DOCSLIB.ORG

Image to PDF Conversion Tools

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Image to PDF Conversion Tools CONNIE BOSWELL LEADS 'IT' GIRL VOTE; I ___________________________________DRAGONETTE (TllrnSECOND; fo Page ThreeJ 'MARGE'----- THIRD- ---'- I The NATIONAL WEEKLY of PROGRAMS and PERSONALITIES Volume 1 Chicago, III:, Week of October 9-15, 1932 Number 51 'Why I Made a Million' -Ben Bern ie HERE were ele\'cn little Ancds. There is only one Ben Bctnie. T You know him-the suave, sophisticated, wise ctaekin' Hud Man. He is paid $9,000 a week. He's probably tbe biggest attraction (with his band) on the air today. He is famous wherever there is a radio set and wherever humans dance. In Kalamazoo and Kam­ chatka. in the Bronx and in Baluchistan, in Chicago's ultra-ultra cafes. and in Hawaii's hula-hula shacks. they dance to his syncopa­ tion. roar at his gags, and discuss his passion for horse races and long black cigars. Sure. YOll know him-the Old Maestro! You know Ben Bernie. Do you know Bernard Ancel? They lived-this Ancel tribe-in Bayonne, New Jersey. Papa Ancel was a blacksmith. His father before him had been 3 blacksmith. Papa An'cel was· pious, black-bearded, brawny. Mama Ancel was a raven-haired, dynamic woman. In her veins beat the wild melodies of tbe Hungarian rhapsodies. There were eleven little Ancels, and the birth of each meant that" Papa Ancel's sledge had to (Continued on Puge Fiue) • Meet the Old Maest r o ! And t he bon h .. hind it . 11. Both h i. father a nd gr andfatber were hlad"'lXIith., h ilt Ber nie do ...n ' t . hoe 'em, he pIa,.. 'em. YOIl r ea d, in thi ••t or,. .. hollt Bernie, of a H e ..d M an whom peopJ .. don' t k now ab out-a bo,. who lived in poverty •• little Bern. ard Ancel, OnG of e leven child, ren , You lee Bern ie het'e "po., in&' .. .. ceniu."---or .0 he ••YI. c· Page 2 RADIO AND AMUSEMENT GUIDE '" Downey Returns • Radioddities • Guide-WLS Stars to Air; What Price? to Vary Broadcast I\lorton Downey is back on (he air! The Three Contraltos, heard ea~h Thurs­ The inference is that he has. at last, been day at I :45' p. m. over WLS on a special offered a contract after his own hcart. When program sponsored by RADla GUIDE, are go­ Downey went oll the air at the termination ing ta vary their hroad~ast this week to in­ of his contract on the Camel Quarter Hour, clude a number of modern jazz numbers. he was immediately applO3ched by several Usui\lly the Contraltos feature old fash· commercial interests. Downey refused the ioned lyrics in harmony with an old fash­ contracts they offered and wenl jauntily off ioned Garden of Melody, but 011 Thursday, to Europe. October 13, listeners will tune in on "Pent­ On his return, according to report, he was house Serenade," "Hiding in the Shadows of approached several times again to go on the the Moon," and "The Night Shall Be Filled air for olher companies. Again he refused. With Music," as featured songs on this At that time, observers slaled that Downey special broadcast of strictly modern design. was holding out for more money than he had yet been offered. While he waited for THE corltract, he accepted a vaudeville m· Week's New Programs gagement and made peTsonal appearanl;Cs A list of new programs is listed be­ all over the middle west. and the south. low: 111 the meantime, listeners flooded Colum­ Musical Mernories takes the air on bia offices with mail asking when the tenor Sunday. Oetober 9 at 6:30 p. m. over could be heard again. the CBS chain. Kellogg has reserved time with CBS Morton is back~with a program dedicated for Il new program whleh wilt make "To The Ladies,." His first broadcast went its debut on Sundlly. October 9 or 16. Columbia on Friday, October 7. at 8:30 The time Is 6:15 p. tn., but nothing p. m. With Leon Belasco playing a sym­ more is known at this writing. pathetic background. the lyric tenor will RODS Canary Choms, a choir 01 twelve be heard singing sentimental love ballads at WI'lERE rea.l