DOCSLIB.ORG

Creative Fibre Video Library

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Creative Fibre Video Library Creative Fibre CREATIVE FIBRE VIDEO LIBRARY For video and DVD hire contact: Lai Lam 1/42A Clonbern Road Remuera Auckland 1050 Phone: (09) 520 0536 Email: [email protected] No. Title Run Category Year Description Time (mins) V01 Spinning Exotic Fibres & 96 Spinning 2002 Judith Mackenzie spins camel,alpaca, cashmere, Novelty Yarns angora, dog and rabbit and also novelty yarns. Also DVD 21 V02 Tapestry Crochet 71 Crochet 2002 This technique enables you to crochet a 2 or more colour motif with relative ease, Carol Norton. V03 Knitted Trims 84 Knitting 2002 For woven, pieced, felted, crocheted and knitted projects by Ginger Luters. V04 Otago Festival 1981 8 Historical 1981 /knitting V05 Worsted Threads 26 Spinning 1984 Barbara Gibson, Margaret Stove and Marie Abbott prepare fibre and spit it into worsted yarn. VO6 Woollen Spinning Spinning 1961 A look at some of the early members of Creative Fibre preparing and spinning fleece. VO7 Eight Invited Weavers 30 Design 1984 Zena Abbott, Yvonne Sloan, Ian Spalding, Margaret Morris, Marie Abbott, Julie Healy, Jeff Healy & Adele Brandt talk about designing their pieces for the 1984 Auckland Museum Exhibition VO9 Queenstown Festival 90 Historical 1984 Highlights V10 The Lost Art of Aboriginal 25 Spinning 1977 Spindle Spinning V11a Elizabeth Zimmermann’s 120 Knitting 1986 A workshop covering basic knitting Techniques. All Knitting Workshop Pt 1 3 parts are also on DVD 14 V11b Elizabeth Zimmermann’s 120 Knitting 1986 Part 2 of a workshop covering basic sweaters Knitting Workshop Pt 2 exploring circular construction. V11c Elizabeth Zimmermann’s 120 Knitting 1986 Lace, Aran Guernsey and Fairisle knitting Knitting workshop Pt 3 V12 Tapestry Weaving Level 1 110 Weaving 1986 Nancy Harvey introduces tapestry weaving and 3 projects + written instructions V13 Fashion Parade Auckland Historical 1988 ResourceCatalogue 2014 1/8 Creative Fibre Festival ’88 V14 Fashion Parade, Otago 67 Historical 1989 Festival ’89 V15 Otago Exhibition ’89 9 Historical 1989 V16 The Valley 15 Inspiration 1989 A Community Project by Newcastle Spinners and Weavers to cover the entry wall of the Regional Museum V17 Fleece and Fibre Show Historical 1989 Opotiki ’89 V18 Fashion Parade, Bay of Historical 1986 Plenty ’86 V19a Elizabeth Zimmermann’s 120 Knitting 1989 and b Knitting Glossary, Pt 1 & P2 each V20 Fashion Parade Hamilton 34 Historical 1991 Festival ’91 V21 Joanna Staniszkis’ 18 Weaving 1990 Expressions V22 Shetland Makin’ 18 Knitting 1991 Elizabeth Hawick and Margaret Halcrow-Cross talk about Shetland knitting V24 Noah to the Nineties 53 Felting 1992 V25 Fashion Parade Wellington 70 Historical 1993 Festival ’93 V26 Feltmaking in Mongolia and 120 Inspiration 1993 S. America V27 Weaving Illusions 52 Weaving 1994 Archie Brennan, Tapestry artist discusses his life and work V28 Handspinning: Advanced 112 Spinning 1994 Mabel Ross covering worsted and woollen yarns for Techniques knitting and weaving V29 Double Weave 90 Weaving 1994 Clothild Barrett exploring the possibilities of weaving 2 layers of cloth at one time. V30 Introduction to Weaving 57 Weaving 1994 Deborah Chandler acquaints you with the basics of weaving V31 Invercargill Festival Historical 1995 Exhibition ’95 V32 Multicolor Techniques for 117 Knitting 1996 Handknitters V33 Tips, Tricks. And Problem 