Framework Knitting and the Hosiery Trade
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Jedediah and His Family
AMBER VALLEY JEDEDIAH STRUTT Jedediah and his family Jedediah Strutt is the man who connected all the sites in the Derwent Valley Mills World Heritage Site. His Matlock Bath hosiery business and early silk mill were in Derby, and Cromford Jedediah was the leading partner in the development of Cromford Mill. The Belper and Milford Mills were built by Jedediah and his eldest son and his eldest Cromford Canal daughter married into the Evans family at Darley DERWENT VALLEY Whatstandwell Abbey. VISITOR CENTRE Jedediah remained a plain-living man despite his accumulated wealth, adhering to his Unitarian beliefs. He had three sons and two daughters by his wife, Ambergate Jedediah Strutt Elizabeth who died in 1774. Jedediah took a great A6 interest in his children’s education and development. He married Anne Daniels in 1781 and built a plain mansion as their home, Milford House. “Here rest in peace J. S. who without fortune, family or Belper friends raised to himself a fortune, family and name in the world; without having wit, had a good share of plain Milford common sense; without much genius, employed the more substantial blessing of a sound understanding; with but little personal pride, despised a mean or base action; Duffield with no ostentation for religious tenets and ceremonies, A6 he led a life of honesty and virtue, not knowing what Little would befall him after death, he died in full confidence Eaton that if there be a future state of retribution it would be to River reward the virtuous and the good. For more information visit A6 Derwent Strutt’s North Mill Darley This I think my true character.” The Derwent Valley Visitor Centre Abbey This was the obituary he had written for himself and Bridgefoot, Belper, Derbyshire DE56 1YD Little was found some time after his death - Jedediah Strutt Chester Tel: 01773 880474 / 0845 5214347 died 7th May 1797. -
Explores Form Possibilities in Knitwear Through Material Interactions
Contract knit Explores form possibilities in knitwear through material interactions Bachelor in Fine Arts; Fashion Design Sofie Larsson May 2015 2015.3.04 Index Abstract 1 Look book 2 Introduction to the field 18 Abstract Knitting 18 Intarsia knit 18 The focus of this degree work is on material interaction within the field of knitwear. Material combinations are often seen in fashion as a decorative effect to add shine, transparency Motive and idea discussion 19 or blocks of colour. The materials are put together as one flat material. Material interaction in fashion 19 Form in knitwear 20 This work embraces the different qualities and explores the possibilities to use material interac- tion as a way of creating form on the body. Aim 21 To achieve this, material experiments have been made to find combinations that had a big impact on each other. The materials that were found to be most suitable for this were the combination of Design method and design of experiments 22 metal and lycra yarn. This combination showed contrast in both volume and in density. The result is a collection of seven examples that is based from square knitted pieces where the Development 24 interaction changes the form of the material and the garment. Material development 24 Shape development 32 Creating form from material combination could lead to a new method of creating garments with larger form possibilities than is seen today in ready to wear knitted garments. Colour 40 Garment development 48 Lineup development 52 Result 54 Materials 55 Presentation of collection 56 Discussion & Reflection 86 References 88 Figure references 89 Appendix 1 - Critique Keywords Knitting, knitwear, fashion design, material interaction, form 1 Look book Model/ Sofia K. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
The Strutt Industrial Settlement in Belper
The Strutt industrial settlement in Belper Modern Belper represents at least four phases of development: the original medieval rural settlement of Beaurepaire that centres on the chapel of St John; the later growth lower down the hill which, by the middle years of the 18th century included a market place on a lower level than the present one; the industrial community established by Jedediah Strutt in the late 18th century on the northern edge of the existing settlement and around Belper Bridge Foot and up Belper Lane; and the 19th century expansion of the commercial centre along King Street and Bridge Street. The most prominent of the Strutt industrial housing stands on land to the south of the mill complex and to the east of the Derby-Matlock road. The land was acquired largely through numerous individual purchases, with its end use for workers’ housing clearly in mind. The houses were all of a high standard with gardens and, in certain areas, allotments for the residents. The housing, constructed from Derbyshire gritstone or locally made brick, and roofed with Staffordshire blue clay tiles or Welsh slate, was largely placed in an east-west alignment connected by narrow passages giving an almost grid-iron character to the layout. Construction of housing by the Strutt estate continued into the 20th century. The houses vary in form from row to row as the Strutts experimented with different designs. The result is a visually cohesive, attractive and unique mix of workers’ housing. As well as the land on the slopes to the east of the mills, the Strutts had also by the 1790s acquired land and property and started to build housing on the south facing slope to the north-west, adjoining their Bridge Hill estate. -
