A Denial the Death of Kurt Cobain the Seattle
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Jessica Lange Regis Dialogue Formatted
Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star. -
California State University, Northridge The
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY An essay submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Robert T. Hollander June, 1981 The Essay of Robert T. Hollander is approved: Prof. c(§!g Nieuwenhuysel Dr. Georg~ Gunkle, Committee Chairman California State University, Northridge ii ABSTRACT THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY by Robert T. Hollander Master of Arts in Theatre Golden Boy was first produced by the Group Theatre in New York in 1937. Directed by Harold Clurman, this 1937 production included in its cast names that were to become notable in the American theatre: Luther Adler, Frances Farmer, Lee J. Cobb, Jules (John) Garfield, Morris Carnovsky, Elia Kazan, Howard Da Silva and Karl Malden. Golden Boy quickly became the most successful production 1 in Group Theatre history and was followed in 1939 by the movie of the same name, starring William Holden and Barbara Stanwyck. Since then, there have been countless revivals, including a musical adaptation in 1964 which starred Sammy Davis Jr. Golden Boy certainly merits consideration as one of the classics of modern American drama. 1Harold Clurman, The Fervent Years: The Story of the Group Theatre and the Thirties. (New York: Harcourt, Brace, Jovanovich. A Harvest Book, 1975), p. 211. 1 2 The decision to prepare the character of Torn Moody as a thesis project under the direction of Dr. George Gunkle was made during the spring semester of 1980 at which time I was performing a major role in The Knight of the Burning Pestle, a seventeenth century farce written by Beaumont and Fletcher. -
Kurt Cobain's Childhood Home
WASHINGTON STATE Department of Archaeology and Historic Preservation WWASHINGTON HHERITAGE RREGISTER A) Identification Historic Name: Cobain, Donald & Wendy, House Common Name: Kurt Cobain's Childhood Home Address: 1210 E. First Street City: Aberdeen County: Grays Harbor B) Site Access (describe site access, restrictions, etc.) The nominated home is located mid block near the NW corner of E 1st Street and Chicago Avenue in Aberdeen. The home faces southeast one block from the Wishkah River adjacent to an alleyway. C) Property owner(s), Address and Zip Name: Side One LLC. Address: 144 Sand Dune Ave SW City: Ocean Shores State: WA Zip: 98569 D) Legal boundary description and boundary justification Tax No./Parcel: 015000701700 - 11 - Residential - Single Family Boundary Justification: FRANCES LOT 17 BLK 7 / MAP 1709-04 FORM PREPARED BY Name: Lee & Danielle Bacon Address: 144 Sand Dune Ave SW City / State / Zip: Ocean Shores, WA 98569 Phone: 425.283.2533 Email: [email protected] Nomination June 2021 Date: 1 WASHINGTON STATE Department of Archaeology and Historic Preservation WWASHINGTON HHERITAGE RREGISTER E) Category of Property (Choose One) building structure (irrigation system, bridge, etc.) district object (statue, grave marker, vessel, etc.) cemetery/burial site historic site (site of an important event) archaeological site traditional cultural property (spiritual or creation site, etc.) cultural landscape (habitation, agricultural, industrial, recreational, etc.) F) Area of Significance – Check as many as apply The property belongs to the early settlement, commercial development, or original native occupation of a community or region. The property is directly connected to a movement, organization, institution, religion, or club which served as a focal point for a community or group. -
New Tribal America
SENTIREASCODIGITALLTA MAGAZINE FEBBRRAIOE N. 40 WHITE HINTERLAND MAGNETIC FIELDS ATLAS SOUND FIRE ON FIRE SETOLA DI MAIALE MICHAEL roTHER GLENN GOULD THE FRENCH COWBOYS NO KIDS THAO NEW TRIBAL AMERICA DIRETTORE Edoardo Bridda 4 NEWS COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero WHITE INTERLAND, THE CALORIFER IS VERY HOT, THAO NGUYEN... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari Antonello Comunale Antonio Puglia 16 TUNE IN DEAD MEADOW HA NNO C OLL A BOR A TO Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Marco Canepari, Manfredi Lamartina, Paolo Grava, Massimo Padalino, Giulio Pasquali, 20 DroP OUT Stefano Pifferi, Andrea Provinciali, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo MAGNETIC FIELDS, SETOLA DI MAIALE, NEW TRIBAL AMERICA Turra, Fabrizio Zampighi, Giuseppe Zucco GUI da S PIRITU A LE 46 RECENSIONI Adriano Trauber (1966-2004) BLACK LIPS, CASS MCCOMBS, VAMPIRE WEEKEND, BEACH HOUSE... GR A FI ca Edoardo Bridda 90 WE ARE DEMO IN C OPERTIN A Aa (Daniel Arnold) 92 REARVIEW MIrror SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 MICHAEL ROTHER, DISCO NOT DISCO, CARL CRAIG, COMMON... Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La ripro- 108 LA SERA DELLA PRIMA duzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di AMERICAN GANGSTER, COUS -
