United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar

Total Page:16

File Type:pdf, Size:1020Kb

United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar. 7, 1989 54 APPARATUS FOR PRODUCING A 3,433,007 3/1969 Myers . NOVELTY NUB YARN 3,653,196 4/1972 Pike ................................... 57/350X 3,795,367 3/1974 Mocarski. (75) Inventor: Thomas L. Nelson, Georgetown, Del. 3,852,857 12/1974 Etbridge et al. ...................... 28/255 73 4,119,253 10/1978 Benson .............. ... 28/252 X Assignee: E. I. Du Pont de Nemours and 4,212,152 7/1980 Roman ...... ... 28/271 X Company, Wilmington, Del. 4,453,297 6/1984 London, Jr. et al. ............ 28/258 X 21) Appl. No.: 46,090 FOREIGN PATENT DOCUMENTS Filed: May 5, 1987 22) 45-14580 5/1970 Japan ..................................... 28/271 48-25387 7/1973 Japan ..................................... 28/258 Related U.S. Application Data 51-60749 5/1976 Japan .................................. 28/271 (62) Division of Ser. No. 804,408, Dec. 4, 1985, Pat. No. 51-75156 6/1976 Japan. ... 28/271 4,697,317. 60-17135 1/1985 Japan. ... 28/271 60-17134 1/1985 Japan ..................................... 28/271 51 Int. Cl." ........................... D02G 1/16; D02J 1/06 (52) U.S. C. ........................................ 28/271; 28/258; Primary Examiner-Robert R. Mackey 57/209; 57/350 57 ABSTRACT (58) Field of Search ......................... 28/252,258, 271; A substantially twist-free, crimped, continuous, multifil 57/209,350 ament yarn containing randomly-spaced, tightly entan (56) References Cited gled nubs and the process and apparatus used for mak ing such yarns is disclosed. The nub yarn is made by U.S. PATENT DOCUMENTS feeding a substantially entanglement-free, multifila 1,997,771 4/1935 McGowan . ment, crimped, continuous yarn through a forwarding 2,052,869 9/1936 Coanda . 2,278,879 4/1942 Hunter. jet, through an aspirating entanglement jet where nubs 2,878,548 3/1959 Lohr et al. are formed and passing the yarn through a loop guide. 3,042,482 7/1962 Woodell . The nubs of the yarn are less than one inch in length and 3,047,208 7/1962 Coanda . the yarn is useful in textile and carpet end uses. 3,093,878 6/1963 Fieldman . 3,402,446 9/1968 Benson .................................. 28/273 6 Claims, 4 Drawing Sheets S N 42 3 NN N 52 U.S. Patent Mar. 7, 1989 Sheet 1 of 4 4,809,412 7 / O WND Er O U.S. Patent Mar. 7, 1989 Sheet 2 of 4 4,809,412 U.S. Patent Mar. 7, 1989 Sheet 3 of 4 4,809,412 4,809,412 1. 2 rently with said flow of air out of the entrance of a APPARATUS FOR PRODUCING ANOVELTY NUB separate entanglement jet. The forwarding jet feeds the YARN yarn along with a stream of fluid, e.g., air, through a feed tube into an entanglement jet to form nubs. Passing This is a division of application Ser. No. 804,408 filed 5 the yarn through highly turbulent gas within the entan Dec. 4, 1985 now U.S. Pat. No. 4,697,317 granted Oct. glement jet, entangles the yarn, forming nubs. The legs 6. 1987. of the loop are maintained at a close spacing to each other by a loop guide, located near the forwarding jet DESCRIPTION exit, such guide together with controlled overfeed act 1. Technical Field 10 ing to prevent the formation of large slubs during the This invention relates generally to novelty yarns, preferred formation of nubs. more particularly, substantially twist free, crimped, The nub yarn so produced is characterized by a de continuous, multifilament yarn containing randomly nier per filament of 5-10, a total denier of 500-5000, and spaced, tightly entangled nubs and the process and ap is interlaced to increase yarn coherence and then used paratus used for making such yarns. 15 as a single yarn or combined in the interlace step with 2. Background additional yarns, with or without nubs for textile or The production of novelty yarns has long been a carpet end use. major objective in the textile and carpet industry. These yarns are commercially valuable as they provide unique BRIEF DESCRIPTION OF THE DRAWINGS and desirable aesthetics to their end use articles. One 20 FIG. 1 shows one preferred embodiment of the pro such novelty yarn, nub yarn, refers to a yarn containing cess of this invention wherein a nub yarn is produced. small lumps, knots or specks which have been intro FIG. 2 shows a side-by-side arrangement of two for duced into the main yarn. Nub yarns are sometimes warding and embodiment jet assemblies with a detailed referred to as slub yarns, however nubs are generally view of the loop guides useful in practicing the inven shorter and more compact and thus have a larger diam 25 tion. eter to length ratio than do slubs. FIG. 3 is a detailed view of the nub entanglement jet, The presence of larger slubs is undesirable for certain the feed jet tube and the loop guide. end uses where the aesthetics are more dependent on a FIG. 4 shows an additional embodiment of the cur low variability in slub size as well as an absence of large rent proposal, whereby a nub yarm is combined with a slubs. 