Spaced-Out Felted Scarves
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Crochet Extra
Crochet Extra 141st Edition– March—2018 It’s all quite exciting around here as I get ready to go on Theme – A Crocheters’ toolkit Australia’s first crochet cruise with Cruise Express. If you saw th I was forced to clean out my project bag recently and I gave Better Homes & Gardens on 9 February, you would have seen myself the challenge to question whether I really needed the ship we are going on – Celebrity Solstice. I have never everything I had included. But like cruised before, but can imagine the combination of cruising the any craft, a good toolkit is essential seas, visiting islands, relaxing and crocheting is going to be a to not only get the job done, but get fantastic combination – so I it done well and enjoyably. So what can’t wait. Of course I will be are the items that crocheters should working as I lead some of the have in their toolkit? workshops along with Jenny King but I do also plan to enjoy The obvious is a good selection of myself. Look forward to seeing crochet hooks. You can never have some of the photos in April. just one. And they must be comfortable to use – there are the ergonometric hooks such as clover soft touch, clover While I will be on the cruise (21st to 30th March), the shop will amour and addi – or add handles to steel and aluminium be in the capable hands of Sarah, however it will be closing at hooks – or the light up hooks for night or with dark yarn. -
Craft Workshop News and Calendar Summer to Winter 2013 on the Move We Have Decided to Sell the Farm and Move on to the Next Exciting Adventure (Watch This Space)
The Threshing Barn Craft Workshop News and Calendar Summer to Winter 2013 On the Move We have decided to sell the farm and move on to the next exciting adventure (watch this space). The Threshing Barn will be coming with me, so don’t panic you’ll still be able to get your supplies. So would you be interested to follow your dream of running a small holding of 36 acres with the workshop? You could live in a beautiful upgraded Grade 2 listed farmhouse full of old features. In the courtyard are the buildings we have used for the craft workshop with business use planning on. Then there’s the original Threshing Barn ready for conversion subject to planning permission. There are 2 new agricultural barns and secure workshop. We have lived here for nearly 16 years running our vision for a sustainable farm and associated craft business. My children live in Australia, Hong Kong and London and now being a grannie I want to spend more time with them and this is not possible with livestock. Contact us for details of our agents. New Website With the growth of our mail order business the website has been rebuilt on a more user friendly, more informative basis. You still need to phone or email with your questions and orders. The glitches are being ironed out and I thank Pete our website guru for his patience. He now knows the difference between a stick shuttle, a boat shuttle and an end delivery shuttle!!! It has been a marathon on his part, literally as he crippled himself last week whilst running a half marathon, so he’s had time to recover working on our website. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
4.3 Characterization Methods for Slub Yarns
ABSTRACT Jaganathan, Sudhakar. Characterization Methods and Physical Properties of Novelty yarn. (Under the guidance of Dr. William Oxenham) The purpose of this work is to find the characterization methods which quantitatively define the inherent properties of novelty yarn. The research was divided in to two parts. In the first part various instrumental methods and techniques were investigated to characterize the physical properties of the novelty yarns. Various structural properties of gimp and slub yarns were defined and characterized. Instrumental method included CTT Tester, Hairiness tester and a Traveling Microscope. An image analysis algorithm was proposed to measure the size distribution of novelty yarn structural effects. In the second part visual perception of novelty yarn texture was characterized. A texture nomenclature based on the theory of “Textons” was developed. A human psychological survey was conducted to get observers response on texture terms. We proposed various image analysis methods to quantitatively characterize the novelty yarn texture. The image analysis method had good