DOCSLIB.ORG

Glasstech, Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Glasstech, Inc 2017 world directory > Suppliers’ Profiles > Suppliers’ Products & Yellow Pages > Agents & Sales Offices > Glassworks’ Addresses 2 - Copia omaggio € DESKTOP IPAD/IPHONE *ÃÌiÊÌ>>iÊ-«>ÊÊ-«i`âiÊÊ>LL>iÌÊ«ÃÌ>iÊÊÇä¯ÊÊ"ÉÊUÊÊ ANDROID DEVICES 6XSSOLHUV<HOORZ3DJHV$JHQWV 6DOHV2IILFHV*ODVVZRUNV Because we care Revolutionary. Also our technologies. INSULATING GLASS MANUFACTURING Bystronic glass symbolises innovation with machinery, HANDLING EQUIPMENT systems and services for the processing of architectural AUTOMOTIVE GLASS PREPROCESSING and automotive glass focused on tomorrow’s market. From basic requirements through to entire, customised installations Bystronic glass provides pioneering solutions – naturally, all in the highest quality. www.bystronic-glass.com IR medium wave twin tubes emitters for: iÃÊ +Õ>ÀÌâÊ >ÃÊ «À`ÕViÃÊ } ÞÊ Ê UÊ >>Ì}Êià >««ÀiV>Ìi`Ê iµÕ«iÌÊ vÀÊ Ì iÊ }>ÃÃÊ Ê UÊ ÀÀÀ}Êià industry such as manual and au- Ê UÊ `ÀÞÊÃVÀiiÊ«ÀÌ}Êià tomatic tin side detectors and UV polymerization units. IR medium wave single tube emitters for: Ê UÊ Li`}ÊvÕÀ>ViÃ Ê UÊ vÕÃÊvÕÀ>Vi IR fast medium wave twin tube emitters for: Ê UÊ >>Ìi`Ê}>ÃÃÊVÕÌÌ}Ê>V ià www.heliosquartz.com Helios Quartz Group SA Helios Italquartz S.r.l. Via Roncaglia 20 6883 Via delle Industrie 103/A 20040 Novazzano - Switzerland Cambiago - Milano - Italy Tel. +41 (0) 919233555/6 Tel. +39 02 95 34 93 18 Fax +41 (0) 919233557 Fax +39 02 95 34 50 85 [email protected] [email protected] Handle with AIR! Increased profi tability with the air cushion tempering technology by the inventor. High quality products deserve a top treatment. With the patented LiSEC AEROFLAT air cushion tempering technology, the surfaces of the glass sheets are not touched during the tempering process. The results: t /PSPMMFSXBWFTXIJUFTUSJQFTSPMMFSQJDLVQT t /PDPPMJOHEPXOPGUIFIFBUJOH[POFJODBTFPGHMBTTCSFBLBHF t /PXBJUJOHUJNFXIFOUIFUZQFPGHMBTTJTDIBOHFE t MFTTTUBÿSFRVJSFE Tempered fl at glass in top quality - profi table and future-proof. www.lisec.com best in glass processing hi-way in glass software solutions contents - contents - contents - contents - contents 2017 world directory 9 ADVERTISERS INDEX Annual publication 10 FAIR CALENDAR EDITORIAL AND ADVERTISING OFFICE Via Antonio Gramsci, 57 20032 Cormano (Milano) - Italy suppliers to the glass industry Tel.: +39 - 02 - 66306866 Fax:: +39 - 02 - 66305510 PUBLISHER/EDITOR-IN-CHIEF 11 ALPHABETICAL INDEX Marco Pinetti ASSO CIATE EDITOR Canice Murray 80 YELLOW PAGES PRINTED BY Stampalab Srl Via Giacinto Martorelli, 4 20134 Milano (MI) - Italy SINGLE COPIES € 40 air mail included Italy: € 30 agents & sales offices Entire contents © 2017 by Smartenergy S.r.l. All rights reserved. The entire contents of this Directory are world copyrighted. Reproduction, even partially, by any means, is strictly prohibited unless written permission has first been 87 BY COUNTRY obtained from the Publishers. Although elaborate efforts have been made to ensure the accuracy of information in this guide, the Publishers do not accept responsibility for any omissions or inaccuracies or for any consequences arising from the information contained in this Directory. glassworks 93 