canlU"Y birds will sing In eoneert the same time each Friday. "To The Ladies" ANEW each Sunday at 10:30 a. m. over is sponsored by Woodbury. WBBM. AND START OtiIJ Glenn program, consisting of a Whether Downey has achieved the price ROAD TO HI S he has put on his talents, or whether he has series of talks by promJnent business TtlI1 3X SltTEIU' SUCCESS men. will be broadcast every Sunday compromised in order to satisfy the thou­ NOVa HARMONY mlO at. 2 Po m. over WBBM. IMI'ORT£O COUJMeM' $OI.nds of fans who have been clamoring for ev wiD FROM £UROPE ~ MIM(C Pat Flanapn live play-by-play his return. is not known. NiYTHING f'"ROM e,IIG­ descriptions of the pl'Gfessional foot­ Loclll outlet WGN. PIPES TO A GERMAN ball games eaeb. Sunday at Z:IS Po m. STREET ~ND AND over WBBM• • SI"IG IN NINE HARRY IURSHrlE~D "Anti&"oDe" becins the Radio GnlJd's DIAl..ECTS CR.EATOR Of' MEYER llIE BUY£R season on October 10. Eacb Monday "'AS AfTE.R DI"INER SPEA~ER for twenty·rune weeks a different play Fleischmann Hour AT 240 SANQLlETS DORING will be dnunatited. Tune in WMAQ. THE 365 DAYS IN 1931 NBC at 3:15 p. m. Red Cross Melodies will feature Starts New Series Barriet Cruise and the FoUl' Norse­ When the Fleischmann Hour went on the men dally exeept Tuesdays and Sun­ air Thursday, October 6. at 7 p. m. listeners days at. 10:15 a. m. over WBBM. On Tuesdays the prop-am will be heard heard an entirely new set of performers for the first time. The new series goes overl ____________________________________ at. 10 a. m. over the same station. HIlton Ilal'monles with Arthur Na­ NBC • varro 'Will be heard Mondays and The initial program £If the series featured Wednesdays at 6:45 p. m. and Fridays Otis Skinner. veteran stage Slar; Greta Kel­ N. Y. Philharmonic Starts Season Sunday at '1':30 p. m. over WBBM. ler, popular Viennese songbird here in Amer­ Organ Interlude with Wilson Doty takes the air each Monday for the ica 10 take part in the Fourlh Little Show: The New York Philharmanic-Symphony Itras in Dresden. Berlin, Sofia and Oslo. He next twenty-six weeks at 8:15 a.. m­ Block and Sally, vaudeville comedy team: Or(.~ estr~ will be. heard in forty-two concerts has also been guest conductor of the San over WBBM. ~he Randall Sisters, southern harmony team in its third consecutive season of broadcasts rrancisco Symphony. Nut Factory with the Maple City lnd, of course. Rudy Vallee and his orches­ Four will inelude musie, burlesque and :ra. Locili Olltlel WMAQ. over teventy CBS stations, beginning Sun- Soloists during the series will include Egon straight comedy. The station is WLS , day, October 9, from 2 to 4 p. m. over WGN. Petri, distinguished Dutch pianist; Lotte and it will be broadcast dally except Conductors for this season will be Arturo Lehmann, dramatic sopano; and Ossip Saturday and Sunday at 1% noon. The Information Desk consisting of Toscanini, Bruno Walter and Issay Dobrow- Gabrilowitsch, Russian pianist, composer and classieaI selections and aeeounts of en. Toscanini will launch the series and Vaughn de Leath conductor. their origin. aud five minutes or gen. will continue in the role of conductor during eral information on any subjects that the first eight weeks. On November D, Programs will originate from Carnegie Ustenen; request. John Reed Tyson on 5 Day Schedule Dobrowen will assume leadership of the Hall. the Metropolitan Opera, and Ihe will condud tbe broad east. over WLS Brooklyn Academy of Music, all in New Vaughn de Leath, America's "original radio Philharmonic and will lead until December eaeh Monday, Wednesday and Fri­ York City. The detailed program schedule day at 3 p. m. girl," is billed on a five-day-a-week broad­ 25. Bruno Walter will canduct from De­ cember 26 to February 26, when Toscanini follows: Folk Songs and BaUads by the cast schedule over Columbia, including two Cumberland Ridge Runners will be ,pecial periads for juvenile listeners. will again assume charge of the orchestra Sunday altunoolls, 2 to -4 p. m. O1JtT Columbia. From Carnegie Hall: October heard daOy exeept Sunday at. 6:30 Her program for juveniles is heard Thurs­ until the close of the 1932·33 season on a. m., and Saturdays at 8:30 p. m. days at 4:45 p. m. April 23. 