Knitting Traditions Class Catalog
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Trafalgar Square Books 2018-2019 Craft Titles
Trafalgar Square Books 2018-2019 Craft Titles trafalgarbooks.com New Titles Knitting for the Fun of It Over 40 Projects for the Color-Loving Crafter Frida Pontén Knitting’s never been so colorful—or so much fun! Enter the strikingly vivid world of designer Frida Pontén, with over 40 patterns coming together in a brilliant, exciting celebration of all things handcrafted. Whether you’re seeking an airy summer jacket, a cozy poncho for cool days, a warm striped scarf, enchanting wrist warmers, or fun and funky blankets, look forward to a breathtaking collection full of endless possibilities (and a little crochet, too): play with texture, color, and pattern, and make each design your own! 136 pp • 8 x 10 • 108 color photos, 109 illustrations and diagrams 978 1 57076 882 8 • hc • $23.95 • July 2018 Favorite Scandinavian Projects to Weave 45 Stylish Designs for the Modern Home Tina Ignell What could be more wonderful than surrounding yourself with gorgeous handwoven textiles? Weaving them yourself! These 45 unique projects, developed and tested by professional weavers, were specially chosen for this collection from the popular Scandinavian weaving magazine Vävmagasinet. You’ll enjoy: step-by-step instructions, charts, illustrations, and color photos; featured fibers, including linen, half-linen, cottolin, wool, paper, and piassava; versatile ideas for pillows, throws, rugs, curtains, table linens, and more, all easily adjusted to suit your own individual style; and a special section on textile care and handling. 128 pp • 8 x 10 • 90 color photos, 80 charts 978 1 57076 898 9 • Now in paperback • $22.95 • August 2018 Easy Cable & Aran Knits 26 Projects with a Modern Twist Martin Storey If you’re ready to take the plunge into cable knitting, then this book is for you! This stunning collection features 26 beautifully traditional cable and Aran knitting patterns, with a modern twist: luxurious designs with all the delight of classic textured cable patterns and Martin Storey’s trademark contemporary appeal. -
Two Loom Knitting Projects for Animal Rescue Creating a Basic Pouch and Blanket
Two Loom Knitting Projects for Animal Rescue Creating a basic pouch and blanket Pouch - tight and slow Small blanket - easy and knitting fast knitting What you need: What you need: ● Cotton, bamboo, or wool (not synthetics) - 4 ● Yarn (can be synthetic!) - 8ply/size 4 to 8 ply, in DK/size4 yarn (double yarn knitting), ● A round or long loom, narrow gauge (for ● A round or long loom, medium gauge - tight knitting) is better (I’m using 56cm 38-41pegs diameter, with 56pegs, bought from ● Looming hook (often comes with kit) Spotlight - ● Small scissors to cut yarn https://www.spotlightstores.com/craft-hobbi ● Yarn needle to sew in the ends es/yarn-needle-art/needle-art-tools-accesso ● Tape measure or ruler ries/looms/crafters-choice-knit-weave-loom- kit/80291603) ● Looming hook (often comes with kit) Sources: ● Small scissors to cut yarn Knitting a flat panel - ● Yarn needle to sew in the ends https://youtu.be/pIdNuGMa438 ● Tape measure or ruler Double yarn knitting - https://youtu.be/p0bYlOZT2p4 Sources: Cast-off a flat panel - https://youtu.be/6VKYFkQdr6U Flat knitting: https://youtu.be/2gmUY4y2w34 Weaving in ends - https://youtu.be/v-p4qsiyuI8 Flat Drawstring cast-off: https://youtu.be/ctVBY-1oG8o Weave in ends: https://youtu.be/v-p4qsiyuI8 Instructions: ● Cast-on e-wrap, double yarn 35 pegs as a Instructions: flat panel ● E-wrap all stitches, all rows, in double yarn 1. Loop once around all pegs ● Knit until you have a square, approx 30cm 2. Flat-Knit all pegs long 3. Keep going until you have about 25cm ● Cast-off the flat panel length of knitting ● Using the yarn needle, stitch in ends 4. -
Classes & Events Weaving Classes Knitting Classes
CLASSES & EVENTS Monday – Saturday 10:00 – 5:30 January/February 2020 Thursdays 10:00-- 7:00 First Sunday of each month, 12:00—4:00 WEAVING CLASSES BEGINNING WEAVING ON A RIGID HEDDLE LOOM—This we’ll deduct the $20 from the purchase price of your loom. Looms class is a great introduction if you’ve ever been curious about need to be returned a week after your last class session. weaving. In this class you’ll learn the basics of warping the loom Prerequisites: None and weaving. You’ll complete two projects using plain weaving – Teacher: Julie Anne Bovenmyer a striped table runner and a houndstooth scarf. Don’t worry if you Saturday, Jan. 11 & 18, 9am-12noon, $40 don’t have a loom already, you can rent all the equipment from us Saturday, Feb. 22 & 29, 9am-12noon, $40 for $20. If you decide you love it and want a loom of your own, KNITTING CLASSES **IT’S BACK** FELTED CLOGS—Many of you requested it. Here itself nicely to a long color repeat in the yarn, but works with any it is! If you have been wanting to try a felting project, this is for you! color scheme. Learn the basics with this quick hat. The skill you’ll This fast and fun-to-knit pattern will show you short rows, seaming, need are simple decreases and you’ll get good at picking up and, of course, felting. There are multiple sizes so you can make stitches. them for gifts, too. Come see the sample in the store and you’ll **NOTE: There is pre-class homework for this class. -