95 Weaving 1996 Solvers for Handweavers V34 Spinning Wool: Basics and 112 Spinning 1996 Patsy Zawistoski introduces the new spinner to beyond. wheel choice and basic spinning techniques. Also ResourceCatalogue 2014 2/8 Creative Fibre DVD 19 V35 Spinning Cotton, Silk and 112 Spinning 1996 Flax V36 Rigid Heddle Weaving Level 87 Weaving 1996 Betty Davenport takes this workshop. Also on 1 DVD26 V37 Tapestry Weaving Level 2 107 Weaving 1996 Nancy Harvey continues with advancd techniques and tips for tapestry weaving. Also DVD 46 V38 Beginning Four Harness 86 Weaving 1996 Deborah Chandler covers the basic setting up and Weaving weaving a first piece of weaving on a 4 shaft loom. V39 Fashion Parade New 90 Historical 1996 Plymouth ’96 V40 Glorious Colour Knitting 1997 Kaffe Fassett explains his design philosophy and /design demonstrates knitting techniques. V41 Making a Felt Coat and Two 30 Felting 1997 A video of slides of Kate Buckthought’s techniques piece for making clothing. V42 Celebrate! Rhythm and Blues Inspir 1998 Handweavers’ Guild of America’s 1998 Fashion Fashion Show ation Show. Lots of colour, movement and inspirational garments. V43 Fashion Parade Kaitaia ’98 Histori 1998 cal V44 Feltmaking-Garments and 95 Felting 2000 Annette Einset Vickery introduces you to advanced Surface Design Techniques techniques such as surface design and inlay. Also on DVD24 V45 Fiber Dyeing – Immersion Dyeing 2000 Deb Menz takes you through skirting, sorting, and Painting of Protein scouring, dyeing a fleece. Includes using a colour Fibres 73 wheel to predict colour mixes. Also on DVD 22 V46 Fiber Preparation and Multi- Spinning 2000 Deb Menz blends colours and fibres that stay clear color Blending Techniques /colour and bright. Also on DVD 23 V47 Fashion Parade Manawatu 120 Historical 2000 ’99 V48 Kumihimo Japanese Braiding 115 Braiding 2000 Roderick Owen shows you how to read and make different braids. V49 Fashion Parade Canterbury Historical 2000 2000. V50 Traditional Feltmaking in 54 Felt 2001 Includes making a kepenek and dervish hats Turkey. V51 Traditional Silk Weaving in 45 Weaving 2001 Includes rearing silk worms, ikat and brocade Thailand weaving V52 Ikats of Sumba 56 Weaving 2001 Tie dyeing and weaving from Sumba, Indonesia. V53 The Making of a Kilm 56 Spin/dye/wea 2001 Traditional patterns, local wool, natural dyes and ve ancient skills are used to make Kilms. ResourceCatalogue 2014 3/8 Creative Fibre V54 Backstrap weaving in 59 Weaving 2001 Colourful articles are produced from a few sticks Guatemala and Mexico and balls of yarn. V55 Kalagas – Burmese 45 Embroidery 2001 Padded embroideries from Burma using sequins Embroidered Tapestries stones and mirrors to create hangings. V56 Mirror Work and 50 Embroidery 2001 Shows how the mirrors are produced and used in Embroideries of Kutch, India embroidery V57 Ajrakh – Mordant Resist, 50 Dyeing 2001 Also from India this shows the complex method of Batik and Tie Dye resist dyeing used for thousands of years. V58 Fashion Parade Taupo 2002 Historical 2002 V59 Fashion Parade Cromwell Historical 2003 2003 V60 Fashion Parade Masterton Historical 2004 2004 V61 Knit-Weave Technique 52 Knitting 2004 A technique that combines knitting and weaving, using dropped sts as a warp. Linda McGurn V62 Boundweaving, Level 1 111 Weaving 2004 Nancy Arthur Hoskins shows how to draft and weave weft-faced patterns and figures formed with ‘boundweaving’ techniques. V63 