LIBRARY BOOKS.Xlsx
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Making Their Mark 17
Making Their Mark 17 A CELEBRATION OF GREAT WOMEN ARTISTS Susan Mary "Lily" Yeats, in a 1901 portrait by Photograph of Susan Mary "Lily" Yeats (left) and Elizabeth Corbet "Lolly" Yeats (right). Elizabeth Corbet "Lolly" Yeats, in an 1887 Jack Butler Yeats. National Gallery of Ireland. portrait by Jack Butler Yeats. Sisters Susan Mary "Lily" Yeats (1866-1949, above, left) and Elizabeth Corbet "Lolly" Yeats (1868-1940, above, right) were pivotal figures in the advancement of the Arts and Crafts style in Ireland. Founded in England by the British designer William Morris, the Arts and Crafts Movement advocated traditional, handcrafted objects as a rebellion against soulless factory-made furnishings. The Yeats sisters were from a preeminent Irish family--their father John and brother Jack were noted painters, and their other brother was the renowned poet William Butler Yeats. Born in Enniscrone, County Sligo, Ireland, Lily Yeats was a frequent visitor to William Morris when her family moved to London in the 1870s; she would learn embroidery from his daughter, May Morris. Younger sister Lolly Yeats, also in the Morris circle, was more interested in painting and printing; by the end of the century she had written and illustrated four instructional books on sketching directly with a brush. Upon returning to Ireland, both sisters would co-found the Dun Emer Guild, a Arts and Crafts group in Dublin managed and staffed entirely by women, with the textile designer Evelyn Gleeson (1855-1944). Guilds, as opposed to factories, were a return to the Medieval and Renaissance guilds that once served as the primary centers of art production. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10Am-12Pm
PRESS RELEASE For release 13 September 2019 May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10am-12pm Honeysuckle wallpaper (c)William Morris Gallery London Borough of Waltham Forest May Morris c.1890s (c) William Morris Gallery, London Borough of Waltham Forest ‘I’m a remarkable woman – always was, though none of you seemed to think so.’ May Morris in a letter to George Bernard Shaw, 1936 Dovecot Studios brings the first-ever exhibition about the work of May Morris to Scotland Art & Life tells the overlooked story of May Morris (1862–1938), the youngest daughter of William Morris, and her extraordinary work and contribution to the British Arts and Crafts Movement The exhibition repositions May Morris as a key female force in securing the legacy and international influence of the Arts and Crafts Movement Exhibition organised by the William Morris Gallery London in association with Dovecot Studios Dovecot Studios stage a landmark exhibition exploring the life and work of May Morris (1862–1938), the youngest daughter of William Morris (1834–96) and one the most significant artists of the British Arts and Crafts movement in the early 20th century. Bringing together over 80 original textiles and Exhibition organised by the William Morris Gallery London in association with Dovecot Studios May Morris Art and Life press release www.dovecotstudios.com 1 drawings from collections around the UK, May Morris Art & Life will explore May’s extraordinary body of work, and why she deserves recognition outside her familial namesake. For more than 100 years May’s contribution to the decorative arts, in particular to embroidery, has languished behind her father’s illustrious career. -
'How the Corpse of a Most Mighty King…' the Use of the Death and Burial of the English Monarch
1 Doctoral Dissertation ‘How the Corpse of a Most Mighty King…’ The Use of the Death and Burial of the English Monarch (From Edward to Henry I) by James Plumtree Supervisors: Gábor Klaniczay, Gerhard Jaritz Submitted to the Medieval Studies Department and the Doctoral School of History Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy CEU eTD Collection Budapest 2014 2 Table of Contents TABLE OF CONTENTS .................................................................................................... 2 TABLE OF FIGURES ........................................................................................................ 3 ABBREVIATIONS ............................................................................................................ 4 INTRODUCTION .............................................................................................................. 6 1. ‘JOYFULLY TAKEN UP TO LIVE WITH GOD’ THE ALTERED PASSING OF EDWARD .......................................................................... 13 1. 1. The King’s Two Deaths in MS C and the Vita Ædwardi Regis .......................... 14 1. 2. Dead Ends: Sulcard’s Prologus and the Bayeux Tapestry .................................. 24 1. 3. The Smell of Sanctity, A Whiff of Fraud: Osbert and the 1102 Translation ....... 31 1. 4. The Death in Histories: Orderic, Malmesbury, and Huntingdon ......................... 36 1. 5. ‘We Have Him’: The King’s Cadaver at Westminster ....................................... -
Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016
Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016 GREEN text indicates an item in one of the Small Books boxes ORANGE text indicates a missing book PURPLE text indicates an oversize book BANNERS and CHURCH EMBROIDERY Aber, Ita THE ART OF JUDIAC NEEDLEWORK Scribners 1979 Banbury & Dewer How to design and make CHURCH KNEELERS ASN Publishing 1987 Beese, Pat EMBROIDERY FOR THE CHURCH Branford 1975 Blair, M & Ryan, Cathleen BANNERS AND FLAGS Harcourt, Brace 1977 Bradfield,Helen; Prigle,Joan & Ridout THE ART OF THE SPIRIT 1992 CEG CHURCH NEEDLEWORK EmbroiderersGuild1975T Christ Church Cathedral IN HIS HOUSE - THE STORY OF THE NEEDLEPOINT Christ Church Cathedral KNEELERS Dean, Beryl EMBROIDERY IN RELIGION AND CEREMONIAL Batsford 1981 Exeter Cathedra THE EXETER RONDELS Penwell Print 1989 Hall, Dorothea CHURCH EMBROIDERY Lyric Books Ltd 1983 Ingram, Elizabeth ed. THREAD OF GOLD (York Minster) Pitken 1987 King, Bucky & Martin, Jude ECCLESSIASTICAL CRAFTS VanNostrand 1978 Liddell, Jill THE PATCHWORK PILGRIMAGE VikingStudioBooks1993 Lugg, Vicky & Willcocks, John HERALDRY FOR EMBROIDERERS Batsford 1990 McNeil, Lucy & Johnson, Margaret CHURCH NEEDLEWORK, SANCTUARY LINENS Roth, Ann NEEDLEPOINT DESIGNS FROM THE MOSAICS OF Scribners 1975 RAVENNA Wolfe, Betty THE BANNER BOOK Moorhouse-Barlow 1974 CANVASWORK and BARGELLO Alford, Jane BEGINNERS GUIDE TO BERLINWORK Awege, Gayna KELIM CANVASWORK Search 1988 T Baker, Muriel: Eyre, Barbara: Wall, Margaret & NEEDLEPOINT: DESIGN YOUR OWN Scribners 1974 Westerfield, Charlotte Bucilla CANVAS EMBROIDERY STITCHES Bucilla T. Fasset, Kaffe GLORIOUS NEEDLEPOINT Century 1987 Feisner,Edith NEEDLEPOINT AND BEYOND Scribners 1980 Felcher, Cecelia THE NEEDLEPOINT WORK BOOK OF TRADITIONAL Prentice-Hall 1979 DESIGNS Field, Peggy & Linsley, June CANVAS EMBROIDERY Midhurst,London 1990 Fischer,P.& Lasker,A. -
BEGINNERS Applique Canvas Quilting Patchwork Smocking Stitchery Blackwork Embroidery Design Machine Embroidery Drawn Fabric Patc
MERSEYSIDE EMBROIDERS' GUILD: LIST OF LIBRARY BOOKS, MARCH, 2019 BEGINNERS Applique Canvas Quilting Patchwork Smocking Stitchery Blackwork Embroidery Design Machine Embroidery Drawn Fabric Patchwork 2 Small Scale Weaving Cross Stitch Machine Patchwork Goldwork Beginners Guide to Crewel Embroidery Jane Rainbow Beginners Guide to Embroidered Boxes Janet Edmonds Beginners Guide to Machine Embroidery Pam Watts Beginner’s Guide to Stumpwork Kay Dennis EMBROIDERY Embroidered Books Isobel Hall Bead Embroidery Valerie Campbell-Harding & Pamela Watts Complete Guide to Blackwork Amanda Cox Blackwork, a New Approach Brenda Day Blackwork Mary Gostelow Embroidered Boxes Jane Lemon Page 1 of 7 English Church Embroidery 1883-1953 Mary Schoeser Embroidery in Religion and Ceremonial Beryl Dean Church Embroideries Beryl Dean Ideas for Canvas Work Mary Rhodes Dictionary of Canvas Work Stitches Mary Rhodes Needlepoint, the Art of Canvas Embroidery Mary Rhodes Canvas Embroidery Peggy Field and June Linsey The Open Canvas (Hardanger, Pulled Canvas Carolyn Ambuter Metal Thread Embroidery Barbara Dawson Machine Embroidery Gail Harker Machine Embroidery Stitch Techniques Valerie Campbell-Harding Layers of Stitch Contemporary Machine Embroidery Valerie Campbell-Harding & Maggie Grey Creative Embellishing for Needlepoint Machine Teresa Searle Stitch, Dissolve, Distort with Machine Embroidery Valerie Campbell-Harding & Maggie Grey Raising the Surface with Machine Embroidery Maggie Grey Celtic Inspirations for Machine Embroidery Valerie Campbell Harding and Maggie -
Quilters Corner
