KNITTING Definition Statement Relationship Between Large Subject
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Two Loom Knitting Projects for Animal Rescue Creating a Basic Pouch and Blanket
Two Loom Knitting Projects for Animal Rescue Creating a basic pouch and blanket Pouch - tight and slow Small blanket - easy and knitting fast knitting What you need: What you need: ● Cotton, bamboo, or wool (not synthetics) - 4 ● Yarn (can be synthetic!) - 8ply/size 4 to 8 ply, in DK/size4 yarn (double yarn knitting), ● A round or long loom, narrow gauge (for ● A round or long loom, medium gauge - tight knitting) is better (I’m using 56cm 38-41pegs diameter, with 56pegs, bought from ● Looming hook (often comes with kit) Spotlight - ● Small scissors to cut yarn https://www.spotlightstores.com/craft-hobbi ● Yarn needle to sew in the ends es/yarn-needle-art/needle-art-tools-accesso ● Tape measure or ruler ries/looms/crafters-choice-knit-weave-loom- kit/80291603) ● Looming hook (often comes with kit) Sources: ● Small scissors to cut yarn Knitting a flat panel - ● Yarn needle to sew in the ends https://youtu.be/pIdNuGMa438 ● Tape measure or ruler Double yarn knitting - https://youtu.be/p0bYlOZT2p4 Sources: Cast-off a flat panel - https://youtu.be/6VKYFkQdr6U Flat knitting: https://youtu.be/2gmUY4y2w34 Weaving in ends - https://youtu.be/v-p4qsiyuI8 Flat Drawstring cast-off: https://youtu.be/ctVBY-1oG8o Weave in ends: https://youtu.be/v-p4qsiyuI8 Instructions: ● Cast-on e-wrap, double yarn 35 pegs as a Instructions: flat panel ● E-wrap all stitches, all rows, in double yarn 1. Loop once around all pegs ● Knit until you have a square, approx 30cm 2. Flat-Knit all pegs long 3. Keep going until you have about 25cm ● Cast-off the flat panel length of knitting ● Using the yarn needle, stitch in ends 4. -
Beginning to Knit
Beginning To Knit This Lesson is reprinted by permission Pull down on both ends of the yarn to tighten the knot. of TNNA and contains portions of the Diagram 21. “How to Knit” book published by The Diagram 21 National NeedleArts Association (www. TNNA.org). Find full details for the new knitter in the complete “How to Knit” book available at your local yarn shop. Casting On - Double Cast On Method Measure off a length of yarn allowing one inch for each stitch you will cast on. Your pattern instructions will To cast on the second stitch, and all subsequent stitches, indicate this number. Make a slip-knot, it will be your hold the needle with the slip-knot in your right hand. first stitch. To make a slip-knot, make a pretzel shape Drape the short end of yarn over the thumb and the with the yarn and slip the needle into the pretzel as yarn from the ball over the index finger. Gently pull the shown. Diagrams 19 & 20. two ends of yarn apart to tighten the loop. Take care not to tighten it too much. The stitch should glide easily over the needle. Both strands of yarn should rest Diagram 19 in the palm of the left hand, with the last two fingers holding them down. Diagram 22. Diagram 22 Diagram 20 How To Knit Pull the needle downward, then insert the point of the Drop the thumb loop, then pull on the short end of needle up through the loop that is on your thumb. yarn with your thumb. -
Wool Wind Or Intarsia
WOOLWIND/INTARSIA This technique is used to knit blocks of different colours, avoiding the extra bulk of Fair Isle knitting. When using this method, you will need a separate ball for each section of colour. The colour twist method involves twisting the different coloured yarns over each other to prevent holes. Twist the colour to be used underneath and to the right of the colour just used. Always change colours on the wrong side of the work so colour change does not show on right side. CASTINGCASTING ON A ONSEAM A SEAM STITCH STITCH CASTING ON A SEAM ST When casting on a seam st, do not inc by knitting into front and back of stitch. Make a loop with yarn as shown and slip onto left hand needle as indicated by arrows, pulling up stitch firmly, then work as first stitch of next row. KNITTING UP STITCHES 1 2 3 4 Insert needle through One stitch knitted up. Repeat step 1 as many All stitches knitted up fabric one whole stitch times as required, ready to begin 1st row in from the edge, wrap spacing the number of or round. yarn around needle (as stitches evenly along the for knitting) and draw piece of knitting. through fabric. FRINGES Wind yarn round a piece of cardboard of required width and cut along one edge. With right side facing, using crochet hook and two or more strands of yarn (diagrams show three strands), fold yarn in half and draw loop through a stitch on item (diagrams A and B), draw ends through this loop (diagram C) and pull tightly to form knot. -
Optimisation of the Warp Yarn Tension on a Warp Knitting Machine