9 and 23; November 6 and 13 ; December over WLS. Unlike Toscanini and Walter, wha are well 4, II and 25; January 5 and 12; March 5 Wayne King starts on a new series known to radio audiences, Dobrawen makes and 26; April 2, 9. 16 and 23. From Metro­ tbIs Tuesday, Oetober 11, and will be his debut as a microphone conductor on this politan Opera House: October 30, November heard ea.eh Tuesday thereafter at. '1':30 series. Bam in Russia and graduated from 27. December 18, January 8 and 22; Febru­ Po 1ft, over WMAQ ADd tbe NBC net. the Moscow Conservatory of Music, Dobrow­ ary 25; March 12. From Brooklyn Academy ...... en has conducted for many years at the of Music: October 16, November 20, January JJmJny GrftI"s Orehestra, electrical. Iy Vanseribed, will be bl'Gadeast at Vol.
Load more

Recommended publications
  • Arnold Jacobsen Collection ARS.0122
    http://oac.cdlib.org/findaid/ark:/13030/c8zs2tv1 No online items Guide to the Arnold Jacobsen Collection ARS.0122 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2012 The Board of Trustees of Stanford University. All rights reserved. Guide to the Arnold Jacobsen ARS.0122 1 Collection ARS.0122 Descriptive Summary Title: Arnold Jacobsen Collection Dates: 1889-1994 Collection number: ARS.0122 Collection size: 13 boxes: 227 open reel tapes ; multiple folders Repository: Archive of Recorded Sound Abstract: The Arnold Jacobsen Collection consists of open reel tapes of 78-era popular vocal music and accompanying documentation from the collection of record dealer and store owner Arnold Jacobsen. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Arnold Jacobsen Collection, ARS-0122. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Arnold Jacobsen Collection was donated to the Stanford Archive of Recorded Sound by Maurice Jacobsen in 2006. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Arnold Jacobsen Collection consists of tapes of 78-era music and speech from the collection of collector, dealer, and record store owner Arnold Jacobsen, as well as correspondence, song lists, and other business records.
    [Show full text]
  • Artie Shaw 1938-1939
    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
    [Show full text]
  • Image to PDF Conversion Tools
    I GUY LOMBARDO LEADS BEN BERNIE IN JAZZ KING VOTING! I The NATIONAL WEEKLY of PROGRAMS and PERSONALITIES Volume 2 Chicago, III., Week of February 5-11, 1933 Number 16 "HELLO EVERYBODY" ~~H ELLO EVERYBODY!!" Recognize these words? You should ••. They're familiar to miHions of dial­ twisters as Kate Smith's cheery radio greeting over the Columbia network. Now this famous salutation serves as the title for the portly songbird's first starring picture. A sensation in three mediums-stage, recordings and radio-Kate has added a screen triumph to her dazzling career. Critics and others who've seen previews of "Hello Everybody" stamp it as a great box-office attraction. Paramount regards the film as one of its outstanding pictures of the year. RADIO GUIDE regards it as a personal achievement for radio's greatest vocal­ ist •.. Kate proves she (an act as well as sing. There's a reason-Kate always acts ..• whether it's before a camera or when she frolics with the neighbors' children at the Ted Collins' family home in Long Island. Only twentr-three, Kate's golden voice, coupled witb her friendly charm, has cata· pulted her to dizzy heights. Ne"er before in radio or theatrical history has a person at tained such honors in such a comparatively short time. Her (Continued on Back Page) Page 2 BADIO AND AMUSEMENT GUIDE I News! I JAZZ KING BALLOT I News! I Machine Age Cocktails • Roark Likes It Making the -electric tongue" mix a My ~hoice for America's Jazz King Is When an author himself lauds a staAr.