Weave Drafting. The easy 69 Weaving 2004 Constance La Lena demonstrates a simplified Way, Part 1. method of writing weaving drafts. Also DVD 47 V64 Spinning and Plying Textured 117 Spinning 2004 Patsy Zawistoski demonstrates how to create an Yarns. endless supply of unusual and beautiful one-of-a- kind textured yarns. Also on DVD 20 V65 Peruvian Knitted Hats 30 Knitting 2005 Shows men & women knitting hats in different Peruvian villages V66 Traditional Peruvian 50 Weaving 2005 Shows spindle weaving and dyeing as well as Weaving weaving, incl. tubular weaving V67 Thai Hilltribe Embroideries 50 Embroidery 2005 Contents include seed embroidery, braids, patchwork, batik, couched and reverse appliqué V68 Batik in Java 50 Dyeing 2005 Complex waxing, dyeing, rewaxing and dyeing techniques are shown and explained in detail. V69 Taradale Fashion Parade Historical 2006 2006 DVD 01 Ashburton Fashion Parade. Historical 2005 2005 DVD 02 Drop Spindle Spinning 37 Spinning 2006 Melda Montgmery shows concisely and clearly how to spin and ply on a spindle. DVD 03 Oops! Correcting your 3 hrs Knitting 2006 Lori Sheffield helps you explore how some of the Knitting Mistakes most common knitting mistakes are made and then how to correct them. Comes with a CD full of instructions that can be printed out on your ResourceCatalogue 2014 4/8 Creative Fibre computer DVD 04 A Knitting Glossary. Knitting 2006 This is an updated version of Elizabeth Zimmermann’s well worn video that we already have in the library. With her daughter Meg Swansen she demonstrates over 130 handknitting techniques. DVD 05 Color Interaction for 60 Weaving 2006 This workshop offers a systematic approach for Handweavers. applying colour principles to handwoven structures, from warp-faced to weft-faced and between. DVD 06 New Plymouth Fashion Historical 2007 Parade 2007 DVD 07 Knitting Essentials 1. 130 Knitting 2007 Make Lucy Neatby your new knitting companion. Everything you wanted to know and more. Especially good for new knitters, but experienced knitters will also learn something new. DVD 08 Knitting Gems 1 2 Knitting 2007 Another DVD by Lucy Neatby. Learn about applied edges, buttonholes, cords, braids and bobbles, and many more knitting gems. DVD 09 Knitting Gems 2 100 Knitting 2007 This one shows you how to become ambidextrous, steeks, shapings, and scissors, short row techniques and the ‘mysterious gully’! DVD 10 Crocheters’ Guide 75 Crochet 2007 Lessons for new crocheters. Mary Rhodes explains how to read patterns and goes on to solving problems, giving helpful hints, and a whole section giving a variety of foundation sts. DVD 11 Featherweight Felt. 163 Felting 2007 Step by step instructions for creating 6 lightweight felt by Sharon Costello. DVD 12 Tapestry Weaving, Level 1 110 Weaving 2007 This is the same as the video also in the library (V 12). DVD 13 Introduction to Needle 131 Felting 2008 Sharon Costello gives step by step instructions for Felting creating whimsical characters using carded wool. DVD 14 Knitting Workshop With 6 hrs Knitting 2008 This is an up-dated version of Elizabeth’s popular Elizabeth Zimmermann video. A special feature in part 3 is an interview with Meg Swansen about making this series with Elizabeth. DVD 15 Knitting Essentials 2 130 Knitting 2008 More cast on and bind off techniques.
Load more

Recommended publications
  • October 2018
    YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line.
