DOCSLIB.ORG

Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972. Crane was searching RDA has been at this for 39 years. Their longevity is a testament to its for a way to connect with alumnae and non-architects in the community to relevance and exuberance and its broad community support. RDA is the promote the school and more importantly to bring awareness and knowledge MVP of Design Matters in our state! RDA has shaped how we think about of architecture to the broader society. design … how we build a home, a community, a city.” Now nearly forty years later RDA has become the preeminent organization of - David C. Lake, FAIA its type, its format has widely influenced others thoughout the country. “Hermann Park is arguably the most significant civic space in Houston. The RDA has educated Houstonians about architects and architecture collaborative approach taken by RDA to improve Hermann Park is to witness through lectures and tours, instigated and nurtured some landmark urban the spark behind what has become the city’s most successful Public/Private improvement projects and made public and private decision makers aware Partnership devoted to improving our public realm. that good design matters!” RDA initiated a design completion that led to built improvements. The Friends - Raymond D. Brochstein, FAIA of Hermann Park raised the funds necessary to build the winning entry. “Cite Magazine, one of the many programs that RDA was generating in the While today the renovation of Hermann Park enjoys an excellent reputation, 1980s, created a unique opportunity to collaborate with like-minded people that reputation exists because RDA took the first steps with the collabor- and shape matters of design and the city. ative spirit necessary to achieve meaningful and lasting change. This would After three decades of continuous publication, I am now one of hundreds of not have been possible without the open hand routinely extended to the architects, educators, writers, and everyday citizens, who through Cite realize community by RDA to improve our public realm.” an uncanny sense of Houston.” - Jay Baker, FAIA - John Kaliski, AIA “Rice Design Alliance was instrumental in helping us create a similar civic “Since its founding in 1972, the Rice Design Alliance has provided a stimu- group here – the Dallas Architectural Forum. lating flow of information and support between Houston’s architectural community and the larger audience of our diverse city. Recent outreach A word about the Rice Design Alliance and schools. The members of the projects highlight RDA’s continuing commitment to enriching not on the NAAB Accreditation Team, of which I was a member, found RDA to be an Houston community, but also programs that engage participants far beyond immense asset to both the Rice School of Architecture and the College of Texas in broad issues of design. Architecture at the University of Houston, offering so much that neither could offer alone. The lectures, study tours, exhibitions, and competitions open At various scales of outreach, the Rice Design Alliance has enabled doors, bring new people to architecture, and help link the schools to the innovative designs to be realized. Their programs enrich the design discourse community. The excellent journal Cite gives a respected platform for faculty, of students, architects, and the larger community.” alumni, and friends of the universities.” - Nonya Grenader, FAIA - Edward M. Baum, FAIA tecture and evolving Houston neigh- Spotlight: The Rice Design Alliance borhoods. The tours are themed Prize was instituted in 2009 with the around a particular architect, a style, purpose of recognizing emerging an emerging trend, or specific neigh- architects early in their professional borhoods. careers. The prize carries a $1,500 cash award and the opportunity to Guests on RDA City Study Tours lecture at The Museum of Fine Arts, travel throughout the United States Houston. and the world to experience archi- BIOGRAPHY OF THE In fall 1972 the Rice Design Alliance EDUCATION is the cornerstone tecture through local guides, private RICE DESIGN ALLIANCE (RDA) was organized by a small upon which RDA was forged. RDA receptions, and behind-the-scene group of academicians, Rice School holds two lecture series annually. tours. RDA