    [Show full text]
  • Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................
    [Show full text]
  • 18, 1937 WEEK ENDING SEPTEMBER CURTIS MITCHELL L ANNENBERG Editor UBLISHER Smash Features
    Vol. 6. No. 48 IN THIS ISSUE A D I O 18, 1937 WEEK ENDING SEPTEMBER CURTIS MITCHELL L ANNENBERG Editor UBLISHER Smash Features It Can Only Happen Here Civic broadcast of the week! by KEN W. PURDY 3 Star Is Born Attend the Lux Premiere! by HAROLD R. HIGGINS 5 Happy Listening Have You Been Radio Robbed? Advice to radio buyers by WILLIAM GAVIN 10 ACTS of God, we should have claims itself "Headquarters for Radio warned our readers, are beyond Facts." And all the time we had thought Personalities the control of editors. We refer our Mr. Fairfax was the headquarters. Harry von Zell specifically to the broadcast of CBS boasts it has the answers to practi- He Knew What He Wanted the Louis -Farr fight for the world cham- cally everything, even such questions as: by MARY WATKINS REEVES 4 on Clark Dennis pionship which we listed for a Thursday How many programs have been We applaud him! 19 and which a rainstorm postponed to a the air 600 times or more? Paul Whiteman Whiteman rides again! 24 Monday, and to Shaw's "Methuselah" How do the listening habits of coLege "Buck" which we listed for a triumphal network students compare with those of the aver- production on a Monday and which has age audience? News and Views been postponed until goodness knows What percent of the homes in Aus- into a Stories of the Week's when. After working ourselves tralia have radio sets? Big Broadcasts 8 lather, beating our breasts and telling all Showdown How much did the audience spend to Hollywood and sundry that these were broadcasts by EVANS PLUMMER 12 listen in 1936? Airialto Lowdown worth whole minutes of your precious by WILSON BROWN 13 Our Mr.
    [Show full text]
  • Image to PDF Conversion Tools
    J U L Y Grf!la Garbo I.as sia",'" "onp 10 I,i"cf!s! 11 nd it "8 "I' '0 "fllI 10 sel I... r ri"h'• • Can Vou Solve This MOVIE MIX-UP? HERE'S real fun­ Mlx·Up today- at the MOVIE MIX'UP, a nearest S. H. Kress fascinating new kind Store or Newsstand. of jig.saw puzzle! It's only lO¢. If you're a movie If you can't get the fan, you'll love it. If MOVIE Mlx·Up you you're a jig.saw fan. want at your Kress you'll get a big kick store or newsstand. out of it. If you're fill out tt:e coupon and Dell PulJli 8 hi n~ Co., Inc. send it with 1O¢ in 100 Fifth Ave., ~ ew York City, N. Y. both (and who isn't?). Please send me the MOI'I K :\1I C't· UI' whi ch 1 hav e cherked below. I am en­ you'll get a double stamps or coin (l5¢ dosing 10¢ in slamps or ('oin for each one desired (IS¢ apie<:e for C D Tladian ~~ break! in Canada. coin only) coin only), for each MovlE MIX. o NORMA SHEAltER Try it tonight! And o GARY COOPER Up desired. o GRETA GARBO see how long it takes o CLAItK GAI\LE you to put your star Prinl N AME here .•.. ••. •• . .. ......•.. _. together. Get a MOVIE MOVIE MIX-UP.' STREET A onKESS • • •••••••••• .. ••••••••• • CITl' •• • ••• .••••••••••• ••• STATI': , • • •••• • • RADIO STARS THESCOTT~: RADIO delivers such Clear. Consisfent Year 'Round WOR ION ~1lTmI1.
