DOCSLIB.ORG

Ntermountain Market

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ntermountain Market NELSON OLMSTED, announcer of WBAP. Fort Worth, on Sept. 23 will join NBC in Chicago to present a net- work series. World's Greatest Short Stories. Olmsted has produced the same series on WRAP since 1939. AL JENNINGS, formerly of WBHP, Rae Huntsville. Ala.. has joined the an- nouncing staff of WSIX, Nashville. He nceee(ls Ed Mùllinax, who joined WHMA, Anniston, Ala., as program Ij director. ntermountain DOROTHY HAYDEN, for eight years in New Zealand radio, has joined the NBC Hollywood music rights depart- ment. JOHN WHITAKER, sports editor of the Hammond Times. will handle a 30- Market week schedule of sports broadcasts on WJOB (formerly WWAE), Ham- mond. Ind. WJOB during the fall and winter will carry 30 consecutive weeks of play -by -play sports coverage. includ- ing football and basketball. Whitaker will handle all the broadcasts. as well consistently as conduct a thrice- weekly sports roundup on the station. CHEERS of his WIBW confreres lighted the way for Edmund Den- MRS. FRANCES FARMER WILD- ney, blind tenor of the Topeka sta- ER, CBS Pacific Coast educational di- he Los Ange- rector, will instruct a class in radio tion, as embarked for les to appear Sept. 6 as guest on larger audiences management and technique at the U of Southern California extension divi- the Al Pearce CBS program. Be- sion. Clinton Jones, of the network's hind him is Mrs. Denney, with news bureau. will again conduct a Maudie Shreffier, WIBW music di- course in radio script writing. rector (below) holding an armful CECIL WOODLAWN. formerly a free of presents. Denney has been at the naturally follow station since 1935. Besides singing lance writer. has joined the continuity staff of WTRY, Troy, N. Y. he plays the piano, guitar, writes legibly and typewrites. Letters SHIRLEY LAUTER, assistant pub- from his fans persuaded Pearce to licity director of Don Lee Broadcast - ing System, Los Angeles, and David put Denney on the program. the lively Horton, beverage company executive, were married Sept. 7 in Glendale, Cal. JOSE RODRIGUEZ, KFI-KECA, Hackett Appoints Trio Los Angeles. is editor of the newly - published 500 -page book, Music d To Sales Staff of WINS Dance in California. CONTINUING the reorganization of WINS, New York, begun last HARRY BRIGHT. continuity chief month by Cecil Hackett following and sportscaster of WGBR, Goldsboro, his appointment as managing direc- SHOWMANSHIP N. C., also has been named chief an- tor of the station and the New York nouncer of the station, succeeding Jan King. Broadcasting System [BROADCAST- ING, Sept. 1], three additions have JIMMY WALLINGTON. Hollywood been made to the station's sales m. C. of the CBS Texaco Summer The- staff: M. who rejoins atre. leaves the West Coast for New John Sayre, York Sept. 27 following the final WINS after an interval during broadcast. which he joined the sales staff of WNEW, New York, and served as o RUTH LYONS, conductor of the sales director of WTNJ, Trenton; 1Voman's Hour on WKRC, Cincinnati, Stanley G. Barnett, formerly with has been placed in charge of the sta- Kelly tion's newly created women's depart - Springfield Tire Co. and B. F. ment. Goodrich Rubber Co., and William von Zehle, previously radio direc- CARL HOFF, musical director of the CBS Al Pearce Show, sponsored by R. tor at Consolidated Radio Artists J. Reynolds Tobacco Co., has taken and before that on the radio staff over a similar assignment for the Los of Music Corp. of America, pre- Angeles County Fair Sept. 13 -29. ceded by varied station experience at WNEW and WHN, New York, BOB PERRY. formerly in the produc- and WHAM, Rochester. tion department, has been named pro - gram director of KDB, Santa Bar- Albert A. Grobe has been named bara, Cal. manager of the New York Broad- casting System, in which capacity he will serve as an executive as- sistant to Mr. Hackett as well as Names Cast continuing in his present post of Cantor traffic manager of WINS. CAST for the new Eddie Cantor Bernard Estes, veteran newspa- Show, which starts Oct. 2 under perman whose experience includes sponsorship of Bristol -Myers Co., four years with the Associated New York (Ipana, Sal Hepatica), Press in Europe, service as manag- on 65 NBC -Red stations, Wednes- ing editor of the Easton (Pa.) days, 9-9:30 p. m. (EST), has been Morning Free Press, and more re- The completed. Besides Cantor, person- cently editorial director of the Cas - nel will include Ray and Davis, ion Publication Service, has been comediennes recruited