Making Sense of National Socialism: Linguistic Ideology and Linguistic Practices in Germany, 1933-1939

Total Page:16

File Type:pdf, Size:1020Kb

Making Sense of National Socialism: Linguistic Ideology and Linguistic Practices in Germany, 1933-1939 MAKING SENSE OF NATIONAL SOCIALISM: LINGUISTIC IDEOLOGY AND LINGUISTIC PRACTICES IN GERMANY, 1933-1939 by Emily Elizabeth Sheppard A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto © Copyright by Emily Elizabeth Sheppard 2014 MAKING SENSE OF NATIONAL SOCIALISM: LINGUISTIC IDEOLOGY AND LINGUISTIC PRACTICES IN GERMANY, 1933-1939 Master of Arts 2014 Emily Elizabeth Sheppard Department of Social Justice Education University of Toronto Abstract This work approaches the question of how to make sense of German National Socialism from a joint political economic and linguistic perspective. It charts the historical emergence of Nazism and its linguistic ideology before analysing its linguistic practices in the fields of law, the mass media, and education. Plying these two strands together, it is argued that a racially-inflected understanding of language as “mother-tongue” informed the Nazis’ re-envisioning of German community, while certain practical uses of language contributed to the Nazi state’s attempt to make this community both discursively and materially real. Finally, the possibility is raised of extending the mode of enquiry modelled here to Italian Fascism and Spanish Francoism, but also to the linguistic ideologies and practices that characterise global capitalism, in an attempt to make sense of the present. ii Acknowledgments I would like to thank the members of my supervisory committee, Monica Heller and Bonnie McElhinny, for their support and guidance throughout the production of this thesis but also for having inspired it in the first place: it is to them that I owe the idea of combining political economic analysis with the study of linguistic ideologies and practices, an idea that I expect will remain a cornerstone of my work in future. I also owe many thanks to my brother and comrade, the terrific Owen Sheppard, for the many enlightening conversations we have shared on the topic of this work as on many others, and for the knack he has of listening to my jumbled thoughts and repeating them back to me in a way that makes more sense. I am tremendously grateful to the nice Michael Carswell, for having read my drafts, shared his ideas, caught the typos, and above all for having been an incomparable friend to me over the years. My wonderful aunt Linda Sheppard, too, has helped me immeasurably with her thoughtful reading, but most of all with her reliably good counsel and superb company. Thanks also to the excellent Michael Wayne for having been a sympathetic ear, a fascinating conversationalist, and a role model to me as I set out on the academic path. Finally, I am most thankful to one whose sharing of his experiences, ideas, encouragement, and most importantly his constant love and support has been invaluable to me, my dearest dad, Brian Sheppard. All translations in this work, unless otherwise noted in the reference list, are my own. iii Contents Abbreviations v Introduction: Making sense of National Socialism 1 1 National Socialism and the movements of history 7 2 Nazi ideology, linguistic ideology 20 2.1 Defining the Volksgemeinschaft 20 2.2 A brief history of German linguistic thought 24 2.3 Muttersprache and race 32 2.4 Making sense, making subjects 43 3 Founding the Volksgemeinschaft: The legal underpinnings of National Socialist community 46 4 Invoking the Volksgemeinschaft: Mass media under National Socialism 53 4.1 The National Socialist radio 55 4.2 The National Socialist press 62 5 Populating the Volksgemeinschaft: Formal education under National Socialism 72 6 Other times and places 88 6.1 Further avenues of enquiry into National Socialism 88 6.2 Future avenues of enquiry into fascism in twentieth-century Europe 91 6.3 Making sense, making senselessness 97 References 101 iv Abbreviations DNB Deutsches Nachrichten Büro GSWA German South West Africa NSDAP Nationalsozialistische Deutsche Arbeiterpartei NSLB Nationalsozialistischer Lehrerbund RGA Reich Genealogical Authority RKK Reichskulturkammer RMVP Reichsministerium für Volksaufklärung und Propaganda RMWEV Reichsministerium für Wissenschaft, Erziehung, und Volksbildung RPK Reichspressekammer RRG Reichs-Rundfunk-Gesellschaft SD Sicherheitsdienst SS Schutzstaffel v Introduction: Making sense of National Socialism This work takes a broadly political economic approach to the question of how to make sense of National Socialism. This is a question with two parts: first, why did the German fascist state make sense in historical context? Or in other words, why this response to the particular conditions that obtained in Europe at this particular juncture? And