DOCSLIB.ORG

The Burns and Allen Show Episodes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The burns and allen show episodes click here to download This article lists the episodes of The George Burns and Gracie Allen Show, an American situation comedy television series that ran for eight seasons (–58) . The George Burns and Gracie Allen Show (–). Episode List .. a huge fight with Blanche to show him how silly it is to quarrel with one's best friend. With George Burns, Gracie Allen, Bea Benaderet, Harry von Zell. The George Burns and Gracie Allen Show () George Burns and Gracie Allen C. CBS George Burns and Gracie Allen C. Harry Morton episodes, TVGuide has every full episode so you can stay-up-to- date and watch your favorite show The George Burns and Gracie Allen Show anytime, anywhere. Below is a complete The George Burns and Gracie Allen Show episode list that spans the show's entire TV run. Photos from the individual The George Burns. Disc One FIRST SHOW - In this rare, very first episode of the Burns and Allen Show from , George explains the premise of their TV series and the dynamics. Here we have episodes of the Burns and Allen Show on DVD. Plus I'll throw in nine George Burns TV Specials including a rare show in color with. A guide listing the titles and air dates for episodes of the TV series The George Burns and Gracie Allen Show. The title of their top-rated show changed to The Burns and Allen Show on the show as a regular, though she appeared in a few episodes as. Series: "THE BURNS AND ALLEN SHOW" "THE ADVENTURES OF . is approximate only Total Number of Programs: 54 Total Possible Episodes: 54 Missing. Watch The Burns and Allen Show Full Episodes Online. Find the newest The Burns and Allen Show episodes from the best providers across the web and watch. The George Burns and Gracie Allen Show ran for an amazing episodes on the CBS television network and garnered 12 emmy. A description of tropes appearing in Burns and Allen Show. In a typical radio episode, Gracie sent George to the post office to mail a very heavy package. (37 Episodes) OTRs Burns & Allen Husband & wife Comedy Team George Burns & Gracie Allen, more widely known as simply BURNS. When 'The George Burns and Gracie Allen Show' began on CBS Television October With episodes, the show had a long network run through and. Episodes. Main article: List of The George Burns and Gracie Allen Show episodes. The title of their top-rated show changed to The Burns and Allen Show on of the "Gracie for President" routine and some of the "lost brother" episodes. Episodes Burns Allen Show Gracie Wants George's Interest In Her Mystery, Jan 17, Burns And Allen Show George Gets Gracie A Christmas Gift "Burns and Allen" ran from to , when Gracie suddenly (In one episode, he muses half-seriously: "There's a lot of things in show. BURNS AND ALLEN SHOW~ EPISODES. Reviews BUCKSKIN WESTERN TV SERIES~$ jldwees3 - Las Vegas, NV (9 Purchases) Is this. Episodes[edit]. Main article: List of The George Burns and Gracie Allen Show episodes. The first two seasons of the Burns and Allen TV show in were filmed onstage before a live audience. These 52 episodes are in the public domain. From March through September The Burns and Allen Show aired Mondays With episodes, the show had a long network run through and. "Gracie Writes About Silky Thompson," The George Burns and Gracie Allen Show () Welcome to the “ Best Sitcom Episodes of All Time. Episodes ended with a Burns and Allen dialog reminiscent of their vaudeville routines. At the conclusion, of every episode Burns would turn to Allen and close, . A young teenager visits the George and Gracie, and Gracie is easily confused by what they teach in school at the time. July 5, Season 1, Episode Christmas Program (Aired December 18, ) Burns and Allen are one of the most beloved Episode Notes From The Radio Gold Index. Season 5 guide for The George Burns and Gracie Allen Show TV series - see the episodes list with schedule and episode summary. Track The George Burns. Season 4 guide for The George Burns and Gracie Allen Show TV series - see the episodes list with schedule and episode summary. Track The George Burns. The format of the TV Burns and Allen Show was simple enough. The first six episodes were broadcast from New York, but the show soon moved to Hollywood . for something else on YouTube a few minutes ago I ran across this, a clip from the only color episode of "The Burns and Allen Show" from. The George Burns and Gracie Allen Show, which premiered on 12 October filming the episodes would allow for syndication of the show. www.doorway.ru - Buy The George Burns & Gracie Allen Show - 40 Episodes- 8 DVD