Knitting V/S Weaving Defined
Initials with comparisons Knitting technology Knitting V/S Weaving Defined Knitting may be defined as Weaving may be defined as: “Inter-looping / Inter-meshing / hook-up / Interlacement of two sets of yarn at right Inter-lock of single or set of yarn moving angle (90o). only in one direction either lengthwise (warp knitting) or cross-wise (weft knitting). Principle The inter-lopping is carried out by needles Weaving is carried out by inter-lacing a (may be Latch or beard or compound series of vertical, parallel threads (the needle etc), the needles are equipped on a warp) with a series of horizontal, parallel cylinder and Needle butt moves between threads (the filling). The warp yarns from the grooves of cams to accomplish a beam pass through the heddles and reed, knitting cycle and producing the fabric. and the filling is shot through the “shed” The shape of the needle cam grooves of warp threads by means of a shuttle or depends on the required knitting pattern. other device and is settled in place by the For more detail see Circular / Flat reed and lay. The woven fabric is then knitting machine or Working principle of wound on a cloth beam. The primary Circular knitting machine (video) distinction between different types of looms is the manner of filling insertion (see WEFT INSERTION Dictionary on home page). The principal elements of any type of loom are the shedding, picking, and beating-up devices. In shedding, a path is formed for the filling by raising some warp threads while others are left down. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Designed by Betty Balcomb W489
W489 Dot and Dash Top-Down Baby Sweater Designed By Betty Balcomb Dot and Dash Top-Down Baby Sweater Designed by Betty Balcomb This baby sweater is a basic top-down sweater pattern decorated with two easy de- sign elements: (1) change colors among the colorful choices of Bentley many of which work beautifully together because of the common colors in the multi-colored strands, (2) work in a pattern by weaving strands of the second color across the fabric of the first color to create a design, a simple one here of dots and dashes, but once the tech- nique is learned open to many, many variations. The sweater knits up quickly and re- quires almost no finishing. I hope the weaving without knitting trick will be one that in- spires creativity and becomes part of your regular repertoire. Materials: 1 skein of Color A, and 1(1,2) skeins of Color B of Cascade Bentley yarn in sharply contrasting colors. Pictured sweater is colors 07 and 10, but there are many combinations of the colorways which will work well. Black has become a popu- lar color for baby clothes and the black can be paired with several choices. Size 5 and 7 needles, 16 inch circular for both sizes, 24 inch circular for larger size and DPNs for both. (Or just 32 inch for both sizes if you do magic loop). A couple extra circular needles in size 7 or smaller any length to serve as sleeve holders (or hold sleeve sts on scrap yarn) OR SIZE REQUIRED TO OBTAIN GAUGE. -
Yarns for Weaving: a Guide for Shops
Yarns for Weaving: A Guide for Shops Beautiful fabrics can be woven from most of the yarns in your shop. We offer a few guidelines when thinking about yarn for weaving. Knitting vs. Weaving Yarns Yarns designed for knitting have more stretch than yarns created specifically for weaving. Because of this, finished fabrics may have more “bounce” on the loom and not full in the same way that a weaving yarn might. The Wonders of Wool We love wool yarns for weaving because they full or blossom during the washing process. Be aware that superwash wools have been engineered to not full or felt during washing. They don’t produce the hand that we like to see in a woven fabric. We suggest that you keep in stock an affordable wool yarn, such as Brown Sheep’s Nature Spun in sizes that fit our range of reeds (a general rule of thumb: 5=bulky; 8=worsted; 10=sport; 12=fingering). Acrylic Knitting Yarns Because they stretch a lot under tension, we don’t recommend acrylic knitting yarns for warp. If you must, the weft is okay, but an acrylic yarn will not bloom during the finishing process and may leave you with either an overly limp or overly stiff fabric. Novelties Novelty yarns combined with a simple plied yarn can produce smashing results. If possible, sley the novelty yarn in the slots where it has more room to move. Running a length of yarn up and down in a slot (or a hole) is one way to gauge if it will move freely in that reed. -
Flat Knitting of Optical Fibres
