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University of Florida Thesis Or Dissertation Formatting
IRISH MUSIC AND HOME-RULE POLITICS, 1800-1922 By AARON C. KEEBAUGH A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Aaron C. Keebaugh 2 ―I received a letter from the American Quarter Horse Association saying that I was the only member on their list who actually doesn‘t own a horse.‖—Jim Logg to Ernest the Sincere from Love Never Dies in Punxsutawney To James E. Schoenfelder 3 ACKNOWLEDGMENTS A project such as this one could easily go on forever. That said, I wish to thank many people for their assistance and support during the four years it took to complete this dissertation. First, I thank the members of my committee—Dr. Larry Crook, Dr. Paul Richards, Dr. Joyce Davis, and Dr. Jessica Harland-Jacobs—for their comments and pointers on the written draft of this work. I especially thank my committee chair, Dr. David Z. Kushner, for his guidance and friendship during my graduate studies at the University of Florida the past decade. I have learned much from the fine example he embodies as a scholar and teacher for his students in the musicology program. I also thank the University of Florida Center for European Studies and Office of Research, both of which provided funding for my travel to London to conduct research at the British Library. I owe gratitude to the staff at the Library of Congress in Washington, D.C. for their assistance in locating some of the materials in the Victor Herbert Collection. -
The Fortune Teller the OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director the Fortune Teller
VICTOR HERBERT The Fortune Teller THE OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director The Fortune Teller Music......................................Victor Herbert ENSEMBLE: Book and Lyrics......................Harry B. Smith Jacob Allen, Natalie Ballenger, Sarah Best, Lori Birrer, John Vocal Score Reconstruction........Adam Aceto Callison, Ashley Close, Christopher Cobbett, Mary Griffin, Anna-Lisa Hackett, Geoffrey Kannerberg, Andy Maughan, Ohio Light Opera Olivia Maughan, Evan McCormack, Geoffrey Penar, Will Perkins, Madeline Piscetta, Zachary Rusk, Mark Snyder, Raina Thorne, Artistic Director........................Steven Daigle Angela Vågenes, Joey Wilgenbusch. Conductor.................................Steven Byess Stage Director.......................Ted Christopher Sound Designer..........................Brian Rudell PROGRAM NOTES ...............................Michael D. Miller Choreographer.....................Carol Hageman Victor Herbert, acknowledged as Costume Designer.................Whitney Locher the Father of American Operetta, Scenic Designer...............................Erich Keil was born in Dublin in 1859, the Lighting Designer.....................Krystal Kennel grandson of Irish novelist-artist- Production Stage Manager...Katie Humphrey composer Samuel Lover. The family eventually moved to Stuttgart where CAST: Victor’s initial studies toward a Musette / Irma...........................Amy Maples career in medicine or law were soon Sandor...........................David Kelleher-Flight replaced -
INDICE COMPOSITORI Irving BERLIN (Israel Baline) SIBERIA 1888 – USA 1989 1
INDICE COMPOSITORI Irving BERLIN (Israel Baline) SIBERIA 1888 – USA 1989 1. Watch Your Step (1914) Di seguito in ordine alfabetico troverete i 2. Stop. Look. Listen! – revue (1914) maggiori compositori di musical e le loro 3. The Century Girl – revue (1916) opere riportate in ordine cronologico. 4. The Ziegfeld Follies of 1918 – revue (1918) ABBA 5. The Canary – operetta-parte della score (1918) (Benny Andersson – SVEZIA 1945 – Bj Örn 6. Yip, Yip, Yaphank – revue (1918) Ulvaeus – SVEZIA 1946) 7. Music Box – revue (1921) 1. Abbacadabra (1984) 8. The Cocanuts (1925) 2. Chess (1986) 9. Face the Music (1932) 3. Kristina… (1998) 10. As Thousands Cheer (1933) 4. Mamma Mia! (1999) 11. Luisiana Purchaese (1940) 12. This Is the Army (1942) Richard ADLER 13. Annie Get Your Gun (1946) USA 1921-2012 14. Miss Liberty (1949) 1. John Murray Anderson’s Almanac 15. Call Me Madame (1950) (revue) 1953 16. Mr. President (1962) 2. The Pajama Game (1954) 3. Damn Yankees (1955) Leonard BERNSTEIN 4. Music Is (1956) USA 1918-1990 5. Kwamina (1961) 1. Fancy Free – balletto (1944) 6. A Mother’s Kisses (1969) 2. On The Town (1944) 7. Music Is (1976) 3. Facsimile – balletto (1946) 8. Off Key (1995) 4. Peter Pan – commedia con musiche (1950) Harold ARLEN (Hyman Arluck) 5. Trouble in Tahiti – opera (1952) USA 1905-1986 6. Wonderful Town (1952) 1. Earl Carroll Vanities – revue (1930) 7. The Lark – commedia con musiche 2. You Said It – revue (1931) (1955) 3. Rhythmania – revue (1931) 8. Candide (1955–56) – revised (1974) – 4. Cotton Club Parade – revue (1932) revised (1989) 5. -
Wand'ring Minstrels in I Have a Song to Sing, O!