Set by George Burns at a low price; free shipping on qualified orders. The TV version of “The George Burns and Gracie Allen Show” followed During the pilot episode George Burns stands in the wings speaking. Burns & Allen Show, first aired on radio in first televised in that ran through The Burns and Allen TV Show; George and Gracie were up there with Jack .. If you can find old episodes of the burns and allen show you need to see real. Episodes of The Burns and Allen Show. January 5, January 19, - Burns and Allen, Brian Donlevy Makes George Jealous >. January 26, The first twenty years of his show-business career were marked by a constant Thus, while Burns and Allen made no secret of their marriage offstage, now and then to add one of their old stage bits at the tag of an episode. Here you'll find 20 digitally remastered and restored radio episodes, including Episodes Include: The George Burns & Gracie Allen Show: Twenty Dollar Debt. The George Burns and Gracie Allen Show was just one more world to conquer for live and not recorded – hence only episodes post exist in the archives . The 10 Best Halloween TV Episodes. Celebrity Synopsis; Early Life; Burns and Allen; Radio Career; Death and Legacy . In the late s, The Burns and Allen Comedy Show was ranked as one of the top three shows in the United States;. The Burns & Allen Show () Sponsors Carnation Evaporated Milk (verified season 1)() Episode Guide compiled by The Classic TV Archive. Quick Look: The Burns and Allen Show offers episodes of the TV series of the same name that aired on CBS from to and starred George Burns and . The title of their top-rated show changed to The Burns and Allen Show on Recordings of episodes of the radio shows circulate on the web, CDs and DVDs. Six episodes were produced live from the Mansfield Theatre in New York, Bea Benaderet carried over from the Burns and Allen radio show. Name, Originally Aired, Image. 1 · The Kleebob Card Game, 10/12/ 2 · Gracie the Artist, 10/26/ 3 · The Property Tax Assessor, 11/09/ Burns and Allen had been a comedy team since , in the waning days of vaudeville. Their act . He left the series about twenty minutes into the episode. Welcome George Burns and Gracie Allen Show fans! Leading Ladies of Television's Golden Age DVD Review - 4 episodes of Burns and Allen · On This Date. Between and , when Allen retired from show business, the couple comedy, tune in classic episodes of "The Burns and Allen Show. The legendary husband and wife comedy team of George Burns and Gracie Allen successfully took their show from radio to an eight year run on CBS. Neighbor. Buy The George Burns & Gracie Allen Show - 40 Episodes- 8 DVD Set by George Burns from Amazon's Movies Store. Everyday low prices and free delivery on. George Burns & Gracie Allen Show - Volume 1 - DVD-R () for $ from www.doorway.ru Television Eight hilarious early episodes from the. Burns and Allen, an American comedy duo consisting of George Burns and his wife, Season 1 — 26 Episodes — Air Date: October 12, ; Season 2 — Listen to Burns And Allen Show with 83 episodes. No signup or install required. George Burns and Gracie Allen show starring radio's favorite couple is now updated with additional Play a sample episode from January 15, Download past episodes or subscribe to future episodes of Burns And Allen Show by Old Time Radio DVD for free. The Burns and Allen Show Tag Program/The Burns and Allen Show on New Year's Eve Fresh Start Marathon (Pilot Episodes) on New Year's Day Plus Johnny. In the s Burns and Allen adopted two children, Sandra Jean Ronnie eventually joined the cast of his parents' television show the last time she appeared on a stage”, Burns wrote of the episode filmed June 4, Nevertheless, I would trade any (perhaps all) of the shows currently on the air for a few episodes of Burns and Allen. The George Burns and. Watch The George Burns and Gracie Allen Show Season 1 Episode 4 - Harry Morton's Private Secretary Online Full HD. Watch online The George Burns and. Burns and Allen Show. 13 Episodes. () 30 min. Neighbor Blanche Morton joins Gracie in hilarious adventures which annoy her husband Harry, and . Was episodes on a 23 disc set - NOW episodes on 34 discs Neighbor Blanche Morton frequently joins Gracie in escapades which annoy hubby Harry. Who owns the rights to the show? Most episodes are in public domain, but I want to know who owns over all. Written by George Burns, Audiobook narrated by Gracie Allen. Sign-in to download and Classic Radio's Greatest Comedy Shows, Vol.
Recommended publications
  • Together Again Laughs Burns Rewrote the Act and for the BETSY WICKARD Next Forty Years Was Gracie Allen’S Straight Man

