SENATE 9997 Among the Stipulations Laid Down in 3
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Collection of Radio Series Scripts, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8dj5hrq No online items Collection of radio series scripts, ca. 1933-1980, bulk ca. 1940-1959 Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of radio series scripts, PASC 135 1 ca. 1933-1980, bulk ca. 1940-1959 Title: Collection of radio series scripts Collection number: PASC 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.5 linear ft.(33 boxes) Date (bulk): Bulk, 1935-1964 Date (inclusive): ca. 1933-1980 (bulk ca. 1940-1959 Abstract: Collection consists of American radio series scripts including over 143 titles. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Camp TV Trans Gender Queer Sitcom History
Camp TV Trans Gender Queer Sitcom History Quinlan Miller Console-ing Passions Television and Cultural Power Edited by Lynn Spigel Quinlan Miller Camp TV Trans Gender Queer Sitcom History Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro and Helvetica Neue by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Miller, Quinlan, [date] author. Title: Camp TV : trans gender queer sitcom history / Quinlan Miller. Description: Durham : Duke University Press, 2019. | Series: Console-ing passions | Includes bibliographical references and index. Identifiers: lccn 2018037344 (print) | lccn 2018044915 (ebook) isbn 9781478003397 (ebook) isbn 9781478001850 (hardcover : alk. paper) isbn 9781478003038 (pbk. : alk. paper) Subjects: lcsh: Situation comedies (Television programs)—United States— History and criticism. | Television—Social aspects—United States—History— 20th century. | Transgender people in popular culture—United States. | Gender nonconformity on television. | Gender identity on television. | Homosexuality and television—United States—History. Classification: lcc pn1992.8.c66 (ebook) | lcc pn1992.8.c66 m44 2019 (print) | ddc 791.456/53—dc23 lc record available at https://lccn.loc.gov/2018037344 cover art: ( To p) Hedda Hopper’s Hollywood © Pamandisam, llc, David Susskind Papers, Wisconsin Center for Film and Theater Research. (Bottom) Beverly Hillbillies. for Erica Contents ix Acknowledgments 1 Introduction. Trans Gender Queer New Terms for TV History 27 1. Camp TV and Queer Gender Sitcom History 55 2. Queer Gender and Bob Cummings Hollywood Camp TV 88 3. Marriage Schmarriage Sex and the Single Person 131 4. -
The Burns and Allen Show Episodes
The burns and allen show episodes click here to download This article lists the episodes of The George Burns and Gracie Allen Show, an American situation comedy television series that ran for eight seasons (–58) . The George Burns and Gracie Allen Show (–). Episode List .. a huge fight with Blanche to show him how silly it is to quarrel with one's best friend. With George Burns, Gracie Allen, Bea Benaderet, Harry von Zell. The George Burns and Gracie Allen Show () George Burns and Gracie Allen C. CBS George Burns and Gracie Allen C. Harry Morton episodes, TVGuide has every full episode so you can stay-up-to- date and watch your favorite show The George Burns and Gracie Allen Show anytime, anywhere. Below is a complete The George Burns and Gracie Allen Show episode list that spans the show's entire TV run. Photos from the individual The George Burns. Disc One FIRST SHOW - In this rare, very first episode of the Burns and Allen Show from , George explains the premise of their TV series and the dynamics. Here we have episodes of the Burns and Allen Show on DVD. Plus I'll throw in nine George Burns TV Specials including a rare show in color with. A guide listing the titles and air dates for episodes of the TV series The George Burns and Gracie Allen Show. The title of their top-rated show changed to The Burns and Allen Show on the show as a regular, though she appeared in a few episodes as. Series: "THE BURNS AND ALLEN SHOW" "THE ADVENTURES OF . -
18, 1937 WEEK ENDING SEPTEMBER CURTIS MITCHELL L ANNENBERG Editor UBLISHER Smash Features