ALPHABETICAL INDEX associations 182 ALPHABETICAL INDEX COVER ADVERTISER: FOREL SPA Via per Monastier, 4 31056 Vallio di Roncade (TV) - Italy Tel.: +39-0422-840507-8 Fax: +39-0422-840900 E-mail: [email protected] www.forelspa.com IS PUBLISHED BY Via Antonio Gramsci, 57 - 20032 Cormano (Milano) - Italy Tel.: +39 - 02 - 66306866, Fax: +39 - 02 - 66305510 Enjoy a moment of true clarity Glastory – Where the sharpest minds exchange ideas Glastory is an online community where the sharpest minds in glass treatment and manufacturing share their tips and expertise. Let us help you to make the best possible decisions for your business. www.glastory.net More information: Glaston, Tel. +358 10 500 500, [email protected], www.glaston.net. ADVERTISERS INDEX Company Company Profile ADS Advertisers Profile ADS Advertisers 12-13 ADELIO LATTUADA 48-49 IOCCO GROUP Back inside IRAN GLASS 16-17 A+W SOFTWARE cover 14-15 ADI 50-51 ITALCARRELLI 18-19 AYROX 52-53 ITALMOLE 20-21 BAVELLONI 54-55 KERAGLASS 22-23 BOVONE DIAMOND TOOLS 56-57 LEMA 24-25 First page BYSTRONIC GLASS 58-59 LISEC GROUP 26-27 C.M.B. - BESANA 60-61 MAPPI INTERNATIONAL 28-29 CUGHER GLASS 62-63 MAZZAROPPI ENGINEERING 30-31 Back cover ECOL 64-65 OPTIMA 32-33 EDGETECH EUROPE 66-67 RCN ENGINEERING 34-35 Front cover FOREL 68-69 Front inside ROLLMAC DIVISION OF GEMATA 36-37 FORZA G® / G. TECH cover 38-39 GLASSTECH INC. 70-71 SCHIAVO / OCS GLASS 40-41 GLASTON 72-73 SOFTECO 42-43 HEGLA 74-75 TALAMONI 44-45 HELIOS QUARTZ 76-77 TEMA 46-47 HYGEAR 78-79 TYROLIT VINCENT 8 JUNE 2017 ! ҃$+ PORDENONE FIERE "ҋ! &$"ҋ"&$" EXHIBITION CENTER ""Ĺ "ķ! &$ &"$,ҋƐ"$")҃ ! )))ĺ""ĺ") FAIR 2017 CALENDAR THE LEADING MAGAZINE FOR THE INTERNATIONAL FLAT GLASS INDUSTRY The magazine will be distributed at the following Trade Fairs issue exhibition/conference date venue deadlines NEW DELHI GLASSPEX/ 23-25 (GREATER NOIDA) Editorial files: GLASSPRO February India 09-01-2017 8-11 ISTANBUL Advertising files: EURASIA GLASS March Turkey 23-01-2017 2017 1 2016 world directory 2016 world directory SALES NETWORK A+W Sales- and Services Global Network SPAIN, PORTUGAL APPGLASS S.L.U. UK A&W Software UK Ltd. C/ Diputación 279, 1ª - 08007 Barcelona - Spain Northbridge Rd - Berkhamsted - Hertfordshire HP4 1EF SLOVENIA, SERBIA MAB Export d.o.o. A+W SOFTWARE GmbH POLAND Am Pfahlgraben 4-10 - 35415 Pohlheim - Germany A+W Software Polska Sp.z.o.o. Vodovodna Pot 3 - Kromberg - Nova Gorcia - Slovenia Tel.: +49 6404 2051-0 / Fax: +49 6404 2051-877 ul. Le‘sna 10 - Wrze‘snia MEA A+W Software Polska Sp.z.o.o. Corpotrade s.a.r.l. % MAILINFO A WCOMswww.a-w.com osiedle Józefa Strusia 20 - Kraków P.O. Box 50385 - Mekalles - Beirut - Lebanon SCANDINAVIA Editorial files: SOUTH AFRICA COMPANY DATA A+W Software Sweden AB Glass Design (Pty) Ltd Industrivägen 17 - 302 41 Halmstad - Sweden 1 Eugene Street - Malanshof - Randburg, 2196 Contacts FRANCE JAPAN A+W Software France SAS Correns Corporation Peter Dixen - CEO 62 Avenue des Frères Montgolfier - 69740 Genas lino Building, 1-1 Uchisaiwai-cho - 2-chome George Evers - CFO NORTH AMERICA Chiyoda-ku - Tokyo 100 A+W Software USA Inc. Annual turnover AUSTRALIA One Parkway Drive 400S - USA EUR 24,000,000 OVERSEAS GLASS AGENCIES PTY LTD. AUSTRALIA 140 Malcolm Road - Braeside, 3195 