An Affordable Way to Produce Herbert
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Too-Ra-Loo-Ra-Loo-Ral)
Connecticut College Digital Commons @ Connecticut College Historic Sheet Music Collection Greer Music Library 1913 That's An Irish Lullaby (Too-ra-loo-ra-loo-ral) James R. Shannon Follow this and additional works at: https://digitalcommons.conncoll.edu/sheetmusic Recommended Citation Shannon, James R., "That's An Irish Lullaby (Too-ra-loo-ra-loo-ral)" (1913). Historic Sheet Music Collection. 1080. https://digitalcommons.conncoll.edu/sheetmusic/1080 This Score is brought to you for free and open access by the Greer Music Library at Digital Commons @ Connecticut College. It has been accepted for inclusion in Historic Sheet Music Collection by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. ~i TOO-RA-LOO-RA-LOO-RAL --·r>*--<1·-- l InCrctoc) In E~ Contralto (el, to e!, J{ or Baritone (lead) Soprano (g to a/,J 1---------~-~---+------='-------4 or Tenor PUBLISHED IN THE FOLLOWING ARRANGEMENTS Vocal Solo, C-E~-F-G ... ... each .;o Piano Solo (Gotham Classics No. 85) .50 Vocal Duet, ED-G . .... ... ... each .60 i Part Mixed (SAB) . I; 2 Part (SA or TB) . .15 4 Part Mixed (SA TB) . I 5 3 Part Treble (SSA) .. .15 . Accordion Solo (Bass Clef) . .;o 4 Part Treble (SSAA) .. .. ....... .16 Vocal Orchestration, F-C . ..... each .75 4 Part Male (TTBB) ............... .15 Dance Orchestration (Fox Trot) . .7 5 Band .... ......... .. ......... 1.00 WHEN PERFORMING THIS CO MPOSITION KINDLY G !VE ALL PROGRAM C -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
INDICE COMPOSITORI Irving BERLIN (Israel Baline) SIBERIA 1888 – USA 1989 1
INDICE COMPOSITORI Irving BERLIN (Israel Baline) SIBERIA 1888 – USA 1989 1. Watch Your Step (1914) Di seguito in ordine alfabetico troverete i 2. Stop. Look. Listen! – revue (1914) maggiori compositori di musical e le loro 3. The Century Girl – revue (1916) opere riportate in ordine cronologico. 4. The Ziegfeld Follies of 1918 – revue (1918) ABBA 5. The Canary – operetta-parte della score (1918) (Benny Andersson – SVEZIA 1945 – Bj Örn 6. Yip, Yip, Yaphank – revue (1918) Ulvaeus – SVEZIA 1946) 7. Music Box – revue (1921) 1. Abbacadabra (1984) 8. The Cocanuts (1925) 2. Chess (1986) 9. Face the Music (1932) 3. Kristina… (1998) 10. As Thousands Cheer (1933) 4. Mamma Mia! (1999) 11. Luisiana Purchaese (1940) 12. This Is the Army (1942) Richard ADLER 13. Annie Get Your Gun (1946) USA 1921-2012 14. Miss Liberty (1949) 1. John Murray Anderson’s Almanac 15. Call Me Madame (1950) (revue) 1953 16. Mr. President (1962) 2. The Pajama Game (1954) 3. Damn Yankees (1955) Leonard BERNSTEIN 4. Music Is (1956) USA 1918-1990 5. Kwamina (1961) 1. Fancy Free – balletto (1944) 6. A Mother’s Kisses (1969) 2. On The Town (1944) 7. Music Is (1976) 3. Facsimile – balletto (1946) 8. Off Key (1995) 4. Peter Pan – commedia con musiche (1950) Harold ARLEN (Hyman Arluck) 5. Trouble in Tahiti – opera (1952) USA 1905-1986 6. Wonderful Town (1952) 1. Earl Carroll Vanities – revue (1930) 7. The Lark – commedia con musiche 2. You Said It – revue (1931) (1955) 3. Rhythmania – revue (1931) 8. Candide (1955–56) – revised (1974) – 4. Cotton Club Parade – revue (1932) revised (1989) 5. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Wand'ring Minstrels in I Have a Song to Sing, O!
