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The World of SCHOTT 3
The World of SCHOTT 3 SCHOTT is a leading international technology group in the areas of specialty glass and glass-ceramics. With more than 130 years of outstanding development, materials and technology expertise we offer a broad portfolio of high-quality products and intelligent solutions that contribute to our customers’ success. Our true passion for glass is sparked by imagination and fueled by expertise. Whatever you envision, we will find a way to realize it. We reinvent glass in all its numerous properties. We can bend it, roll it up and off, combine it with metal, light it up, make it round, turn it into glass powder or make it ultra-thin. SCHOTT creates solutions that bring unique products and novel applications to life – “glass made of ideas”. The memorial next to the Atocha station in Madrid, Spain: An elliptical cylinder that is made solely of highly transparent and temperature- resistant borosilicate glass blocks from SCHOTT conveys the idea of preserving an intangible moment and creates a translucent space for reflection. 4 5 The SCHOTT Group A team of experts providing innovations you can rely on. The chemistry was right in every sense when glass chemist Otto Schott teamed up with physicist Ernst Abbe and mechanic Carl Zeiss. In 1884, Otto Schott was the first to develop and apply scientifically-based methods to glass making, a revolutionary concept that enabled him to develop completely new optical and technical glasses. He achieved matchless quality levels in glass manufacturing and enhanced the design of new glasses, such as the now well- known borosilicate glass, for groundbreaking solutions. -
Viimeinen Päivitys 8
Versio 20.10.2012 (222 siv.). HÖYRY-, TEOLLISUUS- JA LIIKENNEHISTORIAA MAAILMALLA. INDUSTRIAL AND TRANSPORTATION HERITAGE IN THE WORLD. (http://www.steamengine.fi/) Suomen Höyrykoneyhdistys ry. The Steam Engine Society of Finland. © Erkki Härö [email protected] Sisältöryhmitys: Index: 1.A. Höyry-yhdistykset, verkostot. Societies, Associations, Networks related to the Steam Heritage. 1.B. Höyrymuseot. Steam Museums. 2. Teollisuusperinneyhdistykset ja verkostot. Industrial Heritage Associations and Networks. 3. Laajat teollisuusmuseot, tiedekeskukset. Main Industrial Museums, Science Centres. 4. Energiantuotanto, voimalat. Energy, Power Stations. 5.A. Paperi ja pahvi. Yhdistykset ja verkostot. Paper and Cardboard History. Associations and Networks. 5.B. Paperi ja pahvi. Museot. Paper and Cardboard. Museums. 6. Puusepänteollisuus, sahat ja uitto jne. Sawmills, Timber Floating, Woodworking, Carpentry etc. 7.A. Metalliruukit, metalliteollisuus. Yhdistykset ja verkostot. Ironworks, Metallurgy. Associations and Networks. 7.B. Ruukki- ja metalliteollisuusmuseot. Ironworks, Metallurgy. Museums. 1 8. Konepajateollisuus, koneet. Yhdistykset ja museot. Mechanical Works, Machinery. Associations and Museums. 9.A. Kaivokset ja louhokset (metallit, savi, kivi, kalkki). Yhdistykset ja verkostot. Mining, Quarrying, Peat etc. Associations and Networks. 9.B. Kaivosmuseot. Mining Museums. 10. Tiiliteollisuus. Brick Industry. 11. Lasiteollisuus, keramiikka. Glass, Clayware etc. 12.A. Tekstiiliteollisuus, nahka. Verkostot. Textile Industry, Leather. Networks. -
Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off. -
Optical Glass