Percentage of turnover from glass (%) A+W Software Australia PTY Limited Level 1 - 37 Brandl Street Eight Mile Plains - QLD 4113 MEXICO / LATIN AMERICA TI Glass, SA DE CV 83 06-03-2017 Calle 1ª número 340 Int 1 A+W Sales- and Service Partners (Agents) Number of Employees Colonia campestre 97120 - Mérida, Yucatán - Mexico GERMANY 170 worldwide CARLO Network GmbH CHINA, SINGAPORE, MALAYSIA, KOREA Founding Year Zum Rachtiger Wald 1 - 54516 Wittlich-Wengerohr Yichen Information Technology Co., Ltd. COMPANY PROFILE LITHUANIA 1977 Room 702, No. 73 - 1028 XiuYan Road Idelis UAB - Pelesos 3 - 02115 Vilnius KangQiao Pudong - Shanghai - China Registered Trademarks A+W A+W DynOpt Software for Glass and Windows Planned Exhibitions A+W is the global market leader for software in the flat glass China Glass 2016 - Shanghai, China - 11 / 14 April 2016 industry as well as the windows and doors business. The company Glasstec 2016 - Düsseldorf, Germany develops ERP-, PPS-and optimization software in order to make glass and window manufacturers even more efficient. 20 / 23 September 2016 GlassBuild America 2016 - Las Vegas, USA A+W solutions control and optimize the whole value chain, from 19 / 21 October 2016 basic glass to finished windows or façade elements. A+W products Equipbaie - Paris, France - 15 / 18 November 2016 are suitable for small-, mid-sized and large companies. Cuba Glass 2016 - Havana, Cuba 06 / 07 December 2016 Of course, A+W offers individual advice and consulting for its entire product range and supports users from the presentation of the systems through to live operation. With automatic updates and upgrades, the global maintenance service makes sure that the installed software is always up to date. Advertising files: A+W optimizes its customers’ yield, reduces production costs, shortens lead times, improves quality and thus increases customer satisfaction. A+W has been active on the market for more than 35 years and sells its products worldwide. A+W cooperates with the most experi- enced and competent companies in the industry. This close network- ing helps A+W to always provide the best possible solution for its customers’ demands. A+W is a wholly owned company of Constellation Software Inc., which is listed on the Toronto Stock Exchange under the symbol 20-03-2017 ‘CSU’. The Corporation acquires, manages and builds vertical mar- 2017 ket software businesses. 14 4611-*&34 r 4611-*&34 r 4611-*&34 r 4611-*&34 15 2017 2015 world directory 8-9 TEHRAN IRAN GLASS May Iran Editorial files: 27-03-2017 CHINA GLASS 24-27 BEIJING May China Advertising files: 2 SUPPLIERS GUIDE/YELLOW PAGES IN CHINESE 10-04-2017 RESERVED FOR ADVERTISERS OF THIS ISSUE 5-8 MOSCOW MIR STEKLA June Russia Editorial files: 28-04-2017 SUPPLIERS GUIDE/YELLOW PAGES IN RUSSIAN RESERVED FOR ADVERTISERS OF THIS ISSUE Advertising files: 28-30 TAMPERE 08-05-2017 2017 GPD FINLAND 3 June Finland GLASSBUILD 12-14 ATLANTA Editorial files: AMERICA September USA 14-07-2017 Advertising files: 25-27 DUBAI 28-07-2017 GULF GLASS September UAE 2017 4 VITRUM 3-6 MILAN October Italy Editorial files: 04-09-2017 ALL VITRUM EXHIBITORS ADVERTISING IN THIS ISSUE ALSO RECEIVE A FREE
Load more

Recommended publications
  • Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass
    Envelopes in Architecture (A4113) Designing holistic envelopes for contemporary buildings Silvia Prandelli, Werner Sobek New York A4113 ENVELOPES IN ARCHITECTURE - FALL 2016 Supply chain for holistic facades 2 Systems Door systems Media Facades Rainscreen facades Dynamic facades Mesh System Structural glass/Cable Glass floors Multiple skins Shading systems Green facades Panelized systems Stick/Unitized systems 3 Curtain wall facades 4 What are the components of a façade system? 5 What are the components of a façade system? 6 What are the components of a façade system? 7 Glass 8 Glass Types Base Glass (float glass) Heat Treated Glass Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass 9 Base Glass (Float Glass) 10 3500 BC Glass Making: Man-made glass objects, mainly non-transparent glass beads, finds in Egypt and Eastern Mesopotamia 1500 BC Early hollow glass production: Evidence of the origins of the hollow glass industry, finds in Egypt 11 27 BC - 14 AD Glass Blowing: Discovery of glassblowing, attributed to Syrian craftsmen from the Sidon- Babylon area. > The blowing process has changed very little since then. 12 Flat Glass Blown sheet 13 15th century Lead Crystal Glass: During the 15th century in Venice, the first clear glass called cristallo was invented. In 1675, glassmaker George Ravenscroft invented lead crystal glass by adding lead oxide to Venetian glass. 14 16th century Sheet Glass: Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes 19th century Sheet Glass: The first advances in automating glass manufacturing were patented in 1848 by Henry Bessemer, an English engineer.
    [Show full text]
  • Chapter 4: the Wedding: Glasses and Glazes
    CHAPTER 4 The Wedding (Glasses and Glazes) Therefore, thou gaudy gold, Hard food for Midas, I will none of thee Nor none of thee thou pale and common drudge Tween man and man: but thou, thou meagre lead Which rather threaten’st than dost promise aught, Thy palidness moves me more than eloquence and here chose I. Joy be the consequence Shakespeare Merchant of Venice his chapter examines two interrelated high concentrations of Sn and Zn are also present.. uses of lead: glass technology and The low Na2O content implies that Anglo- Tglazes. Why was lead and not some Saxon glass technology did not derive directly from other material used in these technologies? How did the that of the Roman period, which utilized soda glass. technologies spread? The high Sn/Zn content suggests the use of recycled It will be shown that lead was used for similar metallurgical material. This hypothesis is supported by reasons as in metallurgy (energy conservation, among the similar composition of early medieval red enamel others) and that transmission of technology follows an glass to that of 3rd century A.D. German slags. In the East/West and West/East configuration, consistent with German metallurgy of the time, a regular cupellation trends discussed in the preceding chapter. Time lines was blended with scrap metal to produce litharge up to of events in the “Mesopotamian”, “Egyptian,” and 2% ZnO and 10% SnO2. A 10th century Anglo-Saxon “Classical” worlds are given in Appendix J, Tables 4.1- site shows evidence of a similar metallurgical process 6-9.