Quilters Fall Ithaca ❧ New York 2020 Corner 518 W State (Martin Luther King Jr.) St www.e-quilterscorner.com 607•266•0850 [email protected] We’re 25! What were you doing 25 years ago? Katie Barnaby, Sherry Haefele, Cyndi Slothower, Merrie Wilent, and Linda VanNederynen remember. We five decided that we couldn’t live in a town with no quilt shop, and we were going to do something about it. We began meeting. Our first group decision about our new shop was that we would have a toy box; we had 15 small children among us. We also decided we would be open on Sundays as that was the day we were able to take some personal time to shop. The attorney who helped us craft our partnership agreement later told us he didn’t expect a business run by five women to last more than a year. We rented a 700 square foot space at Community Corners in Ithaca and began to fill it with fabric that made us swoon. Classes were difficult to offer in that tiny space, so we added a dedicated space to teach. We remember it as hot and difficult to carry machines up a steep flight of stairs to the classroom. Next we moved to a larger space in the same small shopping center. We added Pfaff sewing machines to our offerings. Sherry retired after 8 years. Some while later, we expanded into the shop next door, then another behind, until we had 2,000 square feet. It still wasn’t enough. -
Sew Many Blessings January 2019 Newsletter
` Sew Many Blessings Baby Lock Dealer, Koala and Floriani Products Teachers Open House January 18th, 10:00-6:00 and January 19th, 10:00-3:00 All patterns, books, notions, fabrics and Clearance 25% off Refreshments will be served. No fat quarters will be cut during the sale. ~ ··········································································································································· ~ Dear Friends, We hope everyone had a great Holiday season and is ready for a Happy New Year with lots of sewing. We are very excited about our new classes beginning this month. We have several new techniques and are revisiting a few old favorites. We are attending Sewposium of the second time. This is a conference for shop owners only. We got a lot of new ideas here last year and from the brochure we know we will come back with several new ones this year. We will be doing the Mystery Quilt again starting in March. We had over 25 people do this quilt last year. Only the sixty shops that attend Sewposium have the pattern. Take time to sew, Winona and Heidi ·············································································································································· 1925 Adams Avenue Store Hours Huntington, WV 25704 Monday 10:00 – 5:00 304-429-0050 Tuesday 10:00 – 8:00 866-317-5100 Wednesday 10:00 – 5:00 www.sewmanyblessingsquiltshop.com Thursday 10:00 – 8:00 [email protected] Friday 10:00 – 6:00/Saturday 10:00 – 3:00 Closed Sundays EXCITING NEW CLASSES We are happy to be offering several exciting new classes. Many classes require a sewing or embroidery machine; please let us know if you would like to use one of ours. Class fee is due when you register. -
MIAMI UNIVERSITY the Graduate School Certificate for Approving the Dissertation
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Terry A. Scott Candidate for the Degree: Doctor of Philosophy _______________________ _______________________ Co-Director Co-Director Dennis Carlson David Berg _______________________ Reader Tammy Schwartz _______________________ Reader Raymond Terrell _______________________ Reader-Graduate School Representative Brian Keane _________________________ Dissertation Mentor Don Kaufman ABSTRACT NATURALLY OUTSPOKEN: EXAMINING THE IMPACT OF INSIDE AND OUTSIDE SPACES ON RURAL APPALACHIAN CHILDREN‘S SCIENCE DISCOURSE By Terry A. Scott This ethnographic dissertation focuses on the impact of inside and outside learning spaces on the discourse of rural, Appalachian fifth grade children during a five month period. Outside discourse was especially examined during a month-long stream-monitoring unit. The project also focused on how the children‘s Appalachian culture influenced their discourse. The theoretical framework of this study was social constructivism. Data for this sociocultural project was gathered through field notes, audiotapes, and informal student interviews with selected students. Secondary data included photographs of the children and the places where the conversations occurred during the data collection in addition to family photographs of the children or family members in or near streams. Data was collected from January through the beginning of June, 2007. A constructivist grounded theory approach to data analysis was -
Books Title Sort 3-4-17