members have visited of Architecture alumni, and civic- RDA civic forums are a vehicle for Paris, Buenos Aires, Helsinki, San minded citizens under the leadership examining issues that affect Housto- Francisco, Chicago, and Marfa, of the Dean of the Rice School of nians and the city. These discussions Texas, to name a few destinations. Architecture, David Crane, FAIA. allow the public to gather information Since its founding nearly 40 years about current issues and to join the ago, RDA has grown to 2,000 dialogue with experts. members, which include those in IMPACT is demonstrated by the the A/E/C communities as well as RDA’s quarterly magazine, Cite: far-reaching commitment of RDA to those who have a personal interest The Architecture + Design Review of implement physical improvements in in architecture and urban planning. Houston, started publication in 1982 Houston and the surrounding region. As a non-profit organization driven and is the only consistent voice of RDA’s first national design compe- The mission of the Rice by volunteers, RDA has emerged architectural criticism in Houston. A tition was held in 1985 for a master Design Alliance is the as the preeminent public forum in related blog, offcite.org, addresses plan for downtown’s Sesquicentennial advancement of archi- Houston for critique, discourse, and current issues with more editorial The Annual RDA Gala and Award for Park, now completed. Until then, a tecture, urban design, and programming of design and the built voices. Ephemeral City: Cite Looks at Design Excellence was launched competition for a major civic project the built environment in environment. Since 1973, RDA has Houston (2003, University of Texas in 1987 to raise funds to support was unprecedented in Houston. The the Houston region through sponsored over 327 lectures, 74 Press) is a collection of 25 critical RDA programs and to recognize 99K House Competition in 2008 drew educational programs, panel discussions and symposiums, essays on the late modern city that individuals and institutions that have 182 entries from around the world the publication of Cite: 47 architecture tours, 21 exhibi- originally appeared in Cite. made exceptional contributions to for the design of an economical and The Architecture + Design tions, 12 grant competitions, 9 film architecture and design in Houston. energy-efficient 1,400 SF single- Review of Houston, and series, four national design competi- This popular event draws more than family house in Houston’s historic active programs to initiate tions and has published 86 issues of 1,000 guests each year. Fifth Ward. The winning design was ENGAGEMENT with design profes- physical improvements. a quarterly design review, 65 guide built and then sold to a qualifying sionals and civic-minded citizens rdAGENTS, RDA’s young professional low-income family. pamphlets, 12 catalogs, and one leads to the ability to affect change group, is a network of individuals monograph. by mobilizing people toward a invested in the future of Houston. The Initiatives for Houston grants program is designed for students Our activities fall within three areas: common goal. RDA brings people Each August the rdAGENTS host an all-day design charrette where and faculty of the regional schools of Education, Engagement, and Impact. together for idea exchange, social- izing, and hands-on involvement. architects and designers propose architecture and urban planning. To solutions to community issues such date, RDA has awarded more than Conducted annually since 1975, RDA as activating the bayous or recycling $112,000 in grants to support faculty architecture tours present local archi- and waste disposal. and student research. BIOGRAPHY RDA is managed by its Board 2011-2012 RDA Officers 1997 of Directors, which consists of Houston Press Club Lone Star Awards, Cite 36, Cite 34. 50 elected members from the President, David E. Harvey, Jr. President and CEO of Harvey Builders community as well as student and 1995 faculty representatives from Rice President-Elect, Lonnie Hoogeboom, AIA Chrysler Award for Innovation in Design, Nomination, Cite magazine. and University of Houston schools of Director of Planning & Design, Central Houston Inc.
Recommended publications
  • Pritzker Architecture Prize Laureate