second, how did Nazism actively make new sense? That is, how did it undertake the basically educative task of creating new sensibilities, meaning new standards of sense, or parameters of rationality, as well as new subjectivities that situated that rational agency within a peculiar form of social identity? These questions demand that we take into account both the material and the discursive structures of National Socialism. By “material” structures, I refer to the pattern of political and economic practices, manifested both in the enforcement of law and order and in the distribution of wealth and commodities through everyday life, that partially constrains actors, tending to channel their actions according to the strictures of a certain rationality. Yet “rationality” itself does not belong to this material realm, since it is not a constant quantity but a discursive construction. I use the term “discursive”, then, to refer to those practices that create the less tangible structures of the social environment: the word of law as opposed to its enforcement, for example, or the concept of class as opposed to the actual maldistribution of resources. These conceptual frameworks influence the behaviour of the individuals who act within them, but also permeate their mentality, setting the boundaries of right and wrong, good and bad, sensible and senseless, according to which actors interpret the world. In practice, of course, the material and the discursive cannot be so cleanly separated. Their relationship is dialectic, each partially underwriting, partially emanating from the other. The first part of our question then effectively asks how existing material structures supported the introduction of new discursive structures, with the background of the early twentieth-century European context causing the ideas and intentions expressed by the National Socialists to appear reasonable, not to mention appealing enough to enough individual actors that the young party was able to come to state power at all. The second part asks how these discursive structures, as elaborated by the National Socialists in power, in turn underwrote the establishment of new material structures, particularly new powers to police new state borders, but also the maintenance of certain existing structures, especially an inequitable system of economic distribution. Recast, the question of how to make sense of National Socialism thus asks how the National Socialists attempted by discursive means to transfigure popular interpretations of and interactions with material conditions—that is, social life—so as to rationalise new courses of action that appear senseless, at first glance, to an observer struggling to understand them after the fact. Centred on 1 2 the active, discursive labours of National Socialism, then, this work’s approach is therefore not only political economic but also centrally linguistic. Of course, any such work must take language into account because it is a basic, indeed inescapable, instrument of social life. Yet there is another element in the linguistic perspective: we should consider how language is not only a functional component of human sociality, but also an object of thought in its own right. This means considering, too, how the way people think is influenced by the political, economic, and indeed broadly social conditions in which the thinking goes on, for “language” is by no means a single, stable concept: is it a self-contained system or a historical palimpsest, a module in the brain or a learned social skill, a transparent medium of communication or an occluding and excluding marker of group identity? Each of these and many other understandings of language have appeared more or less sensible at different times in different places. Without wanting to suggest that ideas are ever an unconscious transcription of the setting in which they are expressed, we nevertheless achieve a fuller understanding of their significance when we view them within the broader context in which they circulate. Thus for the purposes of this work I understand language not only as a discursive tool for shaping the human environment, but also as a concept in itself that is inevitably the patient of that environment’s influence, existing in a mutually constitutive relationship with it. A final major question therefore arises, namely, what is the precise nature of the relationship between how language was thought about in the historical setting of National Socialism and how language was used to shape that setting? In other words, what is the connection between the linguistic ideology and linguistic practices of National Socialism? Within the relatively large literature delving more or less superficially into the characteristic “language of Nazism”, no author of whom I am aware addresses this question.