from the appointed news editor and publicity Broadway show, "Strawhat Revue "; director of the station. Estes also POPULAR Station Dinah Shore, formerly vocalist with writes and conducts the weekly Ben Bernie; Tommy Mack, co- Copy Desk broadcasts on WINS. Salt Lake City median. Bobby Sherwood will have the orchestra. The glee club will be KTSM Now a Regional directed by Edgar Fairchild. Vick SHIFTING from local to regional Knight is to produce the series, with status, KTSM, El Paso, Tex., is now Harry Von Zell handling commer- operating with 500 watts on 1350 he. cial announcements. First 13 pro- The station. managed by Karl O. Representative: grams will originate from New Wyler, has installed a new RCA 1 -E National transmitter and a 315 -foot Truscon York and then shift to Hollywood vertical radiator at its new site on the JOHN BLAIR & CO. while Cantor works in another outskirts of El Paso. Heretofore the M -G -M musical film. Agency is station, an NBC outlet, has operated Young & Rubicam, New York. on 1310 kc. with 250 watts. Page 56 September 15, 1940 BROADCASTING Broadcast Advertising .
Load more

Recommended publications
  • A Denial the Death of Kurt Cobain the Seattle
    A DENIAL THE DEATH OF KURT COBAIN THE SEATTLE POLIECE DEPARTMENT’S SUBSTANDARD INVESTIGATION & THE REPROCUSSIONS TO JUSTICE by BREE DONOVAN A Capstone Submitted to The Graduate School-Camden Rutgers, The State University, New Jersey in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies Under the direction of Dr. Joseph C. Schiavo and approved by _________________________________ Capstone Director _________________________________ Program Director Camden, New Jersey, December 2015 CAPSTONE ABSTRACT A Denial The Death of Kurt Cobain The Seattle Police Department’s Substandard Investigation & The Repercussions to Justice By: BREE DONOVAN Capstone Director: Dr. Joseph C. Schiavo Kurt Cobain (1967-1994) musician, artist songwriter, and founder of The Rock and Roll Hall of Fame band, Nirvana, was dubbed, “the voice of a generation”; a moniker he wore like his faded cardigan sweater, but with more than some distain. Cobain’s journey to the top of the Billboard charts was much more Dickensian than many of the generations of fans may realize. During his all too short life, Cobain struggled with physical illness, poverty, undiagnosed depression, a broken family, and the crippling isolation and loneliness brought on by drug addiction. Cobain may have shunned the idea of fame and fortune but like many struggling young musicians (who would become his peers) coming up in the blue collar, working class suburbs of Aberdeen and Tacoma Washington State, being ii on the cover of Rolling Stone magazine wasn’t a nightmare image. Cobain, with his unkempt blond hair, polarizing blue eyes, and fragile appearance is a modern-punk-rock Jesus; a model example of the modern-day hero.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • California State University, Northridge The
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY An essay submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Robert T. Hollander June, 1981 The Essay of Robert T. Hollander is approved: Prof. c(§!g Nieuwenhuysel Dr. Georg~ Gunkle, Committee Chairman California State University, Northridge ii ABSTRACT THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY by Robert T. Hollander Master of Arts in Theatre Golden Boy was first produced by the Group Theatre in New York in 1937. Directed by Harold Clurman, this 1937 production included in its cast names that were to become notable in the American theatre: Luther Adler, Frances Farmer, Lee J. Cobb, Jules (John) Garfield, Morris Carnovsky, Elia Kazan, Howard Da Silva and Karl Malden. Golden Boy quickly became the most successful production 1 in Group Theatre history and was followed in 1939 by the movie of the same name, starring William Holden and Barbara Stanwyck. Since then, there have been countless revivals, including a musical adaptation in 1964 which starred Sammy Davis Jr. Golden Boy certainly merits consideration as one of the classics of modern American drama. 1Harold Clurman, The Fervent Years: The Story of the Group Theatre and the Thirties. (New York: Harcourt, Brace, Jovanovich. A Harvest Book, 1975), p. 211. 1 2 The decision to prepare the character of Torn Moody as a thesis project under the direction of Dr. George Gunkle was made during the spring semester of 1980 at which time I was performing a major role in The Knight of the Burning Pestle, a seventeenth century farce written by Beaumont and Fletcher.
