2018 Annual Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'William Morris
B .-e~ -. : P R I C E T E N CENTS THE NEW ORDER SERIES: NUMBER ONE ‘William Morris CRAFTSMAN, WRITER AND SOCIAL RBFORM~R BP OSCAR LOVELL T :R I G G S PUBLISHED BY THE OSCAR L. TRIGGS PUBLISHING COMPANY, S58 DEARBORN STREET, CHICAGO, ILL. TRADE SUPPLIED BY THE WESTERN NRWS COMIPANY, CHICAGO TEN TEN LARGE VOLUMES The LARGE VOLUMES Library dl University Research RELIGION, PHILOSOPHY SOCIOLOGY, SCIENCE HISTORY IN ORIGINAL DOCUMENTS The Ideas That Have Influenced Civilization IN THE ORIGINAL DOCUMENTS Translated and Arranged in Chronological or Historical Order, so that Eoglish Students may read at First Hand for Themselves OLIVER J. THATCHER, Ph. D. Dcparfmmt of Hisfory, University of Chicago, Editor in Chid Assisted by mme than 125 University Yen, Specialists in their own fields AN OPINION I have purchased and examined the Documents of the ORIGINAL RESEARCH LIBRARY edited by Dr. Thatcher and am at once impressed with the work as an ex- ceedingly valuable publication, unique in kind and comprehensive in scope. ./ It must prove an acquisition to any library. ‘THOMAS JONATHAN BURRILL. Ph.D., LL.D., V&e-Pres. of the University of NZinois. This compilation is uniquely valuable for the accessi- bility it gives to the sources of knowledge through the use of these widely gathered, concisely stated, con- veniently arranged, handsomely printed and illustrated, and thoroughly indexed Documents. GRAHAM TAYLOR, LL.D., Director of The Institute of Social Science at fhe Universify of Chicago. SEND POST CARD FOR TABLE OF CONTENTS UNIVERSITY RESEARCH EXTENSION AUDITORIUM BUILDING, CHICAGO TRIGGS MAGAZINE A MAGAZIiVE OF THE NEW ORDER IN STATE, FAMILY AND SCHOOL Editor, _ OSCAR LOVELL TRIGGS Associates MABEL MACCOY IRWIN LEON ELBERT LANDONE ‘rHIS Magazine was founded to represent the New Spirit in literature, education and social reform. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 3, winter 2013 Editorial – Fears and Hopes Patrick O’Sullivan 3 William Morris and Robert Browning Peter Faulkner 13 Two Williams of one medieval mind: reading the Socialist William Morris through the lens of the Radical William Cobbett David A. Kopp 31 Making daily life ‘as useful and beautiful as possible’: Georgiana Burne-Jones and Rottingdean, 1880–1904 Stephen Williams 47 William Morris: An Annotated Bibliography 2010–2011 David and Sheila Latham 66 Reviews. Edited by Peter Faulkner Michael Rosen, ed, William Morris, Poems of Protest (David Goodway) 99 Ingrid Hanson, William Morris and the Uses of Violence, 1856–1890 (Tony Pinkney) 103 The Journal of Stained Glass, vol. XXXV, 2011, Burne-Jones Special Issue. (Peter Faulkner) 106 the journal of william morris studies . winter 2013 Rosie Miles, Victorian Poetry in Context (Peter Faulkner) 110 Talia SchaVer, Novel Craft (Phillippa Bennett) 112 Glen Adamson, The Invention of Craft (Jim Cheshire) 115 Alec Hamilton, Charles Spooner (1862–1938) Arts and Crafts Architect (John Purkis) 119 Clive Aslet, The Arts and Crafts Country House: from the archives of Country Life (John Purkis) 121 Amy Woodhouse-Boulton, Transformative Beauty. Art Museums in Industrial Britain; Katherine Haskins, The Art Journal and Fine Art Publishing in Vic- torian England, 1850–1880 (Peter Faulkner) 124 Jonathan Meades, Museum without walls (Martin Stott) 129 Erratum 133 Notes on Contributors 134 Guidelines for Contributors 136 issn: 1756–1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Morris Society. -
以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed. -
Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
NMDC Response to the Culture, Media and Sport Select Committee Inquiry Into Tourism
NMDC response to CMS Select Committee Inquiry into Tourism This response is submitted on behalf of the National Museum Directors’ Council (NMDC). The NMDC represents the leaders of the UK's national collections and major regional museums. Our members are the national and major regional museums in England, Northern Ireland, Scotland and Wales, the British Library, the National Library of Scotland, and the National Archives. While our members are funded by government, the NMDC is an independent, non- governmental organisation. For more information on our activity and a full list of members see our website: www.nationalmuseums.org.uk Summary Museums are a critical part of the UK tourism offer, and visiting museums has never been so popular. Museums continue to develop their offer and operation to attract both domestic and overseas tourists. Museums and heritage continue to be primary reasons to visit Britain. Museums play a very significant role in the development of the regional tourist industry. They are frequently the most visited attraction in a town, city or region. They are also active in workforce development in this aspect of the tourism sector, including via apprenticeships and the sharing of good practice through local networks. Museum partnerships are an excellent and successful way of encouraging regional tourism, as well as building on the success of London. These partnerships have also helped with the regeneration of coastal towns built around culture or heritage. However, despite being so integral to the tourist industry, and the fact that supporting tourism is an economic priority for the Government, local authority and central Government investment for museums has substantially reduced since 2010. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
ANNUAL REPORT | 2019 | 2 Welcome