E OWL P RFO B RM S I D N N G A A L D R 97th Annual T The E S Summer Music R 2273rd Festival Event Tuesday, July 28, 2020 8:00 p.m. ● ALBERT BERGERET, ARTISTIC DIRECTOR WAND’RING MINSTRELS IN I HAVE A SONG TO SING, O! INTRODUCTION BY Nathan Gonzales ________________________________________________________________________________ This program is generously sponsored by ______________________________________E_S__R_I ______________________________________ THIS EVENING’S ARTIST Director: James Mills Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Editor: Danny Bristoll Sarah Caldwell Smith, Soprano Rebecca Hargrove, Soprano Angela Christine Smith, Contralto Alex Corson, Tenor James Mills, Comic Baritone Matthew Wages, Bass-Baritone David Wannen, Bass Accompanist: Elizabeth Rogers MUSICAL NUMBERS With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) . .Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) . .James Mills Sarah Caldwell Smith Am I Alone and Unobserved? (Patience) . .James Mills A British Tar (H.M.S. Pinafore) . .Alex Corson Matthew Wages David Wannen I’m Called Little Buttercup (H.M.S. Pinafore) . .Angela Christine Smith We’re Called Gondolieri (The Gondoliers) . .Alex Corson Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) . .Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) . .Matthew Wages and Men When All Night Long a Chap Remains (Iolanthe) . .David Wannen Three Little Maids From School are We (The Mikado) . .Rebecca Hargrove Angela Christine Smith Sarah Caldwell Smith The Sun, Whose Rays are All Ablaze (The Mikado) . .Rebecca Hargrove Here’s a How-de-do! (The Mikado) . .Alex Corson James Mills Rebecca Hargrove Alone, and Yet Alive! (The Mikado) . -
NAVGHTY IETTA a COMIC OPERA \JITH ~L,L,T
M~. 05Cf\R fJF\MNERSTtl n PR~St:nT:S NAVGHTY IETTA A COMIC OPERA \JITH ~L,L,t:. ~M~A TRen-r1n1 "-' BOOK© LYRJCJ BY RIDA JOtin:Sot\ YOUnG NVflC BY ~ VICTOR tiERBERT r-J NAUGHTY MARIETTA 60 LIVE FOR TO-DAY . 60 MR. VOODOO 60 SWEET BY AND BY, THE 60 SWEET MYSTERY OF LIFE, AH IF I WERE ANYBODY ELSE BUT ME 60 (The Dream Melody) 60 YOU MARRY A MARIONETTE I'M FALLING IN LOVE WITH 60 IT'S PRETTY SOFT FOR SIMON 60 SOMEONE 60 INSTRUMENTAL 'NEATH THE SOUTHERN MOON DREAM MELODY (Intermezzo) 60 (FOR THEE) 60 WALTZES . 75 IT NEVER, NEVER CAN BE LOVE 60 SELECTION 1.00 ITALIAN STREET SONG 60 SCORE 2.50 Theatrical and Music Hall Rights of these Songs are fully protected by Copyright and MUST NOT be used for public performances without permission. M.~IT~ARK &00n~ Nf.\J YORI\ - CHICA<10- :SAN fRANCl5CO - L.ONDON- PARIS ~e.az.lli to Co., I lllB 2' llUIJO letn, - • 2 Live For To-day. Waltz Song. Lyric by Music by RIDA JOHNSON YOUNG. VICTOR HERBERT. Tempo di Valse. (Alleg-ro. ) --==== rit. a tempn. "-"" Would you say to the rose_ p ~ . ~ ' ~ . , . .- _. .... _, -' _. ' . " -- ..... -... ___ + (JI - @.. ....___...• - --n 4: - - -- when it buds to life:-- uJ=:e care, you must joy - less ~ > ,. ..... _. _, - ~ " _. ... -= ... .. ~ I ~ ' -= ..___,. @.. .._.,,• - Tl - - ...g• ..... v -- 1..--' -- - ~------ -- • I b.1 • .. - - ~- • j~ L :: - _,_ - .... ..... -~ ~ - - - - - - - \ ,,L ... - - -- - - - - ~ .. - :J ~ I l I I ~ ;,. l • ~ ~ - " .- ... , .. - - .. -~ ' '. - - -- - f) - - n ' -- -- ~~ he·, Close your heart, close rour ·~·lips-- to the sun so bright, ~ I l I I , .... -
Herbert Women!
