he recognizes, to detachment on a secret expedi- escaping marriage with the stay. She goes off and dons the tion resulting in an important Count while saving Fedor. She wedding dress. Sandor takes her Hungarian victory. Fedor is the runs off, leaving a letter for for Musette and Ladislas takes hero of the hour. Irma can now Fresco: overwhelmed at the her for Irma. The Count also marry Ladislas, Musette can prospect of marrying, she claims claims her as his bride, and a marry Sandor, and Fedor can to have been driven to suicide. three-way fight is imminent, so wed Mlle. Pompom—much to A band of gypsies arrives. Irma declares herself to be the chagrin of the Count One of them, Musette, a fortune neither Musette nor Irma, but and Fresco. ❦ 4 ❦ Mesdemoiselles, commençons! Watch me, and you can’t miss, The Fortune Teller Vite! Adagio! With ease and grace, like this! Girls (striking his poses) One, two, one, two... Overture Track 1 Languidly, as odalisques or houris Caramba, no! It is not so. ACT ONE Pass the idle hours of summer day... This way. You’re doing better now! Opening Track 2 Fresco (correcting them) Careful, do not spoil it. Good. Courtyard of the conservatory of No!!! Confound it, no! Now, Finale! Presto con brio. the Budapest Opera. Matosin, stage Forty thousand furies! Watch me! Girls manager at the opera, and the Imitate me! See—this way. Twirling, whirling, sliding, gliding balletmaster Fresco enter.) (He demonstrates again.) Dancing with a grace entrancing. Fresco Now the allegretto grazioso! Hi... Round in circles swinging What do I hear? ‘Tis striking ten! Girls Like gazelles a-springing, Those rogues of mine are late again. La-la-la with pirouetting Scarcely have we breath for The little minxes, always late, With smile enduring singing... Clear the way! The rascals! Tardiness I hate. And yet alluring, In a maze wild and gay... La-la-la! (Bell of the gate rings.) We are coquetting so statuesquely, Fresco What’s that? A ring! Ola! ’Tis they! So picturesquely... Right foot, left foot Girls (outside) Graceful pose, enduring smile That’s not like it, not a bit! Ha! ha! ha! ha! ha! In the real ballet style, Left foot, deft foot, Matosin Languidly we sway... Every bar of music fit. I’ll let them in without delay. Fresco You must do better now. (Pupils of the ballet school of the That was it! Cospetto! Here, I will show you how. Opera rush in, laughing, talking.) You spoil my allegretto. I will give an imitation. Girls I will give an illustration. Guten morgen! Buon giorno! Follow me and you‘ll be all right. Bonjour! Herr Maestro! La-la-la! (They all dance frantically, Signor Professor! then collapse in exhaustion.) We’re awfully tardy, Monsieur! But forgive every little transgressor. Now, Mein Herr, we are ready! Scene Track 3 Begin..! Fresco And your temper we’ll try to endure, You ought to be ashamed of your- Guten morgen... (Fresco begins his selves, girls, to come late on this ballet lesson, demonstrates for the morning of all mornings. This girls who giggle.) morning is fixed for an event of the greatest importance. Count Bere- Fresco Fresco, the ballet master (Gary Moss) Anfangen jetzt und tout de suite, demonstrates for his pupils. zowski is to be here this morning for ❦ 5 ❦ the purpose of marrying one Fresco (aside) of you. Hang ionto your rings, girls. Vera Count (aside, to Fresco) The Count Berezowski? Psst... I say, professor, get rid of Wanda them, will you? The one who thinks he plays the Fresco (to the girls) piano? The decomposer of music? Ladies, you are aware of the fact (All laugh.) that the Count has come here to Fresco marry. The class is dismissed until he Charming fellow, the count. The girl and I select the... victim. You may who marries him might do better. I return when the bells sound. mean... couldn’t do worse. It is time Girls (going) for the Count to arrive. Ladies! Oh. Fresco and the Count (Logan Walsh) Poses please! Count conspire. Girls Now, my dear Professor...have you Fresco To the Count all hail! all hail! a girl in your school who wears I’ll call the girls! (They begin to re- With poses of the prettiest, around her left wrist a gold snake enter, chattering) Ladies, which of With speeches of the wittiest. bracelet with a pair of emerald you has an emerald snake bracelet? We to please him must not fail, eyes? (The girls all talk at once.) For we’re anxious our agility Fresco Wanda Should enrapture the nobility. Ah, well, yes... I think it very likely. We all scorn bracelets! Fresco Count Count So, ladies, to your places! I must marry that girl. We are twin But are they all here? Parade your airs and graces. souls. Fresco To the noble Berezowski Fresco (dryly) Let me see. Girls, are you all here? Make your very finest bow-sky Why don’t you just steal the No, where is No. 9? (That’s Hungarian for “courtsey”). bracelet? Girls He is still a single man. Count Number 9! Girls This bracelet girl is heiress to the Wanda To the Count, all hail, all hail... great Salowiskie estate. She is my Please, Professor...it’s Irma. (The Count enters.) star, my magnet. We are twin souls. Fresco Fresco Why certainly. No. 9 is Irma. Dialogue Track 4 My dear Count, I will find the girl Count Count and manage the wedding for the I put my last stack of hopes on Ah, good morning, Professore. small sum... of five thousand florins. Number 9. If she isn’t my own twin Young ladies! I must kiss the hands Count soul, I’ll compose my own funeral of all of you. Agreed. march. ❦ 6 ❦ Scene Track 5 That it doesn’t matter It was very rude and bold; Irma’s Voice (in the distance) What a girl may wear But he told me not to scream, Ha ha ha ha! Nor how she looks. And so I did as I was told. All She never should be frivolous; He told me then to kiss him. Who can it be...? ‘Tis surely she... She never should be bold. It was very impudent. Fresco My grandma said: “My darling, But I thought what grandma told me, Look at that. Look at this. Always do as you are told.” And I was obedient. The rehearsal she has missed. When grandma said All Girls “Don’t touch the jam,” Good girl, she was obedient! What is that? What is this...? I minded her request. Irma, then All Were you sleeping, were you dead? I did not care a bit for jam; Always do as... Did champagne go to your head? I liked the jelly best. Irma (entering, hearing this) “Be punctual at meals,” she said, Dialogue Track 6 What! I? Oh, monstrous accusation! “Or I will have to scold.” Fresco (aside, to the Count) I spurn with scorn the allegation. And I was always there. Psst, Count, it’s she. She’s wearing On just one thing myself I