Vol. 150, No. 3807 SATURDAY, OCTOBER 17, 1942 On e Sh illin g & Six pe n c e CHANCE-PARSONS OPTICAL GLASS PLATES AND MOULDED BLANKS FOR PRISMS AND LENSES OF FINEST OPTICAL QUALITY Unworked Coloured Glass for W.&J.GEORGE LTD contrast filters PROPRIETORS OF F. E. B EC K ER & CO Sextant shade glasses Didymium and Uranium Glass 17-29 HATTON W ALL LONDON E.C.I I 157 GT. CHARLES ST. BIRMINGHAM 3 Telephone." CHAncery 6011 (4 lines) I T elephone; CENtral 764 1 (3 lines) T elcgram i: Becker, Hatton W all, London | Telegram s.- Chemistry, Birmingham 3 C hance Brothers 81 Co. Limited GLASS WORKS SMETHWICK Double Gear Release - New Rider System - Pan Guides THE B.T.L. APERIODIC BALANCE (Patent Nos. 523, 483/39) With automatic Rider System, Ease and accuracy of manipulation and reading. • Capacity 200 g. • One Knob controlling • Sensitivity 0-1 mg. • Three Riders covering a 1600 hullc „ particularsi sent on application, range° of m g° . BAIRD & TATLOCK (LONDON) LTD. 14-17 St. Cross Street, Hatton Garden, London, E.C.I W D C 259a SOLVING NEW PROBLEMS “ Aquadag” colloidal graphite in water is a true colloidal dispersion of the purest graphite. High technical quality has en abled it to solve many unique problems in modern industry. Coatings formed with it are electrically conducting, lubri cating, tend to protect from corrosion, while the colloidal dispersion can be used to impregnate fibrous materials to confer on them some of the properties of graphite. “ Aquadag” is continuing to solve im portant problems. If you have one in mind we would remind you that our technical experience is at your disposal. -
The Collector Auction
THE COLLECTOR AUCTION 6.00pm6:00pm – Thursday - 15th 24 Augustth July, 2014 2019 Viewing: Wed.10am – 6pm & Thurs.12pm – 6pm 25 Melbourne Street, Murrumbeena, Vic. 3163 Tel: 03 9568 7811 & 22 Fax: 03 9568 7866 Email: [email protected] BIDS accepted by phone, fax or email. Phone bids accepted for items over $100 only. NOT ACCEPTED after 5.30pm on day of sale Please submit absentee bids in increments of $5 Photos emailed on request - time permitting Payment by Credit card, Cheque, Money Order or Cash Please pay for and collect goods by Friday 5pm following auction 22% buyer premium + GST applies! 1.1% charge on Credit Card and EFTPOS AUCTIONS HELD EVERY THURSDAY EVENING 6.00pm AUCTIONEER – ADAM TRUSCOTT Lot No Description 1 Large Wooden Framed Shaped Mirror 2 C1900 Chaise lounge with upholstered rail to back with deep pink floral upholstery 2.1 19th C gilt framed British School watercolour - Street Vendor, no signature sighted, 49cm H 42cm L 3 3 x Framed Watercolour Portraits Signed Stan Sly 4 Circa 1900 wooden Cedar swing vanity mirror with curved top and lidded compartment, approx 64cm H. 5 Circa 1916 Narragansett Machine Co Providence R.I metal Spirometer machine for measuring lung capacity (a/f) 6 Group lot mainly vintage jewellery - 1920s enamel buckle, bone necklace, diamante bracelet, brooches, chain, m.o.p. pendant, Geo. VI Coronation medallion, mini souvenir Eiffel Tower views booklet pendant etc. 7 Small Group of Bone Handled writing Utensils & Ebonized Parallel Ruler 8 Taxidermy Adolescent Crocodile - approx 51 cm long 9 Small box lot mainly vintage costume jewellery incl. -
Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass
Envelopes in Architecture (A4113) Designing holistic envelopes for contemporary buildings Silvia Prandelli, Werner Sobek New York A4113 ENVELOPES IN ARCHITECTURE - FALL 2016 Supply chain for holistic facades 2 Systems Door systems Media Facades Rainscreen facades Dynamic facades Mesh System Structural glass/Cable Glass floors Multiple skins Shading systems Green facades Panelized systems Stick/Unitized systems 3 Curtain wall facades 4 What are the components of a façade system? 5 What are the components of a façade system? 6 What are the components of a façade system? 