    Together Again Laughs Burns Rewrote the Act and for the BETSY WICKARD Next Forty Years Was Gracie Allen’S Straight Man

    George Burns and Gracie Allen For Information Contact: Together Again laughs Burns rewrote the act and for the BETSY WICKARD next forty years was Gracie Allen’s straight man. Actress BETSY WICKARD Burns wrote “Lamb Chops”, the act that has performed in theaters propelled them to top billing in the and casinos throughout the vaudeville circuit with Gracie acting as the country. She was a silly, lightheaded foil. Burns and Allen made dancer/singer in The a string of one-reel comedies and then Branson Follies, The Palm Springs Follies, appeared the films “The Big Broadcast” and The Great American Follies, and Golden “A Damsel in Distress” with Fred Astaire. At Girls USA. She appeared in the feature films the same time the Burns and Allen radio Rocky V and Mannequin on the Move. She show became one of the most popular has appeared in numerous national programs of the time. On television, The commercials and print ads for major George Burns and Gracie Allen Show put corporations. She is now living in Florida faces to the radio characters audiences had and performing on the Condo Circuit. She is come to love. After Gracie Allen retired delighted to be portraying Gracie Allen in George Burns remained in show business. “Together Again.” At the age of 78 he won the Academy Award in “The Sunshine Boys” movie and PETER SALZER gained greater stardom as God in the “Oh George Burns and Gracie Allen God” series. George Burns entertained Actor/Writer PETER audiences to the ripe old age of 100 years. Together Again SALZER has created roles When Peter Salzer walks on stage in on stage and on screen “Together Again” audiences see George George Burns and Gracie Allen and has appeared in many television Burns come back to life.
  • The Narrative Functions of Television Dreams by Cynthia A. Burkhead A

    The Narrative Functions of Television Dreams by Cynthia A. Burkhead A

    Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process.
  • Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism

    Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism

    doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer
  • LUCY GETS the BALL ROLLING By

    LUCY GETS the BALL ROLLING By

    PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A.
  • Collection of Radio Series Scripts, Ca

    Collection of Radio Series Scripts, Ca

    http://oac.cdlib.org/findaid/ark:/13030/c8dj5hrq No online items Collection of radio series scripts, ca. 1933-1980, bulk ca. 1940-1959 Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of radio series scripts, PASC 135 1 ca. 1933-1980, bulk ca. 1940-1959 Title: Collection of radio series scripts Collection number: PASC 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.5 linear ft.(33 boxes) Date (bulk): Bulk, 1935-1964 Date (inclusive): ca. 1933-1980 (bulk ca. 1940-1959 Abstract: Collection consists of American radio series scripts including over 143 titles. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
  • 1950S Prescription Drug Commercial