pride: You see, I did as I was told. the bracelet. It is that I am dignified. All Count (looks at her bracelet) I act upon the golden rule You see, she did as she was told. Ah, ‘tis she. My own twin soul! That I was taught in Sunday School. Irma Irma (looks at the bracelet) I’m good because I’ve understood Always do as people say you should. What’s the matter with you two? That girls are happy... ha-ha-ha... You never can be happy, child, (aside) I wonder if they think I stole If they’re good. (Girls gather round.) Unless you’re good I do as I am told. this old thing? I’m just as good as gold, Fresco (to Irma) My aged grandma told me, And I know I shall be happy My dear, the Count wants to marry And I’ve read the same in books, For I am so good. you! (introducing him to her) This All is the Count Berezowski? Always do... Irma Irma The Count Berezowski? (laughing) And now I am a grown-up girl, Then I accept with pleasure! I’m still as good as pie. Count And I do as people tell me— Ah! My angel bride!! (aside) I shall Or at least I always try. be able to pay my tailor tomorrow. For instance, with an officer, Fresco (aside) A handsome young dragoon, And I shall count my five thousand I went out for an evening walk— florins. A stroll by light of moon. Irma I blush to say he kissed me. Irma (Amy Maples) But...uh, give me a little time to ❦ 7 ❦ make my preparations! Hussars, of course, without a horse Hungaria’s hussars! Count (going) Appear grotesquely comical; All Very well, my dear, I’ll give you one But government is now intent Left hand.... hour to make all preparations. On being economical. Ladislas Fresco (claps, interrupting) You must infer with whip and spur There’s many a heart that shall ache Ladies, now go to your classes. Imagined steeds we’re walloping, With the work (going) I will ring the bell later... Tramp, tramp... That this day shall be done; Irma (alone) See, we are galloping! Hurrah! There’s many a heart that must break What shall I do? Marry that old Ladislas If the battle be lost or be won. Count? What would Ladislas say? When heroes have fallen in vain But still there’s a thought Ladilas! That’s it. If I could only see In the valley of death and despair, That is filled him, he would advise me... (goes) Like the clanging of tyranny’s chain With solace exceedingly blessed: Comes the shout of the enemy there. If a lot of us fellows are killed, Scene Track 7 Retreating is half of our force, There’ll be the more girls for the rest. Hussars (arriving) And certain defeat seems our fate. Left hand on rein... Tramp, tramp, tramp... The bugle sounds shrilly to horse! All No infantry in sooth are we, Then charge is the signal we wait. Left hand... Hurrah! But cavalry Hungarian; But now we ride no steed astride, Left hand on rein so steadily, Dialogue Track 8 For cause utilitarian. Right upon sabre readily, Ladislas No trappings cling, For’d! Charge! Galloping, galloping, Irma! No hoofs there ring Trust to the God of Wars! Irma With clatter wild and thunderous; If we are not victorious, My Ladislas! (runs in and kisses When last we reeled upon the field Heroes, the death is glorious. him) Oh, but I forgot. I mustn’t kiss Our nags were all shot under us. On to the battery! Ride, ride, one man when I’m... engaged to another. Ladislas What? Engaged to another? Irma Yes, I’ve promised to marry the Count Berezowski. Ladislas The Count Berezowski! The amateur Polish pianist? But Irma, why is the Count so suddenly anxious to marry you? Ladislas (Stephen Faulk, center) inspires his Hussars. ❦ 8 ❦ Irma Ladislas Won’t want to kiss her. It is sudden, isn’t it? Oh, I remember. But Irma, will it work? Hold my hand, dear, Something about this bracelet. Well, Irma ‘Twill be grand, dear I’ll settle that. (takes it off, leaves it Silly boy, haven’t I told you how Tell me that you too can see on the table) There! They can have Fedor and I are so often mistaken All the rapture you may capture the bracelet, but I’m going to skip for each other. Sometimes people In this great adventure with me. town. can’t tell the soldier from the I can look like him, Ladislas ballerina! I am fit and trim. I have bad news for you. Your I can march just like a man. brother Fedor has run away... Duet Track 9 I’ll tie up my hair deserted. Irma, then with Ladislas And I’ll spit and swear Irma On a gray May morn Just as any soldier can. My brother? Two babes were born, When I walk Ladislas Boy and girl, a happy pair. I’ll swing my legs like so, It’s that Parisian opera singer, Mlle. From the very start And I think it very cute Pompom. I’m sure the foolish boy None could tell apart How I prettily salute, has run away with her, or rather she Brother from his sister dear. For in everything he does I know has run away with him. They would play at That I look just like Fedor. Irma Rough and tumble games, Let me take his place... Oh, Fedor! And whatever one would do Ladislas So then would the other too, It’s serious, Irma! Unless Fedor And the tiny twins, Dialogue Track 10 returns to camp at once, he’ll be What were their names? Ladislas (delighted) shot for deserting in wartime. I’ve Irma and Brother Fedor. Magnificent! been sent with a squad to find him. Let me take his place Irma Irma (a sudden idea) And his punishment I’ll face Ah, you see, silly boy. And now, You’ve been sent to find him... As I’ve done ten times before. hadn’t we better leave a letter to well, here he is! Then you’ll go off with me, throw them off the track? Ladislas Dear and fly to a new life Ladislas What? With a new wife. A letter. Yes, by all means... (takes Irma And Fedor will not have to die. out paper and pen) Let’s see. Pen Why, Fedor and I are twins. In his He will bask in the joy of his sister, and paper... clothes I am the very image of him. Who will live ‘neath Irma (writes) Fedor appears, Irma disappears. A warm azure sky with her true love “Dear Professor. Sudden joy has Fedor escapes the horrible fate of a That is you, love. been known to kill. When I learned deserter and I escape my marriage Where Irma no day shall let by that the Count was to be mine, the with the Count. That her Ladislas prospect drove me to...” ❦ 9 ❦ letter.. (reads) “Joy is known to kill... Suicide... The lake...” Ah... (He starts to faint.) It all comes back to me... that is, it all comes back excepting 5000 florins. Oh, what will the Count say when I tell him (He goes off as Sandor, a gypsy, enters with his mandolin.) Song Track 11 Sandor Ho, ye townsmen, Sandor, the Gypsy (David Kelleher-Flight) Ye clerks and ye gownsmen, Ye that labor Creatures of books At beggar