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25 December 2020 Page 1 of 3
BBC 4 Listings for 19 – 25 December 2020 Page 1 of 3 SATURDAY 19 DECEMBER 2020 beyond including all the big hits, rare 60s performances from SUN 23:00 Soul Noel: Gospel and Soul Stars Sing European TV, including a stunning I Started a Joke, a rarely Christmas (b00wvcs3) SAT 19:00 The Two Ronnies Sketchbook (b007cdzh) seen Top of the Pops performance of World, the big hits of the A Christmas concert with a difference, as carols, Christmas Christmas 70s and some late performances from the 90s, with the brothers anthems and the odd pop classic are performed with a gospel Gibb in perfect harmony. and soul twist. Back again for one very last extra special Christmas outing, the Two Ronnies bring you their favourite treats from their many Warm yourself on a winter's night with gospel, soul, reggae, ska classic Christmas shows. Look out for The Milkman's SAT 00:30 Disco at the BBC (b01cqt74) and soca versions of classics such as Silent Night, Hark the Christmas Message, Christmas Day in the Yukon and a lavish A foot-stomping return to the BBC vaults of Top of the Pops, Herald Angels Sing, Jingle Bells, God Rest Ye Merry interpretation of Alice through the Looking Glass - Ronnies The Old Grey Whistle Test and Later with Jools as the Gentlemen and many more. style. Music comes courtesy of Katie Melua singing Have programme spins itself to a time when disco ruled the floor, the Yourself a Merry Little Christmas. airwaves and our minds. The visual floorfillers include classics Filmed at the Porchester Hall in west London, it features UK from luminaries such as Chic, Labelle and Rose Royce to glitter soul diva Beverley Knight, the multi- talented jazz blues soul ball surprises by The Village People. -
Making Their Mark 17
Making Their Mark 17 A CELEBRATION OF GREAT WOMEN ARTISTS Susan Mary "Lily" Yeats, in a 1901 portrait by Photograph of Susan Mary "Lily" Yeats (left) and Elizabeth Corbet "Lolly" Yeats (right). Elizabeth Corbet "Lolly" Yeats, in an 1887 Jack Butler Yeats. National Gallery of Ireland. portrait by Jack Butler Yeats. Sisters Susan Mary "Lily" Yeats (1866-1949, above, left) and Elizabeth Corbet "Lolly" Yeats (1868-1940, above, right) were pivotal figures in the advancement of the Arts and Crafts style in Ireland. Founded in England by the British designer William Morris, the Arts and Crafts Movement advocated traditional, handcrafted objects as a rebellion against soulless factory-made furnishings. The Yeats sisters were from a preeminent Irish family--their father John and brother Jack were noted painters, and their other brother was the renowned poet William Butler Yeats. Born in Enniscrone, County Sligo, Ireland, Lily Yeats was a frequent visitor to William Morris when her family moved to London in the 1870s; she would learn embroidery from his daughter, May Morris. Younger sister Lolly Yeats, also in the Morris circle, was more interested in painting and printing; by the end of the century she had written and illustrated four instructional books on sketching directly with a brush. Upon returning to Ireland, both sisters would co-found the Dun Emer Guild, a Arts and Crafts group in Dublin managed and staffed entirely by women, with the textile designer Evelyn Gleeson (1855-1944). Guilds, as opposed to factories, were a return to the Medieval and Renaissance guilds that once served as the primary centers of art production. -
以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed. -
Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
NMDC Response to the Culture, Media and Sport Select Committee Inquiry Into Tourism
NMDC response to CMS Select Committee Inquiry into Tourism This response is submitted on behalf of the National Museum Directors’ Council (NMDC). The NMDC represents the leaders of the UK's national collections and major regional museums. Our members are the national and major regional museums in England, Northern Ireland, Scotland and Wales, the British Library, the National Library of Scotland, and the National Archives. While our members are funded by government, the NMDC is an independent, non- governmental organisation. For more information on our activity and a full list of members see our website: www.nationalmuseums.org.uk Summary Museums are a critical part of the UK tourism offer, and visiting museums has never been so popular. Museums continue to develop their offer and operation to attract both domestic and overseas tourists. Museums and