    [Show full text]
  • Glass Circle Publications
    INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed.
    [Show full text]
  • Technical Research Bulletin
    Technical Research Bulletin Volume 8 2014 SUMMARY A Venetian enamelled and gilded goblet (WB.55) is part of Technical study of a the collection bequeathed to the British Museum by Baron Ferdinand Rothschild in 1898. Conservation treatment in 1994 provided the rare Venetian turquoise opportunity to remove a small sample containing some opaque white as well as rare turquoise glass. These fragments were analysed glass goblet from the using scanning electron microscopy with energy dispersive X-ray spectrometry and by laser ablation inductively coupled plasma mass Waddesdon Bequest spectrometry. Further analyses were carried out on the enamels and blue glass knop of the goblet using surface X-ray fluorescence. Dora Thornton, Ian Freestone, William This contribution locates the object in the context of Venetian glass of the Renaissance as well as the history of collecting. The Gudenrath, Martina Bertini, Andrew conservation history and the processes employed to conserve the Meek and Denise Ling object prior to its redisplay in the new Waddesdon Gallery at the British Museum in 2015 are described. Careful macroscopic and microscopic observations are combined with the chemical analyses to outline a comprehensive chaîne opératoire for the object. Technically, it is fully consistent with current understanding of glass production in Venice in the late fifteenth century. The goblet The Venetian turquoise goblet (WB.55), which is the focus of this contribution, is one of the finest Renaissance glasses to be seen anywhere in the world, Figure 1. It came to the British Museum as part of the Waddesdon Bequest, a treas- ury collection formed over two generations by Baron Anselm de Rothschild of Frankfurt and Vienna, and his son Baron Ferdinand Rothschild, MP.
    [Show full text]
  • Annual Report 2015
    Collecting Exhibiting Learning Connecting Building Supporting Volunteering & Publishing & Interpreting & Collaborating & Conserving & Staffing 2015 Annual Report 18 6 12 2 A Message from the Chair 3 A Message from the Director and the President 4 Collecting 10 Exhibiting & Publishing 14 Learning & Interpreting 18 Connecting & Collaborating 22 Building & Conserving 26 Supporting 30 Volunteering & Staffing 34 Financial Statements 36 The Year in Numbers Visit philamuseum.org/annualreport for expanded content. Cover: Stacking Chairs, designed c. 1960–67 by Verner Panton, 24 made 1968–79 by Vitra GmbH, Basel, Switzerland © Vitra, Inc.; this spread, clockwise from top left: Pickle Stand, 1770–72, by the American China Manufactory (Bonnin and Morris), Philadelphia (Gift of a 7th-generation Philadelphian, 2014-166-1); East Passyunk residents admire Manne-Porte, Étretat (1885) by Claude Monet during the summer 2015 installation of Inside Out; Art Splash; Smoking My Pipe, 1934, by Samuel Joseph Brown, Jr. (Public Works of Art Project, on long-term loan to the Philadelphia Museum of Art from the Fine Arts Collection, U.S. General Services Administration); Nandi, the Sacred Bull of Shiva, c. 1200–50, India (Purchased with the Joseph E. Temple 14 Fund, 1966-123-1) Photography by the Philadelphia Museum of Art Photography Studio except page 21, lower right, by Elizabeth Leitzell A Message A Message from the from the Chair Director and the President This past year has been an astonishing one at the Philadelphia Museum of Art. There’s Fiscal year 2015 was marked by several ambitious initiatives that reflect our shared vision been a dynamic energy in the building, fueled by our Strategic Vision and Facilities for the future Philadelphia Museum of Art—from the implementation of the renewal and Master Plan and felt by all who work in the Museum and those who come to visit.