my neighbor, And of yardstick and trade, All ye that chase Bending you double Ladislas and Irma, now disguised as her For the will-o’-wisp fame, With care and with trouble, brother Fedor, write to the Count. While ye are hasting Toiling with brain Your youth you are wasting. Ladislas Or with pen or with spade, Idlers like me ...to drink? Ye play a game Have the best of the game. Irma Where the winners are losers. Mine are the joys No! “...drove me to suicide. He in the van is the soonest to die. That the best of you misses, I have thrown myself into the lake!” Think ye that I Pleasure and leisure There. (signs) “Your pupil, Irma.” Would change places with you, sirs? That aye pass you by. And here’s that bracelet which they Thank ye, good slaves of the city— Mine is the true love think is so important. (The profes- Not I. Ha! Not I... No And mine are the kisses; sor’s voice is heard.) Just in time. What! Up with the sun and to Buy them as you do, poor fools? It’s the professor. work? No, no! No, not I. Ha-ha-Ha! No. Ladislas You may do that. It is not my way. What! Waste all my life as you do? Come, I’ll hurry back to the barracks What! Keep within doors and rot? No, no.! and then meet you at the Three Oh, no! Toil is for slaves. It’s not my way. Pigeons Tavern. Now... attention, That is for you, but I cry you nay. What! Buy all my joys for cash? Lieutenant Fedor! Right about face! If the slaves toil on, shall I? Oh, no! Forward, march! (They go off, In the dusk, in the dawn, shall I? Do it ye may, but I cry you nay. laughing.) Let theirs be the strife, but a lazy life Turn my blood into gold, shall I? Fresco (entering, looks for Irma) Is a happier life, I know. Ho ho! Let my young heart grow old, Irma? My favorite pupil? (sees the What! work like the fools? Oh, no! bracelet) Irma’s bracelet! And a Shall I? ❦ 10 ❦ To lie in the shade of a mossy glade All Sing, Zigeuner, while ye may! Is a happier dream, I know. Ho ho! Bravo! A gypsy song! Through the forests... What! Work like the fools? Oh, no! None so gay as we! Eljen! Musette, All And now to call my gypsy comrades. We have a home Dialogue Track 13 Musette! Boris! Vaninka! Rafael! ‘Neath the forest shades. Boris (the gypsy leader) Never any other have we... Allow me to present my wonderful Ensemble Track 12 Our campfires glow band of Hungarian Gypsy Musicora. Gypsies (enter, with others) In nooks and glades, May I also introduce my daughter, Here we are! Where our tents are white to see... the world famous fortune teller, A gypsy troupe quite famous, Wandering ever, here and there, Musette. Passing by when hunger Our roof is the sky above. Juche! Fresco (sees her, at first thinks she overcame us. But the Romany eyes are rare, is Irma) What? Irma? Alive? Not Excuse this boldness, please, And the Romany life is love. drowned? (Musette is confounded.) In a beginner. Thro’ the forest wild and free Boris We thought you might Sounds our Magyar melody. Ah, you like her? Ask us to stop to dinner. Ever dancing, none can be Fresco Here we are... Half so merry as are we. Ah! I should say I do. But this is your Give us coppers, sir, we pray you Ever faster—faster twirling... daughter? With a song we will repay you. The cymbals sound Boris (to Musette, the Fortune Teller) While we’re in the mazes whirling. Yes! Why don’t you sing your song? Dance, ye Magyars, dance away! Fresco Why, she’s the perfect image of a pupil of mine. Of Irma. All Of who? Fresco (to Boris) Mr. Boris, I will buy your daughter from you. I’ve only got ten florins! Boris He’s got only ten florins! Vaninka Take it. It’s more than she’s worth. Musette (to Boris) Look here, Papa. Where do I come in? You get the money and get Musette, the Fortune Teller (Amy Maples) and company away while I’m left here with that ❦ 11 ❦ old fossil? Fresco Irma is right here. (Musette ap- Boris (aside, to her) A countess. You’re going to be pears, dressed as Irma.) No, no. You are not sold... he’s sold. married. Count Listen. We get florins for you. You Musette My Angel Bride. Alive! Alive! remain here. Give us about 15 Oh yes, of course. To Sandor. Musette (aside) minutes start, then when the old My Sandor loves me and I would Here’s another one surprised that man is not looking, you make a not be faithless to him. I’m alive. little outskipping with the feet and Fresco Count join us. Well, your Sandor wanted to sell Now tell me, dear. Why did you Sandor you to me, so that he might be write that cruel letter? You will find us at the Red Mill Inn. alone with that other gypsy girl. Musette Vaninka (taunting Musette) Musette Write? You’re crazy. I can’t write. Where I shall be having a glass of Vaninka! I knew it. So that’s their Fresco wine with Sandor. little game, is it? Well, they shan’t She means... she can’t right the Fresco break my heart! Bring on your wrong that she has done to you. Here’s your ten florins! Count. I’ll be a countess and I’ll drive Count All (variously, as they go) all around the country roads ‘til I Oh, very well, then, we’ll be off to Good bye, Professor. find Sandor with Vaninka and when my chateau and the wedding will Fresco I find them, I’ll splash them with the take place immediately! mud of my chariot wheels! (goes) Now, my sweet child...What would Ladislas (comes in) Fresco you say to a glass of wine? I wonder if they’ve missed Irma yet? Oh, I know I’ll get to like her and Musette (sees Musette, mistakes her for Oh, I should like some wine... she’s such a playful little thing. Once she has on Irma’s clothes, the Irma.) What? Irma? Here? So, you’ve Fresco (calling) weakened, have you? And gone Wanda... likeness of the original bride will be back to your Count? Wanda (coming out) perfect and the Count will never Musette All right, professor. (sees Musette, know the difference! What? thinks that she is Irma in costume) Count (enters, sees Fresco) Ladislas Oh Irma, what games are you up Ah, Fresco, you craven criminal! I left you at the barracks wearing to now? Seize him. You have allowed my the uniform of your brother Fedor Musette Angel Bride to drown herself and all for my sake. The sudden joy Who in the world is this Irma? and as soon as I leave, you come was fatal. Her hat... found on the This is a crazy house! back here to marry your Count! bank of the lake where she took Fresco (to Musette) Musette (confused) her fatal plunge. Once you are a Countess. What is he talking about? Fresco Lieutenant (enters with a letter) Musette My dear Count, she is not drowned. A whichess? A letter from Lieutenant Fedor. ❦ 12 ❦ Shall not be denied to the Count She promised she would