2A019 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT STAFF Registered address: Lord Sawyer of Darlington Curator: Helen Elletson Kelmscott House Curator (parental leave cover, 26 Upper Mall TRUSTEES from August 2019): Theresa Kneppers Hammersmith Stephen Bradley, Chair Society Manager: Cathy De’Freitas London W6 9TA Rebecca Estrada-Pintel, Vice Chair Finance Manager: Penny McMahon Andrew Gray, Treasurer Volunteer Development and Outreach Officer Tel: 020 8741 3735 Natalia Martynenko-Hunt, Secretary (from September 2019): Miranda Poliakoff Email: [email protected] Philip Boot www.williammorrissociety.org Jane Cohen (to May 2019) VOLUNTEER ROLES Richard de Peyer (co-opted Oct 2019) Magazine Editor: Sarah Wilson TheWilliamMorrisSociety Michael Hall Journal Editor: Owen Holland @WmMorrisSocUK Jane Ibbunson (to Oct 2019) Journal Proofreader: Lauren McElroy williammorrissocietyuk Fiona Rose Librarian: Penny Lyndon John Stirling Registered Charity number 1159382 The William Morris Society is extremely The Trustee Board operates through five fortunate to be able to draw on a wide range of committees. These are: expertise and experience from our volunteers, Finance and General Purposes, who contribute many hundreds of hours of Collections, Library and Display, their time to help with welcoming visitors to the Education and Publications, museum, leading guided tours, delivering Marketing, Communications and Membership education sessions to schools and families, and Business Development. giving printing demonstrations, answering enquiries, cataloguing and caring for our collections, office administration, serving refreshments and maintaining our garden as well as giving invaluable time to our committee work and special projects. We are grateful to all who give up their time to help with the work of the Society. -
May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10Am-12Pm
PRESS RELEASE For release 13 September 2019 May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10am-12pm Honeysuckle wallpaper (c)William Morris Gallery London Borough of Waltham Forest May Morris c.1890s (c) William Morris Gallery, London Borough of Waltham Forest ‘I’m a remarkable woman – always was, though none of you seemed to think so.’ May Morris in a letter to George Bernard Shaw, 1936 Dovecot Studios brings the first-ever exhibition about the work of May Morris to Scotland Art & Life tells the overlooked story of May Morris (1862–1938), the youngest daughter of William Morris, and her extraordinary work and contribution to the British Arts and Crafts Movement The exhibition repositions May Morris as a key female force in securing the legacy and international influence of the Arts and Crafts Movement Exhibition organised by the William Morris Gallery London in association with Dovecot Studios Dovecot Studios stage a landmark exhibition exploring the life and work of May Morris (1862–1938), the youngest daughter of William Morris (1834–96) and one the most significant artists of the British Arts and Crafts movement in the early 20th century. Bringing together over 80 original textiles and Exhibition organised by the William Morris Gallery London in association with Dovecot Studios May Morris Art and Life press release www.dovecotstudios.com 1 drawings from collections around the UK, May Morris Art & Life will explore May’s extraordinary body of work, and why she deserves recognition outside her familial namesake. For more than 100 years May’s contribution to the decorative arts, in particular to embroidery, has languished behind her father’s illustrious career. -
William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
William Morris and Matthew Arnold: Some Social Aspects of Their Contrasting Concepts of "Culture"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 7-17-1969 William Morris and Matthew Arnold: Some social aspects of their contrasting concepts of "culture". Judith Doig University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Doig, Judith, "William Morris and Matthew Arnold: Some social aspects of their contrasting concepts of "culture"." (1969). Electronic Theses and Dissertations. 6559. https://scholar.uwindsor.ca/etd/6559 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. -
Special Issue on William Morris
SPECIAL ISSUE ON WILLIAM MORRIS SOCIALIST STUDIES/ÉTUDES SOCIALISTES SPRING 2018. Vol. 13 (1) TABLE OF CONTENTS Special Issue: William Morris Front Matter Sandra Rein 1 Articles Introduction 2 Paul Leduc Browne Work, Freedom and Reciprocity in William Morris' News from Nowhere 5 Paul Leduc Browne William Morris and the "Moral Qualities" of Ornament 23 Nicholas Frankel Reinventing Socialist Education: William Morris’s Kelmscott Press 36 Michelle Weinroth Comment Morrisian Spectres of Working and Learning in the Context of "The New 57 Division of Labour" Jason Camlot William Morris, Use Value and “Joyful Labour” 67 Colin Peter Mooers Building on William Morris' News from Nowhere 73 Leo Panitch Coda 78 Michelle Weinroth Instructions for Authors 82 Socialist Studies/Études socialistes is a peer-reviewed, interdisciplinary and open-access journal with a focus on describing and analysing social, economic and/or political injustice, and practices of struggle, transformation, and liberation. Socialist Studies/Études socialistes is indexed in EBSCO Publishing, Left Index and the Wilson Social Sciences Full Text databases and is a member of the Canadian Association of Learned Journals (CALJ). Socialist Studies/Études socialistes is published by the Society for Socialist Studies. The Society for Socialist Studies (SSS) is an association of progressive academics, students, activists and members of the general public. Formed in 1966, the Society’s purpose is to facilitate and encourage research and analysis with an emphasis on socialist, feminist, ecological, and anti- racist points of view. The Society for Socialist Studies is an independent academic association and is not affiliated with any political organization or group.