Recommended publications
  • Schulchronik Kalenborn
    - 1 - Schulchronik Kalenborn transkribiert und kommentiert von Peter Leuschen Stand: 17. November 2016 - 2 - Vorbemerkung Im Archiv der Grundschule Gerolstein wird als "Schulchronik Kalenborn" ein Satz von Dokumenten geführt, der ursprünglich in der Schule Kalenborn verwahrt wurde und die Jahre von 1.5.1919 bis zum 1.8.1973 umfasst, zu welchem Datum die Schule aufgelöst wurde und die Unterlagen an die Rechtsnachfolgerin übergingen, nämlich die Grundschule Gerolstein. Deren Hausmeister, Herr Dahm, stellte die Originale dankenswerterweise zur Einsicht zur Verfügung. Als ich meinen erwachsenen Kindern die älteren Bände zeigte, gab es nur verständnisloses Kopfschütteln – die Sütterlinschrift1 ist größtenteils schon für meine Generation nicht mehr entzifferbar. Insofern hätte ein einfaches Einscannen der Hefte zwar deren visuellen Zugang vorerst gesichert, aber keinesfalls deren Rezipierbarkeit. Daher entschloss ich mich zu der zeitraubenden Prozedur, die Texte zu transkribieren und digital für das Internet zugänglich zu machen. Bei der Texterfassung wurde deutlich, dass die Fülle des Materials durch Orts-2, Personen-3 und Sachregister4 erschließbar gemacht werden sollte, woraus folgerte, dass die sechs Einzelteile zu einem Gesamtband zusammenzufassen sind, damit die von der Software zur Textverarbeitung bereitgestellte automatische Indexierung Seitenreferenzen über den Gesamttext erstellen kann. Andererseits sollte der Seitenlauf beibehalten werden, damit an jeder Stelle zitierbar ist, um welche Seite aus welchem der sechs Teile es sich handelt.
    [Show full text]
  • Luxembourg Resistance to the German Occupation of the Second World War, 1940-1945
    LUXEMBOURG RESISTANCE TO THE GERMAN OCCUPATION OF THE SECOND WORLD WAR, 1940-1945 by Maureen Hubbart A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS Major Subject: History West Texas A&M University Canyon, TX December 2015 ABSTRACT The history of Luxembourg’s resistance against the German occupation of World War II has rarely been addressed in English-language scholarship. Perhaps because of the country’s small size, it is often overlooked in accounts of Western European History. However, Luxembourgers experienced the German occupation in a unique manner, in large part because the Germans considered Luxembourgers to be ethnically and culturally German. The Germans sought to completely Germanize and Nazify the Luxembourg population, giving Luxembourgers many opportunities to resist their oppressors. A study of French, German, and Luxembourgian sources about this topic reveals a people that resisted in active and passive, private and public ways. ii ACKNOWLEDGEMENTS I would like to thank Dr. Elizabeth Clark for her guidance in helping me write my thesis and for sharing my passion about the topic of underground resistance. My gratitude also goes to Dr. Brasington for all of his encouragement and his suggestions to improve my writing process. My thanks to the entire faculty in the History Department for their support and encouragement. This thesis is dedicated to my family: Pete and Linda Hubbart who played with and took care of my children for countless hours so that I could finish my degree; my husband who encouraged me and always had a joke ready to help me relax; and my parents and those members of my family living in Europe, whose history kindled my interest in the Luxembourgian resistance.
    [Show full text]
  • Racial State” by Scholars
    Obsession, Separation, and Extermination: The Nazi Reordering of Germany 2. Nazi Germany is described as a “Racial State” by scholars. Explain the place of racism and in particular of anti-Semitism to the Nazi reordering of Germany and of Europe. In your analysis pay attention to both ideology and practice, to domestic and foreign policy, to culture and to politics. Following the Nazi rise to power, officials declared that “hereafter the Reich will recognize only three classes: Germans (of German or related blood), Jews and ‘Jewish mixtures’” (Birchall, “Reich Puts Laws on Jews in Force; Trade Untouched”, in Moeller, 98). This quote lies in a source written in 1935, well before the mass extermination of the Jewish population began in the Third Reich. The politics of the Reich were built around a feeling of Volk and racial similarities; those who were declared to be outside of the Volk were ostracized by the practice of laws within the German culture. Racist ideology was formed and manifested quickly upon the rise of Nazi power, with racial laws causing an obsession with heritage and the split of Germans and Jews. Nazi racism spread internationally as well, particularly as the Nazis began the occupation of Poland, Austria, and other nations. This potent racism, especially toward Jews, fueled the manner in which the Nazis reordered the German nation into a race-obsessed state and spread their obsession into neighboring countries. Politics were the origin of the extreme anti-Semitism in Nazi German. The politicians decided what the German people should believe and advertised it well enough to succeed in changing the outlook of the population.