    1950S Prescription Drug Commercial

    1950S PRESCRIPTION DRUG COMMERCIAL David Mann 1. If annoying 21st century TV prescription drug ads were run as annoying 1950s TV ads (and taking into consideration 1950s morals and censorship). 2. CUT TO: TITLE CARD. "The George Burns and Gracie Allen Show." Theme music begins. HARRY VON ZELL (V.O) The George Burns and Gracie Allen Show, CUT TO: ADVERTISING FILM SNIPPET. Zoom in on floating box of Vialis tablets, as if resting on a gray table, light source from left. Box is tilted at 45 degree angle, pointing upward. Music swells. HARRY (V.O.) (CONT'D) Presented by Eli Pfeltzer, the makers of many fine prescription drug products, including VIALIS, the miracle pill for men. CUT TO: ADVERTISING CARD. "Eli Pfeltzer, Makers of VIALIS, the MIRACLE PILL for MEN." CUT TO: INT. THEATER STAGE - DAY Announcer Harry Von Zell is standing center stage in front of a live studio audience. Curtain is down and is behind Harry. Audience applause swells and terminates. Music fades and stops. HARRY Hi everybody. Looks at watch. HARRY (CONT'D) Our curtain's about to go up on George and Gracie, but first I want to let you in on a little secret. You've seen George get flustered at Gracie on many an occasion, and maybe you've asked yourself the question, "what keeps them together?" Audience laughter. 3. HARRY (chuckling) Well, I'm not going to answer that directly. George already has fired me three times this month. Audience laughter. HARRY (CONT'D) But instead I am going to tell you a story, a story about two women who meet while out shopping.
  • Lambchops by Ron Hutchinson

    Lambchops by Ron Hutchinson

    Lambchops By Ron Hutchinson “Who the hell wants to hear actors talk?” --- Harry Warner, 1927 In 1925, when the brothers Warner decided to part- ner with Bell Laboratories to use the Vitaphone disk system to present movies with synchronized sound, talking wasn’t part of the plan. The brothers envi- sioned marketing their features with full orchestral scores and limited sound effects. Actors that talked from the screen were an afterthought. But a quick one. When they premiered “Don Juan” in 1926, it boasted a synchronized symphonic score with sound effects that enhanced the John Barrymore swashbuckler. There was no dialog in this otherwise silent film. The sound was on 16-inch shellac disks, turning at 33 1/3 rpm and synched to the picture. As long as the film didn’t break or the needle didn’t skip, everything matched. Audiences applauded, but were more impressed with the short subjects which preceded the feature. These WERE talking pictures, with opera stars, a ukulele player and Will Hays of the Motion Picture Producers Association actually speaking and singing in perfect synchronicity. The audience’s reaction to the shorts was not lost on the Warner Brothers. They Gracie Allen examines George Burns’ tie in a scene from “Lambchops.” quickly expanded Vitaphoning plans to begin pro- Courtesy Ron Hutchinson. duction of a series of talking and singing shorts with vaudeville, opera and Broadway stars. With their the first successful one after decades of technically second synchronized silent feature, “The Better ‘Ole” failed attempts. That year the studio ramped up pro- starring Charlie Chaplin’s half-brother Syd, the ac- duction of its short subjects, sometimes making companying synchronized shorts boasted top stars three a week to meet the increasing demand.
  • American Heritage Center

    American Heritage Center

    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
  • SHSU Video Archive Basic Inventory List Department of Library Science

    SHSU Video Archive Basic Inventory List Department of Library Science

    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
  • Camp TV Trans Gender Queer Sitcom History

    Camp TV Trans Gender Queer Sitcom History

    Camp TV Trans Gender Queer Sitcom History Quinlan Miller Console-ing Passions Television and Cultural Power Edited by Lynn Spigel Quinlan Miller Camp TV Trans Gender Queer Sitcom History Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro and Helvetica Neue by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Miller, Quinlan, [date] author. Title: Camp TV : trans gender queer sitcom history / Quinlan Miller. Description: Durham : Duke University Press, 2019. | Series: Console-ing passions | Includes bibliographical references and index. Identifiers: lccn 2018037344 (print) | lccn 2018044915 (ebook) isbn 9781478003397 (ebook) isbn 9781478001850 (hardcover : alk. paper) isbn 9781478003038 (pbk. : alk. paper) Subjects: lcsh: Situation comedies (Television programs)—United States— History and criticism. | Television—Social aspects—United States—History— 20th century. | Transgender people in popular culture—United States. | Gender nonconformity on television. | Gender identity on television. | Homosexuality and television—United States—History. Classification: lcc pn1992.8.c66 (ebook) | lcc pn1992.8.c66 m44 2019 (print) | ddc 791.456/53—dc23 lc record available at https://lccn.loc.gov/2018037344 cover art: ( To p) Hedda Hopper’s Hollywood © Pamandisam, llc, David Susskind Papers, Wisconsin Center for Film and Theater Research. (Bottom) Beverly Hillbillies. for Erica Contents ix Acknowledgments 1 Introduction. Trans Gender Queer New Terms for TV History 27 1. Camp TV and Queer Gender Sitcom History 55 2. Queer Gender and Bob Cummings Hollywood Camp TV 88 3. Marriage Schmarriage Sex and the Single Person 131 4.
  • BURNS & ALLEN Nonsense