join us. And his dear little bride. Where is she...? A health to the bridegroom The Others and bride. Hail our bride! Out with you... you low intruders. Musette We’re celebrating, with joy elating, I a bride? And a Countess? A very gay, prospective wedding. What joy! But stop! Vaninka, Gypsies I must not forget to be coy. A wedding? How jolly. (Gypsy concertinas are heard. The Whatever betide, gypsy troupe enters.) I must have a glance at the bride... Ladislas mistakenly thinks Musette is Fresco Musette (steps forward, wearing Irma. Oh, those damned gypsies again. finery) Behold then. I’m a bride! Ladislas Boris (entering) Gypsies From Fedor? This is strange. (looks Aha! Very fortunate! A social Musette. It is Musette! at Musette, suddenly realizes she’s occurence is happening. But I don’t Sandor (furious, to Musette) see Musette! not Irma) Wait a minute. Tell me So, so! Mam’zelle! Sandor your name, Mlle. Speak the truth. A countess you will be. She did not join us as agreed. Musette Go! And, if you can, The Count’s Valet Musette, Captain. The fortune teller. Forget your days with me. Impudent vagabond! This is a Ladislas A countess? Vastly fine! betrothal ceremony. I.. I beg your pardon, Musette. It But soon you will discover, Gypsies appears that I am mistaken. It will not be an easy task A betrothal? Count (coming forward) To forget your gypsy lover, Vaninka Now, Captain, if you don’t mind, my Ha, ha, ha...! Signora La Contessa! There’s going to be a wedding. bride and I shall start for the All (aside) Rafael chateau! Are you ready, Countess? Here is a charming mystery, And the bride, is she pretty? Of that there is no doubt; Musette Count Quite ready, Count! Some amatory history— Oh, yes she is! What can it be about? Finale Track 14 Boris For when we find Count A social fête! Two different names Come to my chateau! Then pray, let us amuse you. Owned by the same young lady, There the knot shall be tied Vaninka Sly Cupid has been playing games That shall make us twain What shall we do? That look extremely shady. A happy bridegroom and bride. There’s naught we can refuse you. Some charming mystery, All (entering) Sandor (aside) A lover’s history. A health in a bumper Musette, where can she be? Of that there’s very little doubt, ❦ 13 ❦ And we the truth would find out. “What a happy day.” circumstance than yours. Musette Let’s have him out Song Track 3 Yes, I’ll be a countess. With cheer and shout. Fresco, All Four Farewell to you forever He’ll pay us all, beyond a doubt. Unto a circus once there went I laugh your love to scorn. Ha ha ha! Rat-tat-tat! Come, honored Count... A maid with eyes cerulean. Sandor And settle up this small amount.’ She saw the modern Samson there, Go, if you can forget... Then hip-hip-hip-hooray! That man of might Herculean. END ACT I / END CD ONE For to-day we’ll get our pay, He won her little heart at sight. Which is why we sing and say, She longed for matrimony. ACT II “Come out, Sir Count and He called, and introduced himself The Garden of the Count’s Settle up this very small amount. As Signor Mons. Muldoni. Ah! dilapidated chateau. Wedding Settle this small, but old account...!” How she loved that modern Samson preparations in progress.) And that human Hercules Opening Track 1 Dialogue Track 2 He could balance three men Peasants, Workers, Tradespeople Fresco (coming out) On the tip of his nose Ding-dong, merrily, merrily, Now see here, my friends, you’re With superfine elegant ease. Chime for the bride so fair. wasting your time trying to collect He could carry a horse on his back Ding-dong, merrily, merrily! any money from the Count. (They And in either hand juggle a pony, She is a charmer rare. all go off, leaving Fresco alone.) Oh no one was in it, Ding-dong.... Let a happy song In an hour the Count will be married No not for a minute, Float on the air. to the little gypsy. He’ll never know With Signor Mons. Moldoni... For the Count’s a prize she’s not Irma the heiress. Oh, I will And the girl a pearl, soon be five thousand florins richer. She first refused her heart to him; And they’ll make a pretty pair... (Hears sounds.) Oh, those damned She wished that But, best of all, my friends, to-day gypsies again... He should earn it sure. ‘Tis likely that you’ll get your pay. Boris (entering) It broke his heart, so he, in turn, Hurrah, we’ll get our pay! Herr professor, there’ll be no Began to break the furniture. I’ve a bill he can’t deny. wedding unless I get the rest of my He chewed the marble mantelpiece I’ve a promissory note. money. As if ‘twere macaroni, My bill’s old enough to vote. Rafael (menacing) To prove the strength of Mine is old enough to die. Unless we get our money, we stay. The mighty love Mine’s a decade in arrears. Fresco Of Signor Mons. Muldoni. Ah.. Mine been overdue for years. Oh, your threats to stop the How she loved ... Mine too... and mine! wedding have no effect on me... Her brothers tried to put him out, Then hip horray for the day although I do know of a wedding But the greatest strength We’ll get our pay. that nearly didn’t happen on Yet born is his. One brother And this is why we sing and say, account of a much more serious He hung on the chandelier, ❦ 14 ❦ When a girl is in the ballet operatic She has a gorgeous chance For breaking hearts; She’s the object of attentions Quite ecstatic, From young and aged Musette, Patrons of the arts. dressed as With serenades Irma, tells They nearly make me frantic; tales of her many With lack of sleep “lovers.” I am distracted quite. crescendo, Fresco sings with the gypsies. For instance, He sang what Spanish songs There’s that Irish lord romantic, And the rest behind the cornices. He had on hand, Her father then stepped up Whose ballads often Keep me up all night. To which I had to answer: And said: “Non comprendo, please go away! “You’ve got us in a nice box.” All What does he sing, this Irish lord? I do not understand.” But he twisted Pa up All Like a pretzel and Musette, then All Tell me, What sort of music did he sing? Put him away in the ice box. Brr... Would not this drive you mad? Musette How she loved... (They all go.) 0, come all ye swate mavourneens, His songs were all this sort of thing: Come to me in the moonlight, Scene Track 4 Ye acushlas and colleens, amorita. Musette (enters in a rage with the And bring your best shillelahs, Let us fly away to fair Grenada. Count and gypsies) Your potheens and your dhudeens; There we’ll live and love, I won’t wear that tight dress, For arrah na pogue Sweet Señorita, countess or no countess! Has won my heart. Dance and drink all day Count (entering, to Musette) She is my colleen bawn. In the Posada. Ah, my Angel Bride...You look Oh, how I love my deelish And my cruiskeen lawn. All beautiful. Tell me, my dear, am I the Musette Plunk a plink, plink. Tra la la... only Count you have ever loved? On the night before, Musette Musette A noble Spanish señor The night before, No, I have loved many accounts Beneath my window The minister from China before you. I’ve had love letters... Tinkled his guitar, Was sitting in a box upon my right. serenades... often a different In a rather antiquated tenor, When I came on to dance serenade every night. It is the Told me I was his idol and his star. His eyes met mine—ah! penalty of being a beauty in the With fearful portamento and I saw he fell in love with me at sight. ballet of the Opera. ❦ 15 ❦ That night ere slumber Ma belle, fly viz me to Gai Paree. Slumber on, Brought me sweet effacement, Je t’aimerais toujours! My little gypsy sweetheart, I heard a noise All Dream of the field and the grove. That made me shriek for aid. Je vous aime... (They go off.) Can you hear me in that dreamland That Chinaman was there Where your fancies rove? Beneath my casement, Song Track 5 Slumber on... A-singing me a Chinese serenade. Sandor Wild little woodland dove. All Ah, my Musette. If only I could Can you hear the song that tells you A Chinese serenade ! What bliss! persuade her to come back to All my heart’s true love? Musette, All freedom and happiness... Voices To me it sounded much like this: La la la... The birds of the forest “Na ya nu yu li, Sandor Are calling for thee; Chai low! Lan chow pai. The fawn that you tamed And the shades Shan ku tzin jih woo kow moo! Has a look in its eyes doth says And the glades are lonely; She nu keen lo foo mow woo!” “We are too long parted?” Summer is there, Musette Songs that are trolled With her blossoms fair; On the night before, By our comrades old And you are absent only. A gay Marquis Parisian Are not now No bird that nests Beneath my window As they were light-hearted. In the greenwood tree Warbled all alone; The wild rose fades But sighs to greet you and kiss you; He tempted me to Paradise Elysian In the leafy shades, All the flowers yearn While lifting up his wheezy baritone. Its ghost will find you For your safe return, In voice that was so tender, And haunt you. But most of all, I miss you. So asthmatic, All the friends sigh: Suggestive of absinthe “Come to our woodland home.” And cigarettes, And most of all, I want you. He sang me cavatinas operatic, Slumber on... (Musette joins him.) Likewise a few Parisian chansonettes. All Dialogue Track 6 No doubt these songs Musette (coming in) Were gay and sweet. Oh Sandor, take me away from Musette this place! Well, some of them Sandor I will not now repeat. That’s just what I’ve come to do. Je vous aime! Je t’adore! Musette Could Ma’m’zelle vish for more? Sandor—a gypsy lullaby. If the Count’s marrying me for my Mon coeur—you it haf I am sure. bracelet, he’s welcome to it. But ❦ 16 ❦ Sandor, I must leave him a letter. Irma (in her own voice) false one. And you knew it was for Let’s see...“Dear Count...The bird You know me, of course. Your pet your sake that I gave up the Count. has flown the coop.” Signed, pupil...Irma! Irma “Your Angel Bride.” Fresco The Count? Count (heard from afar) Irma? Sure enough! There’s another Pompom I wonder where my Angel Bride bride who looks just like you. He promised to give me a lot of can be? Irma (surprised) money... But you will come back to Sandor (to her) Looks like me? me, Fedor? As soon as the public I’ll stay here and cover your escape. Fresco finds me passée, I shall leave the Musette (going) Yes, exactly. And as she has taken stage and we can marry. Your life Well, Monsieur Le Conte, this is the your place, your fortune goes to her. will be one long cadenza. I shall sing last you will ever see of Musette! Irma (completely confused) you to sleep at night. My trills shall Fresco (enters) Fortune? I? Well, get rid of the minx. wake you in the morning... Ah, Sandor, the rascally gypsy. Fresco Count (enters, sees her) What are you doing here? But how can I? Ah, Mlle. Pompom! If my Angel Sandor (going) Irma Bride should see her, what a Oh nothing, just looking around. I I don’t care how. scandal! (He goes.) thought I might find Musette. Fresco Pompom Fresco (sees the bracelet) Oh, very well. I’ll try to persuade her Ah, the Count. At sight of him, all What’s this? Musette’s bracelet? to go. (goes to search for Musette.) the old love returns to me. Count And a note! “The bird has flown Irma (alone) Berezowski, the only man I ever the coop.” Oh, not again! An imitation of me is taking my loved. (to him) You know, darling, Count (has entered, overheard) fortune? I rather fancy not! Oh, but what would make ma joie So, Fresco...you have allowed her to if Ladislas knew I came here from complète? escape again. I’ll give you fifteen the barracks to see who the new Count minutes to find her! bride is...whew! He’d have a fit! What? Fresco (Mlle. Pompom’s voice is heard Pompom Ah! Both brides have skipped town! singing.) Hello! Who is that? Two bottles of Dom Pérignon and (Irma enters, dressed as a military Pompom (thinks Irma is Fedor) brindisi to go with it. Maestro? officer.) Ah, Mon Dieu. Fedor! At last I have Irma found you. Why didn’t you keep Song Track 7 Ah! The Professor! (to him) Uh, I your rendezvous with me this Mlle. Pompom say, have you a match? evening? When the gods made us naughty Fresco (distracted) Irma (in a baritone again) And bad as all that Ah...wait... which? Look here, are Er, ah, the fact is, I... And gave us our fits of the blues, you my pupil Irma or are you that Pompom When life makes us weary that little gypsy devil. Ah, is it thus you betray me? Oh, And sad and all that, ❦ 17 ❦ And whatever we play at we lose, to the first man who is willing to win You flattered me We’ve got one good antidote me by killing you, Count. Ah, By every ancient platitude, Ever at hand to banish Monsieur Ladislas (who has just You swore I was All trouble and pain: entered) A monster of ingratitude. All the blue devils fly from us, Ladislas Ladislas Fly at command of the spirit What? Ah, Mlle. Pompom! But that was in the play. Of Sparkling Champagne! Pompom Pompom A short life and a merry one, Oui, c’est moi. Oh! That was in the play? A true girl and a pretty one, Ladislas And when you sighed like this hélas, A cold bottle, another one! Why, I haven’t seen you since you That was in the play? Confess! You’ve heard that frequently. came to the camp to help us with And when