    [Show full text]
  • The Nuremberg Party Rallies, Wagner, and the Theatricality of Hitler And
    University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 Cathedral of Light: The his imagery and music by the Nazi Party.7 Hitler was obsessed with Wagnerian operas. It was the only type of Nuremberg Party Rallies, music he listened to with any enthusiasm, and he could Wagner, and The Theatricality be heard whistling it perfectly.8 He was witnessed to be visibly calmed by the music of Wagner when agitated. of Hitler and the Nazi Party According to Goebbels, Hitler had a “strong inner need Stacey Reed for art,” and was known to, in the middle of important History 395 political negotiations or tactical battles to go by himself Fall 2012 or with a few comrades, to sit in a theater and listen to “the heroically elevated measures of a Wagnerian music The National Socialist, or Nazi, Party was drama in artistic unison with his political being.”10 This keenly aware of the power of the arts, the elements of was a tendency that began long before his appointment the theatre, and the power of spectacle on the minds and as Chancellor. Already a passionate follower of Wagner's attitudes of the German people. This was especially true works, Hitler was further directed on his path towards of music, and they found fertile ground in the minds of Führer when, upon meeting Wagner's son-in-law at the people through the imagination of Richard Wagner his Villa Wahnfried in Bayreuth in September, 1923, and his great, nationalistic Operas. The Nazi Party the master of the house told him that he saw in Hitler, engaged with the political philosophy of the composer Germany's savior.11 Hitler would go on to make Wagner and elevated the enjoyment of his art to a key ritual of a central part of his Nazi Mythos, incorporating his works the cult of Nazism.
    [Show full text]
  • The Practice of Genealogy in the Third Reich. Phd Thesis
    Baruah-Young, William L (2014) From hobby to necessity: the practice of genealogy in the Third Reich. PhD thesis. http://theses.gla.ac.uk/5306/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] From hobby to necessity: the practice of genealogy in the Third Reich William Lee Baruah-Young BA (hons) MSc Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Humanities Advanced Technology and Information Institute School of Humanities College of Arts University of Glasgow June 2014© 2 Abstract After achieving political power in January 1933, the Nazis began to plan and implement racial policies that would redefine the lives of ordinary men and women. Persistently promoted as health measures, many of the racial policies enacted would go on to have considerable and, in many cases, devastating consequences for the family sphere. This thesis examines one aspect of Nazi policy, the practice of genealogy. Re-envisioned and turned into a civic duty of the ‘responsible citizen,’ this one-time hobby forced Germans to reassess friendships, marriages and courtships.
    [Show full text]
  • Filming the End of the Holocaust War, Culture and Society
    Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J.
    [Show full text]
  • Volunteer Translator Pack
    TRANSLATION EDITORIAL PRINCIPLES 1. Principles for text, images and audio (a) General principles • Retain the intention, style and distinctive features of the source. • Retain source language names of people, places and organisations; add translations of the latter. • Maintain the characteristics of the source even if these seem difficult or unusual. • Where in doubt make footnotes indicating changes, decisions and queries. • Avoid modern or slang phrases that might be seem anachronistic, with preference for less time-bound figures of speech. • Try to identify and inform The Wiener Library about anything contentious that might be libellous or defamatory. • The Wiener Library is the final arbiter in any disputes of style, translation, usage or presentation. • If the item is a handwritten document, please provide a transcription of the source language as well as a translation into the target language. (a) Text • Use English according to the agreed house style: which is appropriate to its subject matter and as free as possible of redundant or superfluous words, misleading analogies or metaphor and repetitious vocabulary. • Wherever possible use preferred terminology from the Library’s Keyword thesaurus. The Subject and Geographical Keyword thesaurus can be found in this pack. The Institutional thesaurus and Personal Name thesaurus can be provided on request. • Restrict small changes or substitutions to those that help to render the source faithfully in the target language. • Attempt to translate idiomatic expressions so as to retain the colour and intention of the source culture. If this is impossible retain the expression and add translations in a footnote. • Wherever possible do not alter the text structure or sequence.