heritage continue to be primary reasons to visit Britain. Museums play a very significant role in the development of the regional tourist industry. They are frequently the most visited attraction in a town, city or region. They are also active in workforce development in this aspect of the tourism sector, including via apprenticeships and the sharing of good practice through local networks. Museum partnerships are an excellent and successful way of encouraging regional tourism, as well as building on the success of London. These partnerships have also helped with the regeneration of coastal towns built around culture or heritage. However, despite being so integral to the tourist industry, and the fact that supporting tourism is an economic priority for the Government, local authority and central Government investment for museums has substantially reduced since 2010. -
Pre-Raphaelite Sisters
Mariëlle Ekkelenkamp exhibition review of Pre-Raphaelite Sisters Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020) Citation: Mariëlle Ekkelenkamp, exhibition review of “Pre-Raphaelite Sisters ,” Nineteenth- Century Art Worldwide 19, no. 1 (Spring 2020), https://doi.org/10.29411/ncaw.2020.19.1.13. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Ekkelenkamp: Pre-Raphaelite Sisters Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020) Pre-Raphaelite Sisters National Portrait Gallery, London October 17, 2019–January 26, 2020 Catalogue: Jan Marsh and Peter Funnell, Pre-Raphaelite Sisters. London: National Portrait Gallery Publications, 2019. 207 pp.; 143 color illus.; bibliography; index. $45.58 (hardcover); $32.49 (paperback) ISBN: 9781855147270 ISBN: 1855147279 The first exhibition devoted exclusively to the contribution of women to the Pre-Raphaelite movement opened in the National Portrait Gallery in London in October. It sheds light on the role of twelve female models, muses, wives, poets, and artists active within the Pre- Raphaelite circle, which is revealed as much less of an exclusive “boys’ club.” The aim of the exhibition was to “redress the balance in showing just how engaged and central women were to the endeavor, as the subjects of the images themselves, but also in their production,” as stated on the back cover of the catalogue accompanying the exhibition. Although there have been previous exhibitions on the female artists associated with the movement, such as in Pre-Raphaelite Women Artists (Manchester City Art Galleries, Birmingham Museum and Art Gallery, Southampton City Art Gallery, 1997–98), the broader scope of this exhibition counts models and relatives among the significant players within art production and distribution. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
DOCTORAL THESIS Vernon Lushington : Practising Positivism
DOCTORAL THESIS Vernon Lushington : Practising Positivism Taylor, David Award date: 2010 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 Vernon Lushington : Practising Positivism by David C. Taylor, MA, FSA A thesis submitted in partial fulfilment of the requirements for the degree of PhD School of Arts Roehampton University 2010 Abstract Vernon Lushington (1832-1912) was a leading Positivist and disciple of Comte's Religion of Humanity. In The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain T.R. Wright observed that “the inner struggles of many of [Comte's] English disciples, so amply documented in their note books, letters, and diaries, have not so far received the close sympathetic treatment they deserve.” Material from a previously little known and un-researched archive of the Lushington family now makes possible such a study. -
The Dictionary of Needlework
LIBRARY ^tsSSACHt; ^^ -^^ • J895 I ItVc^Cy*cy i/&(://^ n^ / L^^ Digitized by the Internet Archive in 2010 with funding from Boston Library Consortium IVIember Libraries http://www.archive.org/details/dictionaryofneed02caul THE DICTIONARY OF NEEDLEWORK. APPLIQUE UPON LINEN CLOTH APPLIQUE. DEDICATED TO H.R.H. PRINCESS LOUISE, MARCHIONESS OF LORNE. THE Dic;tioi];?^y of I^eedle!ho^^, ENOYCLOPiEDIA OE ARTISTIC, PLAIN, AND EANCY NEEDLEWORK, DEALING FULLY "WITH THE DETAILS OF ALL THE STITCHES EMPLOYED, THE METHOD OF "WORKING, THE MATERIALS USED, THE MEANING OF TECHNICAL TERMS, AND, "WHERE NECESSARY. TRACING THE ORIGIN AND HISTORY OF THE VARIOUS "WORKS DESCRIBED. ILLUSTRATED WITH UPWARDS OF 1200 WOOD ENG-RAYINGS, AND COLOURED PLATES. PLAIN SE"WING, TEXTILES, DRESSMAKING, APPLIANCES, AND TERMS, By S. E. a. CAULEEILD, Author of "Skic iVtjrs»i(7 at Home," "Desmond," "Avencle," and Papers on Needlework in "The Queen," "Girl's Own Paper "Cassell's Domestic Dictionary," iDc. CHURCH EMBROIDERY, LACE, AND ORNAMENTAL NEEDLEWORK, By blanche C. SAWARD, Author of "'•Church Festiva^l Decorations," and Papers on Fancy and Art Work in ''The Bazaar," "Artistic Aimcsements," "Girl's Own Paper," ii:c. Division II.