7 Glass 8 Glass Types Base Glass (float glass) Heat Treated Glass Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass 9 Base Glass (Float Glass) 10 3500 BC Glass Making: Man-made glass objects, mainly non-transparent glass beads, finds in Egypt and Eastern Mesopotamia 1500 BC Early hollow glass production: Evidence of the origins of the hollow glass industry, finds in Egypt 11 27 BC - 14 AD Glass Blowing: Discovery of glassblowing, attributed to Syrian craftsmen from the Sidon- Babylon area. > The blowing process has changed very little since then. 12 Flat Glass Blown sheet 13 15th century Lead Crystal Glass: During the 15th century in Venice, the first clear glass called cristallo was invented. In 1675, glassmaker George Ravenscroft invented lead crystal glass by adding lead oxide to Venetian glass. 14 16th century Sheet Glass: Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes 19th century Sheet Glass: The first advances in automating glass manufacturing were patented in 1848 by Henry Bessemer, an English engineer. -
Chapter 22 Reflection and Refraction of Light
Chapter 22 Reflection and Refraction of Light Problem Solutions 22.1 The total distance the light travels is d2 Dcenter to R Earth R Moon center 2 3.84 108 6.38 10 6 1.76 10 6 m 7.52 10 8 m d 7.52 108 m Therefore, v 3.00 108 m s t 2.51 s 22.2 (a) The energy of a photon is sinc nair n prism 1.00 n prism , where Planck’ s constant is 1.00 8 sinc sin 45 and the speed of light in vacuum is c 3.00 10 m s . If nprism 1.00 1010 m , 6.63 1034 J s 3.00 10 8 m s E 1.99 1015 J 1.00 10-10 m 1 eV (b) E 1.99 1015 J 1.24 10 4 eV 1.602 10-19 J (c) and (d) For the X-rays to be more penetrating, the photons should be more energetic. Since the energy of a photon is directly proportional to the frequency and inversely proportional to the wavelength, the wavelength should decrease , which is the same as saying the frequency should increase . 1 eV 22.3 (a) E hf 6.63 1034 J s 5.00 10 17 Hz 2.07 10 3 eV 1.60 1019 J 355 356 CHAPTER 22 34 8 hc 6.63 10 J s 3.00 10 m s 1 nm (b) E hf 6.63 1019 J 3.00 1029 nm 10 m 1 eV E 6.63 1019 J 4.14 eV 1.60 1019 J c 3.00 108 m s 22.4 (a) 5.50 107 m 0 f 5.45 1014 Hz (b) From Table 22.1 the index of refraction for benzene is n 1.501. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
LPFG Newsletter Issue 9
Later Prehistoric Finds Group Issue 9 Summer 2017 Contents Welcome to the latest edition of the LPFG newsletter. In this issue we look at an assemblage of mysterious moulds from Gussage All Saints, and a rare Late Iron Age spindle whorl from Calleva Atrebatum, the Iron Age oppidum which Welcome 2 preceded the Roman town at Silchester. Curious mould 3 matrices from The issue also contains an exclusive conversation between Helen Chittock and Gussage All Saints Elizabeth Foulds—LPFG treasurer—about Elizabeth’s new monograph, Dress and Identity in Iron Age Britain. Congratulations Elizabeth! ‘Dress and 6 Identity in Iron Age Britain’: A conversation with Dr. Elizabeth Foulds Meet the 10 committee A spindle whorl 12 from Silchester Announcements 14 Half a biconical spindle wheel from the Iron Age oppidum of Calleva Atrebatum (Silchester). Read more on page 12. Page 2 Welcome The Later Prehistoric Finds Group was established in 2013, and welcomes anyone with an interest in prehistoric artefacts, especially small finds from the Bronze and Iron Ages. We hold an annual conference and produce two newsletters a year. Membership is currently free; if you would like to join the group, please e-mail [email protected]. We are a new group, and we are hoping that more researchers interested in prehistoric artefacts will want to join us. The group has opted for a loose committee structure that is not binding, and a list of those on the steering committee, along with contact details, can be found on our website: https://sites.google.com/site/laterprehistoricfindsgroup/home. Anna Booth is the current Chair, and Dot Boughton is Deputy. -