    Pritzker Architecture Prize Laureate

    For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C.
  • Textile Printing

    Textile Printing

    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik.
  • Kahlo in 1932, Photographed by Her Father, Guillermo Kahlo 1907–1924: Family and Childhood

    Kahlo in 1932, Photographed by Her Father, Guillermo Kahlo 1907–1924: Family and Childhood

    RICKMANSWORTH U3A ART APPRECIATION GROUP Frida Khalo February 2018 Rickmansworth and District U3A Art Appreciation Group Programme for 2018 22 January Members’ Suggestions. 26 February Paintings of Frida Khalo (following the Classic Film Club film). 26 March ‘Isms’ – Baroque overview, Allegoricism, Baroque Classicism, Pietism. 23 April British Art: British Women Artists. 21 May Alternative meeting to avoid Spring Bank Holiday – visit to Bushey Museum and Ben Uri collection exhibition. 25 June ‘Isms’ - Sectarianism, Gesturalism, Emotionalism, Caravaggism. 23 July Wallace Collection visit. 27 August Summer Bank Holiday. 24 September British Art: The Glasgow Boys (or other British School). 22 October Another visit/talk. 26 November ‘Isms’ – Absolutism, Rococo, Academicism, Neo-Classicism. December No meeting – Christmas and New Year. Hertfordshire County Council plans to sell 'non-relevant' art A consultation on the proposed sale of artwork worth thousands of pounds owned by a local authority has begun. Hertfordshire County Council has 1,828 works, valued at £26.2m, and wants to get rid of 90% as they are at risk of deterioration. It plans to sell off or gift to museums more than 1,600 pieces that it says have little relevance to the county, and could raise £400,000. The money it raises will be used to conserve the remaining 167 piece which include four Henry Moore and Barbara Hepworth sculptures, which alone are insured for £21.85m. Consultation timetable • Acrylics and oil paintings 22nd Jan 2018 - 4th Feb 2018 • Drawings and watercolours
  • Infrastructural Optimism

    Infrastructural Optimism

    Infrastructural Optimism Linda C. Samuels Infrastructure reconstruction is often the first and most The case of I-10 illustrates the power of infrastructure obvious response to catastrophe. Following the 1995 to symbolize both the promise of recovery and the despair Northridge, California, earthquake, the rebuilding of of neglect. For example, I-10’s twin-span bridge over Lake highways ahead of schedule and under budget not only Pontchartrain was destroyed by the hurricane’s storm expedited but also symbolized a return to normal and a surge. But unlike much of the city’s still-stagnant public- restabilization of daily life. The same could be said for the transit infrastructure, it was repaired so rapidly that the restoration of public transit in Lower Manhattan after the contractors received a $1.1-million bonus.3 A trucker attacks of 9/11, where the near immediate resumption of interviewed by the New York Times called the speedy bus and subway service served as a symbol of resilience. Throughout American history, large-scale public works have served as symbolic unifiers and representations of collective optimism. The mobility of the populace, in particular, has been a core tenet of cultural identity. Thus, the Interstate highways unify the country not only by stringing it together with concrete but also by elevating speed and mobility to the status of national entitlement. Concurrently, we expect our street networks, the freeway’s slower, older brother, to serve us function- ally, formally, and symbolically. In addition to providing access, streets establish a sense of order and hierarchy, orient us within urban networks, and, at the neighborhood scale, operate as spaces for social connection.
  • The Blue House: the Intimate Universe of Frida Kahlo

    The Blue House: the Intimate Universe of Frida Kahlo

    The Blue House: The Intimate Universe of Frida Kahlo “Never in life will I forget your presence. You found me torn apart and you took me back full and complete.” Frida Kahlo By delving into the knowledge of Frida Kahlo's legacy, one discovers the intense relationship that exists between Frida, her work and her home. Her creative universe is to be found in the Blue House, the place where she was born and where she died. Following her marriage to Diego Rivera, Frida lived in different places in Mexico City and abroad, but she always returned to her family home in Coyoacan. Located in one of the oldest and most beautiful neighborhoods in Mexico City, the Blue House was made into a museum in 1958, four years after the death of the painter. Today it is one of the most visited museums in the Mexican capital. Popularly known as the Casa Azul (the ‘Blue House’), the Museo Frida Kahlo preserves the personal objects that reveal the private universe of Latin America’s most celebrated woman artist. The Blue House also contains some of the painter’s most important works: Long Live Life (1954), Frida and the Caesarian Operation (1931), and Portrait of My Father Wilhelm Kahlo (1952), among others. In the room she used during the day is the bed with the mirror on the ceiling, set up by her mother after the bus accident in which Frida was involved on her way home from the National Preparatory School. During her long convalescence, while she was bedridden for nine months, Frida began to paint portraits.
  • Six Canonical Projects by Rem Koolhaas