This Is Why Iknit
INSIDE THIS ISSUE: THIS IS WHY I KNIT Meet Your Guild Members 2 2 Pattern Review of the cost. No mat- can sum up my On the Web 3 ter how much I ex- answer just with this plain that it isn’t photo. This is (was) a blan- History of Guilds 4 about the price, non- ket I knit four years ago for knitters just don’t a pregnant friend of my Our 30th Year 5 get it. daughter. The blanket is the most favorite item the Product Review 7 four year old boy has. He A lot of knitters have doesn’t go anywhere with- 7 an item that they Coming Attractions out his blanket. The always have on the mother just sent me the Improve your Knitting 8 needles. With many photo as a thank you for of my friends there is 9 making such a cherished Book Review always a pair of item. This is why I knit and socks or a preemie this is why I choose to Recipe 10 hat in a project bag keep knitting baby blan- ready to knit when 10 From the Editor there are a few min- kets. Retreats 11 utes of free time. Christine Hall With me, my item of choice I have often been told by 12 is a baby blanket. I hear DKG Retreat non-knitters that it makes Do you have a story about the argument that baby no sense to knit an item what motivates you to Guild Information 14 blankets are a lot of yarn because I can purchase it knit? Please share it with and take a lot of time. -
A History of Woolcombing, Yarn Spinning & Framework Knitting In
A HISTORY OF WOOLCOMBING, YARN SPINNING & FRAMEWORK KNITTING IN LOCAL VILLAGES BY SAMUEL T STEWART – MAY 2020 1 EXTRACTS FROM THE REPORTS IN PART 3 2 CONTENTS PART 1 – PAGE 4 A SYNOPSIS OF THE WOOL COMBING INDUSTRY BASED MAINLY ON RESEARCH CARRIED OUT BY THE AUTHOR ON THE SHERWINS’ OF COLEORTON PART 2 – PAGE 7 THE FRAMEWORK KNITTING INDUSTRY PART 3 – PAGE 13 REPORTS FROM THE COMMISSIONERS’ ON FRAMEWORK KNITTERS IN LEICESTERSHIRE, CARRIED OUT BY ORDER OF THE HOUSE OF LORDS IN 1845 - Reports from Belton (page 14) - Reports from Whitwick (page 17) - Report from Osgathorpe (page 32) - Reports from Thringstone (page 33) FURTHER RECOMMENDED READING – FRAMEWORK KNITTING BY MARILYN PALMER SHIRE LIBRARY © Samuel T Stewart – May 2020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or otherwise without first seeking the written permission of the author 3 PART 1 A SYNOPSIS OF THE WOOL COMBING INDUSTRY BASED ON RESEARCH CARRIED OUT ON THE SHERWINS’ OF COLEORTON The author has written a book entitled “The Coleorton Sherwins’ 1739-1887” from which certain parts of the following are taken. This is on the author’s website as a free to down load and read pdf doc. In order to understand the Framework Knitting industry which features later, it is necessary to first understand something about the production of the raw material (yarns) used in the knitting process. It should be noted that the word “Hosier” is a general description for a manufacturer involved in the hosiery industry. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
189 Derby Tall Buildings Study Final Report
DERBY TALL BUILDINGS STUDY FINAL REPORT APPENDICES 189 APPENDIX 1 HERITAGE ASSESSMENT METHODOLOGY DESIGNATED HERITAGE ASSETS IMPORTANT VIEWS Mel Morris Conservation was appointed in July Assessment of the setting of designated heritage The Views Analysis undertaken by Mel Morris 2019 as part of the Urban Initiatives Ltd team assets is one of professional judgement, Conservation in 2018 as part of the Skyline Study undertaking the Derby Tall Buildings Strategy, to which starts from the point of understanding focused on strategic views into and around the city address the setting of heritage assets and identify significance. This assessment follows the Historic centre. In addition to these views, conservation different levels of sensitivity to tall buildings. England guidance on setting – “The Setting of area character appraisals for the conservation Heritage Assets - Historic Environment Good areas within the city identify additional important The definition of tall buildings is derived from Practice Advice in Planning: 3” (Second Edition, views. The city has five published conservation Historic England’s 2015 document “Tall Buildings: December 2017). This sets out a checklist, in area appraisals and these identify significant Historic England Advice Note 4” (December 2015), bullet-point form, of potential attributes (step views. There are eleven other conservation area which recognises tall buildings as being ‘tall’ 2 checklist). We have considered this list and appraisals of which Strutts Park Conservation Area, relative to their context. have asked further key searching questions with Little Chester Conservation Area and Nottingham The definition of setting is set out in the Glossary specific relevance to tall buildings (see Measuring Road Conservation Area are the closest to the area of the National Planning Policy Framework (Feb Sensitivity). -
Diversity.Pdf