A Denial the Death of Kurt Cobain the Seattle Police Department
A Denial The Death of Kurt Cobain The Seattle Police Department Substandard Investigation & The Repercussions to Justice by Bree Donovan A Capstone Submitted to The Graduate School-Camden Rutgers, The State University, New Jersey in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies Under the direction of Dr. Joseph C. Schiavo and approved by _________________________________ Capstone Director _________________________________ Program Director Camden, New Jersey, December 2014 i Abstract Kurt Cobain (1967-1994) musician, artist songwriter, and founder of The Rock and Roll Hall of Fame band, Nirvana, was dubbed, “the voice of a generation”; a moniker he wore like his faded cardigan sweater, but with more than some distain. Cobain‟s journey to the top of the Billboard charts was much more Dickensian than many of the generations of fans may realize. During his all too short life, Cobain struggled with physical illness, poverty, undiagnosed depression, a broken family, and the crippling isolation and loneliness brought on by drug addiction. Cobain may have shunned the idea of fame and fortune but like many struggling young musicians (who would become his peers) coming up in the blue collar, working class suburbs of Aberdeen and Tacoma Washington State, being on the cover of Rolling Stone magazine wasn‟t a nightmare image. Cobain, with his unkempt blond hair, polarizing blue eyes, and fragile appearance is a modern-punk-rock Jesus; a model example of the modern-day hero. The musician- a reluctant hero at best, but one who took a dark, frightening journey into another realm, to emerge stronger, clearer headed and changing the trajectory of his life. -
Nero Magazine
2 / QUI GIACE L’HARD ROCK 4 / BRENT GREEN 8 / EARTH 10 / POLAROID 12 / SILENCE IS SEXY 16 / TO BE CONTINUED... 19 / RIMEDIARE LA REALTA NER O 21 / GARDAR EIDE EINARSSON 26 / SPLITTING 29 / FIGLI DI NUGGETS Neromagazine.it 30 / ALICE IN SYNCHRONICITY 32 / JAPAN DIGITAL MUTATION GIRLS: SAWAKO 34 / WHITE E PORK 36 / RECENSIONI 44 / NERO INDEX 45 / NERO TAPES BIMESTRALE A DISTRIBUZIONE GRATUITA NUMERO 7 DICEMBRE / GENNAIO 2006 Direttore Responsabile: Giuseppe Mohrhoff Direzione Editoriale: Francesco de Figueiredo ([email protected]) Luca Lo Pinto ([email protected]) Valerio Mannucci ([email protected]) Lorenzo Micheli Gigotti ([email protected]) Staff di Redazione: Emiliano Barbieri, Rudi Borsella, Marco Cirese, Ilaria Gianni, Andrea Proia, Francesco Tatò, Francesco Ventrella Collaboratori: Gianni Avella, Marco Costa, Silvia Chiodi, France- sco Farabegoli, Roberta Ferlicca, Francesca Izzi, Alberto Lo Pinto, Federico Narracci,Anna Passarini, Silvia Pirolli, Leandro Pisano, Marta Pozzoli, Francesco M. Russo,Giordano Simoncini, Davide Talia Grafica: Daniele De Santis ([email protected] Industrie Grafiche di Roma) Responsabile Illustrazioni: Carola Bonfili (carolabonfi[email protected]) Invio Materiale: Via degli Scialoja,18 - 00196 ROMA Pubblicità: [email protected] Lorenzo Micheli Gigotti 3391453359 Distribuzione: [email protected] Editore: Produzioni NERO soc. coop. a r.l. Iscrizione Albo Cooperative n° A116843 NERO Largo Brindisi, 5 - 00182 ROMA Tel. / Fax 06 97271252 [email protected] Registrazione al Tribunale di Roma n. 102/04 del 15 marzo 2004 Stampa: OK PRINT via Calamatta 16, ROMA Distribuzione a Milano a cura di Promos Comunicazione www.promoscomunicazione.it copertina di Nicola Pecoraro www.hopaura.org – [email protected] sommario di Carola Bomfili NERO A CASA. -
The Life & Near Death Story of Patty Schemel
REVIEWS "Describing the parabolic ups and downs of the career of Hole drummer Patty Schemel, tricked-up docu Hit So Hard features never-before-witnessed tour documentation recorded on Schemel's own Hi-8 camera, including her extended stay at the digs of band frontwoman Courtney Love just before Kurt Cobain's suicide. This recently recovered ace-in-the-Hole footage is supplemented by helmer P. David Ebersole's newly shot interviews, presented in split-screen or apportioned in brief bursts. Pic benefits from the percussionist's plainspokenness, and should attract grunge curiosity-seekers in theatrical and tube play." VARIETY "A raw, unflinching look at Schemel's hard-knock life." WALL STREET JOURNAL "Necessary viewing for any Hole fan. The footage was ample and intimate -- scenes of Schemel passed out in her hotel room after shooting heroin, Love moshing backstage at Lollapalooza with the Offspring's Dexter Holland and, most eerily, Love at home with Kurt Cobain and Frances Bean. It's heartbreaking." SPIN MAGAZINE "Hit So Hard links one milestone of Schemel’s survival to another with a caustic grace lent by the subject herself: Alcoholic at age 12. Out, tormented lesbian at 17. Junkie by her early 20s. On and off the wagon numerous times by her late 20s. A homeless, crack-addicted, music-industry exile by the end of the ’90s. It’s all there in the open, backed up with fascinating, never-before-seen archival footage featuring Love and her husband Kurt Cobain." MOVIELINE "This pull-no-punches portrait of the hell-and-back life of Patty Schemel is no ordinary rockumentary. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
