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Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 Sts) Row 1: Knit
STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 sts) Row 1: Knit. Chicago Yarn Crawl Pattern 2019 Row 2: Purl. Row 3: Knit. This scarf was inspired by Barbara Walker’s Row 4: Purl. A Treasury of Knitting Patterns. There are seven Row 5: Knit. different stitch patterns used in this scarf, starting Row 6: Knit. out with easy and becoming more difficult. At Row 7: Knit. times you may need to increase or decrease the Row 8: Purl. number of stitches on your needles in order to Row 9: Knit. Row 10: Purl. accommodate the various stitch patterns. So, cast Row 11: Knit. on and “stitch away”! Row 12: Knit. Row 13: Purl. YARN: Kelbourne Woolens Germantown, 2 Row 14: Knit. skeins Repeat rows 1-14 until pattern 1 measures 8”. Needles: U.S. 8 Knit 5 rows. Knit 1 more row, increasing 1 after the initial K4. Cast on 40 stitches and knit every row for 6 rows. The first 4 stitches and last 4 stitches are knit Pattern 2: “Broken Rib” (41 sts) every row (garter stitch). You should place a Row 1: Knit th marker after the 4 stitch and before the last 4 Row 2: Purl stitches to “remind” you to work these stitches in Row 3: (K1, P1) repeat, end with K1. garter. The following stitch patterns are worked in Row 4: (P1, K1) repeat, end with P1. between these markers. Repeat these 4 rows until you have worked 8” in Pattern 2. Source: Walker, Barbara G., A Treasury of Knitting Patterns, published by Charles Scriber’s Knit for 6 rows. -
Wool Wind Or Intarsia
WOOLWIND/INTARSIA This technique is used to knit blocks of different colours, avoiding the extra bulk of Fair Isle knitting. When using this method, you will need a separate ball for each section of colour. The colour twist method involves twisting the different coloured yarns over each other to prevent holes. Twist the colour to be used underneath and to the right of the colour just used. Always change colours on the wrong side of the work so colour change does not show on right side. CASTINGCASTING ON A ONSEAM A SEAM STITCH STITCH CASTING ON A SEAM ST When casting on a seam st, do not inc by knitting into front and back of stitch. Make a loop with yarn as shown and slip onto left hand needle as indicated by arrows, pulling up stitch firmly, then work as first stitch of next row. KNITTING UP STITCHES 1 2 3 4 Insert needle through One stitch knitted up. Repeat step 1 as many All stitches knitted up fabric one whole stitch times as required, ready to begin 1st row in from the edge, wrap spacing the number of or round. yarn around needle (as stitches evenly along the for knitting) and draw piece of knitting. through fabric. FRINGES Wind yarn round a piece of cardboard of required width and cut along one edge. With right side facing, using crochet hook and two or more strands of yarn (diagrams show three strands), fold yarn in half and draw loop through a stitch on item (diagrams A and B), draw ends through this loop (diagram C) and pull tightly to form knot. -
Celebrating 60 Years
Celebrating 60 Years NEW TITLES SPRING 2020 Get in touch... +44 (0)1392 790650 [email protected] www.davidandcharles.com catalogue_jacket2020.indd 1 30/01/2020 14:41 CONTENTS Frontlist ..........................................04 Art ............................................06 Knit & Crochet .............................12 Cross Stitch ................................18 Quilting & Sewing ........................20 Other Craft .................................30 Assisted Publishing ...........................36 Recently Published ...........................38 Dover .............................................50 Backlist ..........................................56 How to get in touch ..........................86 www.davidandcharles.com Catalogue.indd 1 29/01/2020 14:01 Catalogue.indd 2 29/01/2020 14:01 Our Autumn 2019 catalogue was incredibly well received and we’re excited to follow that up with our new titles for Spring 2020. This Spring, we have a great balance of perennially successful subjects alongside books that feature new ideas and trends. Long-standing D&C authors, Pam and Nicky Lintott, bring us Jelly Roll Quilts: The Classic Collection and we make a return to bag making with The Complete Bag Making Masterclass. Books such as Crochet Hacking, Macraweave and Dried Flowers pick up on the latest trends, while Cross Stitch for the Soul celebrates the strong link between crafting and mindfulness. Cat Knits is a fantastic book for the many million cat-loving knitters out there and I reserve a special mention for Magical Woodland Knits, a truly exquisite book with incredible projects and brilliant photography. The list sees us building on our success in practical art. 3000 Colour Mixing Recipes is a cornerstone book for all watercolour artists and DIY Watercolor Jungle is a follow up to our brilliantly successful 2019 book, DIY Watercolor Flowers. We’ve been overwhelmed by the support and encouragement for new David and Charles. -