30 yarn without nubs in a continuous process. Carpet containing small nubs is generally made from staple and the nubs are not tightly adhered to the core DETAILED DESCRIPTION OF THE fiber. This type of carpet can be used only in low traffic DRAWINGS areas, since the nubs are held in place only by the fric In FIG. 1 a crimped and interlaced supply yarn (10) tion restraint of the twist. In a high traffic area, these 35 is forwarded from a supply package over a yarn wetti carpets would quickly lose their nubs and the corre ing device (12) by the first forwarding means (shown sponding desirable aesthetic appearance. are rolls (14) where (14a) is the driven roll and (14b) is SUMMARY OF THE INVENTION an idler roll) and then through deinterlacing pins (16), such as those described in U.S. Pat. No. 4,059,873, to Apparatus and a process have been developed to add remove interlace from the crimped supply yarn. Ten randomly-spaced nubs numbering between 1 and 200 sion through the pins is maintained by controlling the per 10 meters of yarn which are consistently less than 1' differential speeds of the first forwarding means (14) in length, preferably less than 'in length, to a crimped, and the second forwarding means (shown are rolls (18) continuous, twist-free, multifilament yarn, thereby pro where (18a) is the driven roll and (18b) is an idler roll). ducing a novelty nub yarn for use by itself or in combi 45 The yarn is then forwarded by and through a third nation with additional yarns of the same or different forwarding means, the forwarding jet (20), passing dyeabilities. through the exit (23) of the forwarding jet and into the The apparatus of this invention comprises a forward nub-forming entanglement jet (24). The nub yarn (26) ing jet for forwarding feed yarn along a path, as aspirat then passes through a loop guide (28) as it is pulled from ing nub-forming entanglement jet, having a tube pas 50 the entanglement jet (24) by a fourth forwarding means sage diverging from the inlet to the outlet, a housing (shown are rolls (30) where (30a) is the driven roll and having a chamber in communication with the inlet end (30b) is an idler roll). The nub yarn is then routed of the jet tube, an opening in the housing in line with through an interlace jet (32), such as that described in and in communication with the inlet and of the jet tube U.S. Pat. No. 4,505,013, to add cohesion to the yarn, and a means to supply gas to the chamber, positioned in 55 and then collected by a suitable means, such as a winder line with said path to receive the yarn from the for (not shown). warding jet concurrently with said path into the inlet In the above process, the distance (34) (shown in end of the entanglement jet tube and separated from the FIG. 3) of the exit (23) of the forwarding jet from the forwarding jet by a small interval and a means for guid entrance of the entanglement jet tube inlet (51) (shown ing the yarn positioned adjacent to the exit of the for 60 in FIG. 3), air pressure and flow in both of these jets, warding jet to receive the yarn countercurrently with and the wall thickness between the forwarding jet and said path out of the inlet end of the entanglement jet the loop guide (40) are, in part, all important for effi tube. cient operation. It is also important that the overfeed of The new process comprises a controlled overfeeding the yarn into the entanglement jet (24) be maintained at of a substantially entanglement-free, multifilament 65 a level which allows for only the arch portion of the crimped continuous yarn through a forwarding jet hav yarn loop to actually enter the body of the jet. This ing a flow of air therethrough and then, as a loop, con overfeed can vary depending on the speed of the yarn currently with said flow of air into and countercur between about 5% and 40% and is controlled by main 4,809,412 3 4. taining a constant speed ratio between the forwarding manifold housing and follows the surface of both the means (18 and 30) located before and after the forward external lip (55) and internal curved surface (56) of the ing and entanglement jets.
