Knitting V/S Weaving Defined
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Trafalgar Square Books 2018-2019 Craft Titles
Trafalgar Square Books 2018-2019 Craft Titles trafalgarbooks.com New Titles Knitting for the Fun of It Over 40 Projects for the Color-Loving Crafter Frida Pontén Knitting’s never been so colorful—or so much fun! Enter the strikingly vivid world of designer Frida Pontén, with over 40 patterns coming together in a brilliant, exciting celebration of all things handcrafted. Whether you’re seeking an airy summer jacket, a cozy poncho for cool days, a warm striped scarf, enchanting wrist warmers, or fun and funky blankets, look forward to a breathtaking collection full of endless possibilities (and a little crochet, too): play with texture, color, and pattern, and make each design your own! 136 pp • 8 x 10 • 108 color photos, 109 illustrations and diagrams 978 1 57076 882 8 • hc • $23.95 • July 2018 Favorite Scandinavian Projects to Weave 45 Stylish Designs for the Modern Home Tina Ignell What could be more wonderful than surrounding yourself with gorgeous handwoven textiles? Weaving them yourself! These 45 unique projects, developed and tested by professional weavers, were specially chosen for this collection from the popular Scandinavian weaving magazine Vävmagasinet. You’ll enjoy: step-by-step instructions, charts, illustrations, and color photos; featured fibers, including linen, half-linen, cottolin, wool, paper, and piassava; versatile ideas for pillows, throws, rugs, curtains, table linens, and more, all easily adjusted to suit your own individual style; and a special section on textile care and handling. 128 pp • 8 x 10 • 90 color photos, 80 charts 978 1 57076 898 9 • Now in paperback • $22.95 • August 2018 Easy Cable & Aran Knits 26 Projects with a Modern Twist Martin Storey If you’re ready to take the plunge into cable knitting, then this book is for you! This stunning collection features 26 beautifully traditional cable and Aran knitting patterns, with a modern twist: luxurious designs with all the delight of classic textured cable patterns and Martin Storey’s trademark contemporary appeal. -
Two Loom Knitting Projects for Animal Rescue Creating a Basic Pouch and Blanket
Two Loom Knitting Projects for Animal Rescue Creating a basic pouch and blanket Pouch - tight and slow Small blanket - easy and knitting fast knitting What you need: What you need: ● Cotton, bamboo, or wool (not synthetics) - 4 ● Yarn (can be synthetic!) - 8ply/size 4 to 8 ply, in DK/size4 yarn (double yarn knitting), ● A round or long loom, narrow gauge (for ● A round or long loom, medium gauge - tight knitting) is better (I’m using 56cm 38-41pegs diameter, with 56pegs, bought from ● Looming hook (often comes with kit) Spotlight - ● Small scissors to cut yarn https://www.spotlightstores.com/craft-hobbi ● Yarn needle to sew in the ends es/yarn-needle-art/needle-art-tools-accesso ● Tape measure or ruler ries/looms/crafters-choice-knit-weave-loom- kit/80291603) ● Looming hook (often comes with kit) Sources: ● Small scissors to cut yarn Knitting a flat panel - ● Yarn needle to sew in the ends https://youtu.be/pIdNuGMa438 ● Tape measure or ruler Double yarn knitting - https://youtu.be/p0bYlOZT2p4 Sources: Cast-off a flat panel - https://youtu.be/6VKYFkQdr6U Flat knitting: https://youtu.be/2gmUY4y2w34 Weaving in ends - https://youtu.be/v-p4qsiyuI8 Flat Drawstring cast-off: https://youtu.be/ctVBY-1oG8o Weave in ends: https://youtu.be/v-p4qsiyuI8 Instructions: ● Cast-on e-wrap, double yarn 35 pegs as a Instructions: flat panel ● E-wrap all stitches, all rows, in double yarn 1. Loop once around all pegs ● Knit until you have a square, approx 30cm 2. Flat-Knit all pegs long 3. Keep going until you have about 25cm ● Cast-off the flat panel length of knitting ● Using the yarn needle, stitch in ends 4. -
Classes & Events Weaving Classes Knitting Classes
CLASSES & EVENTS Monday – Saturday 10:00 – 5:30 January/February 2020 Thursdays 10:00-- 7:00 First Sunday of each month, 12:00—4:00 WEAVING CLASSES BEGINNING WEAVING ON A RIGID HEDDLE LOOM—This we’ll deduct the $20 from the purchase price of your loom. Looms class is a great introduction if you’ve ever been curious about need to be returned a week after your last class session. weaving. In this class you’ll learn the basics of warping the loom Prerequisites: None and weaving. You’ll complete two projects using plain weaving – Teacher: Julie Anne Bovenmyer a striped table runner and a houndstooth scarf. Don’t worry if you Saturday, Jan. 11 & 18, 9am-12noon, $40 don’t have a loom already, you can rent all the equipment from us Saturday, Feb. 22 & 29, 9am-12noon, $40 for $20. If you decide you love it and want a loom of your own, KNITTING CLASSES **IT’S BACK** FELTED CLOGS—Many of you requested it. Here itself nicely to a long color repeat in the yarn, but works with any it is! If you have been wanting to try a felting project, this is for you! color scheme. Learn the basics with this quick hat. The skill you’ll This fast and fun-to-knit pattern will show you short rows, seaming, need are simple decreases and you’ll get good at picking up and, of course, felting. There are multiple sizes so you can make stitches. them for gifts, too. Come see the sample in the store and you’ll **NOTE: There is pre-class homework for this class. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Designed by Betty Balcomb W489
W489 Dot and Dash Top-Down Baby Sweater Designed By Betty Balcomb Dot and Dash Top-Down Baby Sweater Designed by Betty Balcomb This baby sweater is a basic top-down sweater pattern decorated with two easy de- sign elements: (1) change colors among the colorful choices of Bentley many of which work beautifully together because of the common colors in the multi-colored strands, (2) work in a pattern by weaving strands of the second color across the fabric of the first color to create a design, a simple one here of dots and dashes, but once the tech- nique is learned open to many, many variations. The sweater knits up quickly and re- quires almost no finishing. I hope the weaving without knitting trick will be one that in- spires creativity and becomes part of your regular repertoire. Materials: 1 skein of Color A, and 1(1,2) skeins of Color B of Cascade Bentley yarn in sharply contrasting colors. Pictured sweater is colors 07 and 10, but there are many combinations of the colorways which will work well. Black has become a popu- lar color for baby clothes and the black can be paired with several choices. Size 5 and 7 needles, 16 inch circular for both sizes, 24 inch circular for larger size and DPNs for both. (Or just 32 inch for both sizes if you do magic loop). A couple extra circular needles in size 7 or smaller any length to serve as sleeve holders (or hold sleeve sts on scrap yarn) OR SIZE REQUIRED TO OBTAIN GAUGE. -
Yarns for Weaving: a Guide for Shops
Yarns for Weaving: A Guide for Shops Beautiful fabrics can be woven from most of the yarns in your shop. We offer a few guidelines when thinking about yarn for weaving. Knitting vs. Weaving Yarns Yarns designed for knitting have more stretch than yarns created specifically for weaving. Because of this, finished fabrics may have more “bounce” on the loom and not full in the same way that a weaving yarn might. The Wonders of Wool We love wool yarns for weaving because they full or blossom during the washing process. Be aware that superwash wools have been engineered to not full or felt during washing. They don’t produce the hand that we like to see in a woven fabric. We suggest that you keep in stock an affordable wool yarn, such as Brown Sheep’s Nature Spun in sizes that fit our range of reeds (a general rule of thumb: 5=bulky; 8=worsted; 10=sport; 12=fingering). Acrylic Knitting Yarns Because they stretch a lot under tension, we don’t recommend acrylic knitting yarns for warp. If you must, the weft is okay, but an acrylic yarn will not bloom during the finishing process and may leave you with either an overly limp or overly stiff fabric. Novelties Novelty yarns combined with a simple plied yarn can produce smashing results. If possible, sley the novelty yarn in the slots where it has more room to move. Running a length of yarn up and down in a slot (or a hole) is one way to gauge if it will move freely in that reed. -
Flat Knitting of Optical Fibres
AUTEX 2009 World Textile Conference 26-28 May, 2009 İzmir, Turkey FLAT KNITTING OF OPTICAL FIBRES Joel Peterson, Folke Sandvik The Swedish School of Textiles, University of Borås, Borås, Sweden, [email protected] ABSTRACT This paper presents an experimental research in the areas of knitting technology and optical fibres. The aim is to explore the possibilities to knit stiff monofilament optical fibres in flat knitting machines. The yarns used were transparent monofilament of polyester and optical fibres of PMMA (Polymethyl Metacrylate). Result shows that a hexagon shaped flat knitted prototype can be produced but also difficulties to knit monofilament yarn with optical fibres. The optical fibres was put into the structure in straight angles as weft insertion, to avoid bending and breakage of the monofilaments. Another problem was the take down device on the knitting machine but a solution of this is presented in the paper. Key Words: Optical fibres, flat knitting, knitting technology, technical