Mead Art Museum Andrew W. Mellon Faculty Seminar: Jan 15 and 16, 2015
Mead Art Museum Andrew W. Mellon Faculty Seminar: Jan 15 and 16, 2015 Looking at Glass through an Interdisciplinary Lens: Teaching and Learning with the Mead’s Collection Books: Bach, Hans and Norbert Neuroth, eds. The Properties of Optical Glass. Berlin: Springer-Verlag, 1995. Barr, Sheldon. Venetian Glass: Confections in Glass, 1855-1914. New York: Harry N. Abrams, 1998. Battie, David and Simon Cottle, eds. Sotheby's Concise Encyclopedia of Glass. London: Conran Octopus, 1991. Blaszczyk, Regina Lee. Imagining Consumers, Design and Innovation from Wedgwood to Corning. Baltimore: Johns Hopkins University Press, 2000. Bradbury, S. The Evolution of the Microscope. Oxford: Pergamon Press, 1967. Busch, Jason T., and Catherine L. Futter. Inventing the Modern World: Decorative Arts at the World’s Fairs, 1951-1939. New York, NY: Skira Rizzoli, 2012. Carboni, Stefano and Whitehouse, David. Glass of the Sultans. New York: Metropolitan Museum of Art; Corning, NY: The Corning Museum of Glass; Athens: Benaki Museum; New Haven and London: Yale University Press, 2001. Charleston, Robert J. Masterpieces of glass: a world history from the Corning Museum of Glass. 2nd ed.: New York, Harry N. Abrams, 1990. The Corning Museum of Glass. Innovations in Glass. Corning, New York: The Corning Museum of Glass, 1999. Lois Sherr Dubin. The History of Beads: from 30,000 B.C. to the present. London: Thames & Hudson, 2006. Fleming, Stuart. Roman Glass: Reflections of Everyday Life. Philadelphia: University of Pennsylvania Museum, 1997. ----Roman Glass: Reflections on Cultural Change. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 1999. 1 Frelinghuysen, Alice Cooney. Louis Comfort Tiffany at the Metropolitan Museum. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
For Immediate Release
FOR IMMEDIATE RELEASE Contact: Lisa A. Batitto, Public Relations Manager, Newark Museum Phone: 973-596-6638, e-mail: [email protected] Newark Museum Exhibition Celebrates Sparkling Gift of Steuben Glass Unexpected Color: A Journey Through Glass Opens May 1, 2019 Newark, NJ – A sparkling, colorful gift of Steuben glass from The Thomas N. Armstrong III Collection will be on display in an upcoming exhibition at the Newark Museum. Unexpected Color: A Journey Through Glass, opening on May 1, 2019, showcases more than 130 works in glass designed by Frederick Carder for the famed Steuben Glass Works from 1903 to 1933 and used in a variety of settings by the collector. The exhibition presents a jewel box of shimmering glass, organized by Carder’s colors that he created and patented. Carder was fascinated with ancient glass colors and forms, and he worked to recreate the iridescent colors of excavated ancient Greek and Roman glass. He also designed new shapes inspired by Chinese and Venetian glass as well as shapes influenced by Art Nouveau and Art Deco styles, modern at the time. Carder kept detailed notebooks of his color formulas and glass types, revealing the glassblowing chemistry and techniques used to create the variety of functional and decorative glassware in the exhibition, including vases, bowls, candlesticks and stemware. The exhibition will include interactive tablets to connect Carder’s formulas and shapes with the colors and forms on display. Audio recordings of Carder interviews will also heighten the story of the experimentation behind the creation of this colorful glass. “Carder’s work for Steuben is particularly appropriate for Newark’s collection,” said Amy Simon Hopwood, the Museum’s Associate Curator of Decorative Arts.