    [Show full text]
  • ABSTRACT “Where East Texas Dances”: the Cooper Club Of
    ABSTRACT “Where East Texas Dances”: The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, M.A. Mentor: Thomas L. Charlton, Ph.D. A historical study of the Cooper Club in Henderson, Texas, which was open from 1932 to 1942, uncovers an exciting period in both American and East Texas history. Nationally, dance orchestras embarked on tours of the United States, playing one-night stands in small towns. Locally, the nightclub existed during the great East Texas oil boom. Under the management of owner Hugh Cooper, the Cooper Club became a staple for music lovers in East Texas who appreciated its elegant atmosphere and high caliber of entertainment. Local, regional, and national dance bands played one-night stands and brought to the oil field the latest in popular sweet music, swing, and jazz. The Cooper Club has significance and is deserving of scholarly research, for it shines light on the social and cultural history of Henderson, Texas, from 1932 to 1942, as well as the excitement of famous orchestras coming to a small town. "Where East Texas Dances": The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, A.A., B.A. A Thesis Approved by the American Studies Program Douglas R. Ferdon, Ph.D., Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee Thomas L. Charlton, Ph.D., Chairperson Jean Ann Boyd, Ph.D. Douglas R. Ferdon, Ph.D.
    [Show full text]
  • Synchronized Sound Cinema in Montreai 1926-1 93 1 Joanne
    That's Not What 1 Heard: Synchronized Sound Cinema in Montreai 1926-1 93 1 JoAnne Stober A Thesis in The Dement of Communication Studies Resented in mal Fulfillment of the Requirements for the Degree of Master of Arts at Conwrdia University Montreai, Quebec, Canada 8 JoAnne Stober, 200 1 National library Bibliiothèque nationale 1*1 &Ma du Canada Acquisitions and Acquisitions et Bibliographii Services services bibliographiques The author has granteci a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Liirary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distniute or seil reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfih, de reproduction sur papier ou sur format électronique. The author retains ownershtp of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT That's Not What 1 Heard: Synchronized Sound Cinema in Montreal 1926-193 1 JoAnne Stober This thesis recognizes the introduction of synchronized sound cinema as a point of departure into a sîudy of the cultural and social dimensions of moviegoing. This research focuses on Montreal between 1926 and 193 1 where the tbt Canadian demonstrations and exhibitions of synchronized sound cinema took place.
    [Show full text]
  • Tommy Dorsey
    Glenn Miller Archives TOMMY DORSEY 1 9 3 9 Prepared by: Dennis M. Spragg CHRONOLOGY Part 1 - Chapter 5 Updated March 16, 2021 Table of Contents January 1939 3 February 1939 20 March 1939 29 April 1939 37 May 1939 44 June 1939 59 July 1939 73 August 1939 86 September 1939 109 October 1939 125 November 1939 135 December 1939 144 2 January 1939 January 1, 1939 (Sunday) Midnight - 12:30 am Hotel New Yorker New York (CBS) (WABC) sustaining broadcast January 2, 1939 (Monday) 11:00-11:30 pm Hotel New Yorker New York (Mutual) (WOR) sustaining broadcast Personnel Add Nat Leslie, arranger January 4, 1939 (Wednesday) 8:30 - 9:00 pm “The Raleigh and Kool Show” 79A NBC Radio City New York (NBC-Red) (WEAF) broadcast Bud Collyer, announcer Nat Leslie, arranger The Pied Pipers (Josephine Stafford, John Huddleston, Hal Hopper, Chuck Lowry, Bud Hervey, George Tait, Woody Newbury, Dick Whittinghill), guests I’m Gettin’ Sentimental Over You - opening theme, Two Cigarettes In The Dark Humoresque - Paul Weston arrangement What Do You Know About Love? – Edythe Wright, vocal It’s A Killer – Nat Leslie arrangement Let’s Stop The Clock Judgment Day Is Coming – Deane Kincaide arrangement Russian Lullaby, Down Home Rag – Deane Kincaide arrangement Symphony In Riffs – Benny Carter arrangement I’m Gettin’ Sentimental Over You - closing theme January 4, 1939 (Wednesday) 11:30 pm – Midnight “The Raleigh and Kool Show” 79B Western Feed NBC Radio City New York (NBC-Red) broadcast January 6, 1939 (Friday) 11:30 pm – Midnight Hotel New Yorker New York (CBS) (WABC) sustaining broadcast 3 January 7, 1939 (Saturday) 11:00 - 11:30 pm Hotel New Yorker New York (Mutual) (WOR) sustaining broadcast January 8, 1939 (Sunday) Midnight - 12:30 am Hotel New Yorker New York (CBS) (WABC) sustaining broadcast Broadcast cancelled - see Variety article, following.