    [Show full text]
  • Berries and Buds Beret Di Alice Twain
    Berries and Buds Beret di Alice Twain This fall-like beret uses the lovely pure cotton Circe or the recycled wool Amore to maximum effect. The tightly plied texture and vivid colors of the yarn create an unusually elastic fabric with a unique softness and elasticity which enhances to the maximum ribbing, cables, bobbles and leaves. The result is a romantic and fresh design that, if knitted in Circe, will add that light touch of protection in cool but not yet cold weather, if knitted in Amore is perfect for the winter cold. The hat is a slouched beret that will fit an average woman’s head. For a smaller size to fit a child, skip rounds 4-6 in the second repetition of the bobble section (there will be only 3 bobbles) this will make the hat both smaller and shorter. You may also skip a few plain rounds before you work the border. For a longer, wider hat, add 2-3 extra plain rounds. Materials & measures Tension: 1 Berries and Buds motif is 4,8 mm wide (1” 7/8), 18 sts in 10 cm (4”) in Yarns rev st st in the round. ● Borgo de’ Pazzi Amore 115, 70% recycled wool, 25% polyammide, 5% Measures and sizes: crown circumference: others, 50 g = 115 m (1,75 oz = 125 48 cm (18” ¾); border circumference: 44 yds), 2 balls. cm (17” ¼); total height: 25 cm (9” ¾); ● Borgo de’ Pazzi Circe, 100% cotton, 100 border: 2 cm (¾”). g = 175 m (3,5 oz = 191 yds), 1 hank. Special Techniques Tools ● Size 4,5 mm (US 6) circular needle, 40 I-cord: a thin cord worked on 2 DPNs over cm (16”) long, or the size to obtain 3 sts: *k3 with the yarn coming from the gauge.
    [Show full text]
  • Crochet Extra
    Crochet Extra 141st Edition– March—2018 It’s all quite exciting around here as I get ready to go on Theme – A Crocheters’ toolkit Australia’s first crochet cruise with Cruise Express. If you saw th I was forced to clean out my project bag recently and I gave Better Homes & Gardens on 9 February, you would have seen myself the challenge to question whether I really needed the ship we are going on – Celebrity Solstice. I have never everything I had included. But like cruised before, but can imagine the combination of cruising the any craft, a good toolkit is essential seas, visiting islands, relaxing and crocheting is going to be a to not only get the job done, but get fantastic combination – so I it done well and enjoyably. So what can’t wait. Of course I will be are the items that crocheters should working as I lead some of the have in their toolkit? workshops along with Jenny King but I do also plan to enjoy The obvious is a good selection of myself. Look forward to seeing crochet hooks. You can never have some of the photos in April. just one. And they must be comfortable to use – there are the ergonometric hooks such as clover soft touch, clover While I will be on the cruise (21st to 30th March), the shop will amour and addi – or add handles to steel and aluminium be in the capable hands of Sarah, however it will be closing at hooks – or the light up hooks for night or with dark yarn.
    [Show full text]
  • Craft Workshop News and Calendar Summer to Winter 2013 on the Move We Have Decided to Sell the Farm and Move on to the Next Exciting Adventure (Watch This Space)
    The Threshing Barn Craft Workshop News and Calendar Summer to Winter 2013 On the Move We have decided to sell the farm and move on to the next exciting adventure (watch this space). The Threshing Barn will be coming with me, so don’t panic you’ll still be able to get your supplies. So would you be interested to follow your dream of running a small holding of 36 acres with the workshop? You could live in a beautiful upgraded Grade 2 listed farmhouse full of old features. In the courtyard are the buildings we have used for the craft workshop with business use planning on. Then there’s the original Threshing Barn ready for conversion subject to planning permission. There are 2 new agricultural barns and secure workshop. We have lived here for nearly 16 years running our vision for a sustainable farm and associated craft business. My children live in Australia, Hong Kong and London and now being a grannie I want to spend more time with them and this is not possible with livestock. Contact us for details of our agents. New Website With the growth of our mail order business the website has been rebuilt on a more user friendly, more informative basis. You still need to phone or email with your questions and orders. The glitches are being ironed out and I thank Pete our website guru for his patience. He now knows the difference between a stick shuttle, a boat shuttle and an end delivery shuttle!!! It has been a marathon on his part, literally as he crippled himself last week whilst running a half marathon, so he’s had time to recover working on our website.