    BURNS & ALLEN Nonsense

    CD 7B: “Broke Uncle Hubert” - April 20, 1943 Gracie wants a new Easter outfit, so she’s going to go all out on the schmoozing to persuade George to buy BURNS & ALLEN her one. George initially says no...but then has second thoughts. To save face, he arranges for her to come Nonsense into a $50 legacy from her “Uncle Hubert.” Program Guide by Ivan G. Shreve, Jr. CD 8A: “Gracie Appears in Traffic Court” - June 1, 1943 “My belief is that a lot of show-business marriages go on the rocks because the George explains to Gracie the importance of eating a man and woman are in competition rather than in partnership,” mused comedian hearty breakfast. Later, Gracie gets a parking ticket… George Burns in his 1955 biography, I Love Her, That’s Why. “With us, it’s very but it’s her husband who'll have all the aggravation. Mel Blanc is heard as simple: Gracie takes the lead on-stage; I take it, off. We both have our own The Happy Postman departments. She stays in hers, and I’m into everybody’s. Gracie’s has always CD 8B: “Shortage of Husbands” - September 7, 1943 been the greater acting talent; she is the star, but you’d never know it.” The Happy Postman delivers a magazine to Gracie that contains an article about a “shortage” of husbands. In fact, there are three women for every man. Disturbed From the moment he was the recipient of pennies thrown at him by passersby that she might lose George, Gracie arranges for two unattractive women to while he harmonized with his fellow candy shop employees, young Nathan Birn- propose to her husband so he’ll turn them down.
  • CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in The

    CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in The

    Notes CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in the Study of History,” text of speech delivered as a Lowell Lecture at Harvard College, 2 May 1991, 6. 2. Ken Burns, telephone interview with the author, 18 February 1993. 3. Ken Burns, interview with the author, 27 February 1996. 4. Neal Gabler, “History’s Prime Time,” TV Guide, 23 August 1997, 18. 5. Shelby Foote, Civil War: A Narrative (Fort Sumter to Perryville, Fredericksburg to Meridan, Red River to Appomattox), 3 vols. (New York: Random House, 1958-1974); David McCullough, The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge (New York: Touchstone, 1972); and Michael Shaara, The Killer Angels (New York: Ballantine, 1974). 6. Ken Burns, “Four O’Clock in the Morning Courage,” in Ken Burns’s The Civil War: Historians Respond, ed. Robert B. Toplin (New York: Oxford, 1996), 157. 7. Ken Burns quoted in “A Filmmaking Career” on the Thomas Jefferson (1997) website at <http://www.pbs.org/jefferson/making/KB_03.htm>. 8. The $3.2 million budget for The Civil War was comprised of contributions by the National Endowment for the Humanities ($1.3 million), General Motors ($1 million), the Corporation for Public Broadcasting and WETA-TV ($350,000), the Arthur Vining Davis Foundation ($350,000), and the MacArthur Foundation ($200,000). General Motors also provided an additional $600,000 for educational materials and promotional outreach. 9. Matt Roush, “Epic TV Film Tells Tragedy of a Nation,” USA Today, 21 September 1990, 1. 10. See Lewis Lord, “‘The Civil War’: Did Anyone Dislike It?” U.S.