Vol. 6. No. 48 IN THIS ISSUE A D I O 18, 1937 WEEK ENDING SEPTEMBER CURTIS MITCHELL L ANNENBERG Editor UBLISHER Smash Features It Can Only Happen Here Civic broadcast of the week! by KEN W. PURDY 3 Star Is Born Attend the Lux Premiere! by HAROLD R. HIGGINS 5 Happy Listening Have You Been Radio Robbed? Advice to radio buyers by WILLIAM GAVIN 10 ACTS of God, we should have claims itself "Headquarters for Radio warned our readers, are beyond Facts." And all the time we had thought Personalities the control of editors. We refer our Mr. Fairfax was the headquarters. Harry von Zell specifically to the broadcast of CBS boasts it has the answers to practi- He Knew What He Wanted the Louis -Farr fight for the world cham- cally everything, even such questions as: by MARY WATKINS REEVES 4 on Clark Dennis pionship which we listed for a Thursday How many programs have been We applaud him! 19 and which a rainstorm postponed to a the air 600 times or more? Paul Whiteman Whiteman rides again! 24 Monday, and to Shaw's "Methuselah" How do the listening habits of coLege "Buck" which we listed for a triumphal network students compare with those of the aver- production on a Monday and which has age audience? News and Views been postponed until goodness knows What percent of the homes in Aus- into a Stories of the Week's when. After working ourselves tralia have radio sets? Big Broadcasts 8 lather, beating our breasts and telling all Showdown How much did the audience spend to Hollywood and sundry that these were broadcasts by EVANS PLUMMER 12 listen in 1936? Airialto Lowdown worth whole minutes of your precious by WILSON BROWN 13 Our Mr. -
American Radio Collection, 1931-1972, Collection (S0256)
S0256 American Radio Collection, 1931-1972 Collection 256 514 Audio Tapes This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. This collection is stored off site. Please allow 3-5 business days for retrieval. The American Radio Collection was donated to WHMC by the Thomas Jefferson Library. All tapes are reel-to-reel. All programs listed in this inventory are alphabetized by the first letter of each program, except for articles. Programs titled by a performers name are alphabetized by the performer’s first name: e.g., Bob Hope, Jack Benny, Jimmy Durante, Bing Crosby, etc. Wherever possible, programs are headed with a brief comment on their nature and the years they were broadcast. Introduction to American Radio Collection, 1931-1972, Collection 256 The American Radio Collection, composed of 514 reel-to-reel tapes, is a valuable piece of American social and cultural history. Tapes in the collection cover the early years of commercial broadcast radio through its golden years to the decline of network radio in the early 1960s. Today commercial radio aims its programs at specific audiences, listeners with different interests in music, politics, religion, and sports. News, commentary, and call-in- shows try to win loyal audiences to this “niche programming,” as it is sometimes called. Today, broadcast radio rarely seeks to appeal to a broad audience of varying ages, genders, ethnicities, occupations, or geographic locations. Garrison Keillor’s Prairie Home Companionis a rare live broadcast aimed at a national audience but it attracts only a small audience, largely white and middle class. -
Tommy Dorsey
TOMMY DORSEY CATALOG 1 9 4 4 Prepared by: DENNIS M. SPRAGG YEAR-BY-YEAR CHRONOLOGY Volume 1 / Chapter 10 Updated February 24, 2016 January 1944 Talent and Tunes Holiday season finds New York once more the center of name band activity. Tommy Dorsey moved into the Paramount Theatre, brother Jimmy opened at the Roxy, Charlie Spivak started at the Hotel Pennsylvania and Xavier Cugat took over at the Waldorf- Astoria.1 Vaudeville Reviews Paramount, New York Reviewed December 22, 19432 “The regular Dorsey boys and girls are well quipped to put on a show but this time thy get a hand, or rather, two handfuls of drumsticks from Gene Krupa. Who is sitting in for this date. Deal was clinched just prior to the opening, with time for only on rehearsal. The afternoon dailies picked it up as feature copy and by opening night word was out that Krupa was in. And by opening night Krupa was batting exactly 1,000 on the skins. Dorsey opened his layout with “Hallelujah” and the spotlight on the drums, and followed with his standard “Song of India.” Not a word was uttered on stage up to that point, but the thunderous applause made it plain that no identification of the drummer was necessary. Two songs from the four-girl Sentimentalists caused letdown. Gals sing well and voices blend harmoniously, but smarter arrangements are needed to sell the quartet. Krupa was then handed a solo spot in which h practically tore his drums apart and the house down. Had to encore with another demonstration of the ultimate in drumnastics, selling the most intricate rhythms imaginable as though they were jelly apples. -