Free Knitting Pattern Lion Brand® Woolease® Tonal Grape Jam
Free Knitting Pattern Lion Brand® WoolEase® Tonal Grape Jam Wristers Pattern Number: L50323 Free Knitting Pattern from Lion Brand Yarn Lion Brand® WoolEase® Tonal Grape Jam Wristers Pattern Number: L50323 SKILL LEVEL: Beginner (Level 1) SIZE: One Size Finished Circumference About 7 in. (18 cm) Finished Length About 8 in. (20.5 cm) CORRECTIONS: (applied Mar 10, 2016) MATERIALS 635145 WoolEase Tonal: Plum 635144 WoolEase Tonal: Amethyst MATERIALS *WoolEase Tonal (Article #635). 80% Acrylic, 20% Wool; package size: 4.00oz/113.00 gr. (124yds/113m) pull skeins • 635144 Lion Brand Wool Ease Tonal: Amethyst 1 Ball • Lion Brand Knitting Needles Size 11 [8 mm] • Lion Brand LargeEye Blunt Needles (Set of 6) GAUGE: 13 sts = about 4 in. (10 cm) over Rows 7 and 8 of pattern. When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. The needle or hook size called for in the pattern is based on what the designer used, but it is not unusual for gauge to vary from person to person. If it takes you fewer stitches and rows to make your swatch, try using a smaller size hook or needles; if more stitches and rows, try a larger size hook or needles. Making a Gauge Swatch NOTES: 1. Wristers are worked in one piece with ribbing at both edges. 2. Wristers are seamed, leaving openings for thumbs. WRISTERS (make 2) Cast on 23 sts. Row 1 (RS): P1, *k1, p1; repeat from * across. -
LIBRARY BOOKS.Xlsx
Cat No. Title Author Type 476 2,286 traditional stencil designs Roessing, H APPLIQUE 13 Afternoon Tea with May Morris Hill, Michele APPLIQUE 1094 Applique 12 Borders & Medallions Sienkiewicz, Elly APPLIQUE 1444 Applique 12 Easy Ways Sienkiewicz, Elly APPLIQUE Rodale's Successful Quilting 455 Applique made easy Library APPLIQUE 4 Applique Mastery Naylor, Philippa APPLIQUE 382 Applique outside the lines with Piece O' Cake Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 774 Applique, Applique, Applique Sinema, Laurene APPLIQUE 657 Artful applique II Townswick, Jane APPLIQUE 656 Artful applique the easy way Townswick, Jane APPLIQUE 251 At Play with Applique Fronks, Dilys A APPLIQUE Back to Front & New Approach to Machine Applique 1369 (2nd copy) Scouler, Larraine APPLIQUE 585 Baltimore Beauties & Beyond Vol 2 Sienkiewicz, Ely APPLIQUE 702 Baltimore blocks for beginners; a step-by-step guide Dietrich, Mimi APPLIQUE 404 Barbara Brackman's encyclopedia of applique Brackman, Barbara APPLIQUE Beautiful botanicals: 45 applique flowers & 14 quilt 520 projects Kemball, Deborah APPLIQUE 1751 Best of BaLtimore Beauties Sienkiewicz, Elly APPLIQUE 1783 Best of Jacobean Applique Campbell, Patricia B & Ayars, Mimi APPLIQUE Best-ever applique sampler from Piece O' Cake 684 Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 1842 Blossoms in Winter Eaton, Patti & Mostek, Pamela APPLIQUE 1795 Bouquet of Quilts Rounds & Rymer APPLIQUE 1594 Celtic Style Floral Applique Rose, Scarlett APPLIQUE 1998 Classic Four-Block Applique Quilts Marston, Gwen APPLIQUE 235 -
KNITTING Definition Statement Relationship Between Large Subject
D04B KNITTING Definition statement This subclass/group covers: weft knitting machines are covered by D04B 7/00 to D04B 13/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 15/00 and articles made by such machines are covered by D04B 1/00 warp knitting machines are covered by D04B 23/00 to D04B 25/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 27/00 and articles made by such machines are covered by D04B 21/00 details of, or auxiliary devices incorporated in knitting machines not limited to a specific kind of knitting machine are covered by D04B 35/00 miscellaneous knitting machines and articles made by such machines are covered by D04B 39/00 hand knitting equipment is covered by D04B 3/00, D04B 5/00 and D04B 33/00 auxiliary apparatuses or devices for use with knitting machines are covered by D04B 37/00 or for hand knitting equipment are covered by D04B 17/00, D04B 