    [Show full text]
  • Vogue Knitting LIVE Launches in New York City in January
    NEW YORK, NEW YORK 6,000 Knitters and Industry “Knitterati” to Gather for New Event Vogue Knitting LIVE Launches in New York City in January. Popular Classes Already Sold Out More than 53 million people know how to knit or crochet—and the number is growing. Following the successful premier of Vogue Knitting LIVE in Los Angeles last year, Vogue Knitting magazine announces a new event at the Hilton New York January 14–16, 2012 . Knitting, an ages-old craft, is taking the world by storm. Professionals, Hollywood A-listers, and rock stars have all joined the ranks of knitters, and Ravelry, a popular social media site for stitchers, boasts close to 2 million members. Its benefits are renown: A Harvard study from 2007 concluded that knitting may be as effective as medication in reducing stress. “We know that knitters love getting together at yarn stores to learn new techniques, compare projects, and hear from top designers. We’ve simply taken that to the next level by creating the largest live gathering of knitters in New York,” says Trisha Malcolm, editor of Vogue Knitting and originator of Vogue Knitting LIVE. Vogue Knitting LIVE caters to knitters at all levels—from the knit-curious to experienced designers and crafters. In 2012, knitters can expect: • More than 75 how-to sessions, some of which are already sold out. Topics like “An Overture to Estonian Lace” and “Working with Antique and Vintage Knitting Patterns” bring 200-year old techniques to new generations. Other sessions such as “Happy Hat Knitting” and “Sock Innovation” focus on specific types of projects.
    [Show full text]
  • Textile Design: a Suggested Program Guide
    DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching
    [Show full text]
  • 4.3 Characterization Methods for Slub Yarns
    ABSTRACT Jaganathan, Sudhakar. Characterization Methods and Physical Properties of Novelty yarn. (Under the guidance of Dr. William Oxenham) The purpose of this work is to find the characterization methods which quantitatively define the inherent properties of novelty yarn. The research was divided in to two parts. In the first part various instrumental methods and techniques were investigated to characterize the physical properties of the novelty yarns. Various structural properties of gimp and slub yarns were defined and characterized. Instrumental method included CTT Tester, Hairiness tester and a Traveling Microscope. An image analysis algorithm was proposed to measure the size distribution of novelty yarn structural effects. In the second part visual perception of novelty yarn texture was characterized. A texture nomenclature based on the theory of “Textons” was developed. A human psychological survey was conducted to get observers response on texture terms. We proposed various image analysis methods to quantitatively characterize the novelty yarn texture. The image analysis method had good correlation with human psychological response on the novelty yarn texture. CHARACTERIZATION METHODS AND PHYSICAL PROPERTIES OF NOVELTY YARN by SUDHAKAR JAGANATHAN A thesis submitted to the Graduate Faculty of North Carolina State University In partial fulfillment of the Requirement for the degree of Master of Science Textile Management and Technology COLLEGE OF TEXTILES Raleigh, NC 2005 Approved by: Dr.William Oxenham Chair of the Advisory Committee Dr.Nancy Powell Dr.Pamela Banks-Lee Committee Member Committee Member Dedicated to Amma, Appa, Anni and Anna for all the support and encouragement they have given ii Biography Sudhakar Jaganathan was born on June 29, 1979 in Coimbatore, India.
    [Show full text]
  • United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar
    United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar. 7, 1989 54 APPARATUS FOR PRODUCING A 3,433,007 3/1969 Myers . NOVELTY NUB YARN 3,653,196 4/1972 Pike ................................... 57/350X 3,795,367 3/1974 Mocarski. (75) Inventor: Thomas L. Nelson, Georgetown, Del. 3,852,857 12/1974 Etbridge et al. ...................... 28/255 73 4,119,253 10/1978 Benson .............. ... 28/252 X Assignee: E. I. Du Pont de Nemours and 4,212,152 7/1980 Roman ...... ... 28/271 X Company, Wilmington, Del. 4,453,297 6/1984 London, Jr. et al. ............ 28/258 X 21) Appl. No.: 46,090 FOREIGN PATENT DOCUMENTS Filed: May 5, 1987 22) 45-14580 5/1970 Japan ..................................... 28/271 48-25387 7/1973 Japan ..................................... 28/258 Related U.S. Application Data 51-60749 5/1976 Japan .................................. 28/271 (62) Division of Ser. No. 804,408, Dec. 4, 1985, Pat. No. 51-75156 6/1976 Japan. ... 28/271 4,697,317. 60-17135 1/1985 Japan. ... 28/271 60-17134 1/1985 Japan ..................................... 28/271 51 Int. Cl." ........................... D02G 1/16; D02J 1/06 (52) U.S. C. ........................................ 28/271; 28/258; Primary Examiner-Robert R. Mackey 57/209; 57/350 57 ABSTRACT (58) Field of Search ......................... 28/252,258, 271; A substantially twist-free, crimped, continuous, multifil 57/209,350 ament yarn containing randomly-spaced, tightly entan (56) References Cited gled nubs and the process and apparatus used for mak ing such yarns is disclosed. The nub yarn is made by U.S. PATENT DOCUMENTS feeding a substantially entanglement-free, multifila 1,997,771 4/1935 McGowan .