2020–21 Commencement Program
Commencement UNIVERSITY OF COLORADO BOULDER MAY 6, 2021 One Hundred Forty-Fifth Year of the University NORLIN CHARGE TO THE GRADUATES The first commencement at the University of Colorado was held for six graduates on June 8, 1882, in the chapel of Old Main. It was not until 40 years later, on September 4, 1922, that the first summer commencement was held. Since the first commencement in 1882, the University of Colorado Boulder has awarded more than 350,000 degrees. The traditional Norlin Charge to the graduates was first read by President George Norlin to the June 1935 graduating class. You are now certified to the world at large as alumni of the university. She is your kindly mother and you her cherished sons and daughters. This exercise denotes not your severance from her, but your union with her. Commencement does not mean, as many wrongly think, the breaking of ties and the beginning of life apart. Rather it marks your initiation in the fullest sense into the fellowship of the university, as bearers of her torch, as centers of her influence, as promoters of her spirit. The university is not the campus, not the buildings on campus, not the faculties, not the students of any one time—not one of these or all of them. The university consists of all who come into and go forth from her halls, who are touched by her influence, and who carry on her spirit. Wherever you go, the university goes with you. Wherever you are at work, there is the university at work. -
The Meaning of Velvet Jennifer Jean Wright Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2000 The meaning of velvet Jennifer Jean Wright Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Wright, Jennifer Jean, "The meaning of velvet" (2000). Retrospective Theses and Dissertations. 16209. https://lib.dr.iastate.edu/rtd/16209 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The meaning of velvet by Jennifer Jean Wright A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Major Professor: Stephen Pett Iowa State University Ames, Iowa 2000 Copyright © Jennifer Jean Wright, 2000. All rights reserved. iii that's the girl that he takes around town. she appears composed, so she is I suppose, who can really tell? she shows no emotion at all stares into space like a dead china doll. --Elliot Smith, waltz #2 The ashtray says you were up all night when you went to bed with your darkest mind your pillow wept and covered your eyes you finally slept while the sun caught fire You've changed. --Wilco, a shot in the arm two headed boy all floating in glass the sun now it's blacker then black I can hear as you tap on your jar I am listening to hear where you are .. -
His 2008 02 Nd 02.Indd 1 3.3.2008 0:05:32 Deutsch Nepal
editorial obsah Glosář Matěj Kratochvíl 2 Barbez Karel Veselý 4 Volapük / Ovo Petr Ferenc 5 Opening Performance Orchestra Petr Ferenc 6 aktuálně Charalambides Matěj Kratochvíl 7 Vážení a milí čtenáři, Člověk jdoucí za hudebním zážitkem většinou ví, co jej čeká, co má sledovat a očekávat a jak se chovat. Že se bude hrát na harfy či laptopy, že se má tleskat po só- Zvuky v prostoru Jozef Cseres 8 lech či netleskat po větách symfonie, že zvuky se bu- dou linout z pódia a bude víceméně jasné, kdo je vydá- vá. Jsou tu prostě určité jistoty. Zajímá-li nás inspirativní Orbis pictus Petr Ferenc 12 nejistota, je pole zvukových instalací nebo sound artu dobrou volbou. Především můžeme váhat, zda jde vů- bec o hudbu, zvláště když řada tvůrců přichází z výtvar- téma Instalace Alvina Luciera Thomas Bailey 18 ného břehu. Každé jednotlivé dílo pak nabízí svou vlast- ní sadu nejistot a příležitostí k podivu: Jsou tyto zvuky Zvuk – umění – město Karel Veselý 20 elektronické, nebo akustické? Jak souvisí to, co vidím, s tím, co slyším? V takto pomezním oboru je nějaký systematický pře- Steve Roden Pavel Zelinka 22 hled ještě o chlup nemožnější než ve sférách čistě hu- debních, toto číslo tedy nabízí spíše sondy do pestrosti přístupů. Od historických mezníků, jaký představu- je třeba dílo Alvina Luciera Bird And Person Dyning, se dostaneme k autorům výstavy Orbis Pictus, kte- Gordon Monahan Jesse Stewart 25 rá v současnosti s úspěchem koluje po světě, od vy- prázdněných reproduktorů Gordona Monahana přesko- číme k telefonům Dona Rittera, zpívajícím buddhistickou Valentin Silvestrov Vítězslav Mikeš 28 mantru.