Recommended publications
  • Crochet Extra
    Crochet Extra 141st Edition– March—2018 It’s all quite exciting around here as I get ready to go on Theme – A Crocheters’ toolkit Australia’s first crochet cruise with Cruise Express. If you saw th I was forced to clean out my project bag recently and I gave Better Homes & Gardens on 9 February, you would have seen myself the challenge to question whether I really needed the ship we are going on – Celebrity Solstice. I have never everything I had included. But like cruised before, but can imagine the combination of cruising the any craft, a good toolkit is essential seas, visiting islands, relaxing and crocheting is going to be a to not only get the job done, but get fantastic combination – so I it done well and enjoyably. So what can’t wait. Of course I will be are the items that crocheters should working as I lead some of the have in their toolkit? workshops along with Jenny King but I do also plan to enjoy The obvious is a good selection of myself. Look forward to seeing crochet hooks. You can never have some of the photos in April. just one. And they must be comfortable to use – there are the ergonometric hooks such as clover soft touch, clover While I will be on the cruise (21st to 30th March), the shop will amour and addi – or add handles to steel and aluminium be in the capable hands of Sarah, however it will be closing at hooks – or the light up hooks for night or with dark yarn.
    [Show full text]
  • Craft Workshop News and Calendar Summer to Winter 2013 on the Move We Have Decided to Sell the Farm and Move on to the Next Exciting Adventure (Watch This Space)
    The Threshing Barn Craft Workshop News and Calendar Summer to Winter 2013 On the Move We have decided to sell the farm and move on to the next exciting adventure (watch this space). The Threshing Barn will be coming with me, so don’t panic you’ll still be able to get your supplies. So would you be interested to follow your dream of running a small holding of 36 acres with the workshop? You could live in a beautiful upgraded Grade 2 listed farmhouse full of old features. In the courtyard are the buildings we have used for the craft workshop with business use planning on. Then there’s the original Threshing Barn ready for conversion subject to planning permission. There are 2 new agricultural barns and secure workshop. We have lived here for nearly 16 years running our vision for a sustainable farm and associated craft business. My children live in Australia, Hong Kong and London and now being a grannie I want to spend more time with them and this is not possible with livestock. Contact us for details of our agents. New Website With the growth of our mail order business the website has been rebuilt on a more user friendly, more informative basis. You still need to phone or email with your questions and orders. The glitches are being ironed out and I thank Pete our website guru for his patience. He now knows the difference between a stick shuttle, a boat shuttle and an end delivery shuttle!!! It has been a marathon on his part, literally as he crippled himself last week whilst running a half marathon, so he’s had time to recover working on our website.
    [Show full text]
  • Textile Design: a Suggested Program Guide
    DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching
    [Show full text]
  • 4.3 Characterization Methods for Slub Yarns
    ABSTRACT Jaganathan, Sudhakar. Characterization Methods and Physical Properties of Novelty yarn. (Under the guidance of Dr. William Oxenham) The purpose of this work is to find the characterization methods which quantitatively define the inherent properties of novelty yarn. The research was divided in to two parts. In the first part various instrumental methods and techniques were investigated to characterize the physical properties of the novelty yarns. Various structural properties of gimp and slub yarns were defined and characterized. Instrumental method included CTT Tester, Hairiness tester and a Traveling Microscope. An image analysis algorithm was proposed to measure the size distribution of novelty yarn structural effects. In the second part visual perception of novelty yarn texture was characterized. A texture nomenclature based on the theory of “Textons” was developed. A human psychological survey was conducted to get observers response on texture terms. We proposed various image analysis methods to quantitatively characterize the novelty yarn texture. The image analysis method had good correlation with human psychological response on the novelty yarn texture. CHARACTERIZATION METHODS AND PHYSICAL PROPERTIES OF NOVELTY YARN by SUDHAKAR JAGANATHAN A thesis submitted to the Graduate Faculty of North Carolina State University In partial fulfillment of the Requirement for the degree of Master of Science Textile Management and Technology COLLEGE OF TEXTILES Raleigh, NC 2005 Approved by: Dr.William Oxenham Chair of the Advisory Committee Dr.Nancy Powell Dr.Pamela Banks-Lee Committee Member Committee Member Dedicated to Amma, Appa, Anni and Anna for all the support and encouragement they have given ii Biography Sudhakar Jaganathan was born on June 29, 1979 in Coimbatore, India.