Radio Announcers (1933)
1933 Digitized by the Internet Archive in 2017 with funding from Media History Digital Library https://archive.org/details/radioannouncers100cdew RADIO ANNOUNCERS 1933 PLEASE NOTE • This booklet contains the pictures and short biographical sketches of a number of the most popular and more commonly heard radio announcers of the two leading network broadcasting systems in the United States. • It does not by any means include all of the popular network announcers— in fact there are a number not pictured here that are better known and more popular perhaps than some that do appear. • In our next edition however we will have pictures and sketches of many announcers not appearing in this edition. « Radio announcers pictured in this booklet are arranged sirictly in alphabeti¬ cal order by name. Those of the Columbia Broadcasting System occupying the even pages, and of the National Broadcasting Company the odd pages. INDEX CBS Announcers Pages NBC Announcers Pages DON BALL . 2 FORD BOND . 3 ANDRE BARUCH. 4 HOWARD CLANEY . 5 NORMAN BROKENSHIRE. 6 MILTON J. CROSS. 7 MARK CASSIDY . 8 ALOIS HAVRILLA . 9 LOUIS DEAN . 10 BILL HAY . 11 PAUL DOUGLAS. 12 GEORGE HICKS . 13 PAT FLANAGAN. 14 JOHN W. HOLBROOK. 15 TED HUSINS . 16 EDWARD K. JEWETT. 17 FRANK KNIGHT . 18 KELVIN K. KEECH. 19 JOHN MAYO . 20 PATRICK J. KELLY . 2! KENNETH ROBERTS . 22 JEAN PAUL KING. 23 DAVID ROSS . 24 GRAHAM McNAMEE . 25 CARLYLE STEVENS . 26 HOWARD PETRIE . 27 FRED UTAL. 28 JAMES WALLINGTON . 29 HARRY VON ZELL. 30 JOHN S. YOUNG... 3! Price 10 Cents C. De WITT WHITE CO., PUBLISHERS P. -
Ollywood's Corners
�' eAl.lP. c ., a- D~C ~ Slips Tha 'pas 194. In the Ni9ht B; nr E..,-11. at the Tail 0' th Cud "If the ring's oiling AIJng from him e bought it her- CLIPPINGS, Inc. self!"",. b ne Withers at the Bra lI: : "Before he 16 WWTEHALL ST. married her. he used to carry New York City ollywood's her books home tram school. Now, he carries her torch home from Lockheed." •••• , Corners By Marjorie Weaver at Mike Lyman'S: "That dame knows By THE YOUNG.MAN. so much about etiquette, she Inquirer even washes her hands before Philadelphia Pa ABOUT HOLLYWOOD be won drinking out of a fing~r bowl." of show .... by Jack Haley at Sardi's: Nov 16 1941 Kevin Kemble, young In the Tt1f. PbA¥I)U. Shakespearian actor now on "He's so hammy, even the but- e decid\ tons on his suit are made out tour with John Carradine's gO'b'" of cloves." ...• by Cookie Fair- company. writes that travel is at child at Romanoff's: "She's ~ <lfiag.~ast certainly educational in sur- thrown enough, bridal bou- Comedy Stays~ Hisl prising ways. Because of the r q uets ather own weddings to crowded condition in trains be able to pitch a nine inning • game." •..• tRio Rita' Bac1< and the 1943 custom of lending' ,l By Helen Walker at Lucey'S: a helping hand, Kevin's learned "Hollywood may be thickly March-Eldridge to prepare a baby's bottle, get populated but to me it's still shoes off a sleeping boy with- a bewilder-ness.' •..• by Leon- Show Continues out waking him and to amuse .ird Sues at the Savoy: "He's ike an oyster. -
Anthony Slide
Anthony Slide (ti LI Pt SILII In Historic Photographs Anthony Slide The Vestal Press, Ltd. Vestal, NY 13851-0097 This book is for Rudi , who represented the best in American popular entertainment Also by Anthony Slide Early American Cinema I 19'0) hie Griffith Actresses I 19-3 I The IdoLs of Silence ( 19-6 ) The Big V. A History of the Vitagraph Conenty (1976: revised 198') Early Women Directors (1977: revised 1984 Aspects of American Film History prior to 1920 (1978) Films on Him History (19'9) lbe Kindergarten of the Movies: A History of the Fine Arts Company (1980) lije Vaudevillians (1981) Great Radio Personalities in Historic Photographs (1982 ) A