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Two Loom Knitting Projects for Animal Rescue Creating a Basic Pouch and Blanket
Two Loom Knitting Projects for Animal Rescue Creating a basic pouch and blanket Pouch - tight and slow Small blanket - easy and knitting fast knitting What you need: What you need: ● Cotton, bamboo, or wool (not synthetics) - 4 ● Yarn (can be synthetic!) - 8ply/size 4 to 8 ply, in DK/size4 yarn (double yarn knitting), ● A round or long loom, narrow gauge (for ● A round or long loom, medium gauge - tight knitting) is better (I’m using 56cm 38-41pegs diameter, with 56pegs, bought from ● Looming hook (often comes with kit) Spotlight - ● Small scissors to cut yarn https://www.spotlightstores.com/craft-hobbi ● Yarn needle to sew in the ends es/yarn-needle-art/needle-art-tools-accesso ● Tape measure or ruler ries/looms/crafters-choice-knit-weave-loom- kit/80291603) ● Looming hook (often comes with kit) Sources: ● Small scissors to cut yarn Knitting a flat panel - ● Yarn needle to sew in the ends https://youtu.be/pIdNuGMa438 ● Tape measure or ruler Double yarn knitting - https://youtu.be/p0bYlOZT2p4 Sources: Cast-off a flat panel - https://youtu.be/6VKYFkQdr6U Flat knitting: https://youtu.be/2gmUY4y2w34 Weaving in ends - https://youtu.be/v-p4qsiyuI8 Flat Drawstring cast-off: https://youtu.be/ctVBY-1oG8o Weave in ends: https://youtu.be/v-p4qsiyuI8 Instructions: ● Cast-on e-wrap, double yarn 35 pegs as a Instructions: flat panel ● E-wrap all stitches, all rows, in double yarn 1. Loop once around all pegs ● Knit until you have a square, approx 30cm 2. Flat-Knit all pegs long 3. Keep going until you have about 25cm ● Cast-off the flat panel length of knitting ● Using the yarn needle, stitch in ends 4. -
Knitting Patterns for Men Qsftfout; 7 Free Knitting Patterns for Men
qsftfout; 7 free knitting patterns for men qsftfout; 7 free knitting patterns for men 1 2 3 5 4 6 7 1 Old Way Gansey 5 Striped Pullover Ann Budd Norah Gaughan 2 Charcoal Ribbed Cardigan 6 Nicholas’s Fingerless Kate Kuckro Gloves 3 Basketweave Scarf Sandi Wiseheart Ann Budd 7 Woven Bands Pullover 4 Rhapsody In Tweed Hana Jason Kathy Zimmerman qsftfout; 7 free knitting patterns for men WELCOME to this, the sixth in our series of free eBooks from Knitting Daily! Next is Rhapsody in Tweed, a mock turtleneck by Kathy Zimmerman that hap- We’ve covered socks, lace, gifts for babies, cardigans for women, and patterns pens to be one of my personal all-time favorite “guy patterns.” Strong knot- for beginners, so it's high time that the men amongst us had their turn. like cables climb up the front and back of the sweater, while cabled ribs form a perfect backdrop on sleeves and sides. This one ought to come with a full So, guys: This one’s for you—seven free knitting patterns for men! disclosure clause: Warning! This Sweater Will Be Considered Stealable By The Since I am not a guy myself, I did a little extra research this time: I asked some Nearest Chilly Female. of my favorite men what kind of sweaters they liked to wear—and what kind For those of you looking for a little color—but not a lot of color—how about No- they didn’t. I also consulted the results of the Knitting Daily survey I did last year rah Gaughan’s Striped Pullover? This one’s deceptive: It looks a bit like stranded where I asked you men to vote on various aspects of what you looked for in colorwork, but it’s not—it's a simple slip-stitch pattern that knits up quickly and The Perfect Manly Sweater. -
Knitting V/S Weaving Defined
Initials with comparisons Knitting technology Knitting V/S Weaving Defined Knitting may be defined as Weaving may be defined as: “Inter-looping / Inter-meshing / hook-up / Interlacement of two sets of yarn at right Inter-lock of single or set of yarn moving angle (90o). only in one direction either lengthwise (warp knitting) or cross-wise (weft knitting). Principle The inter-lopping is carried out by needles Weaving is carried out by inter-lacing a (may be Latch or beard or compound series of vertical, parallel threads (the needle etc), the needles are equipped on a warp) with a series of horizontal, parallel cylinder and Needle butt moves between threads (the filling). The warp yarns from the grooves of cams to accomplish a beam pass through the heddles and reed, knitting cycle and producing the fabric. and the filling is shot through the “shed” The shape of the needle cam grooves of warp threads by means of a shuttle or depends on the required knitting pattern. other device and is settled in place by the For more detail see Circular / Flat reed and lay. The woven fabric is then knitting machine or Working principle of wound on a cloth beam. The primary Circular knitting machine (video) distinction between different types of looms is the manner of filling insertion (see WEFT INSERTION Dictionary on home page). The principal elements of any type of loom are the shedding, picking, and beating-up devices. In shedding, a path is formed for the filling by raising some warp threads while others are left down. -
Crochet Extra
