Textile Design: a Suggested Program Guide
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Page | 1 Page | 2 Academic Programs Offered 1. BS Graphic Design 2. BS Textile Design 3. BS Fine Arts 4. BS Interior Design 5. MA Fine Arts 6. Diploma in Fashion Design 7. Diploma in Painting BS Graphic Design Eligibility: At least 45% marks in intermediate (FA/FSC) or equivalent, the candidate has to pass with 45% passing marks. Duration: 04 Year Program (08 Semesters) Degree Requirements: 139 Credit Hours Semester-1 Course Code Course Title Credit Hours URCE- 5101 Grammar 3(3+0) URCP- 5106 Pakistan Studies 2(2+0) GRAD-5101 Calligraphy-I 3(0+3) GRAD-5102 Basic Design-I 3(0+3) GRAD-5103 Drawing-I 3(0+3) URCI-5109 Introduction to Information & Communication 3(2+1) Technologies Semester-2 URCE- 5102 Language Comprehension & Presentation Skills 3(3+0) URCI- 5105 Islamic Studies 2(2+0) GRAD-5105 Calligraphy-II 3(0+3) GRAD-5106 Basic Design-II 3(0+3) URCM-5107 Mathematics (Geometry and Drafting) 3(3+0) GRAD-5107 Drawing-II 3(0+3) Semester-3 URCE- 5103 Academic Writing 3(3+0) GRAD-5108 History of Art 3(3+0) GRAD-5109 Drawing-III 3(0+3) GRAD-5110 Graphic Design-I 3(0+3) GRAD-5111 Photography-I 3(0+3) GRAD-5112 Communication Design 3(0+3) URCC-5110 Citizenship Education and Community Engagement 3(1+2) Semester-4 URCE- 5104 Introduction to English Literature 3(3+0) Page | 3 GRAD-5113 Fundamental of Typography 2(0+2) GRAD-5114 History of Graphic Design-I 3(3+0) GRAD-5115 Graphic Design-II 3(0+3) GRAD-5116 Photography-II 3(0+3) GRAD-5117 Techniques of Printing 2(1+1) Semester-5 GRAD-6118 History of Graphic Design-II 3(3+0) GRAD-6119 Graphic Design-III -
Fall ’17 Footwear Trends Smart Textiles Tech Advances Trade Show Previews & Recaps Making It in America
TEXTILE INSIGHT Trends In Apparel & Footwear Design and Innovation • January/February 2017 iNvEnToLoGy HOW THE TEXTILE INDUSTRY IS INVENTING ITS FUTURE Fall ’17 Footwear Trends Smart Textiles Tech Advances Trade Show Previews & Recaps Making it in America A FORMULA4 MEDIA PUBLICATION TEXTILEINSIGHT.COM A breakthrough fiber innovation you have to feel to believe. Eastman Avra performance fibers wick better, dry faster, and keep you at your coolest and most comfortable. AVRAfromEastman.com ©2017 Eastman Chemical Company. Eastman brands referenced herein are trademarks of Eastman Chemical Company or one of its subsidiaries. The ® used on Eastman brands denotes registered trademark status in the U.S.; marks may also be registered internationally. JANUARY/FEBRUARY 2017 JANUARY/FEBRUARY Executive Editor Mark Sullivan [email protected] 646-319-7878 Editor /Associate Publisher Emily Walzer [email protected] Managing Editor Cara Griffin Art Director Francis Klaess Associate Art Director Mary McGann Contributing Editors Suzanne Blecher Kurt Gray Jennifer Ernst Beaudry Kathlyn Swantko Publisher Jeff Nott [email protected] 516-305-4711 Advertising Jeff Gruenhut [email protected] 404-467-9980 Christina Henderson 516-305-4710 [email protected] Troy Leonard [email protected] 352-624-1561 Katie O’Donohue [email protected] 828-244-3043 Sam Selvaggio [email protected] 212-398-5021 Production Brandon Christie 516 305-4710 [email protected] Business Manager Marianna Rukhvarger 516-305-4709 [email protected] Biosteel is the latest knit upper shoe technology from Adidas set to debut this year. Subscriptions store.formula4media.com Formula4 Media Publications 6 / In the Market 40 / Made in America Sports Insight The New Year begins with trade show previews, reports on Before “Think locally, act globally” became a popular buzz- Outdoor Insight Footwear Insight Performance Days, advances in digital textiles printing, and phrase, IDEAL Fastener was putting the strategy to work. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Framework Knitting and the Hosiery Trade
BELPER TOWN CENTRE FRAMEWORK KNITTING AND THE HOSIERY TRADE DERWENT VALLEY VISITOR CENTRE The partnership between Brettle and Ward was dissolved and George Brettles built his own factory Framework Knitting in 1834. These two firms were of considerable size. They made silk stockings for George III, George IV and Queen Victoria. and the Ward’s ceased trading in the 1930’s and Brettles in 1987. Many smaller hosiery firms provided work for local people and these were scattered around the Hosiery trade town. All these factories have closed except for Aristoc which now operates across the road in the West Mill. Circular knitting slowly superseded flatbed knitting, as it was more efficient. Today all hosiery is made this way. For more information visit Strutt’s North Mill, The Derwent Valley Visitor Centre Bridgefoot, Belper, Derbyshire, DE56 1YD Tel: 01773 880474 / 0845 5214347 BELPER NORTH MILL Email: [email protected] www.belpernorthmill.org.uk Local Interest Leaflet The existing part of Brettles factory, now De Bradelei Stores Leaflet design by Mayers Design Ltd · www.mayers-design.co.uk Number 3 Framework knitters earned a poor living, usually their on by hand. After a brief partnership with two Derby frames were hired from the hosier who was supplying hosiers, Jedediah formed a successful partnership with the yarn and selling the stockings. The framework Samuel Need, an older, experienced hosier from knitter would have to pay the rent for the frame Nottingham who was able to finance the venture. This even when there was no work. The machines were made Jedediah Strutt’s first fortune. -
Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972. -
Optimisation of the Warp Yarn Tension on a Warp Knitting Machine
AUTEX Research Journal, Vol. 12, No2, June 2012 © AUTEX OPTIMISATION OF THE WARP YARN TENSION ON A WARP KNITTING MACHINE Vivienne Pohlen, Andreas Schnabel, Florian Neumann, Thomas Gries Institut für Textiltechnik der RWTH Aachen University, Germany Otto-Blumenthal-Str. 1, D-52074 Aachen, Phone: +49 (0)241 80 23462, Fax: +49 (0)241 80 22422, E-Mail: [email protected], [email protected] Abstract: Investigations (calculations) based on a warp yarn tension analysis on a warp knitting machine with multiaxial weft yarn insertion allow prospective reduced yarn tension differences in technical warp knits. From this a future opportunity is provided to substitute the subjective warp let-off adjustment by a model of tension control. The outcome of this is a higher reproducibility with associated increasing process reliability and rising product quality. Key words: Multiaxial fabric, non-crimp fabric (NCF), warp knitting machine, warp yarn tension, yarn tension control. Initial situation warp knitted glass or carbon fibre layers. These are made on warp knitting machines with multiaxial weft insertion. These Increasing political pressure is demanding that industry now enable the production of NCFs for different applications by always produces environmentally sound products. The adjusting several parameters. automobile sector is developing more powerful, lighter electric vehicles (e.g. Megacity Vehicle, MCV). The MCV of BMW in A detailed study regarding various adjustable parameters on cooperation with SGL Automotive Carbon Fibers is based upon such a machine has not occurred in previous works. A basis a composite construction of steel, aluminium, and CFRP for this is provided by warp tension studies on conventional (carbon fibre reinforced plastic) of 40% [1]. -
Emilio Pucci: Revolutionizing Textile Design
Emilio Pucci: Revolutionizing Textile Design Samara Cifelli Keywords: Emilio Pucci / Diane von Furstenberg / Suki Cheema / Nieves Lavi Abstract Emilio Pucci’s influence on American fashion design is undeniable, but his contribution ranges far beyond the runway. During the 1960s and '70s, Pucci explored and pushed the boundaries of textile design through both art and science. His contributions to color chemistry, graphic design and textile engineering laid the groundwork for American designers from Diane von Furstenberg to home goods innovators like Suki Cheema and Nieves Lavi to explore and create fabrics that owe their inspiration to the Italian “Prince of Prints.” Pucci and Pattern “The body of the woman moved the dress, the dress didn’t create the body of the woman” (Taschen 22). Emilio Pucci’s innovative and bold use of patterns pushed textile design, color chemistry and pattern/textile engineering in demanding steps forward in the 1960s and 1970s. The results of Pucci overseeing every detail of production are still influential in 21st century fashion. Famous for his innovative, colorful, and complex patterns, Pucci revolutionized textile design and how it is used to enhance, emphasize, and flatter the female body. Emilio Pucci’s clothing freed women’s bodies by using fabrics much lighter than those being used at the time but he also utilized his patterns to flatter the body. “There were few gathers, tucks, or pleats to hide anything, but the patterns themselves camouflaged, and the cut was ample” (Kennedy 7). Because Pucci had such a great grasp on the engineering aspect of textile design, he was able to utilize such information as textile placement for patterning. -
Crochet Extra
Crochet Extra 141st Edition– March—2018 It’s all quite exciting around here as I get ready to go on Theme – A Crocheters’ toolkit Australia’s first crochet cruise with Cruise Express. If you saw th I was forced to clean out my project bag recently and I gave Better Homes & Gardens on 9 February, you would have seen myself the challenge to question whether I really needed the ship we are going on – Celebrity Solstice. I have never everything I had included. But like cruised before, but can imagine the combination of cruising the any craft, a good toolkit is essential seas, visiting islands, relaxing and crocheting is going to be a to not only get the job done, but get fantastic combination – so I it done well and enjoyably. So what can’t wait. Of course I will be are the items that crocheters should working as I lead some of the have in their toolkit? workshops along with Jenny King but I do also plan to enjoy The obvious is a good selection of myself. Look forward to seeing crochet hooks. You can never have some of the photos in April. just one. And they must be comfortable to use – there are the ergonometric hooks such as clover soft touch, clover While I will be on the cruise (21st to 30th March), the shop will amour and addi – or add handles to steel and aluminium be in the capable hands of Sarah, however it will be closing at hooks – or the light up hooks for night or with dark yarn. -