19/00 and D04B 31/00 Relationship between large subject matter areas The difference between the subclass D04B and B32B5 is as follows:layered products including knitted products as such should be classified in B32B5 only; layered products formed by a knitting process featuring specified patterns or information on the composition of the knit article should be classified in D04B. Note that such products may comprise additional coated faces. References relevant to classification in this subclass This subclass/group does not cover: Layered products (i.e. laminates) B32B 5/00 including knitted articles 1 Knitted products of unspecified A41A61F structure or composition, e.g. -
Behind the Scenes Behind the Scenes
A Noro aficionado for more than twenty-five years, designer Cornelia Tuttle Hamilton took the trip of a BehindBehind lifetime, traveling to Japan from her home in Sweden thethe ScenesScenes to meet the man by Cornelia Tuttle Hamilton behind the yarn. y relationship with all that is Noro began in the early 1980s. It is obvious that every new day still brings new discoveries of color and I had just returned from a train trip around Europe that I form based largely on an acute observation of nature and its rhythms, M undertook to find direction in my professional life. The outcome seasons, textures and colors. Mr. Noro’s calm dignity and humor were was an ambitious decision to pursue careers in both photography and evident even though we needed an interpreter to communicate. hand-knit design. As fate would have it, the design part of my decision quickly developed and pushed out the photography—at least for the time The Company being. Eisaku Noro was raised in the town of Ichinomiya in Central Japan, a Upon my return to Manhattan I took a sales job at Fiberworks, which region known for its yarn and textile production. Impatient with school, was probably the most avant-garde yarn shop in New York at the time. Noro began working in the yarn industry after his basic education in Owned by crochet designer Judith Copeland, Fiberworks was more a spinning and dyeing was completed. He quickly learned the ropes. gallery than a yarn shop, where handcrafted yarns from Noro lit up the An innovator with an artistic eye even back then, Noro soon became shelves and were featured in artfully displayed handknit garments. -
19. Principles of Yarn Requirements for Knitting
19. Principles of Yarn Requirements for Knitting Errol Wood Learning objectives On completion of this lecture you should be able to: • Describe the general methods of forming textile fabrics; • Outline the fibre and yarn requirements for machine knitwear • Describe the steps in manufacturing and preparing yarn for knitting Key terms and concepts Weft knitting, warp knitting, fibres, fibre diameter, worsted system, yarn count, steaming, clearing, winding, lubrication, needle loop, sinker loop, courses, wales, latch needle, bearded needle Introduction Knitting as a method of converting yarn into fabric begins with the bending of the yarn into either weft or warp loops. These loops are then intermeshed with other loops of the same open or closed configuration in either a horizontal or vertical direction. These directions correspond respectively to the two basic forms of knitting technology – weft and warp knitting. In recent decades few sectors of the textile industry have grown as rapidly as the machine knitting industry. Advances in knitting technologies and fibres have led to a diverse range of products on the market, from high quality apparel to industrial textiles. The knitting industry can be divided into four groups – fully fashioned, flat knitting, circular knitting and warp knitting. Within the wool industry both fully fashioned and flat knitting are widely used. Circular knitting is limited to certain markets and warp knitting is seldom used for wool. This lecture covers the fibre and yarn requirements for knitting, and explains the formation of knitted structures. A number of texts are useful as general references for this lecture; (Wignall, 1964), (Gohl and Vilensky, 1985) and (Spencer, 1986). -
Stripes and Dots