    [Show full text]
  • Jack Oakie & Victoria Horne-Oakie Films
    JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives.
    [Show full text]
  • Arnold Jacobsen Collection ARS.0122
    http://oac.cdlib.org/findaid/ark:/13030/c8zs2tv1 No online items Guide to the Arnold Jacobsen Collection ARS.0122 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2012 The Board of Trustees of Stanford University. All rights reserved. Guide to the Arnold Jacobsen ARS.0122 1 Collection ARS.0122 Descriptive Summary Title: Arnold Jacobsen Collection Dates: 1889-1994 Collection number: ARS.0122 Collection size: 13 boxes: 227 open reel tapes ; multiple folders Repository: Archive of Recorded Sound Abstract: The Arnold Jacobsen Collection consists of open reel tapes of 78-era popular vocal music and accompanying documentation from the collection of record dealer and store owner Arnold Jacobsen. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Arnold Jacobsen Collection, ARS-0122. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Arnold Jacobsen Collection was donated to the Stanford Archive of Recorded Sound by Maurice Jacobsen in 2006. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Arnold Jacobsen Collection consists of tapes of 78-era music and speech from the collection of collector, dealer, and record store owner Arnold Jacobsen, as well as correspondence, song lists, and other business records.
    [Show full text]
  • Stage Center Theatre JANUARY 2011
    SEASON 2010-2011 VOLUME 5 ISSUE 3 Stage Center Theatre JANUARY 2011 UPCOMIN G EVENTS MAIN STAGE 7:30PM From the Theatre Archives Reservations: (773) 442-4274 th Early 20 Century Theatre Companies Emma’s Child The Washington Square Players February 17-19, 24-26, March 3-5 Created in 1915 by amateurs, The Washington Square Players began producing one-act plays by Chekhov, Musset, Akins, Moeller and other obscure playwrights of the time in a Bleacher Bums small theatre seating of only 40 patrons. They moved to a 600 seat theatre and produced April 14-16, 21-23, 28-30 O’Neil’s In the Zone. The group disbanded in 1918, but re-formed in 1919 as The Theatre Guild. Some of the actors that performed with The Washington Square Players were Ro- As You Like It land Young, Rollo Peters, Frank Conroy, Helen Westley, and Katherine Cornel l. June 9-11, 16-18, 23-25 You Can’t Take It With The Theatre Guild You Founded in 1919 by Theresa Helburn, Philip Moeller, and Lawrence Langer (among oth- July 21-23, 28-30, August ers), The Theatre Guild was one of the first and most influential “Off-Broadway” theatre 4-6 companies in New York City during the first half of the 20th Century. The Theatre Guild had its heyday between the World Wars (1919-1939). In its first few years the majority of STUDIO SERIES 7:30PM F109 its work was in European expressionism. Later it provided an outlet for the work of such artists as Eugene O’Neil, Robert Sherwood, Maxwell Anderson, and Sidney Howard.