News From VHSource, LLC Vol 6 June 2017 Herbert Women! Here Herbert presents us with two very strong women, Happily Ever After? and that question just keeps rearing its head: “Will these relationships work after the audience goes home.” ast month’s wonderful week of Victor Herbert in Both Barry O’Day and Crown Prince Ivan get the girl. New York City led to interesting discussions over the Interestingly, both of these original works fall into the Lthree or four days as great friends from across the second decade of the new 20th century. The same country gathered in New York – California, Wisconsin, decade that saw women finally begin to get the right to Michigan, Connecticut, Massachusetts! We all enjoyed th vote. That issue had been brewing since the 1870s in two VHRP LIVE! 100 Anniversary performances of Europe and both the European and American male Herbert’s Eileen (1917) and the MasterVoices’ populations were getting fed up with the protestations performance of Herbert’s Babes In Toyland (1903). of strong females. One discussion in particular raised the issue of whether or Finland was the first European country to grant voting not Eileen and Barry O’Day would have lived happily ever rights to women in 1913, followed by Canada in 1917, after. The consensus seemed to be that they would NOT. Britain in 1918 and the United States in 1920. One Eileen had backed the O’Day into too many corners during could say women were definitely feeling their growing their courtship and never would have succeeded in stopping strength in the real world. -
Untitled, It Is Impossible to Know
VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................ -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
Vocal Performance from Renaissance to Modern Day
University of Rhode Island DigitalCommons@URI Honors Program at the University of Rhode Senior Honors Projects Island 5-2019 Vocal Performance from Renaissance to Modern Day Katherine Souza [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/srhonorsprog Part of the Music Performance Commons Recommended Citation Souza, Katherine, "Vocal Performance from Renaissance to Modern Day" (2019). Senior Honors Projects. Paper 843. https://digitalcommons.uri.edu/srhonorsprog/843https://digitalcommons.uri.edu/srhonorsprog/843 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Thomas Augustine Arne was born on March 12, 1710 in London, England. His father wanted him to become a lawyer, so he spent much of his young life directing his energy towards this goal. In secret, however, he gained such a mastery of piano and violin that his father could not object to him giving up law to become a musician. Arne took a couple lessons with Michael Festering, but otherwise he never had any formal training. Arne also taught his younger siblings music; his younger sister would later go on to become the famous English actress, Mrs. Cibber. Both of his younger siblings appeared in Rosamond in 1733, which was the first stage work that Arne ever produced. Arne was also engaged to write several pieces for the Drury Lane Theatre Company. -
Kern FESTIVAL
COMIC OPERA GUILD FESTIVAL RECORDINGS CDs will be mailed to you. For orders of one title, please include $5.00 shipping. For 2 titles or more, mailing is included. COMIC OPERA GUILD, P.O. BOX 1922, ANN ARBOR, MI 48106 The Victor Herbert JEROME FESTIVAL Kern FESTIVAL MUSIC MUSIC MUSIC MUSIC ONLY & DIALOG ONLY & DIALOG ❑ MADEMOISELLE MODISTE ❑ $18 ❑ HAVE A HEART ❑ $23 ❑ $23 ❑ PRINCESS “PAT” ❑ $18 ❑ VERY GOOD, EDDIE ❑ $23 ❑ $23 ❑ THE RED MILL ❑ $18 ❑ THE CABARET GIRL ❑ $18 ❑ $23 ❑ OH, BOY! ❑ $23 ❑ $23 ❑ THE ONLY GIRL ❑ $18 ❑ OH, LADY! LADY!! ❑ $18 ❑ $23 ❑ WHEN SWEET SIXTEEN ❑ $18 ❑ SALLY ❑ $23 ❑ $23 ❑ SWEETHEARTS ❑ $23 ❑ GOOD MORNING, DEARIE ❑ $18 ❑ $23 ❑ THE SINGING GIRL ❑ $23 ❑ $23 ❑ STEPPING STONES ❑ $18 ❑ ORANGE BLOSSOMS ❑ $18 ❑ $23 ❑ CAT AND THE FIDDLE ❑ $23 ❑ THE ENCHANTRESS ❑ $23 ❑ $23 ❑ LEAVE IT TO JANE ❑ $18 ❑ $23 ❑ BABETTE ❑ $18 ❑ $23 ❑ LOVE-MIKE & ROCKABYE ❑ $18 ❑ $18 ❑ LITTLE NEMO ❑ $23 ❑ $23 ❑ NIGHT BT & BUNCH-JUDY ❑ $18 ❑ $18 ❑ THE GIRL FROM UTAH ❑ $18 ❑ $23 ❑ IT HAPPENED IN NORDLAND ❑ $18 ❑ $23 ❑ ❑ ❑ THE IDOL’S EYE $23 $23 OTHER COMPOSERS ❑ THE PRIMA DONNA ❑ $18 ❑ $23 ❑ MARY HIRSCH ❑ $18 ❑ $23 ❑ DREAM CITY/MAGIC KNIGHT ❑ $23 ❑ $23 ❑ RAINBOW GIRL HIRSCH ❑ $18 ❑ ALGERIA ❑ $23 ❑ APPLE BLOSSOMS KREISLER ❑ $18 ❑ $23 ❑ WONDERLAND ❑ $23 ❑ THE THREE TWINS HOSCHNA ❑ $23 ❑ THE VELVET LADY ❑ $18 ❑ MADAME SHERRY HOSCHNA ❑ $18 ❑ $23 ❑ THE TATOOED MAN ❑ $23 ❑ HIGH JINKS FRIML ❑ $23 ❑ $23 ❑ ❑ ❑ ❑ OLD DUTCH ❑ $18 KATINKA FRIML $23 $23 ❑ THE CHARLATAN SOUSA ❑ $18 ❑ $23 ❑ ANGEL FACE ❑ $18 ❑ EL CAPITAN SOUSA ❑ $18 ❑ $23 ❑ ❑ ❑ THE VICEROY $23 $23 ❑ CHRIS & THE W. LAMP SOUSA ❑ $18 ❑ $23 ❑ MISS DOLLY DOLLARS ❑ $23 ❑ $23 ❑ THE FREE LANCE SOUSA ❑ $23 ❑ $23 ❑ THE MADCAP DUCHESS ❑ $18 ❑ $23 ❑ THE ROSE OF CASTILE BALFE ❑ $23 ❑ HER REGIMENT ❑ $18 ❑ $23 ❑ THE PRINCE OF PILSEN LUDERS ❑ $18 ❑ $23 ❑ MLLE. -
An Affordable Way to Produce Herbert
News From VHSource, LLC Vol 8 August 2017 An Affordable Way to Produce Herbert fellowship hall or altar area with some room. There are Why not Give it a Shot! no permissions to obtain other than renting from VHSource! All materials are sent digitally by email ast month the topic was forming your own immediately upon signing a contract and paying the fee. company, and some of the pitfalls to avoid. We You can easily print them out at a Kinko’s or your own Lwill of course assume that the majority of you are computer at home. All materials are in 8 ½ x 11 format Victor Herbert fans, and thus, may desire to launch a for ease of printer on most any printer. Victor Herbert company. However, you may not be ready to jump in with both feet and produce one of There are approximately 23 to 28 songs in each concert Herbert’s operettas or musical comedies. grouped into two halves with an intermission. From our experience in New York City, your audience will This month we’d like to alert you to some rental materials definitely appreciate an intermission. All songs are that will help you either stage an event or launch a composed by Victor Herbert and/or his grandfather. All company for a very reasonable rental fee. VHRP LIVE! materials are performance-ready and there is a short has already tested the New York City waters and paved libretto (script) included with each concert which assists the way for your own possibilities. You just may find an your audience as to the time period of the songs and some audience in your local area that would love this history of Victor Herbert. -
Mlle. Modiste
VICTOR HERBERT Mlle. Modiste The Ohio Light Opera Michael Borowitz Conductor Steven Daigle Director Mlle. Modiste Music.....................................Victor Herbert BACKGROUND NOTES...............Michael Miller Lyrics.....................................Henry Blossom By the time composer Victor Herbert began work Orchestral Restoration...........Bruce Herman in 1905 on his comic opera Mlle. Modiste, he already Conductor........................Michael Borowitz had fourteen Broadway shows to his credit and a Stage Director.........................Steven Daigle reputation as America’s most prominent composer of stage music. Long frustrated with the demands of The Ohio Light Opera Broadway publishers and producers that he simply Steven Daigle, Artistic Director crank out a bunch of songs and leave the rest to them, CAST: he and librettist Henry Blossom set out on the Modiste Fifi....................................Sara Ann Mitchell project with the goal of creating a new musical/ Étienne....................................Todd Strange dramatic paradigm for American operetta. In his words, Conte de St. Mar.....................Boyd Mackus “A comic opera with any pretense at artistic merit has Hiram Bent...............................Dennis Jesse the two forces [music and drama] so closely related and inter-woven that the audience senses them as one and Gaston.......................................Jacob Allen the same thing. Every situation requires some definite Mme. Cecily..............................Julie Wright sort of music and the