    [Show full text]
  • Guide to the Duncan P. Schiedt Photograph Collection
    Guide to the Duncan P. Schiedt Photograph Collection NMAH.AC.1323 Vanessa Broussard Simmons, Franklin A. Robinson Jr., and Craig A. Orr. Processing and encoding funded by a grant from the Council on Library and Information Resources. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Background Information and Research Materials, 1915-2012, undated..................................................................................................................... 4 Series 2: Photographic Materials, 1900-2012,
    [Show full text]
  • Radio Daily 370415.Pdf
    ~ Serving the Better Interests of Commercial VOL. 1, NO. 47 NEW YORK, N. Y., THURSDAY, APRIL 15, 1937 FIVE CENTS Tax Bill Ready In• Week IDotting On 40 RADIO ACTS SET I Conferring With Treasury Department I.: ~ ... AND LISTENING IN fOR CLEVELAND EXPO Experts Before Filing Wattage With the Cleveland Great Lakes Levy Measure in House SUMMER BIZ Considerable d a t a Exposition scheduled to reopen for ' ~----__.......... ...................................~ has been compiled by another season May 29, radio talent By PRESCOTT DENNETT networks. s tat ion s and advertising is rapidly being booked for its en­ Capitulate RADIO DAI LY Staff Correspolldc1It agencies to show thar summer is iust as tire run. As was the case last year, St. Louis - Three leading St. Washington - Conferences h a v e good as winter in point of radio audience whole radio shows will be imported Louis departmenr stores. which up been scheduled with Treasury De­ size and aggregate public spending. to guest at the exposition for short to now have kept entirely away partment experts to discuss the Distribution of the population may un· bookings. To date, a pproximately from radio advertising. are tied broadcasting station tax proposal drafted by F CC Commissioner George dergo a little temporary shift. but where 40 acts a re set, th ough not all sch ed­ in with a new weekly series of the folks go. the radio goes too. in the car. Henry Payne for Congressman John uled for sp ecific da tes. The Fireside programs starting April 20 over on the highway and in the cottage by J.
    [Show full text]
  • A Century of Song 1920S
    100 Years: A Century of Song 1920s Page 20 | 100 Years: A Century of song 1920 A Little Bit of Cucumber Avalon Pretty Kitty Kelly Harry Champion Art Hickman’s Orchestra Charles Harrison It’s a Long Way Now You’ve Got Don’t Dilly Dally on the Way to Tipperary Yer Khaki On Marie Lloyd Florrie Ford Marie Lloyd Ragtime Ragshop A Little Bit off the Top Bang went the chance Harry Champion Murry & Leigh of a Lifetime Don’t do it again Matilda George Robey K-K-K-Katy Harry Champion Billy Murray Oh, Mr. Porter Sailing Marie Lloyd A Little of What George Formby, Sr. You Fancy Beside the Seaside, Down at the Old Marie Lloyd Beside the Sea Bull and Bush Mark Sheridan Let Me Call You Sweetheart Florrie Ford Leo Friedman Oh! It’s a lovely war Silver Threads among Gold Ella Shields A Mother’s Lament Eben Rexford Various Boiled Beef and Carrots Down the Road, Harry Champion Let’s All Go Down Away went Polly the Strand Oh! Oh! Antonio Gus Elen Charles Whittle Florrie Ford Standard Bread Alexander’s Ragtime Band Burlington Bertie Harry Champion Irving Berlin from Bow Ev’rybody’s Doing It Now Vesta Tilley Let’s have a basin of soup Irving Berlin Harry Champion Old Red Lion Swanee Harry Champion Alice Blue Gown Al Jolson Edith Day Call Round Any Old Time Every Little Movement Victoria Monks Lily of Laguna Marie Lloyd G H Elliot One of the Ruins that Sweet & Low Cromwell knocked Another Little Drink Art Hickman about a bit George Robey Marie Lloyd Following in Look For The Silver Lining father’s footsteps Cockney Bill of Elizabeth Spencer Vesta Tilley London
    [Show full text]