    [Show full text]
  • Chapter 3. Glass and Other Vitreous Materials Through History
    EMU Notes in Mineralogy, Vol. 20 (2019), Chapter 3, 87–150 Glass and other vitreous materials through history Ivana ANGELINI1, Bernard GRATUZE2 and Gilberto ARTIOLI3 1Department of Cultural Heritage, Universita` di Padova, Piazza Capitaniato 7, 35139 Padova, Italy [email protected] 2CNRS, Universite´ d’Orle´ans, IRAMAT-CEB, 3D rue de la Fe´rollerie, F-45071, Orle´ans Cedex 2, France [email protected] 3Department of Geosciences and CIRCe Centre, Universita` di Padova, Via Gradenigo 6, 35131 Padova, Italy [email protected] Early vitreous materials include homogeneous glass, glassy faience, faience and glazed stones. These materials evolved slowly into more specialized substances such as enamels, engobes, lustres, or even modern metallic glass. The nature and properties of vitreous materials are summarized briefly, with an eye to the historical evolution of glass production in the Mediterranean world. Focus is on the evolution of European, Egyptian, and Near East materials. Notes on Chinese and Indian glass are reported for comparison. The most common techniques of mineralogical and chemical characterization of vitreous materials are described, highlighting the information derived for the purposes of archaeometric analysis and conservation. 1. Introduction: chemistry, mineralogy and texture of vitreous materials Glass is a solid material that does not have long-range order in the atomic arrangement, as opposed to crystalline solids having ordered atomic configurations on a lattice (Doremus, 1994; Shelby, 2005). It has been shown experimentally (Huang et al., 2012) that amorphous solids can be described adequately by the model proposed by Zachariasen, the so-called random network theory (Zachariasen, 1932). Because of the contribution of configurational entropy, glass has a higher Gibbs free energy than a solid with the same composition.
    [Show full text]
  • A Timeline of Colorless Glass Through the Ages
    A Timeline of Colorless Glass through the Ages The quest for perfectly colorless and transparent glass Pokal, ca. 1725–50, engraved ca. 1770s is age-old. Because glass has a natural tint due to the Adding lead oxide improved the working impurities of its raw materials, glassmakers had to quality and appearance of colorless glass. intentionally manipulate its chemistry to remove all traces Soft enough to carve, lead glass achieved an of color from the glass. extra brilliance and gave a pleasant ringing sound when tapped. Bohemian artisans At almost every significant moment in glassmaking history, became renowned for their elaborately cut and engraved colorless glassware, like this people took great care to make colorless glass, and it 4 was more highly valued than other types of glass being stemmed goblet. For the last 250 years, the made. As you walk through the Chrysler Museum’s glass association of “lead crystal” with notions of luxury has led to the use of the shortened “crystal” to refer to the highest-quality glass galleries, we invite you to take a closer look at how artists in production, regardless of actual lead content. and designers have adapted this mesmerizing material, capitalizing on its unique beauty and optical properties. Covered Sugar Bowl, ca. 1825–40 American companies drew upon a rich history of glassmaking techniques, as immigrant Bowl, mid-1st century glassworkers brought with them knowledge Traditionally, glass has been made by of English, German, and Venetian traditions. combining three ingredients: soda, lime, and Attractive cut and pressed tableware was silica. This type of glass has a bluish-green produced from colorless glass, but the color due to the presence of iron oxide transparency of the material could also cleverly in the raw materials.
    [Show full text]
  • Glossary of Glass Terms
    Glossary of Glass Terms A Abrasion The technique of creating shallow decoration by grinding with a wheel or other device. The decorated areas remain unpolished. Acanthus In art, an ornament that resembles the leaves of the species Acanthus spinosus plant. Acid Etching The process of creating decoration on the surface of glass by applying hydrofluoric acid. A similar effect is weathering, obtained by exposing glass to fumes of hydrofluoric acid to create an all- over matte surface. Acid Polishing The technique of creating a glossy, polished surface by dipping (usually) cut glass into a mixture of hydrofluoric and sulfuric acids. Developed in the late 19th century. Acid Stamping The process of acid etching a trademark or signature onto annealed glass using a rubber stamp-like tool. Aeolipile (From Greek): Globular or pear-shaped object with a narrow neck and mouth. Its function is believed to be as containers. See Grenade Agate Glass See Calcedonio Air Trap, Air Lock An air-filled void of almost any shape. Air traps in glass stems are frequently tear- shaped or elongated and spirally twisted. See Diamond Air Trap, Pegging, Twist Air Twist See Twist Alabaster Glass A type of translucent white glass first produced in Bohemia in the 19th century. Similar to opal glass. Alabastron (From Greek): A small bottle or flask for perfume or oil, usually with a flattened rim, narrow neck, cylindrical body, and two handles. Ale Glass An English drinking glass for ale or beer first made in the 17th century, with a tall and conical cup, a stem, and a foot.