    [Show full text]
  • Author Index: First Twenty-Five Years 1979–2004
    AUTHOR INDEX: FIRST TWENTY-FIVE YEARS 1979–2004 ABBOT, AMY. “Stars & Stripes: Inkle errata Mr82: p. 87. __. “More Dots.” MJ95: pp. 80–82. __. “Swatch Collection #12: Classic Band Pins.” MA02: pp. 74–75. __. “Designing Men: Jim Ahrens: __. “My New Multishaft Loom Is Fabrics for City Fashions.” ADAMS, BRUCIE. “Boiled Wool.” 1906–2000.” MA01: pp. 12–13. Here, Now What?” MJ98: ND85: pp. 48–49, IS: 9–11. Su84: p. 85. __. “Designing Upholstery Fabric.” pp. 80–81, 87–88. __. “Swatch Collection #13.” MJ86: __. “Devices to Aid In Wool ND94: pp. 48–49, 91–92. __. “Offset Twill Tie.” SO86: pp. 65, pp. 28–29, IS: 4–5. Processing.” Se82: pp. 69–70. __. “Designing Stripes.” MJ96: IS: 16. __. “Swatch Collection #14.” SO86: __. “A Handspun, Handwoven Cocoon pp. 36–39. __. “One Good Turn Deserves pp. 24–26, IS: 4–5; errata JF90: Jacket.” MA84: pp. 88–89. __. “Door Curtain.” ND90: Another.” SO98: pp. 48–49, p. 87. __. “Handspun Yarn for a Pulled pp. 52–53, 74–75. 81–82. __. “Swatch Collection #15.” MA87: Warp Vest.” JF86: pp. 78–79. __. “Dornick Twill Blue Plaid Lap __. “Out of a Flower Garden.” pp. 38–41, IS: 4–6; errata SO87: __. “Linsey-Woolsey Using Handspun Robe.” JF99: pp. 58, 76–77. ND88: pp. 54–55, 83. IS: 3. Yarns.” ND82: pp. 59–60. __. “Double the Pleasure, Double __. “Plaid Silk Noils Shirt.” JF86: __. “Swatch Collection #16: Fabrics __. “Pencil Roving and the Navajo the Fun.” MJ92: pp. 48–49.
    [Show full text]
  • Knitting Next Door Nov.2010
    704 SW 3rd St. Ankeny, IA 50023 (515) 963-0396 Monday – Friday 10:00 – 5:30, Thursdays 10:00-- 7:00 Saturday 10:00– 5:00 November 2010 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 Freedom 2 3 of 3 Sock 3 Magic Loop 4 5 Mitered 6 Basic Adult Finger Mitts class 3-5pm Toe up 6-8 pm Mittens Cardigan 1 of 3 11am—1pm $35 1 of 3 11am—1pm $35 11-1:30pm 1 of 2 $25 1 of 2 $25 7 8 Waffle Mittens 9 Basic Cardigan 10 New 11 Beginning 12 Mitered 13 6-8pm Vest for Men Beginnings- Knitting Mittens 2 of 2 1 of 2 $25 1 of 2 Different 11am—1pm Freedom 11am-1pm $25 Cast-ons 6-8pm 1 of 2 $25 Finger Mitts $15 2 of 2 14 15 How to Read 16 Cabled Scarf 17 Magic Loop 18 Beginning 19 20 Basic Adult a Pattern 6-8pm $15 Toe 6-8pm Knitting Cardigan 2 of 3 11am—1pm $15 2 of 3 11am—1pm 11-1:30pm Waffle 2 of 2 Mittens 2 of 2 21 22 Elizabeth 23 Basic Cardigan 24 25 Happy 26 27 Zimmerman’s Vest for Men Thanksgiving Baby Surprise 11am-1pm 2 of 2 Jacket 6-8pm Beginning 1 of 2 Knitting $25 6-8pm 1 of 2 $25 Dec. 4 28 29 Elizabeth 30 Beginning Dec. 1 Basic Adult Zimmerman’s Knitting Magic Loop Cardigan Baby Surprise 2 of 2 6-8pm Toe up 6-8 pm 3 of 3 Jacket 3 of 3 11-1:30pm 6-8pm 2 of 2 AFTER THANKSGIVING SALE Thanksgiving Night, Nov.