    [Show full text]
  • Hitler Youth Free
    FREE HITLER YOUTH PDF Michael H. Kater | 368 pages | 12 May 2006 | HARVARD UNIVERSITY PRESS | 9780674019911 | English | Cambridge, Mass, United States Hitler Youth - Wikipedia The Nazi Party tried to extend its influence over all aspects of German society. The Hitler Youth and Hitler Youth League of German Girls were developed as Nazi Party youth groups to introduce children and juveniles to Nazi ideology and policy. While girls prepared for their futures as wives and mothers, boys participated in military training. By the end Hitler Youth the war, boys as young as 12 were serving in German civil defense and in the German home guard, the Volkssturm. The Hitler Youth emerged from the scouting and German youth movements of the nineteenth and early twentieth centuries. Early Nazi leaders hoped that the organizations would serve as conduits Hitler Youth political mobilization and ideological Hitler Youth for the young. By the time Adolf Hitler came to power as German chancellor in January Hitler Youth, the Hitler Youth had approximatelymembers. In Hitler Youth following year, all other youth organizations were forbidden. The Hitler Youth and its auxiliaries became the only legal youth movement in Nazi Germany. Inthe Law concerning the Hitler Youth made membership compulsory for all Hitler Youth over ten years old. Compliance was not universal, however, and two ancillary decrees were issued in to Hitler Youth youth service compulsory and non-membership a punishable offense. Children had to be both racially conscious and Hitler Youth fit in order to build Hitler Youth new future for Germany and the Aryan people. As a symbol of the future, the Hitler Youth were often present at Party rallies and marches, including the annual Nuremberg rallies.
    [Show full text]
  • Trumpismby Alexander Reid Ross
    Trumpismby Alexander Reid Ross itsgoingdown.org The following pieces were written by Alexander Reid Ross and originally published as a semi-regular column between Novem- ber 2015 and April 2016 on It’s Going Down. “Rethinking Tactics & Strategies” features contributions from Ben Jones. Alexander Reid Ross is a moderator of the Earth First! News- wire, a contributor to Life During Wartime: Resisting Counter-In- surgency and author of the forthcoming book Against the Fascist Creep (AK Press). Visit It’s Going Down for anarchist news and analysis. itsgoingdown.org I trump the populist II the making of an american fascist III propoganda of the deal IV conservative revolution V ...or get crushed everytime VI what hath the donald wrought? Finale rethinking tactics and strategies I Trump The Populist atthew Lyons’s recent piece On Trump, Fascism, and Stale Social Science Mon the blog Three Way Fight condemns the stream of reports linking current Republican presidential candidate Donald Trump to fascism. Join- ing with Chip Berlet, who published a similar piece in Fairness and Accura- cy in Reporting (FAIR), Lyons declares that Trump is a right-wing populist, not a fascist, per se. For those of a diferent opinion, Lyons reserves blunt reprove, accusing them in the title of“Stale Social Science.” Since he links to my article, “Trump the Fascist,” published in Counterpunch on the same day David Duke commended the Don, I find his article merits response. Firstly, my article’s title is a broad stroke, which perhaps may have under- mined a careful reading of the actual article, itself.