Crochet Extra 141st Edition– March—2018 It’s all quite exciting around here as I get ready to go on Theme – A Crocheters’ toolkit Australia’s first crochet cruise with Cruise Express. If you saw th I was forced to clean out my project bag recently and I gave Better Homes & Gardens on 9 February, you would have seen myself the challenge to question whether I really needed the ship we are going on – Celebrity Solstice. I have never everything I had included. But like cruised before, but can imagine the combination of cruising the any craft, a good toolkit is essential seas, visiting islands, relaxing and crocheting is going to be a to not only get the job done, but get fantastic combination – so I it done well and enjoyably. So what can’t wait. Of course I will be are the items that crocheters should working as I lead some of the have in their toolkit? workshops along with Jenny King but I do also plan to enjoy The obvious is a good selection of myself. Look forward to seeing crochet hooks. You can never have some of the photos in April. just one. And they must be comfortable to use – there are the ergonometric hooks such as clover soft touch, clover While I will be on the cruise (21st to 30th March), the shop will amour and addi – or add handles to steel and aluminium be in the capable hands of Sarah, however it will be closing at hooks – or the light up hooks for night or with dark yarn. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
2021 Creative Activities Rules and Premiums
Aug. 26-Sept. 6, 2021 Creative Activities Superintendent..................................................................................................................... Curt Pederson, Shoreview, MN Board Member............................................................................................................................... Gail Johnson, Anoka, MN Secretary....................................................................................................................................... Arlene Restad, Eagan, MN Creative Activities Rules 1. ENTRIES. Open Monday, June 7. Entries close for all divisions Tuesday, Aug. 10, at 4:30 p.m. No exceptions. A. ONLINE REGISTRATION. All entries MUST be registered. Entries close on Tuesday, Aug. 10, at 4:30 p. m. No entries will be accepted after closing date. Errors or omissions must be registered within 10 days after fair closes. No entry fee required. 1. A confirmation will be sent to your email within 24 hours. Exhibitors must bring their registration confirmation during specified drop off dates and times for verification purposes only. A hard copy printed OR readily available to be viewed easily on a mobile device will be required at drop off. 2. Refer to the "How To Enter Exhibits" document for detailed information and entry procedures. Visit the Minnesota State Fair website to begin the registration process: competition.mnstatefair.org B. MAIL-IN REGISTRATION. Must be in our office (not postmarked) by Tuesday, Aug. 10, at 4:30 p.m. No entries will be accepted after closing date. All entries MUST be registered. Follow procedure below: 1. On an 8 1/2” x 11” sheet of paper. Must include 1) first name, last name, address and phone number; 2) list of class number(s) and description of entry for each exhibit. 2. Mail to: Competition Department - c/o: Creative Activities, Minnesota State Fair, 1265 Snelling Ave. N., St. Paul, MN 55108. -
Flat Knitting of Optical Fibres
AUTEX 2009 World Textile Conference 26-28 May, 2009 İzmir, Turkey FLAT KNITTING OF OPTICAL FIBRES Joel Peterson, Folke Sandvik The Swedish School of Textiles, University of Borås, Borås, Sweden, [email protected] ABSTRACT This paper presents an experimental research in the areas of knitting technology and optical fibres. The aim is to explore the possibilities to knit stiff monofilament optical fibres in flat knitting machines. The yarns used were transparent monofilament of polyester and optical fibres of PMMA (Polymethyl Metacrylate). Result shows that a hexagon shaped flat knitted prototype can be produced but also difficulties to knit monofilament yarn with optical fibres. The optical fibres was put into the structure in straight angles as weft insertion, to avoid bending and breakage of the monofilaments. Another problem was the take down device on the knitting machine but a solution of this is presented in the paper. Key Words: Optical fibres, flat knitting, knitting technology, technical textiles 1. INTRODUCTION This paper is about an experimental research in the areas of knitting technology and optical fibres and the aim is to explore the possibilities to knit with stiff monofilament optical fibres. Fibres with high stiffness are known to have a limited knittability and difficult to process in knitting machines [1]. The machine used is an electronic flat knitting machine STOLL CMS 330 TC with special equipment suitable for the feeding of yarn with high stiffness. In order to facilitate the progression of the work, different yarns were used. It was expected to be a challenge to work with optical fibres, and therefore the choice was made to use other yarns with better knittability in a first phase. -
Craft Workshop News and Calendar Summer to Winter 2013 on the Move We Have Decided to Sell the Farm and Move on to the Next Exciting Adventure (Watch This Space)
The Threshing Barn Craft Workshop News and Calendar Summer to Winter 2013 On the Move We have decided to sell the farm and move on to the next exciting adventure (watch this space). The Threshing Barn will be coming with me, so don’t panic you’ll still be able to get your supplies. So would you be interested to follow your dream of running a small holding of 36 acres with the workshop? You could live in a beautiful upgraded Grade 2 listed farmhouse full of old features. In the courtyard are the buildings we have used for the craft workshop with business use planning on. Then there’s the original Threshing Barn ready for conversion subject to planning permission. There are 2 new agricultural barns and secure workshop. We have lived here for nearly 16 years running our vision for a sustainable farm and associated craft business. My children live in Australia, Hong Kong and London and now being a grannie I want to spend more time with them and this is not possible with livestock. Contact us for details of our agents. New Website With the growth of our mail order business the website has been rebuilt on a more user friendly, more informative basis. You still need to phone or email with your questions and orders. The glitches are being ironed out and I thank Pete our website guru for his patience. He now knows the difference between a stick shuttle, a boat shuttle and an end delivery shuttle!!! It has been a marathon on his part, literally as he crippled himself last week whilst running a half marathon, so he’s had time to recover working on our website. -