textiles 1. INTRODUCTION This paper is about an experimental research in the areas of knitting technology and optical fibres and the aim is to explore the possibilities to knit with stiff monofilament optical fibres. Fibres with high stiffness are known to have a limited knittability and difficult to process in knitting machines [1]. The machine used is an electronic flat knitting machine STOLL CMS 330 TC with special equipment suitable for the feeding of yarn with high stiffness. In order to facilitate the progression of the work, different yarns were used. It was expected to be a challenge to work with optical fibres, and therefore the choice was made to use other yarns with better knittability in a first phase. -
KNITTING Definition Statement Relationship Between Large Subject
D04B KNITTING Definition statement This subclass/group covers: weft knitting machines are covered by D04B 7/00 to D04B 13/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 15/00 and articles made by such machines are covered by D04B 1/00 warp knitting machines are covered by D04B 23/00 to D04B 25/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 27/00 and articles made by such machines are covered by D04B 21/00 details of, or auxiliary devices incorporated in knitting machines not limited to a specific kind of knitting machine are covered by D04B 35/00 miscellaneous knitting machines and articles made by such machines are covered by D04B 39/00 hand knitting equipment is covered by D04B 3/00, D04B 5/00 and D04B 33/00 auxiliary apparatuses or devices for use with knitting machines are covered by D04B 37/00 or for hand knitting equipment are covered by D04B 17/00, D04B 19/00 and D04B 31/00 Relationship between large subject matter areas The difference between the subclass D04B and B32B5 is as follows:layered products including knitted products as such should be classified in B32B5 only; layered products formed by a knitting process featuring specified patterns or information on the composition of the knit article should be classified in D04B. Note that such products may comprise additional coated faces. References relevant to classification in this subclass This subclass/group does not cover: Layered products (i.e. laminates) B32B 5/00 including knitted articles 1 Knitted products of unspecified A41A61F structure or composition, e.g. -
19. Principles of Yarn Requirements for Knitting
19. Principles of Yarn Requirements for Knitting Errol Wood Learning objectives On completion of this lecture you should be able to: • Describe the general methods of forming textile fabrics; • Outline the fibre and yarn requirements for machine knitwear • Describe the steps in manufacturing and preparing yarn for knitting Key terms and concepts Weft knitting, warp knitting, fibres, fibre diameter, worsted system, yarn count, steaming, clearing, winding, lubrication, needle loop, sinker loop, courses, wales, latch needle, bearded needle Introduction Knitting as a method of converting yarn into fabric begins with the bending of the yarn into either weft or warp loops. These loops are then intermeshed with other loops of the same open or closed configuration in either a horizontal or vertical direction. These directions correspond respectively to the two basic forms of knitting technology – weft and warp knitting. In recent decades few sectors of the textile industry have grown as rapidly as the machine knitting industry. Advances in knitting technologies and fibres have led to a diverse range of products on the market, from high quality apparel to industrial textiles. The knitting industry can be divided into four groups – fully fashioned, flat knitting, circular knitting and warp knitting. Within the wool industry both fully fashioned and flat knitting are widely used. Circular knitting is limited to certain markets and warp knitting is seldom used for wool. This lecture covers the fibre and yarn requirements for knitting, and explains the formation of knitted structures. A number of texts are useful as general references for this lecture; (Wignall, 1964), (Gohl and Vilensky, 1985) and (Spencer, 1986). -
Warp and Weft Knitting | Knitting | Basic Knitted Fabrics