AUTEX 2009 World Textile Conference 26-28 May, 2009 İzmir, Turkey FLAT KNITTING OF OPTICAL FIBRES Joel Peterson, Folke Sandvik The Swedish School of Textiles, University of Borås, Borås, Sweden, [email protected] ABSTRACT This paper presents an experimental research in the areas of knitting technology and optical fibres. The aim is to explore the possibilities to knit stiff monofilament optical fibres in flat knitting machines. The yarns used were transparent monofilament of polyester and optical fibres of PMMA (Polymethyl Metacrylate). Result shows that a hexagon shaped flat knitted prototype can be produced but also difficulties to knit monofilament yarn with optical fibres. The optical fibres was put into the structure in straight angles as weft insertion, to avoid bending and breakage of the monofilaments. Another problem was the take down device on the knitting machine but a solution of this is presented in the paper. Key Words: Optical fibres, flat knitting, knitting technology, technical textiles 1. INTRODUCTION This paper is about an experimental research in the areas of knitting technology and optical fibres and the aim is to explore the possibilities to knit with stiff monofilament optical fibres. Fibres with high stiffness are known to have a limited knittability and difficult to process in knitting machines [1]. The machine used is an electronic flat knitting machine STOLL CMS 330 TC with special equipment suitable for the feeding of yarn with high stiffness. In order to facilitate the progression of the work, different yarns were used. It was expected to be a challenge to work with optical fibres, and therefore the choice was made to use other yarns with better knittability in a first phase. -
KNITTING Definition Statement Relationship Between Large Subject
D04B KNITTING Definition statement This subclass/group covers: weft knitting machines are covered by D04B 7/00 to D04B 13/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 15/00 and articles made by such machines are covered by D04B 1/00 warp knitting machines are covered by D04B 23/00 to D04B 25/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 27/00 and articles made by such machines are covered by D04B 21/00 details of, or auxiliary devices incorporated in knitting machines not limited to a specific kind of knitting machine are covered by D04B 35/00 miscellaneous knitting machines and articles made by such machines are covered by D04B 39/00 hand knitting equipment is covered by D04B 3/00, D04B 5/00 and D04B 33/00 auxiliary apparatuses or devices for use with knitting machines are covered by D04B 37/00 or for hand knitting equipment are covered by D04B 17/00, D04B 19/00 and D04B 31/00 Relationship between large subject matter areas The difference between the subclass D04B and B32B5 is as follows:layered products including knitted products as such should be classified in B32B5 only; layered products formed by a knitting process featuring specified patterns or information on the composition of the knit article should be classified in D04B. Note that such products may comprise additional coated faces. References relevant to classification in this subclass This subclass/group does not cover: Layered products (i.e. laminates) B32B 5/00 including knitted articles 1 Knitted products of unspecified A41A61F structure or composition, e.g. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with -
19. Principles of Yarn Requirements for Knitting
19. Principles of Yarn Requirements for Knitting Errol Wood Learning objectives On completion of this lecture you should be able to: • Describe the general methods of forming textile fabrics; • Outline the fibre and yarn requirements for machine knitwear • Describe the steps in manufacturing and preparing yarn for knitting Key terms and concepts Weft knitting, warp knitting, fibres, fibre diameter, worsted system, yarn count, steaming, clearing, winding, lubrication, needle loop, sinker loop, courses, wales, latch needle, bearded needle Introduction Knitting as a method of converting yarn into fabric begins with the bending of the yarn into either weft or warp loops. These loops are then intermeshed with other loops of the same open or closed configuration in either a horizontal or vertical direction. These directions correspond respectively to the two basic forms of knitting technology – weft and warp knitting. In recent decades few sectors of the textile industry have grown as rapidly as the machine knitting industry. Advances in knitting technologies and fibres have led to a diverse range of products on the market, from high quality apparel to industrial textiles. The knitting industry can be divided into four groups – fully fashioned, flat knitting, circular knitting and warp knitting. Within the wool industry both fully fashioned and flat knitting are widely used. Circular knitting is limited to certain markets and warp knitting is seldom used for wool. This lecture covers the fibre and yarn requirements for knitting, and explains the formation of knitted structures. A number of texts are useful as general references for this lecture; (Wignall, 1964), (Gohl and Vilensky, 1985) and (Spencer, 1986).