— Cre to Emb. SECOND EDITION. LONDON: A. W. COWAN, 30 AND 31, NEW BRIDGE STREET, LUDGATE CIRCUS. 'A \^'0^ ^' ... ,^\ STRAND LONDON : PRINTED BY A. BRADLEY, 170, ^./^- c^9V^ A^A^'f THE DICTIONARY OF NEEDLEWORK. 97 Knots for the centre of flowers, as tliey add to their and taste of that period. The great merit of the work beauty. When the centre of a flower is as large as that and the reason of its revival lies in the capability it has of seen in a sunflower, either work the whole with French expressing the thought of the worker, and its power of Knots, or lay down a piece of velvet of the right shade and breaking through the trammels of that mechanical copy- work sparingly over it French Knots or lines of Crewel ing and counting which lowers most embroidery to mere Stitch. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
The Vero Beach Museum of Art Presents
FOR IMMEDIATE RELEASE January 22, 2019 Contact: Sophie Bentham-Wood Director of Marketing and Communications (772) 231- 0707 ext. 121 [email protected] VERO BEACH MUSEUM OF ART PRESENTS VICTORIAN RADICALS: FROM THE PRE-RAPHAELITES TO THE ARTS & CRAFTS MOVEMENT On View February 9 - May 5, 2019 Vero Beach, FL (January 20, 2019) – The Vero Beach Museum of Art is pleased to present Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement, an exhibition organized by the American Federation of Arts and Birmingham Museums Trust, on view February 9 – May 5, 2019. In the second half of the nineteenth-century, three generations of artists and designers revolutionized the visual arts in Britain by engaging with and challenging the new industrial world around them. The Pre-Raphaelite Brotherhood and the champions of the Arts & Crafts Movement offered a radical artistic and social vision that found inspiration in the pre-industrial past and came to deeply influence visual culture in Britain and beyond. Drawn from the outstanding collection of the city of Birmingham, United Kingdom, Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement will bring together an extensive array of works—many of which have never been exhibited outside the UK—to illuminate this dynamic period of British art. Featuring 140 works by pioneering artists including Ford Madox Brown, Edward Burne-Jones, William Holman Hunt, John Everett Millais, William Morris, Dante Gabriel Rossetti, and Elizabeth Siddall, Victorian Radicals will represent the spectrum of avant-garde practices of the Victorian era, emphasizing the response of Britain’s first modern art movement to the unfettered industrialization of the period. -
LIBRARY BOOKS.Xlsx
Cat No. Title Author Type 476 2,286 traditional stencil designs Roessing, H APPLIQUE 13 Afternoon Tea with May Morris Hill, Michele APPLIQUE 1094 Applique 12 Borders & Medallions Sienkiewicz, Elly APPLIQUE 1444 Applique 12 Easy Ways Sienkiewicz, Elly APPLIQUE Rodale's Successful Quilting 455 Applique made easy Library APPLIQUE 4 Applique Mastery Naylor, Philippa APPLIQUE 382 Applique outside the lines with Piece O' Cake Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 774 Applique, Applique, Applique Sinema, Laurene APPLIQUE 657 Artful applique II Townswick, Jane APPLIQUE 656 Artful applique the easy way Townswick, Jane APPLIQUE 251 At Play with Applique Fronks, Dilys A APPLIQUE Back to Front & New Approach to Machine Applique 1369 (2nd copy) Scouler, Larraine APPLIQUE 585 Baltimore Beauties & Beyond Vol 2 Sienkiewicz, Ely APPLIQUE 702 Baltimore blocks for beginners; a step-by-step guide Dietrich, Mimi APPLIQUE 404 Barbara Brackman's encyclopedia of applique Brackman, Barbara APPLIQUE Beautiful botanicals: 45 applique flowers & 14 quilt 520 projects Kemball, Deborah APPLIQUE 1751 Best of BaLtimore Beauties Sienkiewicz, Elly APPLIQUE 1783 Best of Jacobean Applique Campbell, Patricia B & Ayars, Mimi APPLIQUE Best-ever applique sampler from Piece O' Cake 684 Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 1842 Blossoms in Winter Eaton, Patti & Mostek, Pamela APPLIQUE 1795 Bouquet of Quilts Rounds & Rymer APPLIQUE 1594 Celtic Style Floral Applique Rose, Scarlett APPLIQUE 1998 Classic Four-Block Applique Quilts Marston, Gwen APPLIQUE 235