E OWL P RFO B RM S I D N N G A A L D R 97th Annual T The E S Summer Music R 2273rd Festival Event Tuesday, July 28, 2020 8:00 p.m. ● ALBERT BERGERET, ARTISTIC DIRECTOR WAND’RING MINSTRELS IN I HAVE A SONG TO SING, O! INTRODUCTION BY Nathan Gonzales ________________________________________________________________________________ This program is generously sponsored by ______________________________________E_S__R_I ______________________________________ THIS EVENING’S ARTIST Director: James Mills Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Editor: Danny Bristoll Sarah Caldwell Smith, Soprano Rebecca Hargrove, Soprano Angela Christine Smith, Contralto Alex Corson, Tenor James Mills, Comic Baritone Matthew Wages, Bass-Baritone David Wannen, Bass Accompanist: Elizabeth Rogers MUSICAL NUMBERS With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) . .Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) . .James Mills Sarah Caldwell Smith Am I Alone and Unobserved? (Patience) . .James Mills A British Tar (H.M.S. Pinafore) . .Alex Corson Matthew Wages David Wannen I’m Called Little Buttercup (H.M.S. Pinafore) . .Angela Christine Smith We’re Called Gondolieri (The Gondoliers) . .Alex Corson Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) . .Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) . .Matthew Wages and Men When All Night Long a Chap Remains (Iolanthe) . .David Wannen Three Little Maids From School are We (The Mikado) . .Rebecca Hargrove Angela Christine Smith Sarah Caldwell Smith The Sun, Whose Rays are All Ablaze (The Mikado) . .Rebecca Hargrove Here’s a How-de-do! (The Mikado) . .Alex Corson James Mills Rebecca Hargrove Alone, and Yet Alive! (The Mikado) . -
Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911–1917
Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911–1917 AARON ZIEGEL Abstract As the genre of American opera was coming of age during the 1910s, composers and librettists began to incorporate the materials of sacred music into the operatic context with surprising frequency. This often took the form of prayer arias, sacred choruses, hymnody, or choral apotheoses, examples of which appear in Frederick Converse’s The Sacrifice (1911), Victor Herbert’s Natoma (1911), Mary Carr Moore’s Narcissa (1912), and Henry Hadley’s Azora (1917). These composers modeled their efforts after familiar European precedents, including Wagner’s Lohengrin, Gounod’s Faust, and Meyerbeer’s Les Huguenots, among other works. Close examination of the music, however, reveals a distinctively American approach in which sacred materials function to reinforce statements of patriotic nationalism. By situating these long-overlooked American operas alongside contemporaneous commentary on the United States’ sense of its sacred purpose, this article illustrates how the composers and librettists sought to participate in the discourses of providentialism, the “Christian nation” concept, manifest destiny, and “True Americanism” in order to craft a characteristically national style. The inclusion of sacred musical ingredients thus helped redefine the genre for US listeners, as the operas’ characters give voice to their Americanness through the sacred music they sing. A woman prays to God seeking strength and perseverance through troubled times. A recent convert narrates a dream-vision in which the coming of Christ is revealed. A congregation sings hymns of praise. A choir performs an anthem based upon a liturgical text. -
NAVGHTY IETTA a COMIC OPERA \JITH ~L,L,T
M~. 05Cf\R fJF\MNERSTtl n PR~St:nT:S NAVGHTY IETTA A COMIC OPERA \JITH ~L,L,t:. ~M~A TRen-r1n1 "-' BOOK© LYRJCJ BY RIDA JOtin:Sot\ YOUnG NVflC BY ~ VICTOR tiERBERT r-J NAUGHTY MARIETTA 60 LIVE FOR TO-DAY . 60 MR. VOODOO 60 SWEET BY AND BY, THE 60 SWEET MYSTERY OF LIFE, AH IF I WERE ANYBODY ELSE BUT ME 60 (The Dream Melody) 60 YOU MARRY A MARIONETTE I'M FALLING IN LOVE WITH 60 IT'S PRETTY SOFT FOR SIMON 60 SOMEONE 60 INSTRUMENTAL 'NEATH THE SOUTHERN MOON DREAM MELODY (Intermezzo) 60 (FOR THEE) 60 WALTZES . 75 IT NEVER, NEVER CAN BE LOVE 60 SELECTION 1.00 ITALIAN STREET SONG 60 SCORE 2.50 Theatrical and Music Hall Rights of these Songs are fully protected by Copyright and MUST NOT be used for public performances without permission. M.~IT~ARK &00n~ Nf.\J YORI\ - CHICA<10- :SAN fRANCl5CO - L.ONDON- PARIS ~e.az.lli to Co., I lllB 2' llUIJO letn, - • 2 Live For To-day. Waltz Song. Lyric by Music by RIDA JOHNSON YOUNG. VICTOR HERBERT. Tempo di Valse. (Alleg-ro. ) --==== rit. a tempn. "-"" Would you say to the rose_ p ~ . ~ ' ~ . , . .- _. .... _, -' _. ' . " -- ..... -... ___ + (JI - @.. ....___...• - --n 4: - - -- when it buds to life:-- uJ=:e care, you must joy - less ~ > ,. ..... _. _, - ~ " _. ... -= ... .. ~ I ~ ' -= ..___,. @.. .._.,,• - Tl - - ...g• ..... v -- 1..--' -- - ~------ -- • I b.1 • .. - - ~- • j~ L :: - _,_ - .... ..... -~ ~ - - - - - - - \ ,,L ... - - -- - - - - ~ .. - :J ~ I l I I ~ ;,. l • ~ ~ - " .- ... , .. - - .. -~ ' '. - - -- - f) - - n ' -- -- ~~ he·, Close your heart, close rour ·~·lips-- to the sun so bright, ~ I l I I , .... -
Herbert Women!
