Glass Collection Glass
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Finland: Architecture and Design 2022
Finland: Architecture and Design 2022 13 SEP – 26 SEP 2022 Code: 22237 Tour Leaders Stephen Crafti Physical Ratings For 14 days, architecture and design writer Stephen Crafti charts the very latest in Finland contemporary art, architecture, furniture and fashion. Overview With architecture and design writer Stephen Crafti, explore the very best of Finland’s modernist and contemporary art, architecture, furniture and fashion in Helsinki, Jyväskylä, Seinäjoki and Turku. Begin in Finland’s capital, Helsinki visiting the Design Museum and the Museum of Finnish Architecture. Accompanied by an architect, discover Helsinki’s rich architectural history; visit Eliel Saarinen’s Central Station, the Chapel of Silence, Oodi – the new Helsinki Central Public Library, and the famous Finlandia Hall. Experience a private visit of the multi-award winning Amos Rex Art Museum, accompanied by project mastermind Asmo Jaaksi, JKMM Architects. Meet with Tuuli Sotamaa in her renowned design studio Ateljé Sotamaa. Tours of the Artek Flagship store and the Aalto House and Studio introduce us to Alvar Aalto, Finland’s most famous architect of the 20th century. At Marimekko Outlet, see some examples of world-renowned Marimekko prints. Tour the private showroom of Marita Huurinainen, famous for her ‘wave shoes’. Meet new artists at the Design Lab at the Iittala & Arabia Design Centre. View contemporary art at Didrichsen Art Museum, a seaside villa designed by Alvar Aalto’s assistant, Viljo Revell. Meet designer Harri Koskinen and learn about his internationally renowned range of products. Travel through Finnish forests to Lahti to view its wooden architecture and understand more about the relationship Finns share with wood; in Haltia, tour the award-winning Finnish Nature Centre. -
Lettera Da San G Iorgio
CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue 16 FEB VENICE, ISLAND OF SAN GIORGIO MAGGIORE 23 APR, 21 MAY, 25 JUN VENICE, ISLAND OF SAN GIORGIO MAGGIORE LETTERA DA SAN GIORGIO CONTACTS International Conference Paolo Venini and His Furnace Concert Series e Complete Beethoven String Quartets PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 1 MAR – 31 DIC VENICE, ISLAND OF SAN GIORGIO MAGGIORE 25 – 30 APR VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel. +39 041 2710229 – fax +39 041 5223563 Luca Massimo Barbero, director Maurice Aymard e Replica Project International Workshop and Symposium Accademia Monteverdi Isola di San Giorgio Maggiore, 1 [email protected] Secretary’s oce: tel. +39 041 2710230 – +39 041 2710239 Brenno Boccadoro 30124 Venezia fax +39 041 5205842 Steven Feld PRESS OFFICE 3-10-17 MAR VENICE, ISLAND OF SAN GIORGIO MAGGIORE 2 – 4 MAY VENICE, ISLAND OF SAN GIORGIO MAGGIORE tel. -
Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass
Envelopes in Architecture (A4113) Designing holistic envelopes for contemporary buildings Silvia Prandelli, Werner Sobek New York A4113 ENVELOPES IN ARCHITECTURE - FALL 2016 Supply chain for holistic facades 2 Systems Door systems Media Facades Rainscreen facades Dynamic facades Mesh System Structural glass/Cable Glass floors Multiple skins Shading systems Green facades Panelized systems Stick/Unitized systems 3 Curtain wall facades 4 What are the components of a façade system? 5 What are the components of a façade system? 6 What are the components of a façade system? 7 Glass 8 Glass Types Base Glass (float glass) Heat Treated Glass Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass 9 Base Glass (Float Glass) 10 3500 BC Glass Making: Man-made glass objects, mainly non-transparent glass beads, finds in Egypt and Eastern Mesopotamia 1500 BC Early hollow glass production: Evidence of the origins of the hollow glass industry, finds in Egypt 11 27 BC - 14 AD Glass Blowing: Discovery of glassblowing, attributed to Syrian craftsmen from the Sidon- Babylon area. > The blowing process has changed very little since then. 12 Flat Glass Blown sheet 13 15th century Lead Crystal Glass: During the 15th century in Venice, the first clear glass called cristallo was invented. In 1675, glassmaker George Ravenscroft invented lead crystal glass by adding lead oxide to Venetian glass. 14 16th century Sheet Glass: Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes 19th century Sheet Glass: The first advances in automating glass manufacturing were patented in 1848 by Henry Bessemer, an English engineer. -
Glass Verrerie Européenne 1920-2000 from One Property
Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R. -
The Corning Museum of Glass Annual Report, 2006