AUTEX Research Journal, Vol. 12, No2, June 2012 © AUTEX OPTIMISATION OF THE WARP YARN TENSION ON A WARP KNITTING MACHINE Vivienne Pohlen, Andreas Schnabel, Florian Neumann, Thomas Gries Institut für Textiltechnik der RWTH Aachen University, Germany Otto-Blumenthal-Str. 1, D-52074 Aachen, Phone: +49 (0)241 80 23462, Fax: +49 (0)241 80 22422, E-Mail: [email protected], [email protected] Abstract: Investigations (calculations) based on a warp yarn tension analysis on a warp knitting machine with multiaxial weft yarn insertion allow prospective reduced yarn tension differences in technical warp knits. From this a future opportunity is provided to substitute the subjective warp let-off adjustment by a model of tension control. The outcome of this is a higher reproducibility with associated increasing process reliability and rising product quality. Key words: Multiaxial fabric, non-crimp fabric (NCF), warp knitting machine, warp yarn tension, yarn tension control. Initial situation warp knitted glass or carbon fibre layers. These are made on warp knitting machines with multiaxial weft insertion. These Increasing political pressure is demanding that industry now enable the production of NCFs for different applications by always produces environmentally sound products. The adjusting several parameters. automobile sector is developing more powerful, lighter electric vehicles (e.g. Megacity Vehicle, MCV). The MCV of BMW in A detailed study regarding various adjustable parameters on cooperation with SGL Automotive Carbon Fibers is based upon such a machine has not occurred in previous works. A basis a composite construction of steel, aluminium, and CFRP for this is provided by warp tension studies on conventional (carbon fibre reinforced plastic) of 40% [1]. -
Celebrating 60 Years
Celebrating 60 Years NEW TITLES SPRING 2020 Get in touch... +44 (0)1392 790650 [email protected] www.davidandcharles.com catalogue_jacket2020.indd 1 30/01/2020 14:41 CONTENTS Frontlist ..........................................04 Art ............................................06 Knit & Crochet .............................12 Cross Stitch ................................18 Quilting & Sewing ........................20 Other Craft .................................30 Assisted Publishing ...........................36 Recently Published ...........................38 Dover .............................................50 Backlist ..........................................56 How to get in touch ..........................86 www.davidandcharles.com Catalogue.indd 1 29/01/2020 14:01 Catalogue.indd 2 29/01/2020 14:01 Our Autumn 2019 catalogue was incredibly well received and we’re excited to follow that up with our new titles for Spring 2020. This Spring, we have a great balance of perennially successful subjects alongside books that feature new ideas and trends. Long-standing D&C authors, Pam and Nicky Lintott, bring us Jelly Roll Quilts: The Classic Collection and we make a return to bag making with The Complete Bag Making Masterclass. Books such as Crochet Hacking, Macraweave and Dried Flowers pick up on the latest trends, while Cross Stitch for the Soul celebrates the strong link between crafting and mindfulness. Cat Knits is a fantastic book for the many million cat-loving knitters out there and I reserve a special mention for Magical Woodland Knits, a truly exquisite book with incredible projects and brilliant photography. The list sees us building on our success in practical art. 3000 Colour Mixing Recipes is a cornerstone book for all watercolour artists and DIY Watercolor Jungle is a follow up to our brilliantly successful 2019 book, DIY Watercolor Flowers. We’ve been overwhelmed by the support and encouragement for new David and Charles. -
Knitting V/S Weaving Defined
Initials with comparisons Knitting technology Knitting V/S Weaving Defined Knitting may be defined as Weaving may be defined as: “Inter-looping / Inter-meshing / hook-up / Interlacement of two sets of yarn at right Inter-lock of single or set of yarn moving angle (90o). only in one direction either lengthwise (warp knitting) or cross-wise (weft knitting). Principle The inter-lopping is carried out by needles Weaving is carried out by inter-lacing a (may be Latch or beard or compound series of vertical, parallel threads (the needle etc), the needles are equipped on a warp) with a series of horizontal, parallel cylinder and Needle butt moves between threads (the filling). The warp yarns from the grooves of cams to accomplish a beam pass through the heddles and reed, knitting cycle and producing the fabric. and the filling is shot through the “shed” The shape of the needle cam grooves of warp threads by means of a shuttle or depends on the required knitting pattern. other device and is settled in place by the For more detail see Circular / Flat reed and lay. The woven fabric is then knitting machine or Working principle of wound on a cloth beam. The primary Circular knitting machine (video) distinction between different types of looms is the manner of filling insertion (see WEFT INSERTION Dictionary on home page). The principal elements of any type of loom are the shedding, picking, and beating-up devices. In shedding, a path is formed for the filling by raising some warp threads while others are left down. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Formulating Equations for Warp Knitted Structures (Fabrics) Notations Design Area