BBQ LIBRARY BOOKS ***TITLE SORT*** Updated: 3/4/17 DESIGNATOR FORMAT CALL # TITLE AUTHOR (Last, First) PUBLISHER CATEGORY YEAR EXTRAS KEYWORDS D1 Standard 609 101 Fabulous Fat Quarter Bags Hawley, M'liss Rae C&T Publishing Décor/Apparel/Gifts 2008 None Totes, closures, handles, embellishment G1 Standard 200 101 Fabulous Rotary-Cut Quilts Hopkins, Judy; Martin, Nancy Martingale & Co General/Basic 1998 None Floral, country, americana, whimsy, borders, N-OS Oversize 3404 101 Full-Size Quilt Blocks and Borders Better Homes & Gardens Meredith Press Piecing/Appliqué 1998 None basics F1 Standard 860 101 Log Cabin Blocks Causee, Linda American School of Needlework Foundation Piecing 1997 None Patterns P1 Standard 3249 101 Made-to-Fit Quilts for Your Home Stauffer, Jeanne & Hatch, Sandra L. House of White Birches Piecing 2000 None Shortcuts, traditions, patchwork P1 Standard 8 101 Quilt Blocks for Hand Piecing Causee, Linda American School of Needlework Piecing 1998 None Pattern, templates P8 Standard 3140 15 Two Block Quilts Olson, Claudia C&T Publishing Piecing 2002 None 15 projects F-TB Thin Book 2407 24 Musical Quilt Blocks Causee, Linda ASN Publishing Foundation Piecing 2002 None Patterns, musical instruments Patterns, birds, flora, home, animals, sea, Q2 Standard 886 250 Continuous Line Quilting Designs for Hand, Machine & Long-Arm Quilters Fritz, Laura Lee C&T Publishing Quilting 2001 None textures A-TB Thin Book 395 3 Dimensional Design Pasquini, Katie C&T Publishing Art/Innovative 1988 None Perspective, 3-D P1 Standard 2434 365 Fun to -
Maud Hall's English Church Needlework, 1901 Mary Schoeser
On “the capability of women to execute and plan” Maud Hall’s English Church Needlework, 1901 Mary Schoeser FRSA; Hon. Senior Research Fellow V&A; President, Textile Society (UK); Patron, School of Textiles - www.schooloftextiles.co.uk contextual information • 1829 Catholic Emancipation Act • 1832 Reform Act enfranchises one in seven men • 1832 first woman’s suffrage petition • 1833 Oxford Movement begins theological reform of the Church of England • 1839 Cambridge Camden Society begins visual reform of the Church of England; becomes Ecclesiological Society 1846 • 1845 establishment of the first Anglican convent Sisterhood of the Holy Cross, London • 1845 establishment of the Anglican Sisterhood of the Holy Communion under Anne Ayres, New York • 1867 second Reform Act enfranchises two in five men = 16% of adult population • 1868 first public meeting re female suffrage • 1870 married women can own property and money • 1872 Ballot Act introduced secret ballots • 1884 third Reform Act gives all male house owners a vote = 25+% of adults • 1918 women over 30 (married etc) and men over 21 granted the vote • 1928 all aged over 21 allowed to vote, first doing so in 1929 names in order of citation Society of St Margaret’s East Grinstead, founded 1855, embroidery 1866-c.1972 George Edmond Street (1824-1881) All Saint’s Margaret Street, London John Mason Neale, Warden of Sackville College Charlotte Bronte’s Jane Eyre (1847) A W N Pugin (1812-1852): On the Present State of Ecclesiastical Embroidery (1843) and Glossary of Ecclesiastical Ornament (1844) -
A Nautical Yarn
Winter 2021 Beginning in January A Nautical Yarn Monday—Wed 10-3 Thurs-Fri 10-5 Sat 10-4 Inside this issue: Sun Closed News & Events 1 Nautical Yarn Class Schedule 4 What a year was 2020! We hope 2021 brings healing on every level. We were busy Nautical Yarn in the summer but the fall season with the escalation of COVID-19 outbreak has 108 S Rath been pretty slow. At Nautical Yarn, we can withstand some of these setbacks and Ludington, MI 49431 plan to be here for you for a long time, but...ENOUGH ALREADY! 231-845-9868 Below is a quote from L. R. Knost which made me think about 2020, and, perhaps [email protected] put the past year in perspective as I wait for the light. Winter Classes Do not be dismayed by the brokenness of the world. This newsletter contains a class All things break. And all things can be mended. schedule for January—March Not with time, as they say, but with intention. 2021. All classes are offered via So go. Love intentionally, extravagantly, unconditionally. remote learning using ZOOM. The broken world waits in darkness for the light that is you. If you need a ZOOM practice L. R. Knost session, please sign up for I know we have all been dismayed. Not being able to hug children and Learn to Learn with Zoom scheduled for 1/05/2021. grandchildren, not being able to share time with friends and loved ones. But the light that is the collective us will prevail. And during this COVID time, you have all been busy making, giving, and loving intentionally, extravagantly, unconditionally.