Weft vs. Warp Knitting Weft Warp Weft knitting. Weft knitting uses one continuous yarn to form courses, or rows of loops, across a fabric. There are three fundamental stitches in weft knitting: plain-knit, purl and rib. On a machine, the individual yarn is fed to one or more needles at a time. Weft knitting machines can produce both flat and circular fabric. Circular machines produce mainly yardage but may also produce sweater bodies, pantyhose and socks. Flatbed machines knit full garments and operate at much slower speeds. The simplest, most common filling knit fabric is single jersey. Double knits are made on machines with two sets of needles. All hosiery is produced as a filling knit process. Warp Knitting. Warp knitting represents the fastest method of producing fabric from yarns. Warp knitting differs from weft knitting in that each needle loops its own thread. The needles produce parallel rows of loops simultaneously that are interlocked in a zigzag pattern. Fabric is produced in sheet or flat form using one or more sets of warp yarns. The yarns are fed from warp beams to a row of needles extending across the width of the machine (Figure 9b). Two common types of warp knitting machines are the Tricot and Raschel machines. Raschel machines are useful because they can process all yarn types in all forms (filament, staple, combed, carded, etc.). Warp knitting can also be used to make pile fabrics often used for upholstery. Back Knitting To form a fabric by the intermeshing of loops of yam. wale course Wen €hitting Loops are formed by needles knitting the yam across the width Each weft thread is fed at right angles to the direction of fabric formation. -
Knitting Traditions Class Catalog
Knitting Traditions Class Catalog Beth Brown-Reinsel PO Box 124 Putney, VT 05346 USA (+001) 410-652-1238 Email: [email protected] Web: www.KnittingTraditions.com Learn more about Traditional Knitting in my Patreon Project: www.patreon.com/BethBrownReinsel Page 1 BETH’S BIO / TABLE OF CONTENTS 3 hour classes Beth Brown-Reinsel has been Last, the wonderful Braided Cast-on from Finland will teaching historic knitting be taught in 3 colors! In workshops for over 25 years addition, a couple bind-offs both in the United States and will be covered as well for abroad. Her love of tradi- you to practice on as you tional methods and her skill bind off your swatches. in imparting that information Level: All to others is well known. She shares her passion through her traditional patterns, work- IntrodUCtion to TWined shops, and Knit-Along (KAL) Knitting classes. Her workshops are Curious about the 400 known for the little sweaters which are the class samplers. year-old Swedish tech- These small garments teach construction techniques in nique of Twined Knit- context rather than through meaningless swatches. Beth ting? In this three hour wrote the classic book Knitting Ganseys and has pro- class, knit one of a pair of duced three DVDs. Her warm and supportive teaching wristers while learning a style and her generous and thorough handouts have made traditional cast-on, how her a favorite with guilds, shops, and all the national to read a twined knitting conferences. chart, twined knitting, twined purling, and patterning (the “O” stitch, the Crook stitch, the Chain Path, and half TABLE OF CONTENTS braids). -
Learn to Weave on the Knitters Loom
Learn to weave on the Knitters Loom spinning | weaving | carding | felting | knitting | dyeing Welcome to the wonderful world of weaving ... YOUR FIRST PROJECT – A SCARF You will need: Warp A pair of sharp scissors Use Ashford Tekapo in stripes of white, blue, yellow and green. A measuring tape Length – 2m (78ins) allowing 15cm (6ins) at each end for fringe Cardboard warp sticks Number of ends – 88 One long table or two smaller tables Finished width – 26cm (10¼ins) Yarn Weft For this project we have used Ashford Tekapo, a smooth Ashford Tekapo #206 Natural White. DK (double knit) sport weight yarn with a slightly textured handspun look, for the warp and the weft. Ashford Tekapo 8ply/DK yarn (100% wool, 200m/218yds, 100gm net) #206 Natural White, #230 Midnight Blue, #203 Butter, #221 Chartreuse. WARP AND WEFT These are two terms you will need to know as they form the basis of all weaving. The warp threads are put onto the loom first. They are held on the loom under tension between the front and back roller. The weft threads pass over and under the warp threads to form the woven fabric. warp weft SHED The shed is the opening formed in the warp, through which the shuttle passes. OPTIONAL ACCESSORIES Extra reeds 10, 20, 30, 40, 50 and 60 dents per 10cm (2.5, 5, 7.5, 10, 12.5 and 15 dents per inch), vari dent reed, loom stand, pickup sticks, shuttles, weaving needles, tapestry beater, warp thread weights, fringe twister. Knitters loom 30cm (12"), carry bag included, loom stand optional back roller warp stick ties handle cog pawl shuttles warp reed support block sticks clamps reed warping threading hook peg base cardboard warp sticks front roller warping peg THE LOOM The reed has large holes and slots to accommodate a larger The shuttle is used to carry the weft yarn from side to side to variety of yarns.