    Six Canonical Projects by Rem Koolhaas

    5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript
  • The Things They've Done : a Book About the Careers of Selected Graduates

    The Things They've Done : a Book About the Careers of Selected Graduates

    The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm.
  • MUSEUM of ROMAN ART in Mérida (SPAIN) 1986

    MUSEUM of ROMAN ART in Mérida (SPAIN) 1986

    RAFAEL MONEO MUSEUM OF ROMAN ART in Mérida (SPAIN) 1986 The construction of the National Museum of Roman Art in Mérida coincided with the celebration of the bimillennium of the city in 1975. The Museum contains the museum the collections and the archaeological remains and ruins from the Roman city of Emerita Augusta excavated on the site where it was due to be located. From a figurative point of view, this is, without a doubt, one of Moneo's most traditional accomplishments. In it he creates an architectural language that reformulates the past in terms of techniques, meanings and contents without forgetting the present The architect Rafael Moneo designed two buildings which are separated by the remains of a Roman road and joined above by a solid elevated walkway. One of the buildings contains the museum and its storage rooms, and the other the restoration workshops, library, function room and offices. The first building has a main nave and various parallel and perpendicular cross galleries, illuminated by the midday sun and with elements (arches, buttresses) inspired by the Roman architecture of Mérida. The most outstanding feature of the second building is its south façade: and arch with a lintel and a niche which forms the entrance to the The South elevation: In the front on calle J. Ramón Mélida the only element of museum. The door contains bronze bas-reliefs by composition there is an arch, which surrounds the main access of the museum and is topped by a white marble lintel and a niche. Francisco López and the niche holds a replica of a Roman sculpture.
  • Textile Design: a Suggested Program Guide

    Textile Design: a Suggested Program Guide

    DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching
  • Engineered Digital Textile Print Design for Customized Curves

    Engineered Digital Textile Print Design for Customized Curves

    Volume 10, Issue 3, 2018 Engineered Digital Textile Print Design for Customized Curves Kisalaya Choudhary Professor, Textile Design, National Institute of Fashion Technology, India ABSTRACT There are various instances when women feel the need to wear clothes for a slimmer appearance than their actual body shape. Looks and body appearance provide self-assurance to people, especially to those who are in a business related to physical appearances. Physical fitness and appearance have taken a parallel path in today’s world. Many designers have experimented with garments providing body shape deceiving and illusionistic effect through meticulous use of solid colors, slimming patterns, and illusion print designs. This research paper explores how smart edits in print design provide aesthetics blended with engineered slim looks, enhancing and customizing curves, per consumer preference, to create body size adjustments visually. The creative edits can be efficiently used for creating one piece/single garments customizing the curves and visual body shapes in synchronization with digital print design to enhance the body in a considerate manner. Keywords: Digital print and pattern, slimmer look, printed garments, customized curves Digital engineered printed textiles and customization opportunities Examples from optical slimming design garment (Figure 1 A, 1B and 1C) are used for Digital technology opens up a door of highlighting the body curves and creating a possibilities and opportunities for designers, slimming illusion. These garments are manufacturers, and business owners in created by effective use of dark and light various fields related to printed garments and color placements making the waist area textiles. Breaking the limitations of repeat appearance slimmer.
  • Wayfinding Program for the City of Naples