Diversity the company Groz-Beckert www.groz-beckert.com Contents The company 4 Traditional 6 Together 8 Responsible 10 Integrative 12 Sustainable 14 Products and services 16 Knitting 18 Weaving 19 Felting 20 Tufting 21 Carding 22 Sewing 23 Other products 24 Other services 25 Research and development 26 The Technology and Development Center (TEZ) 28 Facts and figures at a glance Groz-Beckert produces industrial machine needles, precision components, precision mechanical parts as well as tools and offers systems and services for the manufacture and joining of textile surfaces. Across the fields of knitting, weaving, felting, tufting, carding or sewing: The portfolio with over 70,000 precision components and industrial machine needles covers the central processes used for the manufacture and joining of textile surfaces. Type of enterprise: Knitting: Application: Limited Commercial Partnership Knitting machine needles, system components and Precision needles and components from Groz-Beckert (in German: KG), family firm cylinders, dials for circular knitting machines give rise to a wide range of applications for different Formation: 1852 Weaving: areas of life. Sectors: Healds, heald frames, warp stop motions, drop wires Textile industry, precision engineering, and machines for weaving preparation Alongside apparel textiles, home and furnishing texti- mechanical engineering Felting: les, technical textiles also play a key role, for instance Production companies: Products for the nonwovens industry, felting and in medical technology, architecture or mobility. Germany, Belgium, Czech Republic, Portugal, structuring needles, jet strips for hydroentanglement USA, India, China, Vietnam Tufting: Sales network: Tufting needles, loopers and tufting knives Worldwide in over 150 countries (individually or as modules), reed finger modules Employees (31.12.2019): Carding: 9,225 Card clothing and accessories for the spinning and Sales (2019): nonwovens industry, mounting service, roller repair, 670 mill. -
Matlock Bath. Walter M
MATLOCK, MAT·LOCK BATH,AND BORDERS. Reduced from the Ordnance Survey. ~~ • ,---.. ! TIN Rn,11 \ • • • ............ ............. ...... ,,, •, . .. ...a:-.. , Btac/cbrook " . ..... ... Koor ~r:P ............ ~ / ..t:.4.:lt *-'=4 . e...:. .,.... , .._.JA. • "' ... ...... * ........... -.. it ........ ' ~... a./• .. ...........u ~----.. / . .. ... ... ..._ ... ~· . • .,,,p_--... o'·~:. ...... u, .., ........ ..-: <-. ,~ 4. ..... .. ........ ,. ia••=-•·=;-., ..~"=::: >.• •/.-.;; ·- ................ ,, :t. .t. 4 ''',). ~lliddle .lloor . ·. .,, . ~ e'a . .. ......... a. 0 fl) e 0 • r 0 r :II ............ *., ,---. ....~.,.'!' :. .......... ~ ........... dnope Q.arriu ............. • 905 Far leg • ..--·-- · __... ...____";MATLOC :I ............ ....... ,,. .. ..... ., .•. \ \ \ - ..... ,1,,.,, -~\ . i i I .·u, •." ·; ... ".·-.,-· .• if :~:'.~.. _B-::o w ·0·••;=;1•:. • -- 4 ~ .......,._ ~~ ~ ~,o.:<Q. :.: ~- .. '°~. .:""'{lie.,_ -~ "'o \\_'.icke,- • o :Tor 0 ~ • G, '-~- 4A. ., A. :-·•••• ,: • ,. ~-~u ,o;~.,; -.....::.-,,.,... ..!~.a.O•~. , 4 ~ A~-...~~:,: 0 '°".•, -A. 9,,-•..,s."' ❖... ~o .Q. ,.,_== 4"" • •" ····... _o • • - ,':r.o. :.=· 4.. :: 4 4(;~t~:·;if -~"'' 9 • -• ·: :.:- Q. =~ \!~.~-<>: t 9.'~ ·: Q, ~j;;• .; ~-'il!9t;~• .....-~ q .. 4.,: ...,. Reproduced from -the Ordnance Survey Map with the .sanction of'-tJ,e C,ontro!Jer of H.Ms. St:Jtionery Office. StanfortI:s Geog !-Eatall:..loruiPv 0t:==========='=====:::l:====;l::::::==========l:::====:::i===~ 10 20 30 40 50 60 70 80 ci'AJNS MATLOCK MANOR AND p ARI SH Historical ~ 'Descriptive WITH -
The Textile Machinery Collection at the American Textile History Museum a Historic Mechanical Engineering Heritage Collection
THE TEXTILE MACHINERY COLLECTION AT THE AMERICAN TEXTILE HISTORY MUSEUM A HISTORIC MECHANICAL ENGINEERING HERITAGE COLLECTION Textiles are an important part of our everyday lives. They clothe and comfort us, protect our first-responders, Introduction filter the air in our automobiles, and form the core of the fuselage in our newest aircraft. We enjoy their bright colors, wrap up in their warmth, and seldom give a second thought to how they make bicycles stronger and lighter or how they might be used to repair our vital organs. As textiles have changed from the first simple twisted fibers to high-tech smart fabrics, the tools and machinery used to make them have evolved as well. Drop spindles and spinning wheels have given way to long lines of spinning frames. And looms now use puffs of air instead of the human hand to insert the weft thread in a growing length of fabric. During the eighteenth and nineteenth centuries, textile manufacture was the catalyst for the Industrial Revolution in America. It was the leading edge in the transformation from an agricultural to a manufacturing economy and started the move of significant numbers of people from rural areas to urban centers. With industrialization came a change in the way people worked. No longer controlled by natural rhythms, the workday demanded a life governed by the factory bell. On the consumer side, industrialization transformed textiles from one of a person’s most valuable possessions to a product widely available at incredibly low prices. For more than a century, textile mills in Great Britain and the United States dominated textile production and led the industrial revolution in both Europe and North America. -
School Officials Returned to Posts
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