you looked in this way But better far is this, my toast, our amateur theatricals. See? That was in the play? “A lot of wine, of girls a host. Pompom Ladislas A long life and a merry one!” Ah oui, c’est vrai, and I remember Yes, yes!! That is the toast for me. that you promised to do anything I Both asked you. That was in the play. If the girl that you love Ladislas If people said the things they mean Breaks your heart and all that, Uh...yes, but that was in the play And meant the things they say, If one with more cash she has met, Pompom No hearts would break, Although ‘tis heartbreaking to part, But you seemed so in earnest. And I, And all that, poor innocent, believed you... Try a bottle or two and forget. Or if you can meet her Pompom To just say adieu, You offered me devotion You can probably win her again. Which I threw aside. If you only persuade her to try Ladislas On the sly But only in the play! Just a sociable glass of Champagne. Pompom A short life and a merry one... What! Only in the play? You swore that I was driving you Duet Track 8 To suicide. Pompom Ladislas Ah oui. I do remember, M. le Conte But that was in the play! that you are about to desert me for Pompom another. But do not flatter yourself What? Only in the play? that you can get rid of me so easily. I You practiced Mlle. Pompom (Elisa Matthews) with shall confide my outraged affections Every captivating attitude, Ladislas. ❦ 18 ❦ No hearts would ache Dialogue Track 9 (Commotion. Sandor suddenly And love were joy alway. Pompom enters, sees Irma.) All might believe, And now, Ladislas, I need your Sandor None would deceive. help... I want you to challenge the Wait. Musette...you’re here...again? No fair words would betray. Count and kill him. Irma (looks at Sandor) If people said the things they mean Ladislas Who in the world is this? And meant the things they say. Kill the Count? Why, certainly, with Sandor (to her) pleasure. After all, he tried to steal Listen, faithless woman, I tried to Pompom my sweetheart. But, Pompom, what save you from marrying that! (points You called me chic and svelte are you doing here? Everyone thinks to the Count) I remained here to And very debonaire. you have eloped with Fedor. ensure your escape and in return Ladislas Pompom you refuse to recognize me? But you But only in the play! I? Elope with Fedor? That’s good. shall not have your Count. He dies Pompom Why, Fedor is here. I saw him not by my hand. What! Only in the play? ten minutes ago. Count You praised my “orbs of jet,” Ladislas Here’s another hand I’ve got to die by! Likewise my ebon hair. You saw Fedor? Ah! (aside) It’s Irma Ladislas in Fedor’s uniform. (to Pompom) Finale Track 10 But only in the play. Count (entering with Irma) Ladislas Pompom Come my dear, let’s be off to the Speak, Irma! Tell me, I implore! What! Only in the play? Church at once. The gypsy fellow? Who is he? You spoke in phrases Irma (sees Ladislas) Irma Put together floridly, Ah Ladislas! He? I never saw the man before. You swore to slay Ladislas (angry) I swear to you... he’s new to me. Imagined rivals horridly, Irma! You begged me to help you Fresco In fact, my dear, out of this marriage. You took your She never saw the man before. You went on very torridly. brother’s place to save him from the Some wretched, crazy gypsy he. Ladislas disgrace of a deserter. But now, I Sandor (with sarcasm). But that was in the play!! see. You have forsaken everything... A crazy gypsy I? Pompom just to become a Lady Countess! Oh, no! She never saw me in her Oh! That was in the play? Irma life! I am a stranger, it appears. You swore you’d die Listen, Ladislas, I merely came back She has not been to me for these For one small kiss. here out of curiosity. I... two years my gypsy sweetheart, That was in the play? No no/ Ladislas (furious) comrade, all but wife? Both Silence! The Count shall never have (To Irma) Oh, why not say That was in the play. you. He dies by my hand. That you of me have tired? If people said... Be honest! ❦ 19 ❦ Say that you love me no more. All cowards. I see! She’s not Musette! Sandor By these fine folk you are admired. Irma (to Ladislas) Cowards? We’ll show you who are Oh, no, my dear! Nor am I Irma, my bold son of Mars. the true Hungarians. What do you We never met before! Ha, ha, ha! All say, men? Are you with me. (All No, no. We’ve never met! What! Not Irma! What is this? consent.) And you are not my girl Musette! Irma Ladislas All Dear Count, Lieutenant Fedor, lead the way! Musette! Musette! You’ll have to find another bride. All Ladislas, All I’m Irma’s brother Fedor, of the Vivat! Lieutenant Fedor Peace! Vagabond! Your wits have Royal Hussars. (She reveals herself Of the Royal Hussars! gone astray. The lady never saw you in military uniform.) Irma till to-day. Pompom Where’er in the thick of the fight Sandor Of course, he is my Fedor, Our bannners’ guide, we ride, She’s my betrothed; Come back to me at last! And all our hearts are aglow But false to me, ’tis clear, All With joy and pride... Since she’s to marry Eljen! Eljen! Vivat! Vivat! All With this fossil here. Vivat Lieutenant Fedor, Rataplan! We ride... Ta-ta-ra... (to the Count, then to Ladislas) Of the Royal Hussars... Irma So you too have a claim on her? Sergeant (arriving with troops) We ride. The drumbeats fill the air! I see a sword you wear. Captain Ladislas? The trumpets loudly blare, Come, draw it then, my popinjay, Ladislas On, comrades! Do and dare And win her if you dare. Here! For Hungaria—Hungaria! Ladislas Sergeant All You mountebank! Lieutenant Fedor. Where’er... Absurd your claim! Irma Irma, All En garde! I’ll fight you all the same! Uh...here! With lance in rest Count Sergeant Where gleams the leader’s crest, The claim of both I must decide. The General orders you both to With trusty sword in hand. The lady here is my bride. camp at once. The Turks have Who fears to fall Sandor and Ladislas attacked and invaded our land. When it is freedom’s call? If that’s what you have planned, Every man is needed. Charge, Magyars! We two shall both fight you. En Sergeant Save the Fatherland! garde! (Both rush at Count.) You, gypsies. Will you fight with us? All Irma Ladislas Is there one who fears to die? Hold! Put up your swords! I’m not They will not fight. They are all Let the craven traitor fly. Musette! ❦ 20 ❦ We shall all the world defy enters in Fedor’s uniform.) You shall need them in the fight. For Hungaria—Hungaria! Irma See that they’re sharp, my men. Where’er in the thick...Ta-ta-ra! Here, sir! Trusty steel and true. (All march off triumphantly.) General (has “Fedor” seized) If not, why, bring them all to me Step forward, sir. So, you dare to I’ll temper them for you. tempt my vengeance by being Men ACT III absent from drill yesterday? Captain Yes, yes, ‘tis true. (The camp of the Hungarian forces) Ladislas, see that the order is carried He’ll temper them for you. Opening Track 11 out at once! Sandor, the Men Hussars Ladislas Oh, I sing the praise of the sword. Ready for the fighting, Yes, sir! That faileth a soldier never, Foes to be a smiting Lieutenant (coming in) For beauty is as brief Soon we shall be sighting Captain Ladislas, we have captured As a summer night In our land. a spy. (He brings in Sandor.) But glory shall last for aye! Sabers to the ready, Ladislas I’ll swing the sledge Hold your horses steady. Ah, the crazy gypsy who claimed To the anvil’s edge Here we make a stand. Irma as his sweetheart. What are With all the force I can. On the command. you doing in the camp? And the sword we’ll mend Enemy approaching fast Sandor That shall be a friend Until we meet both I’m no spy. I thought I might find In the hand of the fighting man. ‘Mid bomb and blast. Musette. I saw her enter the camp All Bodies will be falling with you. He’ll swing... (They all go.) In a scene appalling, Ladislas And the ground around The poor fellow seems demented. Dialogue Track 13 Is turning red. He’s armed only with a sword. Not Irma (re-enters, still in Fedor’s Now their ranks are thinning. even a rifle! uniform) Thanks to Pompom, I’ve Soon we will be winning. Sandor escaped from the guard house. All our foes are dead The true heros of Hungary have no Boris (comes back with the Count) Or us instead. need for gunpowder. Only steel and Ah, Fedor! There he is! ‘Til a day to come and then the will to save their country! Count We go to war yet once again! You are just the man I want to see. Song Track 12 Irma Dialogue Sandor What are you two ragamuffins General Korbay (arriving) Look to your weapons, men doing in the camp? Where is that rascal Fedor? Bring See that they are bright, Count him before me and I’ll make him For before the day is over I have lost my heart. Your sister loves regret that he was ever born! (Irma me to distraction. ❦ 21 ❦ A white lily lay dreaming Laughed the nightingale. Ha-ha! Where the sunbeams (She goes.) Loved to stray. A butterfly gaudily gleaming, Dialogue Track 15 Just stopped to say “Good-day!” Count (sees Fresco enter) And thus there began a flirtation, Fresco! There you are, you Progressing, you know how. scoundrel! What have you done Ere the sun went to rest, with my Angel Bride? The lily confessed, Fresco “I never loved till now.” Listen to me. Irma has run away. She She said: “I was so lonely, has a twin brother. Darling, till you came. Count Boris (Max Nolin) and the Count try to You, and you dear, only, Yes, yes I know. He is here in the hussle Irma/Fedor. Set my heart aflame. camp. Irma Ever I’ll be true, dear, Fresco Does she? I wasn’t aware of that. None is like you, none. Yes, and he can claim the entire Count (aside) I love you dear, only. estate unless we get him out of Lieutenant Fedor, if you will You are the only one.” the way... consent to me marriage with your Count sister, I can restore your family When the moon But how? estate to you both. On the lake there was beaming, Boris Irma Came the nightingale to woo. Challenge him to a duel... So, that’s your little game, is it? The white lily Mlle. Pompom (entering just then) You would marry my sister for the Welcomed him fondly. Ah! a conspiracy! Écoutez. I wish fortune she would bring, giving in And sighed, “I love but you.” to have a man killed. He is the only return a worthless title. (aside) He She said as she said to the other, man I ever loved. His name is Fedor. thinks I’m Fedor. (aloud) You are one With all a coquette’s art, Count of those buccaneers sailing the “I have ne’er loved before. Fedor? He dies by my hand! social sea, always on the lookout for It is you I adore Pompom treasure-laden craft. Well, I would With all my maiden heart.” Ah, my Count. You are the only never consent to my sister’s She said: “I was so lonely, man I ever loved. You shall be my marriage with such a social pirate! Darling, till you came; avengeur. (seeing Irma return) Count Spare my blushes, only There is the traitor! Brother...You are cruel! I must blush for shame.” Fresco But that bird was wary: M. Fedor, you have insulted the Song Track 14 He had heard that tale. Count by refusing to give him the Irma “I believe you, dear, of course,” hand of your sister. He challenges On the lake ❦ 22 ❦ you to meet him in mortal combat. Impossible. He was this morning in General Irma the guard house. No. What? I’m very sorry. Look here, Ladislas (coming forward) Irma can’t we call this fight off? General, it is useless to deceive you And Fedor won’t be shot as a Pompom any longer. This is not Fedor, but his deserter? Non. My hand and heart go to the twin sister, my betrothed, Irma! General victor. He will be the only man I ever General (amazed) No. loved... What? And you have dared to... Irma General Korbay (entering just Irma (taking off the uniform) And I can marry my Ladislas, instead then, sees Irma) Lieutenant! What? Yes, General. When Fedor of that old... “thing” over there You? Escaped from the guard house disappeared, I thought he had (indicates the Count) and about to fight a duel? (A hussar deserted and run away with Pompom (takes the Count’s hand) rushes in.) Pompom. That “thing” is the only man I ever Hussar Ladislas loved... A victory, General! A great battle I consented to help Irma to save her General (interrupts her) was fought this morning. Our brother from being shot as a Yes! enemies seemed on the point of deserter. I know the consequences Irma crushing us when a young officer and I am ready to face them like a Hurrah! Then I’m the happiest girl in rallied our retreating cavalry and man. all of Hungary. turned retreat into a glorious General Sandor victory! You shall have what you deserve, And remember, all of you, that if All sir! (takes Irma’s hand, gives it to you wish to know the future, do not Hurrah! Ladislas) Your sweetheart! (Fresco fail to consult my Musette... General groans. All are delighted.) All And the name of this young officer? Irma The Fortune Teller! (general laughter Hussar Then you won’t punish my Ladislas? and merriment) Lieutenant Fedor! General All No. Finale Track 16 Fedor? (All turn and stare at Irma.) Irma All General And you won’t send me to the Wher’er in the thick of the fight... Fedor? This young scamp? guard house? END ACT III / END CD TWO