    [Show full text]
  • Author Index: First Twenty-Five Years 1979–2004
    AUTHOR INDEX: FIRST TWENTY-FIVE YEARS 1979–2004 ABBOT, AMY. “Stars & Stripes: Inkle errata Mr82: p. 87. __. “More Dots.” MJ95: pp. 80–82. __. “Swatch Collection #12: Classic Band Pins.” MA02: pp. 74–75. __. “Designing Men: Jim Ahrens: __. “My New Multishaft Loom Is Fabrics for City Fashions.” ADAMS, BRUCIE. “Boiled Wool.” 1906–2000.” MA01: pp. 12–13. Here, Now What?” MJ98: ND85: pp. 48–49, IS: 9–11. Su84: p. 85. __. “Designing Upholstery Fabric.” pp. 80–81, 87–88. __. “Swatch Collection #13.” MJ86: __. “Devices to Aid In Wool ND94: pp. 48–49, 91–92. __. “Offset Twill Tie.” SO86: pp. 65, pp. 28–29, IS: 4–5. Processing.” Se82: pp. 69–70. __. “Designing Stripes.” MJ96: IS: 16. __. “Swatch Collection #14.” SO86: __. “A Handspun, Handwoven Cocoon pp. 36–39. __. “One Good Turn Deserves pp. 24–26, IS: 4–5; errata JF90: Jacket.” MA84: pp. 88–89. __. “Door Curtain.” ND90: Another.” SO98: pp. 48–49, p. 87. __. “Handspun Yarn for a Pulled pp. 52–53, 74–75. 81–82. __. “Swatch Collection #15.” MA87: Warp Vest.” JF86: pp. 78–79. __. “Dornick Twill Blue Plaid Lap __. “Out of a Flower Garden.” pp. 38–41, IS: 4–6; errata SO87: __. “Linsey-Woolsey Using Handspun Robe.” JF99: pp. 58, 76–77. ND88: pp. 54–55, 83. IS: 3. Yarns.” ND82: pp. 59–60. __. “Double the Pleasure, Double __. “Plaid Silk Noils Shirt.” JF86: __. “Swatch Collection #16: Fabrics __. “Pencil Roving and the Navajo the Fun.” MJ92: pp. 48–49.
    [Show full text]
  • Short Staple Yarn Manufacturing 5-5 I
    .. Characteristics Of Spun Yarns Composed of short staple fibers Made from cotton, flax or wool staple fibers Made from natural or man-made filaments which are cut into filament staple Individual fiber lengths vary Fuzzy appearance and feel 0' Uneven number of fibers throughout Range from soft, loose construction to hard fine twist yarn Thick and thin areas '* Highly twisted ~ Fall apart when untwisted I Dull or flat in appearance Rough to the touch Natural textural appearance and feel Bulkier to the feel -- 0 Provide good covering power Snagging depends on fabric structure *L Pilling depends on fiber content 5-2 Short Staple Yam Manufactulng I Material Processing On The Short Staple System 1. Carded Ring Spun Yarns 2. Open End Rotor Yarns short Staple Yam Manufacturing 5-3 I 3. Air Jet Spun Yams 4. Combed Cotton Ring Spun Yarns LrlOpening I Drawing I Sliver Lapping I Combing I Drawing (2) I Roving I Spinning 1 Winding _- 5-4 Short Staple Yam ManufacMng Functions Of The Opening Process Clean (natural fibers) 0 Blend short Staple Yarn Manufacturing 5-5 I Creating The Proper Bale Laydown Coordination with Fiber Pronerties More variables in raw stock means more bales needed to laydown Must decide which variables have the greatest influence in yarn manufacturing. Laydown should be a "mini" representation of the warehouse inventory. Laydown should be as consistent as possible from day-to-day, week-to-week, and month-to-month. -- 5-6 Short Staple Yam Manufactulng Blending BZending is a Drocess involving Measurement of the important fiber properties of length, fineness, strength, grade, color, etc.