    [Show full text]
  • Glossary of Venetian Glass Making Processes
    Glossary Of Venetian Glass Making Processes Murano glassmakers held a virtual monopoly on quality glassmaking for centuries and as such it remains the longest lasting centre for glass making in history. During this time they developed, or procured and refined, many processes which we have made reference to in our extensive History of Venetian Glass guide. This BigBeadLittleBead glossary describes the individual process, some of the science involved, and who the technique or process can be attributed to. Aventurina - also known as Aventurine or Adventurina This process involves adding micro particles of copper, gold, or chromic oxide to molten glass after which deglassification, during the cooling stage, results in the separation of the particles from the molten mass. This produces an affect whereby the fine particles are suspended in the glass and appear like gold flecks when they catch the light. The root meaning of this word is sometimes wrongly ascribed to avventura (or adventure in Italian), rather than the correct ventura (fortune or chance in Italian), but both descriptions give a good idea of the skilled nature of producing consistent pieces. This process was a closely guarded secret when first developed and refined in the 15th Century, coming back to prominence in the mid 19th century at the glass works of Pietro Bigaglia and then Salviati & C. It is used for beads, vases, and a variety of other objects. Image: Vintage orange and black Aventurina glass beads. Battuto - Meaning struck or beaten This is a cold working finishing treatment using a grinding wheel to mark the surface of the glass.
    [Show full text]
  • STUDY DAYS on VENETIAN GLASS Approximately 1600'S
    ROSA BAROVIER MENTASTI AND CRISTINA TONINI Tools to Study Glass: Inventories, Paintings and Graphic Works of the 16th Century 3 The “Study Days on Venetian Glass” are an opportunity for in-depth AVVERTENZA PAOLO ZECCHIN The Inventory of Matteo Priuli in the Year 1700 43 study on Venetian glass and are tuned to an audience of Museum L’Istituto, al fine di diffondere con maggiore celerità conservators, collectors and experts. le Note approvate dall’Assemblea dei Soci e accolte MARCO VERITÀ Secrets and Innovations of Venetian Glass between the 15th The programme includes lessons by experts who, after a general nella propria annuale rivista ATTI, ha stabilito di pub- 2013-2014 ATTI th and the 17 Centuries: Raw Materials, Glass Melting and Artefacts 53 overview, will guide participants through the direct study of methods CLASSE DI SCIENZE FISICHE, MATEMATICHE blicare, a partire dal tomo 151, i volumi delle due classi - I JUANITA NAVARRO AND SUZANNE HIGGOTT and pieces, encouraging participants to actively take part, also through E NATURALI suddividendoli in fascicoli. Work in Progress: ‘Venetian and Facon de Venise All-Glass Composites or Hybrids: Manufacture, Detection and Distribution’ 69 presentations. 172 - I Ciascun tomo degli ATTI esce quindi in fascicoli, dal- 172 la scadenza possibilmente trimestrale, suddivisi tra la CHIARA BERICHILLO The Small Centre of Piegaro and its Ancient Links classe di scienze fisiche, matematiche e naturali e la with Glass Production 89 2013-2014 classe di scienze morali, lettere ed arti. La numerazio- KINGA TARCSAY ne delle pagine dei fascicoli è distinta e progressiva Studies on Glass in Venetian Style of the 16th and 17th Centuries in Austria 97 per ciascuna classe fino alla chiusura del tomo annuale.