Due to recording constraints, the Third Act duet “The Power of the Human Eye,” is not included.

❦ 23 ❦ Ohio Light Opera Orchestra 2011 Steven Byess, Conductor

VIOLIN: Selim Giray, Concertmaster Daniel Bolton, Julianna Byess, Miguel Camargo, Caroline Drozdiak, Ernesto Estigarribia, Karin Andrea Cuellar Rendon VIOLA: Noah Dresser, Gloria Brítez Scolari CELLO: Cody Green, Rebecca Yoder BASS: Andrew Hawks, Dan Matlock FLUTE: Katrina Elsnick, Amulet Strange OBOE: Joe Basel, Caitlin Ratzer CLARINET: Jen Augello, Spencer Prewitt BASSOON: Arleigh Savage, Caitlin Wieners Steven Byess HORN: Mike Anderson, Matt Taylor Conductor TRUMPET: John Schuesselin, Etienne Massicotte, Ryan Noe TROMBONE: David Ball, Dave Day HARP: Kristina Finch John Schuesselin PERCUSSION: Evan Mitchell, Thomas Roblee Orchestra Personnel Manager

❦ 24 ❦ THE COLLEGE OF WOOSTER Liberal arts colleges are, in the words of President Grant H. Cornwell, ”an American invention.” A recent study measured the leading 50 colleges in three critical areas— educating scientists, educating leaders in international Grant H. Cornwell affairs, and educating business executives. Wooster is PRESIDENT one of only 21 colleges to earn a place in all three groups. It is also a school which is dedicated to the performing arts with strong programs in theater and music. Since establishing The Ohio Light Opera in 1979, Wooster has upheld the goals of providing young musicians with an opportunity to perform in a professional setting and of entertaining audiences with operettas which charmed the publics of an earlier era.

❦ 25 ❦ The Ohio Light Opera 2011 Festival Staff Steven Daigle Artistic Director Julie Wright Associate Artistic Director Laura Neill Executive Director Michael Borowitz Music Director Katie Humphrey Production Stage Manager Brian Rudell Sound Designer Steven Daigle Julie Wright Costa Michael Borowitz Artistic Director Associate Artistic Director Music Director

Acknowledgements: Grant Cornwell President, College of Wooster

ADVISORY BOARD: Mr. & Mrs. William Blanchard Mrs. Harold Freedlander Mr. & Mrs. Frank L. Knorr Boyd & Eloise Mackus Laura Neill John Ostendorf Michael & Nan Miller Executive Director Recording Producer Hon. John D. Ong Barbara Robinson The production of The Fortune Teller was partially underwritten by John Schambach gifts from Denise Sobel & Norm Keller, Dave & Carol Sherck Buehler’s & LPC Publishing Company. Mr. & Mrs. Ernest Stein

❦ 26 ❦ Albany’s Ohio Light Opera CD series also includes Gilbert & Sullivan’s Patience, Ruddigore, Mikado, The Gondoliers, Sorcerer, The Yeomen of the Guard and The Grand Duke; Victor Herbert’s Mlle. Modiste, Naughty Marietta, The Red Mill and Sweethearts; Jerome Kern’s The Cabaret Girl, Emmerich Kalman’s Der Zigeunerprimas and Autumn Maneuvers; DeKoven’s Robin Hood; Offenbach’s Bluebeard and The Brigands, Friml’s The Vagabond King and The Firefly, Zeller’s The Birdseller and Sousa’s El Capitan.

❦ 27 ❦ TROY 1326 / 27 VICTOR HERBERT

CD TWO (53:22) The Fortune Teller 1 ACT II Opening: “Ding-dong, merrily” (2:35) CD ONE (50:37) 2 Dialogue: “Now, see here” (0:52) 1 ACT I, Overture (4:46) 3 Song: “Signor Mons. Moldoni” (4:25) 2 Opening: “What do I hear?” (6:00) 4 Song: “I won’t wear...Serenade of Nations” (7:55) 3 Scene: “You ought to be ashamed” (1:46) 5 Song: “Ah, my Musette...Gypsy Love Song” (4:42) 4 Dialogue: “Ah, good morning” (1:50) 6 Dialogue: “Oh, Sandor, take me away” (3:23) 5 Scene: “Ha-ha!...Always do as people say” (6:14) 7 Song: “When the Gods made us naughty” (2:33) 6 Dialogue: “Psst, Count, it’s she!” (1:03) 8 Duet: “Ah, oui...Only in the Play” (5:18) 7 Song: “No infantry...When heroes” (3:30) 9 Dialogue: “And now, Ladislas” (1:20) 8 Dialogue: “Irma! My Ladislas!” (1:34) 10 Finale Act II: “Speak, Irma!” (7:05) 9 Duet: “On a gray May morn” (3:54) 11 ACT III Opening: “Ready for the fighting” (1:51) 10 Dialogue: “Magnificent! Ah, you see!” (1:44) 12 Song: “Look to your weapons, men!” (1:46) 11 Song: “Ho, ye townsmen” (3:33) 13 Dialogue: “Thanks to Pompom” (0:59) 12 Song: “Here we are...Romany Life” (5:00) 14 Song: “On the lake a white lily” (4:22) 13 Dialogue: “Allow me to present” (4:25) 15 Dialogue: “Fresco, there you are!” (2:55) 14 Finale Act I: “Come to my chateau” (5:04) 16 Finale Act III: “Wher’er in the thick” (1:10)

HERBERT HERBERTThe Fortune Teller 2-CD Set Victor Herbert’s exotic 1898 three-act operetta score abounds with Hussar marches, gypsy

love songs, comic numbers, romantic duets and brilliant finales. The Fortune Teller, its The Fortune Teller music and dialogue, was recorded with the Cast, Chorus and Orchestra at the 2011 Ohio Light Opera Festival, Steven Byess conducting. John Ostendorf, recording producer. TROY 1326 / 27

Victor Herbert

The Ohio Light Opera The Ohio Light Amy Maples David Kelleher-Flight Stephen Faulk

Irma, the Ballerina and Musette, the Fortune Teller Sandor Ladislas

The OhioLightOpera

Steven Byess Ted Christopher Elisa Matthews Gary Moss Logan Walsh Conductor Stage Director Mlle. Pompom Fresco Count Berezowski

TROY 1326/27 Albany Records U.S. CD ONE (50:37) Act I 915 Broadway, Albany, NY 12207 CD TWO Tel: 518-436-8814 FAX:518-436-0643 (53:22) Acts II & III The Fortune Teller The Fortune

Albany Records U.K. John Ostendorf, RECORDING PRODUCER Box 137 Kendal, Cumbria LA80XD George FaddoulRECORDING, ENGINEER Tel: 01539 824008 Warren Bendler, RECORDING ENGINEER Warning: Copyright subsists in all recordings issued under the label © 2011 Albany Records Matt Dilyard, PRODUCTION PHOTOGRAPHY Made in the USA.www.albanyrecords.com Katie Humphrey, ASSISTANT TO THE PRODUCER HERBERT