Glossary of Glass Terms
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Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
FUSED GLASS PLAID PLATE Free Fused Glass Project
Come Join Us! FUSED GLASS PLAID PLATE Free Fused Glass Project #551 Materials List: Materials List for COE 90 or COE 96 COE 90 Item# 90905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 90915 Qty 1 Clear Sheet Glass 8 x 8 Item# 90906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 90945 Qty 1 Green Sheet Glass 8 x 8 Item# 90902 Qty 1 Light Turquoise Sheet Glass 8 x 8 COE 96 Item# 96905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 96915 Qty 1 Clear Sheet Glass 8 x 8 Item# 96906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 96945 Qty 1 Green Sheet Glass 8 x 8 Item# 96902 Qty 1 Light Turquoise Sheet Glass 8 x 8 FUSING SUPPLIES: Other Items: Item# 41513 Bullseye Shelf Paper 1 square foot or Item# 41514 Papyros Shelf Paper 1 square foot Item# 41232 Mold Curved Square (This project will work other square molds and look wonderful so do not limit yourself to just one mold.) Item# 41507 Fuser's Glue Other Materials: · Cold Polishing - (one of the following) · Grinder · Abrasive Stone · Diamond Nail File · 3M™ Diamond Coated Sanding Sponges Clean Up Supplies: · Rubbing Alcohol, Dish Washing Detergent · Cloth with very little lint (old T-shirt) Step 1 - Preparation · Grind to round each of the 4 corners of the larger square used as the base piece of glass. -
Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass
Envelopes in Architecture (A4113) Designing holistic envelopes for contemporary buildings Silvia Prandelli, Werner Sobek New York A4113 ENVELOPES IN ARCHITECTURE - FALL 2016 Supply chain for holistic facades 2 Systems Door systems Media Facades Rainscreen facades Dynamic facades Mesh System Structural glass/Cable Glass floors Multiple skins Shading systems Green facades Panelized systems Stick/Unitized systems 3 Curtain wall facades 4 What are the components of a façade system? 5 What are the components of a façade system? 6 What are the components of a façade system? 7 Glass 8 Glass Types Base Glass (float glass) Heat Treated Glass Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass 9 Base Glass (Float Glass) 10 3500 BC Glass Making: Man-made glass objects, mainly non-transparent glass beads, finds in Egypt and Eastern Mesopotamia 1500 BC Early hollow glass production: Evidence of the origins of the hollow glass industry, finds in Egypt 11 27 BC - 14 AD Glass Blowing: Discovery of glassblowing, attributed to Syrian craftsmen from the Sidon- Babylon area. > The blowing process has changed very little since then. 12 Flat Glass Blown sheet 13 15th century Lead Crystal Glass: During the 15th century in Venice, the first clear glass called cristallo was invented. In 1675, glassmaker George Ravenscroft invented lead crystal glass by adding lead oxide to Venetian glass. 14 16th century Sheet Glass: Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes 19th century Sheet Glass: The first advances in automating glass manufacturing were patented in 1848 by Henry Bessemer, an English engineer. -
Chapter 22 Reflection and Refraction of Light
Chapter 22 Reflection and Refraction of Light Problem Solutions 22.1 The total distance the light travels is d2 Dcenter to R Earth R Moon center 2 3.84 108 6.38 10 6 1.76 10 6 m 7.52 10 8 m d 7.52 108 m Therefore, v 3.00 108 m s t 2.51 s 22.2 (a) The energy of a photon is sinc nair n prism 1.00 n prism , where Planck’ s constant is 1.00 8 sinc sin 45 and the speed of light in vacuum is c 3.00 10 m s . If nprism 1.00 1010 m , 6.63 1034 J s 3.00 10 8 m s E 1.99 1015 J 1.00 10-10 m 1 eV (b) E 1.99 1015 J 1.24 10 4 eV 1.602 10-19 J (c) and (d) For the X-rays to be more penetrating, the photons should be more energetic. Since the energy of a photon is directly proportional to the frequency and inversely proportional to the wavelength, the wavelength should decrease , which is the same as saying the frequency should increase . 1 eV 22.3 (a) E hf 6.63 1034 J s 5.00 10 17 Hz 2.07 10 3 eV 1.60 1019 J 355 356 CHAPTER 22 34 8 hc 6.63 10 J s 3.00 10 m s 1 nm (b) E hf 6.63 1019 J 3.00 1029 nm 10 m 1 eV E 6.63 1019 J 4.14 eV 1.60 1019 J c 3.00 108 m s 22.4 (a) 5.50 107 m 0 f 5.45 1014 Hz (b) From Table 22.1 the index of refraction for benzene is n 1.501. -
Glossary of Terms Abrisa Technologies Your Single Source Optics Partner!