    [Show full text]
  • Artie Shaw 1938-1939
    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
    [Show full text]
  • INDIANA LAW REVIEW [Vol
    James F. Bailey, III A Tribute to Professor James F. Bailey, III, AND A Review of His Work William F. Harvey* When a person holds a joint appointment as a law school librarian and a law school professor, when he is tenured in both the faculty tenure system for the law school and in the Indiana University library system, by what standard is he reviewed and remembered? Rather clearly, two are available. The first measures him as a professor of law. Professor James F. Bailey, III is a meticulous scholar who taught International Law, Legal Bibliography 1 and 2, Law and Development in the Hispanic World, and Lexis and Westlaw. He taught these courses well, and he was highly appraised by his students and his peers. He was an Exchange Scholar from Indiana University to Universidad de Sevilla, in Seville, Spain, and to Eotvos Lorand University of Budapest, Hungary. He graduated from the University of Michigan with a B.A. degree, (after he was admitted to Phi Beta Kappa) and then from the law school at the University of Michigan. He has important and extensive publications in multiple volume sets. There is more. He is a linguist. He is bilingual in English and Spanish, and he works reasonably well in French, German, Italian, Portuguese, Swedish, Dutch, Norwegian, Danish, and Catalan. The second reviews his thirty years as the Indiana University School of Law at Indianapolis Law Librarian—perhaps this was first for Professor Bailey, and his law professorship was second, even though each has been an almost total commitment. Another question appears: how does one review thirty years of work as the law school's librarian? C.
    [Show full text]
  • "FRANCES" Screenplay by Eric Bergren, Christopher De Vore and Nicholas Kazan PROLOGUE BLACK. We HEAR the Soft Voice Of
    "FRANCES" Screenplay by Eric Bergren, Christopher De Vore and Nicholas Kazan PROLOGUE BLACK. We HEAR the soft voice of Frances Farmer. FRANCES (V.O.) No one ever came up to me and said, 'You're a fool. There isn't such a thing as God. Somebody's been stuffing you.' FADE IN: EXT. PUGET SOUND - DAY On an expanse of water, calm and undisturbed. After a moment, it begins to ripple as something rises toward the surface. A girl's face breaks through. FRANCES (V.O.) It wasn't a murder. I think God just died of old age. And when I realized He wasn't any more, it didn't shock me. It seemed natural and right. The girl, FRANCES, is 16, blond, very pretty: she seems like the most persuasive proof imaginable of God's existence. She swims toward the shore with long graceful strokes... then climbs the steps of the old wood jetty on West Point Beach. FRANCES (V.O.) And yet I began to wonder what the minister meant when he said, 'God, the Father, sees even the smallest sparrow fall. He watches over all his children.' That jumbled it all up for me. Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library EXT. PUGET SOUND - LATER The banks of Puget Sound, dotted with elm trees. Frances sits comfortably in the fork of a tree writing in her diary. Towel around her neck, her hair splayed out and drying golden in the sun. FRANCES (V.O.) But still sometimes I found that God was useful to remember, especially when I lost things that were important.
    [Show full text]
  • Unsung Heroes of Noir, Clifford Odets
    LATEST NO STOCKS DVD NO SPORTS NEWS ™ ALL NOIR www.noircity.com www.filmnoirfoundation.org VOL. I NUMBER 7 CCCC**** A PUBLICATION OF THE FILM NOIR FOUNDATION MONTHLY 2 CENTS OCTOBER, 2006 SPOTLIGHT ON Film Noir Featured at UNSUNG HEROES OF NOIR SUNSET BLVD. CLIFFORD ODETS Hollywood 3-D Expo By Marc Svetov By Don Malcolm By Alan Rode lifford Odets (1906-1963) was the Sentinel Managing Editor Sentinel Senior Editor American dramatist with the greatest he recent deluxe DVD edition of Cinfluence on film noir. In terms of Double Indemnity got me thinking THE WORLD 3-D EXPO FILM FESTIVAL II, dialogue and character portrayal he was at about Billy Wilder and his contribu- after a three-year hiatus, returned to the least the equal of the pre-eminent hard- T Egyptian Theatre in Hollywood September boiled American crime writers of that era tion to film noir. And that got me thinking about Sunset 8-17, featuring a collection of classics and (Hammett and Chandler) who created a Blvd. oddities that, in some cases, hadn’t been tough, urban, uniquely American language. No, not the thoroughfare itself, though screened in half a century. Odets listened to the streets—but he some of my fondest memories from youth Fortunately for pop culture enthusiasts invented a language; he had to pull it out of revolve around that legendary, serpentine and 3-D film buffs, Jeff Joseph, producer of a hat. At the point he arrives on the scene, journey from the Pacific Coast Highway to the 3-D Expo, reneged on the vow of 3-D there were no clichés to lean on—only an downtown LA, a drive more tortuous today abstinence he took immediately after the pre- inner voice.