correlation with human psychological response on the novelty yarn texture. CHARACTERIZATION METHODS AND PHYSICAL PROPERTIES OF NOVELTY YARN by SUDHAKAR JAGANATHAN A thesis submitted to the Graduate Faculty of North Carolina State University In partial fulfillment of the Requirement for the degree of Master of Science Textile Management and Technology COLLEGE OF TEXTILES Raleigh, NC 2005 Approved by: Dr.William Oxenham Chair of the Advisory Committee Dr.Nancy Powell Dr.Pamela Banks-Lee Committee Member Committee Member Dedicated to Amma, Appa, Anni and Anna for all the support and encouragement they have given ii Biography Sudhakar Jaganathan was born on June 29, 1979 in Coimbatore, India. -
United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar
United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar. 7, 1989 54 APPARATUS FOR PRODUCING A 3,433,007 3/1969 Myers . NOVELTY NUB YARN 3,653,196 4/1972 Pike ................................... 57/350X 3,795,367 3/1974 Mocarski. (75) Inventor: Thomas L. Nelson, Georgetown, Del. 3,852,857 12/1974 Etbridge et al. ...................... 28/255 73 4,119,253 10/1978 Benson .............. ... 28/252 X Assignee: E. I. Du Pont de Nemours and 4,212,152 7/1980 Roman ...... ... 28/271 X Company, Wilmington, Del. 4,453,297 6/1984 London, Jr. et al. ............ 28/258 X 21) Appl. No.: 46,090 FOREIGN PATENT DOCUMENTS Filed: May 5, 1987 22) 45-14580 5/1970 Japan ..................................... 28/271 48-25387 7/1973 Japan ..................................... 28/258 Related U.S. Application Data 51-60749 5/1976 Japan .................................. 28/271 (62) Division of Ser. No. 804,408, Dec. 4, 1985, Pat. No. 51-75156 6/1976 Japan. ... 28/271 4,697,317. 60-17135 1/1985 Japan. ... 28/271 60-17134 1/1985 Japan ..................................... 28/271 51 Int. Cl." ........................... D02G 1/16; D02J 1/06 (52) U.S. C. ........................................ 28/271; 28/258; Primary Examiner-Robert R. Mackey 57/209; 57/350 57 ABSTRACT (58) Field of Search ......................... 28/252,258, 271; A substantially twist-free, crimped, continuous, multifil 57/209,350 ament yarn containing randomly-spaced, tightly entan (56) References Cited gled nubs and the process and apparatus used for mak ing such yarns is disclosed. The nub yarn is made by U.S. PATENT DOCUMENTS feeding a substantially entanglement-free, multifila 1,997,771 4/1935 McGowan . -
Author Index: First Twenty-Five Years 1979–2004
AUTHOR INDEX: FIRST TWENTY-FIVE YEARS 1979–2004 ABBOT, AMY. “Stars & Stripes: Inkle errata Mr82: p. 87. __. “More Dots.” MJ95: pp. 80–82. __. “Swatch Collection #12: Classic Band Pins.” MA02: pp. 74–75. __. “Designing Men: Jim Ahrens: __. “My New Multishaft Loom Is Fabrics for City Fashions.” ADAMS, BRUCIE. “Boiled Wool.” 1906–2000.” MA01: pp. 12–13. Here, Now What?” MJ98: ND85: pp. 48–49, IS: 9–11. Su84: p. 85. __. “Designing Upholstery Fabric.” pp. 80–81, 87–88. __. “Swatch Collection #13.” MJ86: __. “Devices to Aid In Wool ND94: pp. 48–49, 91–92. __. “Offset Twill Tie.” SO86: pp. 65, pp. 28–29, IS: 4–5. Processing.” Se82: pp. 69–70. __. “Designing Stripes.” MJ96: IS: 16. __. “Swatch Collection #14.” SO86: __. “A Handspun, Handwoven Cocoon pp. 36–39. __. “One Good Turn Deserves pp. 24–26, IS: 4–5; errata JF90: Jacket.” MA84: pp. 88–89. __. “Door Curtain.” ND90: Another.” SO98: pp. 48–49, p. 87. __. “Handspun Yarn for a Pulled pp. 52–53, 74–75. 81–82. __. “Swatch Collection #15.” MA87: Warp Vest.” JF86: pp. 78–79. __. “Dornick Twill Blue Plaid Lap __. “Out of a Flower Garden.” pp. 38–41, IS: 4–6; errata SO87: __. “Linsey-Woolsey Using Handspun Robe.” JF99: pp. 58, 76–77. ND88: pp. 54–55, 83. IS: 3. Yarns.” ND82: pp. 59–60. __. “Double the Pleasure, Double __. “Plaid Silk Noils Shirt.” JF86: __. “Swatch Collection #16: Fabrics __. “Pencil Roving and the Navajo the Fun.” MJ92: pp. 48–49. -
Short Staple Yarn Manufacturing 5-5 I