    [Show full text]
  • Art and Political Ideology : the Bauhaus As Victim
    /ART AND POLITICAL IDEOLOGY: THE BAUHAUS AS VICTIM by LACY WOODS DICK A., Randolph-Macon Woman's College, 1959 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of History KANSAS STATE UNIVERSITY Manhattan, Kansas 1984 Approved by: Donald J. ftrozek A113D5 bSllSfl T4 vM4- c. 3~ TABLE OF CONTENTS Page Preface iii Chapter I Introduction 1 Chapter II The Bauhaus Experience: In Pursuit of the Aesthetic Chapter III The Bauhaus Image: Views of the Outsiders 48 Chapter IV Nazi Culture: Art and Ideology 92 Chapter V Conclusion 119 Endnotes 134 Selected Bibliography 150 -PREFACE- The Bauhaus, as a vital entity of the Weimar Republic and as a concept of modernity and the avant-garde, has been the object of an ongoing study for me during the months I have spent in the History Depart- ment at Kansas State University. My appreciation and grateful thanks go to the faculty members who patiently encouraged me in the historical process: to Dr. Marion Gray, who fostered my enthusiasm for things German; to Dr. George Kren, who closely followed my investigations of both intellectual thought and National Socialism; to Dr. LouAnn Culley who brought to life the nineteenth and twentieth century art world; and to Dr. Donald Mrozek who guided this historical pursuit and through- out demanded explicit definition and precise expression. I am also indebted to the Interlibrary Loan Department of the Farrell Library who tirelessly and cheerfully searched out and acquired many of the materials necessary for this study. Chapter I Introduction John Ruskin and William Morris, artist-philosophers of raid-nine- teenth century England, recognized and deplored the social isolation of art with artists living and working apart from society.
    [Show full text]
  • 'Just Like Hitler': Comparisons to Nazism in American Culture
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 5-2010 'Just Like Hitler': Comparisons To Nazism in American Culture Brian Scott Johnson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the English Language and Literature Commons Recommended Citation Johnson, Brian Scott, "'Just Like Hitler': Comparisons To Nazism in American Culture" (2010). Open Access Dissertations. 233. https://scholarworks.umass.edu/open_access_dissertations/233 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 English Copyright by Brian Johnson 2010 All Rights Reserved ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Approved as to style and content by: ______________________________ Joseph T. Skerrett, Chair ______________________________ James Young, Member ______________________________ Barton Byg, Member ______________________________ Joseph F. Bartolomeo, Department Head
    [Show full text]
  • Shakespeare and British Occupation Policy in Germany, 1945-1949
    SHAKESPEARE AND BRITISH OCCUPATION POLICY IN GERMANY, 1945-1949 by Katherine Elizabeth Weida B.A. (Washington College) 2011 THESIS / CAPSTONE Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in HUMANITIES in the GRADUATE SCHOOL of HOOD COLLEGE May 2019 Accepted: ____________________ Dr. Mark Sandona Committee Member ____________________ Dr. Corey Campion ____________________ Program Director Dr. Noel Verzosa, Jr. Committee Member ____________________ ____________________ April M. Boulton, Ph.D Dr. Corey Campion Dean of the Graduate School Capstone Adviser TABLE OF CONTENTS Introduction………………………………....3 Chapter 1: Demilitarizing Germany………...22 Chapter 2: Restoring Religion……………....31 Chapter 3: Fostering Humanity…………..…38 Conclusion…………………………………..48 Works Cited………………………………...51 1 ―Shakespeare and British Occupation Policy in Germany, 1945-1949‖ Abstract: Following World War II, the United Kingdom was responsible for occupying a section of Germany. While the British were initially focused on demilitarization and reparations, their goals quickly changed to that of rehabilitation and democratization. In order to accomplish their policy goals, they enlisted the help William Shakespeare, a playwright who had always found favor on the German stage. The British, recognizing that the Germans were hungry for entertainment and were looking for escape, capitalized on this love for Shakespeare by putting his plays back on the stage. Their hope was to influence the Germans into being better members of society by showing them classic plays that aligned with their occupation goals of restoring religion and promoting democracy in the region. Shakespeare‘s timelessness, his ability to reach a broad audience, and the German familiarity with the playwright is the reason why his plays were especially influential in post-World War II Germany.
    [Show full text]