    [Show full text]
  • Creative Fibre Video Library
    Creative Fibre CREATIVE FIBRE VIDEO LIBRARY For video and DVD hire contact: Lai Lam 1/42A Clonbern Road Remuera Auckland 1050 Phone: (09) 520 0536 Email: [email protected] No. Title Run Category Year Description Time (mins) V01 Spinning Exotic Fibres & 96 Spinning 2002 Judith Mackenzie spins camel,alpaca, cashmere, Novelty Yarns angora, dog and rabbit and also novelty yarns. Also DVD 21 V02 Tapestry Crochet 71 Crochet 2002 This technique enables you to crochet a 2 or more colour motif with relative ease, Carol Norton. V03 Knitted Trims 84 Knitting 2002 For woven, pieced, felted, crocheted and knitted projects by Ginger Luters. V04 Otago Festival 1981 8 Historical 1981 /knitting V05 Worsted Threads 26 Spinning 1984 Barbara Gibson, Margaret Stove and Marie Abbott prepare fibre and spit it into worsted yarn. VO6 Woollen Spinning Spinning 1961 A look at some of the early members of Creative Fibre preparing and spinning fleece. VO7 Eight Invited Weavers 30 Design 1984 Zena Abbott, Yvonne Sloan, Ian Spalding, Margaret Morris, Marie Abbott, Julie Healy, Jeff Healy & Adele Brandt talk about designing their pieces for the 1984 Auckland Museum Exhibition VO9 Queenstown Festival 90 Historical 1984 Highlights V10 The Lost Art of Aboriginal 25 Spinning 1977 Spindle Spinning V11a Elizabeth Zimmermann’s 120 Knitting 1986 A workshop covering basic knitting Techniques. All Knitting Workshop Pt 1 3 parts are also on DVD 14 V11b Elizabeth Zimmermann’s 120 Knitting 1986 Part 2 of a workshop covering basic sweaters Knitting Workshop Pt 2 exploring
    [Show full text]
  • Spaced-Out Felted Scarves
    Copyright Spin.Off® magazine, Interweave Press, LLC. Not to be reprinted. All rights reserved. HANDSPUN GALLERY OF Spaced-Out Felted Scarves Editor’s note: This gallery came about when Liz Gipson (managing editor of Handwoven and Knitting Daily TV cohost) came bounding into the Spin-Off office (well, truth be told, she scooted on her chair through the doorway that separates our offic- es) to show me a scarf made with handspun singles and using Jane Patrick’s draft for a Spaced-Out Felted Scarf. One thing led to another—and suddenly (with Jane’s blessing) we were posting a quickie challenge in Ravelry’s Rigid Heddle Group to see what others would do with the same pattern. Several people were able to complete the challenge within the teeny-weeny win- dow of time that we gave them—below are the results! Now Liz is flying off to Cleveland with the scarves carefully packed into her bags so that she can show them on Knitting Daily TV as examples of what people can do with spinning and weaving. Spaced-Out Felted Scarf for harness loom or rigid heddle loom by Jane Patrick Editor’s note: From the Winter 2008 Fabric description: Spaced warps and You can also use a ruler as you weave to see News You Can Ewes (Schacht On-line wefts, plain weave, felted. if you are weaving the correct number of picks per inch. If there is any unevenness in Free Newsletter), reprinted with per- Finished Size: 5½" x 72". mission from Schacht Spindle Co. the weaving, it will be completely masked Equipment: Table loom, floor loom, or when the fabric is felted.
    [Show full text]
  • Coming up Rosettes
    TOUGH ROAD FOR CAFTA/12 THEORY’S REALITY/20 Global Edition WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • July 12, 2005• $2.00 Ready-to-Wear/Textiles Coming Up Rosettes PARIS — Flowers may not exactly be a fall tradition, but they’ve turned up around the calendar for the past few years, and this couture season was no exception. Giorgio Armani, for example, used roses to punctuate the terrific-looking peplumed jackets in his Armani Privé collection, as this shapely version shows. For more autumn blossoms, see pages 8 and 9. Trade Battle: Industry Ups Pressure as U.S. and China Talk On By Evan Clark a comprehensive agreement on goods. Four safeguard petitions WASHINGTON — Textile trade tensions textile and apparel imports, were filed Monday and one was filed between the U.S. and China went domestic producers ratcheted up last month to restrict import growth. up another notch Monday. the pressure on the Bush The plea from the U.S. textile On the same day that Chinese and administration and called for new industry, claiming to be drowning in U.S. trade diplomats worked toward restrictions on $944 million worth of See Quotas, Page 18 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY Advertisement Australian wool has never looked finer. But there’s a fly in the ointment. Recently an animal rights group What would happen if mulesing was spending millions of dollars on research launched a no doubt well-meaning but, stopped immediately? Quite simply it in the endeavour to discover an effective in our opinion, misguided attack on the would have exactly the opposite effect to solution.