Published by : International Journal of Engineering Research & Technology (IJERT) http://www.ijert.org ISSN: 2278-0181 Vol. 5 Issue 03, March-2016 Formulating Equations for Warp Knitted Structures (Fabrics) Notations Design Area Dereje Berihun Sitotaw Textile Engineering Ethiopian institute of Textile and Fashion Technology, Bahir Dar University, Bahir Dar, Ethiopia Abstract— this formula is developed to solve the problems In warp knitting the fabric is produced by the developments of repeated mistakes during the notations of warp knitted of lap instead of loop in weft knitting for it is formed by structures. Notation of warp knitted fabrics is not easy lapping movement of warp yarn guide. The lappings are two like that of weft knitted fabrics. The degree of shifting, types depending of the movement of guide bar with yarn design areas, numbers of overlaps are the main things relative to needle surface and termed as overlap and considered during warp knitted fabrics designing. The underlap. Overlap is the lateral movement of the guide bars formula was developed by considering degree of wale on the beard or hook side of the needle. This movement is shift and number of overlaps in one line in the knitted normally restricted to one needle space. Underlap is the fabrics/structure. The formula will help warp knit lateral movement of the guide bars on the side of the needle designers particularly for those designing without remote from the hook or beard. This movement is limited software. The formulation was done by analyzing only by the mechanical considerations. It is the connection different types of warp knit structures. -
3Needle Bind-Of
3Needle Bind-of The 3needle bind-off is a popular method for joining live stitches. Unlike Kitchener stitch it isn't invisible, but is fairly unnoticeable if the bind-off is worked with the right sides of the work together. Personally, I like to work this technique with the wrong sides of the work together, so that it becomes a feature of your knitting – it creates a strong, structured ridge that can look very effective and add additional detail to a piece. This bind-off is commonly used for seams where extra support is needed, for instance shoulder seams, where it's bulk helps give a garment shape and prolong the life of the seam. To do this bind-ff, you will need a spare needle, ideally slightly larger than the working needles, and some waste yarn, which would normally be the tail recently cut after knitting has finished. The amount of yarn needed will vary depending on your project, and 3 times the length of the seam to be joined is a good estimate. Because you are working a k2tog and a cast-off in one go, your work can get a bit tight, and a tight seam doesn't have much flexibility. This is why it is recommended that the 3rd needle be a slightly larger gauge than the working needles. In this example shown here, the 3needle bind-off is being worked as a decorative seam, so the wrong sides of the work are together. Also, the stitches on the back needle have been released from a provisional cast-on. -
Flat Knitting of Optical Fibres
AUTEX 2009 World Textile Conference 26-28 May, 2009 İzmir, Turkey FLAT KNITTING OF OPTICAL FIBRES Joel Peterson, Folke Sandvik The Swedish School of Textiles, University of Borås, Borås, Sweden, [email protected] ABSTRACT This paper presents an experimental research in the areas of knitting technology and optical fibres. The aim is to explore the possibilities to knit stiff monofilament optical fibres in flat knitting machines. The yarns used were transparent monofilament of polyester and optical fibres of PMMA (Polymethyl Metacrylate). Result shows that a hexagon shaped flat knitted prototype can be produced but also difficulties to knit monofilament yarn with optical fibres. The optical fibres was put into the structure in straight angles as weft insertion, to avoid bending and breakage of the monofilaments. Another problem was the take down device on the knitting machine but a solution of this is presented in the paper. Key Words: Optical fibres, flat knitting, knitting technology, technical textiles 1. INTRODUCTION This paper is about an experimental research in the areas of knitting technology and optical fibres and the aim is to explore the possibilities to knit with stiff monofilament optical fibres. Fibres with high stiffness are known to have a limited knittability and difficult to process in knitting machines [1]. The machine used is an electronic flat knitting machine STOLL CMS 330 TC with special equipment suitable for the feeding of yarn with high stiffness. In order to facilitate the progression of the work, different yarns were used. It was expected to be a challenge to work with optical fibres, and therefore the choice was made to use other yarns with better knittability in a first phase. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with