Collector's Guide to Movie ,1Iemorabilia ( 1983 ) Fifty Classic British Films: 19.Q-1982 ( 1985 ) A Collector's Guide to TV Memorabilia (1985) Me American Film Industry: A Historical Dictionary ( 1986) Great Pretenders (1986) Fifty Classic Freud, 1912-1982 (198") Me Cinema and Ireland (1988) With Edward Wagenknecht Me Films qf D.W. Griffith (1975) Fifty Great American Silent Films: 1912-1920 (1980) Frontispiece. Burns and Allen: George Burns (1896— and Gracie Allen (1902-1964). Without question the greatest part- nership in the history of vaudeville, radio and television, Burns and Allen made their radio debut not in America but in England, on the BBC, in June of 1929. They were first heard on CBS with Guy Lombardo in 1932 and soon thereafter The Burns and Allen Show became a radio perennial, making a happy transition to television on October 12, 1950. One of the radio highspots of 1933 was Gracie's search for her supposedly lost brother, which required that she pop up unexpectedly on any CBS program. -
W Uat's A* Jkke a Journal Schedules 10 MADISON, WEDNESDAY, SEPTEMBER 24, 1941 English
W Uat's A* Jkke A Journal Schedules 10 MADISON, WEDNESDAY, SEPTEMBER 24, 1941 English. RNE, 12 meg., 25 m. corn prices as they vary from one Afternoon Budapest—6:30 p. m.—News in Eng- Atlanta Man Reports 12:00 Heinle's Grenadiers—WTMJ lish. HAT4, 9.12 meg... 32.8 m. '41 Corn Loan area to another, the department 12:00 Light of the World WMAQ TOLW London—6:30 p. m.—"Britain Speaks." said. The farm law fixed the Loan Theft of House JoeDiMaggio to Help Eddie Cantor 12:00 .Young Dr Malone WBBM WCCO A Talk by Gordon Macdonald, M. P. 12:15 Mystery Man—WMAQ WLW Amount to Range rate at 85 per cent of parity. GSC, 9.58 meg.. 31.3 m.; G6D, 11.75 The parity price of corn will be ATLANTA, Ga. — (U.PJ —Sam 12:15 Joyce Jordan—WBBM WCCO meg. 25.5 m. Marlin Tuesday reported larceny 12:15 Painted Dreams— WGN Vatican City—6:30 p. m. — News from 65-76 Cents established on the basis ol Sept. 15 Stage Pocket-Size Series Tonight 12:30 Fletcher Wiley—WBBM KMOX Brondcnnt nnd Comment. KVJ, 15.12 prices. The parity price for Sept. of a house. An inspector found the 12:30 William Green—WGN meg.. 19.8 m. WASHINGTON—(U.R)—The ag- 15 will be published on Sept. 29 site where one of Marlin's tenant 12:30 Vollont Lnrty—WMAQ WLW Tokyo—7:05 p. m.—News in English. houses was supposed to be, but the 12:45 Grimm's Daughter-WMAQ WLW JLU4, 17.79 meg. -
Representations of Psychology in the George Burns and Gracie Allen Show
Table of Contents Masthead 2 REPRESENTATIONS Letter from the Editor 4 The Foolscap ‘Unpresidented’: Twitter, Information Disorder, and @realdonaldtrump 5 Volume 5 Victoria Yang 2018 Explore the Uncharted: How Multiculturalism Shapes Canadian Identity 12 from a Perspective of Multicultural Media Yidi guan St. Michael’s College Understanding Polysemy in Amos ’n’ Andy: Art of Comedy or Racist 18 Stereotypes? Huisi Cai Identity Crisis: Asians in the Media 23 Angelika Olegario Coach House Printing LOOK WITH YOUR A THOUSAND EYES 27 Toronto Jemima Hamilton Representations of Psychology in The George Burns and Gracie Allen Show 35 Printed with the support of Shubhi Sahni the Arts and Science Students’ Union #LetsTalk without Bell 40 Leora Bromberg Contributors 46 Masthead Editor-in-Chief Celeste Yim Associate Editors Lauren Park Ondiek Oduor Elena Senechal-Becker Kate Stoehr Design Editor Winnie Wang 2 Letter from the Editor Dear Reader, In 1987, Gugliemo Marconi succeeded in the world’s first overseas radio transmission by requesting a response from six kilometres away over the Bristol Channel. In Morse code he asked, “ARE YOU READY,” and waited for a response. Today, my friend sent a message to a group chat made up of our closest friends asking, “Do u guys think I might be a character in a video game and whoever is playing me is very bad at it?” We each responded quickly and reassuringly that no, whoever is playing her is a great, intelligent gamer with good taste in avatars. The theme for The Foolscap’s 5th Anniversary publication is Representations in response to the many ways in which we, students of media, wrestle with the representations we see of ourselves, others, and whatever else exists on the spectrum of identity.