    [Show full text]
  • From the President Greetings, Everyone! Tributed Via Email in a Surveymonkey
    Volume 32, Number 2 Newsletter of the Minnesota Knitters’ Guild Summer 2016 From the President Greetings, everyone! tributed via email in a SurveyMonkey. Since the Minnesota Thanks again to all of you that volunteer to make Knitters’ Guild started in the Guild what it is and to all of you future volun- 1985, we've been fortu- teers that will keep our tradition alive! nate to have volunteers to keep the Guild running. After over 30 years, we MKG Board Sheri Braun President Sheri Braun, are still 100% volunteer- President led even though many Jessica LaVigne Secretary MN Knitters’ Guild other things have changed Mona Phaff Treasurer such as where we meet, how we communi- Karen Cyson Member-At-Large cate and the number of members we have. Shelley Hermanson Yarnover Director Betty Hanna Service Director I want to personally thank everyone who has Linnea Geiger Hill Membership Director been on the board, in an appointed position Kate Westlund Technology & Social or on a committee--you are all what makes Media Director the Minnesota Knitters’ Guild great! I’d par- ticularly like to thank outgoing board volun- teers Linnea Geiger for her service as Mem- Appointed Positions bership Director, and Barb Lind for her ser- Rebecca Anspach Librarian vice as Web Infomaster. Elizabeth Watkins Cable Gram Editor Barb Lind Web Infomaster We will have upcoming board elections this summer, with vacancies in the Programming and Membership positions. Keep your eyes out for voting information, which will be dis- (Continued on page 2) INSIDE Thank you Volunteers! ............................................. 2 MKG Donation Procedure ......................................
    [Show full text]
  • Short Staple Yarn Manufacturing 5-5 I
    .. Characteristics Of Spun Yarns Composed of short staple fibers Made from cotton, flax or wool staple fibers Made from natural or man-made filaments which are cut into filament staple Individual fiber lengths vary Fuzzy appearance and feel 0' Uneven number of fibers throughout Range from soft, loose construction to hard fine twist yarn Thick and thin areas '* Highly twisted ~ Fall apart when untwisted I Dull or flat in appearance Rough to the touch Natural textural appearance and feel Bulkier to the feel -- 0 Provide good covering power Snagging depends on fabric structure *L Pilling depends on fiber content 5-2 Short Staple Yam Manufactulng I Material Processing On The Short Staple System 1. Carded Ring Spun Yarns 2. Open End Rotor Yarns short Staple Yam Manufacturing 5-3 I 3. Air Jet Spun Yams 4. Combed Cotton Ring Spun Yarns LrlOpening I Drawing I Sliver Lapping I Combing I Drawing (2) I Roving I Spinning 1 Winding _- 5-4 Short Staple Yam ManufacMng Functions Of The Opening Process Clean (natural fibers) 0 Blend short Staple Yarn Manufacturing 5-5 I Creating The Proper Bale Laydown Coordination with Fiber Pronerties More variables in raw stock means more bales needed to laydown Must decide which variables have the greatest influence in yarn manufacturing. Laydown should be a "mini" representation of the warehouse inventory. Laydown should be as consistent as possible from day-to-day, week-to-week, and month-to-month. -- 5-6 Short Staple Yam Manufactulng Blending BZending is a Drocess involving Measurement of the important fiber properties of length, fineness, strength, grade, color, etc.
    [Show full text]