    [Show full text]
  • Honor Self: the Key to Provider Stress Reduction and a Thriving Practice
    Honor Self: The Key to Provider Stress Reduction and a Thriving Practice IFM Annual International Conference San Antonio, TX May-June 2019 Health Care Provider Coach and Mentor Georgia CEO & Founder, Philadelphia Tetlow, Integrative Medicine Clinical Assistant Professor of MD Rehabilitation Medicine, Sidney Kimmel Medical College, Thomas Jefferson University Bravewell Fellow, Arizona Center for Integrative Medicine (2010) Financial Disclosures Georgia Tetlow, MD disclosed no relevant financial relationships with any commercial interest. Our Goal Functional Conventional My cup is full! Medicine Getting to goal Charging $$ Get right patients I don’t know what I’m doing New tools New medicine I Need Help! FM addresses conventional burnout but creates its own Identity Financials Logistics Starting anew Agenda Burnout Challenges, solutions and potential of a healthy FM provider Provider cases Self-Assessment Conventional Burnout "Physician burnout is a syndrome defined by the triad of emotional exhaustion, What is depersonalization, and Conventional low sense of personal Burnout? accomplishment related to one’s work.” Rothenberger, D. A. (2017). Physician Burnout and Well-Being. Diseases of the Colon & Rectum, 60(6), 567-576. doi:10.1097/dcr.0000000000000844. Available from: https://www.ncbi.nlm.nih.gov/pubmed/28935298 Conventional Medicine Burnout EMOTIONAL EXHAUSTION Overwhelming demand and/ or insufficient resources Conventional Medicine Burnout DEPERSONALIZATION Disconnected from self, body, job Anyone can provide this care, doesn’t
    [Show full text]
  • Dossiers Feministes 16
    FRANCES FARMER TENDRÁ SU VENGANZA EN SEATTLE1 FRANCES FARMER WILL HAVE HER REVENGE ON SEATTLE Juncal Caballero Guiral Universitat Jaume I de Castellón RESUMEN Frances Farmer fue una actriz valiente y comprometida. Siempre observó su carrera artística desde su propia condición de mujer, atea y comunista. Su rechazo al mundo hollywoodiense de los años treinta y cuarenta, unido a las difíciles relaciones familiares, provocó en ella una reacción que la sociedad de ese momento atajó amparándose en el mundo legal. Acusada de maltrato y de violar la libertad condicional su vida acabó bajo la tutela materna. A partir de ese momento, Farmer se paseó por el abismo, por la frontera de la cordura y de la locura. Palabras clave: Frances Farmer, locura, independencia. ABSTRACT Actress Frances Farmer was brave and committed. She always considered her artistic career from her own identity as a woman, atheistic and communist. Her rejection to the 30s and 40s Hollywood world, together with difficult family relationships, caused her a reaction that society at the time interrupted by invoking the legal sphere. She was accused of abuse and probation violation, and thus ended her life under her mother’s tutelage. Since then, Farmer walked into the abyss, on the border between sanity and madness. MUJERES, CREACIÓNMUJERES, Y DOLOR Key words: Frances Farmer, madness, independence. Frances Farmer tendrá su venganza en Seattle es el título de una canción recogida en el último disco de Nirvana, In Utero, editado en 1993. En ella, el grupo dedica unas crípticas palabras a una mujer casi desconocida para el público en general.
    [Show full text]