Stripes and Dots By Allison Griffith Finished Measurements 19” around x 6” tall (approximate) Notions Yarn Stitch Holders Knit Picks Wool of the Andes Sport (100% Stitch Marker Peruvian Highland Wool, 137 yards) MC: Mink Scissors Heather, C1: White, C2: Bramble Heather, C3: Yarn needle Hollyberry, C4: Caution, C5: Saffron, C6: Thirst Heather, less than 1 ball each. Gauge 24 sts and 30 rows=4” in color work pattern Needles US 4 DPNs and 16” circular needles Worked flat from the bottom up, this pattern begins with a small amount of ribbing. After increasing to the full stitch count, stripes (including Fair Isle dots) are worked for the body, while intarsia techniques are used to work a neat contrasting edge on either side (to create the opening for the handle). The opening for a spout is worked in a similar fashion to the thumb on a mitten, holding some stitches in reserve to be picked up later. Once the body of the tea cozy is completed, the top is worked in the Stripes and Dots ©On the Needles 2016 round, decreasing in the same manner as a basic hat. The stitches held for the spout are then picked up and worked in a simple ribbing to create a cuff. The bottom of the handle opening is sewn up before blocking and the addition of a pompom. Directions Body With circular needle and MC, CO 106. Work back and forth. Row 1: P2 (K2, P2) across. Row 2: K2 (P2, K2) across. Repeat rows 1 and 2 until 5 rows have been completed. -
Sensor-Based Garments That Enable the Use of Bioimpedance Technology: Towards Personalized Healthcare Monitoring
Sensor-Based Garments that Enable the Use of Bioimpedance Technology: Towards Personalized Healthcare Monitoring. JUAN CARLOS MÁRQUEZ RUIZ Doctoral Thesis Stockholm, Sweden, January 2013 ISSN 1653-3836 TRITA-STH Report 2012:6 ISRN/KTH/STH /2012:6-SE ISBN 978-91-7501-603-0 School of Engineering, University of Borås & School of Technology and Health, KTH Borås Stockholm Sweden Sweden ©Juan Carlos Márquez Ruiz, January 2013 ii ABSTRACT Functional garments for physiological sensing purposes have been utilized in several disciplines i.e. sports, firefighting, military and medical. In most of the cases textile electrodes (Textrodes) embedded in the garment are employed to monitor vital signs and other physiological measurements. Electrical Bioimpedance (EBI) is a non-invasive and effective technology that can be used for detection and supervision of different health conditions. In some specific applications such as body composition assessment EBIS has shown encouraging results proving good degree of effectiveness and reliability. In a similar way Impedance Cardiography (ICG) is another modality of EBI primarily concerned with the determination of Stroke Volume SV, indices of contractility, and other aspects of hemodynamics. EBI technology in the previously mentioned modalities can benefit from a integration with a garment; however, a successful implementation of EBI technology depends on the good performance of textile electrodes. The main weakness of Textrodes is a deficient skin-electrode interface which produces a high degree of sensitivity to signal disturbances. This sensitivity can be reduced with a suitable selection of the electrode material and an intelligent and ergonomic garment design that ensures an effective skin-electrode contact area. -
Intarsia in the Round – 3 Ways
Sand and Sea Guild March 2018 – program by Jill Borders Knitting Intarsia in the Round – 3 ways 1. “festive knitting” or Armenian Knitting The first way to knit an intarsia motif in the round… is to not use intarsia! Carry your contrasting yarn around the circumference of your knitting, capturing the long float at regular intervals. You will get some color blips showing through the fabric and there is the risk of pulling your carrying yarn too tightly along the back and causing the fabric to pull in or pucker. Knitting Daily video: https://www.youtube.com/watch?v=C3mWoHIVVlo See also Meg Swansen and Mary Thomas 2. Short rows method of Intarsia in the Round The most common version of intarsia in the round, is to continue to work flat, but use short row techniques to connect the rows into a tube. You will still need to work back and forth. There will be a visible turning “seam”, but otherwise straight-forward. Intarsia in the Round video by Julia Farwell-Clay: https://www.youtube.com/watch?v=v2Iu8fkoBuc Another: http://www.oharethey.com/blog/intarsia-in-the-round-techniques You can do a similar technique for garter stitch in the round with no purling: https://www.youtube.com/watch?v=45p2jKYUmlc 3. The Most Seamless TeChnique (but most Confusing!) This way of knitting in the round, still involves purling on the back side, but the seam is at the edge of a color block and is practically invisible. The method can be confusing at first and your yarn can get tangled with mistakes, but the final result is the best.