The Corning Museum of Glass Annual Report 2006 Cover: Officers The Fellows of The Corning The Fellows of The Corning Museum of Glass Museum of Glass are among Peacock vase, blown; E. Marie McKee the world’s leading glass col- silver-gilt mount. U.S., President Carole Allaire lectors, scholars, dealers, and Corona, NY, Tiffany Gary E. Baker glassmakers. The objectives Amory Houghton Jr. Studios, 1898–1899. Renée E. Belfer of this organization are (1) Vice President H. 14.1 cm (2006.4.161). Robert A. Belfer to disseminate knowledge James R. Houghton Mike Belkin about the history and art of Vice President William W. Boeschenstein* glassmaking and (2) to sup- port the acquisitions program Alan L. Cameros Denise A. Hauselt of the Museum’s Rakow Secretary Lt. Gen. Christian Clausen, retired Research Library. Admission Thomas P. Dimitroff to the fellowship is intended James B. Flaws Jay R. Doros to recognize accomplishment, Treasurer David Dowler and is by invitation. Robert J. Grassi Max Erlacher Assistant Treasurer Christopher T. G. Fish Barbara U. Giesicke David B. Whitehouse William Gudenrath Executive Director Jirˇí Harcuba+ Douglas Heller Trustees A. C. Hubbard Jr. Roger G. Ackerman* Kenneth L. Jobe + Peter S. Aldridge Dorothy-Lee Jones Thomas S. Buechner Leo Kaplan Van C. Campbell* Helena Koenigsmarková + Dale Chihuly Michael Kovacek Patricia T. Dann Dwight P. Lanmon + Robert Duke Harvey K. Littleton James B. Flaws Louise Luther John P. Fox Jr. Kenneth W. Lyon Polly W. Guth Josef Marcolin Ben W. Heineman* John H. Martin + Amory Houghton Jr.* Gregory A. Merkel Arthur A. Houghton III Barbara H. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
London Design Festival 14–22 September 2019 Londondesignfestival.Com #Ldf19 the Guide
THE GUIDE LONDON DESIGN FESTIVAL 14–22 SEPTEMBER 2019 LONDONDESIGNFESTIVAL.COM #LDF19 MASTER OF MATERIALS RADO.COM RADO TRUE THINLINE STUDS DESIGNED IN COLLABORATION WITH BRITISH DESIGNER BETHAN GRAY. Welcome to the official London Design Festival We hope you enjoy the 17th edition, and do share Guide. The Festival celebrates and promotes your images with us, tagging in @l_d_f_official London as the design capital of the world, and as the gateway to the international design community. Download My Festival at londondesignfestival.com/myfestival MAIN PARTNER The Guide, along with the official My Festival app, is here to help you find your way around all Festival projects and events across the city. #LDF19 VOTE FOR YOUR FAVOURITE SHORTLISTED ENTRY AT THE RADO EXHIBITION DURING DESIGNJUNCTION, 2 LONDONDESIGNFESTIVAL.COM19TH - 22ND SEPTEMBER#LDF19 2019. SEE THE PROJECTS AT radostarprize.rado.com/uk/finalists 3 BECCA 2 LONDONDESIGNFESTIVAL.COM #LDF19 TERRY CREWS 3 BeccaRed_LDFGuide_DPS_062019.indd All Pages 6/20/19 11:20 AM WELCOME CHAIRMAN DIRECTOR SIR JOHN SORRELL CBE BEN EVANS CBE Welcome to the 17th edition of London Design London is a big place. It is why, for a number Festival, which celebrates innovative and exciting of years, we have been encouraging different thinking by an international design community districts to set up their own design programmes. driven by a positive and creative attitude. Thanks This year there are 11 different Design Districts – to its scale, the Festival explores a huge diversity Bankside, Brompton, Chelsea, Clerkenwell, of design disciplines and talent and reaches into King’s Cross, Marylebone, Mayfair, Pimlico, the far corners of the world’s creative capital. -
Download New Glass Review 21
NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree. -
Chapter 4: the Wedding: Glasses and Glazes
CHAPTER 4 The Wedding (Glasses and Glazes) Therefore, thou gaudy gold, Hard food for Midas, I will none of thee Nor none of thee thou pale and common drudge Tween man and man: but thou, thou meagre lead Which rather threaten’st than dost promise aught, Thy palidness moves me more than eloquence and here chose I. Joy be the consequence Shakespeare Merchant of Venice his chapter examines two interrelated high concentrations of Sn and Zn are also present.. uses of lead: glass technology and The low Na2O content implies that Anglo- Tglazes. Why was lead and not some Saxon glass technology did not derive directly from other material used in these technologies? How did the that of the Roman period, which utilized soda glass. technologies spread? The high Sn/Zn content suggests the use of recycled It will be shown that lead was used for similar metallurgical material. This hypothesis is supported by reasons as in metallurgy (energy conservation, among the similar composition of early medieval red enamel others) and that transmission of technology follows an glass to that of 3rd century A.D. German slags. In the East/West and West/East configuration, consistent with German metallurgy of the time, a regular cupellation trends discussed in the preceding chapter. Time lines was blended with scrap metal to produce litharge up to of events in the “Mesopotamian”, “Egyptian,” and 2% ZnO and 10% SnO2. A 10th century Anglo-Saxon “Classical” worlds are given in Appendix J, Tables 4.1- site shows evidence of a similar metallurgical process 6-9. -
Glass Circle Publications
INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed. -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image.