.. Characteristics Of Spun Yarns Composed of short staple fibers Made from cotton, flax or wool staple fibers Made from natural or man-made filaments which are cut into filament staple Individual fiber lengths vary Fuzzy appearance and feel 0' Uneven number of fibers throughout Range from soft, loose construction to hard fine twist yarn Thick and thin areas '* Highly twisted ~ Fall apart when untwisted I Dull or flat in appearance Rough to the touch Natural textural appearance and feel Bulkier to the feel -- 0 Provide good covering power Snagging depends on fabric structure *L Pilling depends on fiber content 5-2 Short Staple Yam Manufactulng I Material Processing On The Short Staple System 1. Carded Ring Spun Yarns 2. Open End Rotor Yarns short Staple Yam Manufacturing 5-3 I 3. Air Jet Spun Yams 4. Combed Cotton Ring Spun Yarns LrlOpening I Drawing I Sliver Lapping I Combing I Drawing (2) I Roving I Spinning 1 Winding _- 5-4 Short Staple Yam ManufacMng Functions Of The Opening Process Clean (natural fibers) 0 Blend short Staple Yarn Manufacturing 5-5 I Creating The Proper Bale Laydown Coordination with Fiber Pronerties More variables in raw stock means more bales needed to laydown Must decide which variables have the greatest influence in yarn manufacturing. Laydown should be a "mini" representation of the warehouse inventory. Laydown should be as consistent as possible from day-to-day, week-to-week, and month-to-month. -- 5-6 Short Staple Yam Manufactulng Blending BZending is a Drocess involving Measurement of the important fiber properties of length, fineness, strength, grade, color, etc. -
Creative Fibre Video Library
Creative Fibre CREATIVE FIBRE VIDEO LIBRARY For video and DVD hire contact: Lai Lam 1/42A Clonbern Road Remuera Auckland 1050 Phone: (09) 520 0536 Email: [email protected] No. Title Run Category Year Description Time (mins) V01 Spinning Exotic Fibres & 96 Spinning 2002 Judith Mackenzie spins camel,alpaca, cashmere, Novelty Yarns angora, dog and rabbit and also novelty yarns. Also DVD 21 V02 Tapestry Crochet 71 Crochet 2002 This technique enables you to crochet a 2 or more colour motif with relative ease, Carol Norton. V03 Knitted Trims 84 Knitting 2002 For woven, pieced, felted, crocheted and knitted projects by Ginger Luters. V04 Otago Festival 1981 8 Historical 1981 /knitting V05 Worsted Threads 26 Spinning 1984 Barbara Gibson, Margaret Stove and Marie Abbott prepare fibre and spit it into worsted yarn. VO6 Woollen Spinning Spinning 1961 A look at some of the early members of Creative Fibre preparing and spinning fleece. VO7 Eight Invited Weavers 30 Design 1984 Zena Abbott, Yvonne Sloan, Ian Spalding, Margaret Morris, Marie Abbott, Julie Healy, Jeff Healy & Adele Brandt talk about designing their pieces for the 1984 Auckland Museum Exhibition VO9 Queenstown Festival 90 Historical 1984 Highlights V10 The Lost Art of Aboriginal 25 Spinning 1977 Spindle Spinning V11a Elizabeth Zimmermann’s 120 Knitting 1986 A workshop covering basic knitting Techniques. All Knitting Workshop Pt 1 3 parts are also on DVD 14 V11b Elizabeth Zimmermann’s 120 Knitting 1986 Part 2 of a workshop covering basic sweaters Knitting Workshop Pt 2 exploring -
Coming up Rosettes
TOUGH ROAD FOR CAFTA/12 THEORY’S REALITY/20 Global Edition WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • July 12, 2005• $2.00 Ready-to-Wear/Textiles Coming Up Rosettes PARIS — Flowers may not exactly be a fall tradition, but they’ve turned up around the calendar for the past few years, and this couture season was no exception. Giorgio Armani, for example, used roses to punctuate the terrific-looking peplumed jackets in his Armani Privé collection, as this shapely version shows. For more autumn blossoms, see pages 8 and 9. Trade Battle: Industry Ups Pressure as U.S. and China Talk On By Evan Clark a comprehensive agreement on goods. Four safeguard petitions WASHINGTON — Textile trade tensions textile and apparel imports, were filed Monday and one was filed between the U.S. and China went domestic producers ratcheted up last month to restrict import growth. up another notch Monday. the pressure on the Bush The plea from the U.S. textile On the same day that Chinese and administration and called for new industry, claiming to be drowning in U.S. trade diplomats worked toward restrictions on $944 million worth of See Quotas, Page 18 PHOTO BY GIOVANNI GIANNONI GIOVANNI PHOTO BY Advertisement Australian wool has never looked finer. But there’s a fly in the ointment. Recently an animal rights group What would happen if mulesing was spending millions of dollars on research launched a no doubt well-meaning but, stopped immediately? Quite simply it in the endeavour to discover an effective in our opinion, misguided attack on the would have exactly the opposite effect to solution. -
KITOW 1St Printing Index.Indd