    Wayfinding Program for the City of Naples

    Request for Proposals WAYFINDING PROGRAM FOR THE CITY OF NAPLES BID Number: 15-041 BID Opening Date: May 22, 2015 COPY YOU ARE HERE Cover Key Firm Contents Letter Personnel Experience 1 2 Project Code Schedule 3 Approach4 Compliance5 Past Price Forms Performance6 7 8 YOU ARE HERE COVER LETTER The success of the plan hinges on how well the plan’s AECOM is pleased to submit strategies create ease of access and make visitors comfortable. Strategies related to wayfi nding and our qualifi cations for the interpretation provide an important unifying element that Wayfi nding Program for the educates and directs travelers. City of Naples. A critical component that makes our process successful is public outreach. AECOM team for this project is an expert at AECOM is a national leader in wayfi nding and has signifi cant public involvement, and all members of the AECOM has experience in assisting clients in creating implementable and extensive experience in working alongside community groups. creative solutions to wayfi nding problems. The AECOM AECOM fi rmly believes that public involvement and Wayfi nding Studio has designed and implemented many sign coordination with the community, property owners, and programs consistent with the FHWA/MUTCD and local DOT advocacy groups are essential to building consensus for a policies and procedures. Our team has extensive Florida DOT successful wayfi nding design that creates community project experience and we understand the specifi c ownership. We ascribe to an approach that is highly interactive requirements for fabrication and placement of roadway signs. not only among the members of the design team, but also the We are thoroughly familiar with the FDOT District 1 approval client group, area stakeholders, and citizens of the process, which will help to facilitate the completion of your community.
  • E.E ADMINIS~RACION MUNICIPAL SECRETARÍA MUNICIPAL OFICINA DE TRANSPARENCIA OFICINA DE PARTES ROL RUT NOMBRE DIRECCION

    E.E ADMINIS~RACION MUNICIPAL SECRETARÍA MUNICIPAL OFICINA DE TRANSPARENCIA OFICINA DE PARTES ROL RUT NOMBRE DIRECCION

    , • MUNICIPALIDAD lJE PROVIDENCIA Oficio Nº: ..34 9 f.o Antecedente: Solicitud de fecha 02 de Abril de 2015, de la Sra. Lea Malhomme Senfood, Ingreso Externo N°2953 de fecha 02 de Abril de 2015. - Memorándum Nº 9.514 de fecha 28 de Abril de 201 5 del Departamento de Rentas Municipales. - Materia: Entrega de información por Ley de Transparencia. - PROVIDENCIA, 04 de Mayo de 2015.- DE: ALCALDESA MUNICIPALIDAD DE PROVIDENCIA (S) A: SRA. LEA MALHOMME SENFOOD En respuesta a su correo recibido por esta Municipalidad con fecha 02 de Abril de 2015, donde requiere " ... catastro de los locales comerciales que estén ubicados actualmente a 4 cuadras del metro Pedro de Valdívia. Entre las calles Holanda, Manuel Montt, Andrés Bello y Eliodoro Yóñez ... ", adjunto remito a Ud. nómina en formato Excel con la información solicitada. Los datos de carácter personal concernientes a personas naturales han sido protegidos según lo dispuesto en la Ley Nº19.628 "SOBRE PROTECCION DE LA VIDA PRIVADA". De no encontrarse conforme con la respuesta precedente, en contra de esta decisión Ud. podrá interponer amparo a su derecho de acceso a la Información ante el Consejo para la Transparencia, en el plazo de 15 días hábiles contados desde la notificación de este Oficio. - Saluda Atentamente a Ud., PB~IN /MBR/jvp. • e.e ADMINIS~RACION MUNICIPAL SECRETARÍA MUNICIPAL OFICINA DE TRANSPARENCIA OFICINA DE PARTES ROL RUT NOMBRE DIRECCION 1 2-130.194 76348895-0 INMOBILIARIA JOSE IGNACIO GONZALEZ EIRL ALFREDO BARROS ERRAZURIZ 1925 DEPARTAMENTO 204 2 2-124.180 76157028-5 INMOBILIARIA LOS ROBLES S.A ALFREDO BARROS ERRAZURIZ 1925 DEPARTAMENTO 504 3 2-62.015 77115570-7 SERVICIOS Y COMERCIAL RAUCO LTDA.