News From VHSource, LLC Vol 6 June 2017 Herbert Women! Here Herbert presents us with two very strong women, Happily Ever After? and that question just keeps rearing its head: “Will these relationships work after the audience goes home.” ast month’s wonderful week of Victor Herbert in Both Barry O’Day and Crown Prince Ivan get the girl. New York City led to interesting discussions over the Interestingly, both of these original works fall into the Lthree or four days as great friends from across the second decade of the new 20th century. The same country gathered in New York – California, Wisconsin, decade that saw women finally begin to get the right to Michigan, Connecticut, Massachusetts! We all enjoyed th vote. That issue had been brewing since the 1870s in two VHRP LIVE! 100 Anniversary performances of Europe and both the European and American male Herbert’s Eileen (1917) and the MasterVoices’ populations were getting fed up with the protestations performance of Herbert’s Babes In Toyland (1903). of strong females. One discussion in particular raised the issue of whether or Finland was the first European country to grant voting not Eileen and Barry O’Day would have lived happily ever rights to women in 1913, followed by Canada in 1917, after. The consensus seemed to be that they would NOT. Britain in 1918 and the United States in 1920. One Eileen had backed the O’Day into too many corners during could say women were definitely feeling their growing their courtship and never would have succeeded in stopping strength in the real world. -
Untitled, It Is Impossible to Know
VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................ -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
Opera and Operetta Are Chronicled in the Belknap Opera
The high notes from the world of Opera and Operetta are chronicled in the Belknap Opera MUSIC OPERA AND OPERETTA The high notes from the world of Opera and Operetta are chronicled in the Belknap Opera/Operetta ephemera collection. The great performers, performances, showplaces and companies are included in this melodically colorful compilation of material. OPERA AND OPERETTA LIBRETTI: Miscellaneous libretti filed alphabetically by show title in 5 Hollinger boxes (3 linear feet). Each folder contains at least one English translation, but many have multiple and varied versions. INTERNATIONAL OPERA COMPANIES: Miscellaneous ephemera filed alphabetically by country in 3 boxes (4.5 linear feet). USA OPERA COMPANIES: Miscellaneous ephemera filed alphabetically by state in 4 boxes (6 linear feet). OPERA AND OPERETTA PROGRAMS: Miscellaneous programs and ephemera filed alphabetically by show title in 17 boxes (25.5 linear feet.) For more information on the Belknap Collection for the Performing Arts contact: Jim Liversidge University of Florida George A. Smathers Libraries Department of Special and Area Studies Collections PO Box 117007 Gainesville, FL 32611-7007 (352) 273-2759 email: [email protected] Copyright © 2003- University of Florida George A. Smathers Libraries. Department of Special Collections P. O. Box 117007 Gainesville, FL 32611-7007 (352) 273-2755 https://www.uflib.ufl.edu/spec/belknap/opera/opera.htm[2/1/2021 4:26:35 PM] OPERA and OPERETTA LIBRETTI OPERA AND OPERETTA OPERA & OPERA AND OPERETTA LIBRETTI Miscellaneous libretti, filed alphabetically by title, in 5 boxes (3 linear feet). Each folder contains at least one English translation, but many have multiple and varied versions.