    [Show full text]
  • KITOW 1St Printing Index.Indd
    Index is revised index applies only to the first printing of Knitting in the Old Way. If your book is from the first printing, the first word on page is Sweden. e affected pages are –, in which two electronic files swapped positions. e index supplied here corresponds to the printed page numbers. It complements a corresponding, revised version of page in the Contents. As an alternative, you may use the Contents and index as printed in the book by simply renumbering pages – as – (Chapter , Color Stranding; Norway) and pages – as – (Sweden). A intarsia, 199 Danish blouses, 132, 135, horizontal, 67 shepherd’s knitting, 295 234–38 with tubular-cord edging, 121 Abbey, Barbara, 51, 66 Austria and Germany, knitting of boat necklines vertical, 68 abbreviations Berchtesgaden Sweater, 276–77 basic directions, 128–29 elimination of when using Man’s Bavarian Vests, 271, 274 Icelanders, 174 C charts, 75 textured designs, 268–77 in Norwegian knitting, 146, for stitches, 57, 58, 72–73 traveling stitches, 224 154 cabled cast-on, 55 absorbency Tyrolean Jackets, 274, 275, 277 bobbles cables synthetic fibers, 34 Woman’s Bavarian Vest, 270 Aran fishing shirts, 260, 262, methods, 226–27 wool, 26 Woman’s Bavarian Waistcoat, 265 in patterns, 241, 255, 260, 261, acrylic yarns, 34, 35 268, 269 directions for, 228–29 275 Africa, origins of knitting, 23 B Tyrolean Jackets, 274 symbols for, 73, 226, 227 Alafoss Spinning Mill, 176 calculators, as knitting tool, 40, 81 backward knitting, see knitting in Bohus knitting allergies, to wool, 28 camel, 33 reverse Bohus
    [Show full text]
  • Chapter 1 Get Set!
    05_139875 ch01.qxp 8/31/07 7:41 PM Page 3 ChapterChapter 1 get set! ow that you have this book, you’re ready to learn how to knit, but do you have everything else Nyou need to start knitting? You need yarn, needles, and a few little tools to begin with. After you’ve been knitting for a while, you’ll naturally accumulate more yarn——LOTS more yarn, if you love knitting—— plus more needles and accessories, so don’t buy too much at first. What kind of yarn should you get? And what size and type of needles do you want? This chapter tells you all you need to know to make the right choices. it’s all about yarn One of the most fun parts of knitting is choosing yarn. You may feel overwhelmed when you set out to buy yarn for your first project. Knitting yarns come in so many fibers, weights, textures, and colors that it can be confusing. Take a deep breath, read on, and you’ll get a better idea of what to look for. natural fibers Natural fibers come from animals and plants. Wool, alpaca, mohair, cashmere, and angora are spun from animal fibers, and they’re really warm to wear——and fun to knit with. Certain wools, like Shetland wool, can be scratchy; some, like merino, are nice and soft. Be sure to hold a ball of yarn against your skin to see if you would want to wear something made out of it. It would be a bummer to spend weeks knitting a scarf that is too itchy to wear.
    [Show full text]
  • Textile Yarns
    TEXTILE YARNS 1970 40 2010 Years of Progress ® ® Printed on Re-Cycled Paper Save a tree. 1 Textile Yarns 1.0 Introduction A textile yarn is a continuous strand of staple or filament fibers arranged in a form suitable for weaving, knitting, or other form of fabric assembly. Also, a yarn is a textile product of substantial length and relatively small cross-section consisting of fibers with twist and/or filaments without twist. The yarn can be twisted with one or more yarns to create added value or aesthetics. Traditionally, yarns have been constructed of fibers of finite length called staple fibers. Today, continuous filament yarns are also used to construct yarns. Filament yarns tend to be smoother, more lustrous, more uniform, harsher, and less absorbent. Spun yarns have a hairy surface, are more uneven in appearance, have lower luster, are softer, and more absorbent. Spun yarn is the yarn of choice in many woven and knitted fabric products. The short fibers can be natural fibers such as cotton where the fiber grows in short lengths. But they can also be synthetic fibers such as polyester that are manufactured in a continuous length and then cut into shorter staple lengths. This document will discuss how yarns are formed. It covers fiber preparation and spinning for cotton and blends of cotton. Also covered is the production of synthetic filaments and their conversion to tow and how the tow in turn gets cut into short fibers. Then the steps in the processing of cotton and cotton/synthetic blended spun yarns and the various spinning systems used will be addressed.
    [Show full text]