Glossary of Terms Abrisa Technologies Your Single Source Optics Partner! December 2015 200 South Hallock Drive, Santa Paula, CA 93060 • (877) 622-7472 • FAX (805) 525-8604 • www.abrisatechnologies.com Glossary of Terms - 12/15 2 of 13 Acid Etching This process for the decoration of glass involves the application of hydrofluoric acid to the glass surface. Hydrofluoric acid vapors or baths of hydrofluoric acid salts may be used to give glass a matte, frosted appearance (similar to that obtained by surface sandblasting), as found in lighting glass. Glass designs can be produced by coating the glass with wax and then inscribing the desired pattern through the wax layer. When applied, the acid will corrode the glass but not attack the wax-covered areas. Alumina-silicate Glass Alumina (aluminum oxide Al2O3) is added to the glass batch in the form of commonly found feldspars containing alkalis in order to help improve chemical resistance and mechanical strength, and to increase viscosity at lower temperatures. Angle of Incidence The angle formed between a ray of light striking a surface and the normal line (the line perpendicular to the surface at that point). Annealing Under natural conditions, the surface of molten glass will cool more rapidly than the center. This results in internal stress- es which may cause the glass sheet or object to crack, shatter or even explode some time later. The annealing process is designed to eliminate or limit such stresses by submitting the glass to strictly controlled cooling in a special oven known as a “lehr”. Inside the lehr, the glass is allowed to cool to a temperature known as the “annealing point”. -
Glass Pavilion Floorplan
MyGuide A Monroe Street Lobbey Dale Chihuly, Chandelier: Campiello del Remer #2, 1996/2006 Dale Chihuly’s “chandelier” greets visitors at the Monroe Street entrance. Chihuly’s team installed the 1300-pound hanging sculpture so that its 243 components complement the arcs of the curved walls and the Crystal Corridor that bisects the Glass Pavilion floorplan. B Gallery 5 Roman, Jar with Basket Handle, late 4th–5th century Glass The most elaborate jar of its type known from the late Eastern Roman world, this is one of thousands “As physical borders blur and of glass objects given by glass industrialist and TMA founder/benefactor Edward Drummond Libbey blend, so do notions such as Pavilion (1854–1925) of the Libbey Glass Company. He wanted the Museum to display a comprehensive program and context. This fits Since opening in August 2006, the history of glass art for the education and enjoyment the dynamic environment at the Toledo Museum of Art Glass Pavilion of the community. The Museum continues to build on has attracted a lot of attention from his vision today. Toledo Museum of Art, where around the world. This guide sheds a a wide range of collections little light on this architectural marvel are allowed to interact in new and the stellar collection it houses. C The Glass Study Gallery The Glass Study Gallery provides open storage of constellations, where workshop works not on display in the exhibition galleries. interacts with collection…and Divided into cases featuring ancient, European, American, and contemporary glass, the Study Gallery where the Museum campus allows visitors to compare many examples of similar objects, to contrast different techniques, and to enjoy interacts with neighborhood and the full range of the Museum’s varied collection. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School ADVENTURES IN HIGH DIMENSIONS: UNDERSTANDING GLASS FOR THE 21ST CENTURY A Dissertation in Material Science and Engineering by Collin James Wilkinson © 2021 Collin James Wilkinson Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2021 ii The dissertation of Collin Wilkinson was reviewed and approved by the following: John Mauro Professor of Materials Science and Engineering Chair, Intercollege Graduate Degree Program Associate Head for Graduate Education, Materials Science and Engineering Dissertation Advisor Chair of Committee Seong Kim Professor of Chemical Engineering Professor of Materials Science and Engineering Ismaila Dabo Associate Professor of Materials Science and Engineering Susan Sinnott Professor of Materials Science and Engineering Professor of Chemistry Head of the Department of Materials Science and Engineering iii Abstract Glass is infinitely variable. This complexity stands as a promising technology for the 21st century since the need for environmentally friendly materials has reached a critical point due to climate change. However, such a wide range of variability makes new glass compositions difficult to design. The difficulty is only exaggerated when considering that not only is there an infinite variability in the compositional space, but also an infinite variability thermal history of a glass and in the crystallinity of glass-cearmics. This means that even for a simple binary glass there are at least 3 dimensions that have to be optimized. To resolve this difficulty, it is shown that energy landscapes can capture all three sets of complexity (composition, thermal history, and crystallinity). The explicit energy landscape optimization, however, has a large computational cost. -
Glass Verrerie Européenne 1920-2000 from One Property
Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
An Empirical Approach to Colour in Glass
arts Article An Empirical Approach to Colour in Glass Heike Brachlow School of Arts & Humanities, Royal College of Art, London SW7 2EU, UK; [email protected] Received: 1 December 2018; Accepted: 15 January 2019; Published: 18 January 2019 Abstract: This paper focuses on the characteristics and use of transparent homogenous coloured glass for cast glass sculpture. It provides an overview of glass colouring agents and their characteristics, and establishes factors that influence the appearance of colour in glass. Methods to visually evaluate appropriate colour density for a given form are discussed, as well as essential characteristics that a form must possess to achieve results within a density threshold area, where coloured glass changes in value and/or hue between thick and thin sections. Keywords: colour; volume colour; glass; glass casting; glass sculpture; glass art; optics; density threshold 1. Introduction Colour in glass is an extensive subject and one that I have been researching for many years, with a focus on colours for kiln cast solid glass sculpture. A given form’s appearance can change drastically depending on its colour, and on whether it is transparent, translucent or opaque. Colour decisions are of critical importance to glass artists—they can ‘make or break’ a work. Many glass artists’ approach to choosing colour may be loosely defined as ‘hit and miss’, a method which becomes more reliable as an artist’s experience increases. While glaze testing is an integral part of ceramics methodology, this approach is not always suitable for glass. Although glass artists do employ colour tests, especially when working with frits and powders or designs with multiple colours, to obtain effective test results on how a transparent colour works within a form, one would have to test at full scale, and essentially make a duplicate of the form, the first one being the test. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.