KNITTING Definition Statement Relationship Between Large Subject
D04B KNITTING Definition statement This subclass/group covers: weft knitting machines are covered by D04B 7/00 to D04B 13/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 15/00 and articles made by such machines are covered by D04B 1/00 warp knitting machines are covered by D04B 23/00 to D04B 25/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 27/00 and articles made by such machines are covered by D04B 21/00 details of, or auxiliary devices incorporated in knitting machines not limited to a specific kind of knitting machine are covered by D04B 35/00 miscellaneous knitting machines and articles made by such machines are covered by D04B 39/00 hand knitting equipment is covered by D04B 3/00, D04B 5/00 and D04B 33/00 auxiliary apparatuses or devices for use with knitting machines are covered by D04B 37/00 or for hand knitting equipment are covered by D04B 17/00, D04B 19/00 and D04B 31/00 Relationship between large subject matter areas The difference between the subclass D04B and B32B5 is as follows:layered products including knitted products as such should be classified in B32B5 only; layered products formed by a knitting process featuring specified patterns or information on the composition of the knit article should be classified in D04B. Note that such products may comprise additional coated faces. References relevant to classification in this subclass This subclass/group does not cover: Layered products (i.e. laminates) B32B 5/00 including knitted articles 1 Knitted products of unspecified A41A61F structure or composition, e.g. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
4.3 Characterization Methods for Slub Yarns
ABSTRACT Jaganathan, Sudhakar. Characterization Methods and Physical Properties of Novelty yarn. (Under the guidance of Dr. William Oxenham) The purpose of this work is to find the characterization methods which quantitatively define the inherent properties of novelty yarn. The research was divided in to two parts. In the first part various instrumental methods and techniques were investigated to characterize the physical properties of the novelty yarns. Various structural properties of gimp and slub yarns were defined and characterized. Instrumental method included CTT Tester, Hairiness tester and a Traveling Microscope. An image analysis algorithm was proposed to measure the size distribution of novelty yarn structural effects. In the second part visual perception of novelty yarn texture was characterized. A texture nomenclature based on the theory of “Textons” was developed. A human psychological survey was conducted to get observers response on texture terms. We proposed various image analysis methods to quantitatively characterize the novelty yarn texture. The image analysis method had good correlation with human psychological response on the novelty yarn texture. CHARACTERIZATION METHODS AND PHYSICAL PROPERTIES OF NOVELTY YARN by SUDHAKAR JAGANATHAN A thesis submitted to the Graduate Faculty of North Carolina State University In partial fulfillment of the Requirement for the degree of Master of Science Textile Management and Technology COLLEGE OF TEXTILES Raleigh, NC 2005 Approved by: Dr.William Oxenham Chair of the Advisory Committee Dr.Nancy Powell Dr.Pamela Banks-Lee Committee Member Committee Member Dedicated to Amma, Appa, Anni and Anna for all the support and encouragement they have given ii Biography Sudhakar Jaganathan was born on June 29, 1979 in Coimbatore, India. -
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience Jennifer L. Lindsay Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2010 ©2010 Jennifer Laurel Lindsay All Rights Reserved TABLE OF CONTENTS LIST OF ILLUSTRATIONS.............................................................................................iii PREFACE........................................................................................................................... x ACKNOWLDGEMENTS ............................................................................................... xiv INTRODUCTION .............................................................................................................. 1 CHAPTER 1. CRANBROOK: “[A] RESEARCH INSTITUTION OF CREATIVE ART”............................................................................................................ 11 Part 1. Founding the Cranbrook Academy of Art............................................................. 11 Section 1. Origins of the Academy....................................................................... 11 Section 2. A Curriculum for Modern Artists in Modern Times ........................... 16 Section 3. Cranbrook’s Landscape and Architecture: “A Total Work of Art”.... 20 Part 2. History of Weaving and Textiles at Cranbrook..................................................... 23