Wool Lien Cotton Used in Making Sweaters
Wool Lien Cotton Used In Making Sweaters EustaceCary step-up crossband his transvaluation acrostically. snatches insolubly, but Angevin Elnar never undervalue so heavily. Uncensured Joao froth puissantly. Granulocytic What do wymogu art form part or in wool cotton making sweaters, for your personal gifts for sign up to provide a plastic In the United States cotton is popularly used instead as linen is many. There are using a cotton. Be used in wool is burning test its terms provided us your local staff caring about the lien would make any toe shape. More new sweaters and in. Cotton for the straight and reallocation provisions for cotton allotments HR 90. Brush in making the us. The lien would love and makes a way for misconfigured or account details with its supreme. Designer Gifts for Men Kate Spade New York. Buy Seven7 Women's Yarn Dye Vintage Stripe Hoodie and women Fashion Hoodies. Grandeur noel collection. My fist attempt at knitting was myself a smooth young age son actually making sweaters or get laundry was a huge experience for growing little girl that let go of my arachnid. To make things easy why have compiled all the latest free knitting patterns for babies. Clothing Forever 21. Today about natural fiber is used in wool sweaters socks pants dresses and jackets. In making it makes for. Whether in're making sweaters blankets or fingerless gloves tweed yarns are a. If in use our customer service, do we make a lien would not be used in its terms per unit, and makes plush pillow! 'knitting' related words fabric yarn silk wool 555 more. -
To Be Published in Gazette of India, Extra Ordinary, Part 1, Section1
To be published in Gazette of India, Extra ordinary, Part 1, Section1 F. No. 15/16/2013-DGAD Government of India Ministry of Commerce & Industry Department of Commerce (Directorate General of Anti Dumping & Allied Duties) 4th Floor, Jeevan Tara Building, 5, Parliament Street, New Delhi 110001 Dated the 23rd March, 2015 NOTIFICATION (Final Findings) Subject: Final Findings in the sunset review of anti-dumping duty imposed on the imports of Acrylic Fibre originating in or exported from Korea RP and Thailand-reg. A. BACKGROUND OF THE CASE 1. No. 15/16/2013-DGAD:- Whereas having regard to the Customs Tariff Act, 1975 as amended from time to time (herein after referred to as the Act) and the Customs Tariff (Identification, Assessment and Collection of Duty on Dumped Articles and for Determination of Injury) Rules, 1995 (herein after referred to as the AD Rules), the Designated Authority (herein after referred to as the Authority), initiated the original anti dumping investigation in respect of the imports of Acrylic Fibre (hereinafter referred to as the subject goods) originating in or exported from USA, Thailand and Korea RP on 13.9.1996 and definitive anti dumping duty was recommended vide Final Findings Notification No. 47/ADD/1W dated 14.10.1997. The Central Government had imposed the anti dumping duty. The sunset review of the anti dumping duty so imposed against USA, Thailand and Korea RP was initiated by the Authority vide Notification No. 26/1/2001-DGAD dated 07.08.2001 and the Final Findings were issued vide Notification No. 26/1/2001-DGAD dated 06.08.2002. -
Commercial the Future of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents
Commercial The Future Of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents 03 Company Overview 06 Product Overview 08 Performance Benefits 11 Commercial Portfolio 13 Work Spaces 17 Meeting Rooms 21 Corridors 25 Reception and Waiting Areas 29 Break-out Spaces 33 Dining Spaces 37 Stairs 39 Bolon Green 41 Care and Maintenance 03 The Story of Bolon The Company The History Bolon (est. 1949) - A third-generation family- Over 60 years ago in Sweden, an idea was owned Swedish design company and the creator born to turn textile waste into rag rugs and the of woven vinyl flooring. Bolon products are Bolon story began. Bolon’s initial product was trend-setting with distinct focus on innovation, revolutionary at the time, and it characterised a quality and sustainability. The designs deliver desire to lead rather than to follow. The man who the beauty of a woven textile with the benefits lit the spark was Nils-Erik Eklund, the founder of resilient flooring – long life cycles and ease of Bolon. Today, his granddaughters, Annica of installation and maintenance. The Bolon and Marie, continue to carry the torch. Since portfolio encompasses an infinite range of they took over the company from their parents design possibilities, suitable for all commercial in 2003, they have been on a mission to make applications, including indoor and controlled Bolon a design-led innovator and fuse the once outdoor flooring, wall-coverings and area rugs. conservative flooring company with the limitless Head-quartered and manufactured in creativity found in fashion, art, architecture and Ulricehamn, a town in the heart of Sweden’s interior design.