Index is revised index applies only to the first printing of Knitting in the Old Way. If your book is from the first printing, the first word on page is Sweden. e affected pages are –, in which two electronic files swapped positions. e index supplied here corresponds to the printed page numbers. It complements a corresponding, revised version of page in the Contents. As an alternative, you may use the Contents and index as printed in the book by simply renumbering pages – as – (Chapter , Color Stranding; Norway) and pages – as – (Sweden). A intarsia, 199 Danish blouses, 132, 135, horizontal, 67 shepherd’s knitting, 295 234–38 with tubular-cord edging, 121 Abbey, Barbara, 51, 66 Austria and Germany, knitting of boat necklines vertical, 68 abbreviations Berchtesgaden Sweater, 276–77 basic directions, 128–29 elimination of when using Man’s Bavarian Vests, 271, 274 Icelanders, 174 C charts, 75 textured designs, 268–77 in Norwegian knitting, 146, for stitches, 57, 58, 72–73 traveling stitches, 224 154 cabled cast-on, 55 absorbency Tyrolean Jackets, 274, 275, 277 bobbles cables synthetic fibers, 34 Woman’s Bavarian Vest, 270 Aran fishing shirts, 260, 262, methods, 226–27 wool, 26 Woman’s Bavarian Waistcoat, 265 in patterns, 241, 255, 260, 261, acrylic yarns, 34, 35 268, 269 directions for, 228–29 275 Africa, origins of knitting, 23 B Tyrolean Jackets, 274 symbols for, 73, 226, 227 Alafoss Spinning Mill, 176 calculators, as knitting tool, 40, 81 backward knitting, see knitting in Bohus knitting allergies, to wool, 28 camel, 33 reverse Bohus -
Chapter 1 Get Set!
05_139875 ch01.qxp 8/31/07 7:41 PM Page 3 ChapterChapter 1 get set! ow that you have this book, you’re ready to learn how to knit, but do you have everything else Nyou need to start knitting? You need yarn, needles, and a few little tools to begin with. After you’ve been knitting for a while, you’ll naturally accumulate more yarn——LOTS more yarn, if you love knitting—— plus more needles and accessories, so don’t buy too much at first. What kind of yarn should you get? And what size and type of needles do you want? This chapter tells you all you need to know to make the right choices. it’s all about yarn One of the most fun parts of knitting is choosing yarn. You may feel overwhelmed when you set out to buy yarn for your first project. Knitting yarns come in so many fibers, weights, textures, and colors that it can be confusing. Take a deep breath, read on, and you’ll get a better idea of what to look for. natural fibers Natural fibers come from animals and plants. Wool, alpaca, mohair, cashmere, and angora are spun from animal fibers, and they’re really warm to wear——and fun to knit with. Certain wools, like Shetland wool, can be scratchy; some, like merino, are nice and soft. Be sure to hold a ball of yarn against your skin to see if you would want to wear something made out of it. It would be a bummer to spend weeks knitting a scarf that is too itchy to wear. -
Textile Yarns
TEXTILE YARNS 1970 40 2010 Years of Progress ® ® Printed on Re-Cycled Paper Save a tree. 1 Textile Yarns 1.0 Introduction A textile yarn is a continuous strand of staple or filament fibers arranged in a form suitable for weaving, knitting, or other form of fabric assembly. Also, a yarn is a textile product of substantial length and relatively small cross-section consisting of fibers with twist and/or filaments without twist. The yarn can be twisted with one or more yarns to create added value or aesthetics. Traditionally, yarns have been constructed of fibers of finite length called staple fibers. Today, continuous filament yarns are also used to construct yarns. Filament yarns tend to be smoother, more lustrous, more uniform, harsher, and less absorbent. Spun yarns have a hairy surface, are more uneven in appearance, have lower luster, are softer, and more absorbent. Spun yarn is the yarn of choice in many woven and knitted fabric products. The short fibers can be natural fibers such as cotton where the fiber grows in short lengths. But they can also be synthetic fibers such as polyester that are manufactured in a continuous length and then cut into shorter staple lengths. This document will discuss how yarns are formed. It covers fiber preparation and spinning for cotton and blends of cotton. Also covered is the production of synthetic filaments and their conversion to tow and how the tow in turn gets cut into short fibers. Then the steps in the processing of cotton and cotton/synthetic blended spun yarns and the various spinning systems used will be addressed.