    [Show full text]
  • Glass Collection Glass
    BRUUN RASMUSSEN TORBEN SØRENSEN'S GLASS COLLECTION BRUUN RASMUSSEN TORBEN TORBEN SØRENSEN'S GLASS COLLECTION International auction 880 AUCTION 880 • SEPTEMBER 2018 880_glaskatalog_omslag.indd 1 29/08/2018 20.04 GLASS COLLECTION International auction 880 AUCTION Wednesday 26 September 5 pm PREVIEW Thursday 13 September 3 pm - 6 pm Friday 14 September 11 am - 5 pm Saturday 15 September 11 am - 4 pm Sunday 16 September 11 am - 4 pm Monday 17 September 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.com 880_glaskatalog.indd 1 29/08/2018 19.37 Lot 955 880_glaskatalog.indd 2 29/08/2018 19.37 DAYS OF SALE FINE ART AND ANTIQUES Tuesday 18 September 4 pm Paintings 1 - 117 Books and letters from H.C. Andersen 118 - 141 Wednesday 19 September 2 pm Antiquities, furniture, clocks and bronzes 142 - 236 Silver and ceramics 237 - 259 Oriental carpets 260 - 313 Thursday 20 September 3 pm Jewellery 314 - 570 7 pm Wristwatches and pocket watches 571 - 627 MODERN ART AND DESIGN Tuesday 25 September 4 pm Modern paintings and sculptures 628 - 746 Wednesday 26 September 2 pm Modern paintings and sculptures 747 - 865 Prints and photos 866 - 912 5 pm Glass Collection 913 - 1052 Thursday 27 September 3 pm Silver 1053 - 1082 Decorative art 1083 - 1104 Furniture, lamps and carpets 1105 - 1277 DEADLINE FOR CLAIMING ITEMS: WEDNESDAY 10 OCTOBER Items bought at Auction 880 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 10 October at the latest.
    [Show full text]
  • La Vetreria Milanese Lucchini Perego: Una Storia Lombarda Lunga Due Secoli
    POLITECNICO DI MILANO Facoltà di Architettura e Società La Vetreria Milanese Lucchini Perego: una storia lombarda lunga due secoli Relatore: Laureanda: prof.ssa Giuliana Ricci Marina Passarella n. matr. 144379 Anno Accademico 2009 - 2010 1 Abbreviazioni A.S.C. Archivio di Stato di Como A.S.M. Archivio di Stato di Milano A.S.V. Archivio di Stato di Varese A.S.C.C.M. Archivio Storico della Camera di Commercio del Comune di Milano A.S.C.M. Archivio Storico Civico del Comune di Milano 2 Introduzione pag. 15 Premessa sullo sviluppo delle tecniche della lavorazione del vetro pag. 19 Cap. 1 Le industrie del vetro a Milano 1.1 La localizzazione dei luoghi della produzione nel XIX sec. pag. 44 1.2 Cenni sull’architettura industriale milanese pag. 52 1.3 Insediamento e sviluppo delle attività vetrarie in Lombardia e a Milano nel XIX sec. pag. 54 1.4 Le principali industrie del vetro a Milano nel XX sec. pag. 69 Cap. 2 “La Vetreria Milanese Lucchini Perego”: la produzione vetraria milanese per l’architettura milanese, lombarda e nazionale pag. 65 2.1 La vetreria di Porto Valtravaglia e le altre vetrerie del Lago Maggiore nel XVII pag. 66 2.2 La vetreria nella gestione Minetti: famiglia di imprenditori e pionieri dell’industria vetraria pag. 87 2.3 La nuova vetreria Lucchini pag. 97 2.4 La Vetreria Milanese Lucchini Perego: insediamenti e trasformazioni a Milano e i rapporti con la Saint-Gobain pag. 106 Indice delle figure pag. 4 GLOSSARIO pag. 144 FONTI DI PRIMA MANO pag.
    [Show full text]