A Workshop by the William Morris Society Museum for Citizenship
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
2018 Annual Report
2A018 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT WMS VOLUNTEER ROLES Registered address: Jan Marsh (to 12 May 2018) Journal Editor: Owen Holland Kelmscott House Lord Sawyer of Darlington (from 12 May 2018) Magazine Editor: Susan Warlow 26 Upper Mall Librarian: Penny Lyndon Hammersmith TRUSTEES Journal Proofreader: Lauren McElroy London W6 9TA Martin Stott, Chair (to 12 May 2018) Stephen Bradley, Chair (from 12 May 2018) The William Morris Society is extremely Tel: 020 8741 3735 Rebecca Estrada-Pintel, Vice Chair fortunate to be able to draw on a wide range Email: [email protected] Andrew Gray, Treasurer of expertise and experience from our www.williammorrissociety.org Natalia Martynenko-Hunt, Secretary volunteers, who contribute many hundreds of Philip Boot (from 12 May 2018) hours of their time to help with welcoming TheWilliamMorrisSociety Jane Cohen visitors to the museum, delivering education @WmMorrisSocUK Serena Dyer (to 12 May 2018) sessions to schools and families, giving printing williammorrissocietyuk Michael Hall demonstrations, answering enquiries, Kathy Haslam (to 12 May 2018) cataloguing and caring for our collections, Registered Charity number 1159382 Jane Ibbunson (from 12 May 2018) office administration, serving refreshments and Fiona Rose maintaining our garden. John Stirling (from 12 May 2018) We are grateful to all who give up their time The Trustee Board operates through five to help with the work of the Society. committees. These are: Finance and General -
ANNUAL REPORT | 2019 | 2 Welcome
2A019 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT STAFF Registered address: Lord Sawyer of Darlington Curator: Helen Elletson Kelmscott House Curator (parental leave cover, 26 Upper Mall TRUSTEES from August 2019): Theresa Kneppers Hammersmith Stephen Bradley, Chair Society Manager: Cathy De’Freitas London W6 9TA Rebecca Estrada-Pintel, Vice Chair Finance Manager: Penny McMahon Andrew Gray, Treasurer Volunteer Development and Outreach Officer Tel: 020 8741 3735 Natalia Martynenko-Hunt, Secretary (from September 2019): Miranda Poliakoff Email: [email protected] Philip Boot www.williammorrissociety.org Jane Cohen (to May 2019) VOLUNTEER ROLES Richard de Peyer (co-opted Oct 2019) Magazine Editor: Sarah Wilson TheWilliamMorrisSociety Michael Hall Journal Editor: Owen Holland @WmMorrisSocUK Jane Ibbunson (to Oct 2019) Journal Proofreader: Lauren McElroy williammorrissocietyuk Fiona Rose Librarian: Penny Lyndon John Stirling Registered Charity number 1159382 The William Morris Society is extremely The Trustee Board operates through five fortunate to be able to draw on a wide range of committees. These are: expertise and experience from our volunteers, Finance and General Purposes, who contribute many hundreds of hours of Collections, Library and Display, their time to help with welcoming visitors to the Education and Publications, museum, leading guided tours, delivering Marketing, Communications and Membership education sessions to schools and families, and Business Development. giving printing demonstrations, answering enquiries, cataloguing and caring for our collections, office administration, serving refreshments and maintaining our garden as well as giving invaluable time to our committee work and special projects. We are grateful to all who give up their time to help with the work of the Society. -
William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
William Morris and Matthew Arnold: Some Social Aspects of Their Contrasting Concepts of "Culture"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 7-17-1969 William Morris and Matthew Arnold: Some social aspects of their contrasting concepts of "culture". Judith Doig University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Doig, Judith, "William Morris and Matthew Arnold: Some social aspects of their contrasting concepts of "culture"." (1969). Electronic Theses and Dissertations. 6559. https://scholar.uwindsor.ca/etd/6559 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xix number 4 summer 2012 Editorial Patrick O’Sullivan 3 Obituary: Peter Preston Peter Faulkner 4 A William Morris Letter Peter Faulkner 7 Morris and Devon Great Consols Florence S. Boos & Patrick O’Sullivan 11 Morris and Pre-Raphaelitism Peter Faulkner 40 ‘And my deeds shall be remembered, and my name that once was nought’: Regin’s Role in Sigurd the Volsung and the Fall of the Niblungs Kathleen Ullal 63 Morris’s Late Style and the Irreconcilabilities of Desire Ingrid Hanson 74 Reviews. Edited by Peter Faulkner 85 William Morris, The Wood Beyond the World, edited by Robert Boenig (Phillippa Bennett) 85 Joseph Phelan, The Music of Verse. Metrical Experiment in Nineteenth-Century Poetry (Peter Faulkner) 89 the journal of william morris studies .summer 2012 Martin Crick, The History of the William Morris Society (Martin Stott) 92 Fiona MacCarthy, The Last Pre-Raphaelite. Edward Burne-Jones and the Victo- rian Imagination (Peter Faulkner) 96 Susie Harries, Nikolaus Pevsner: The Life (John Purkis) 100 Paul Ward, Red Flag and Union Jack: Englishness, Patriotism and the British Left, 1881–1924 (Gabriel Schenk) 103 James C. Whorton, The Arsenic Century (Mike Foulkes & Patrick O’Sullivan) 105 Guidelines for Contributors 109 Notes on Contributors 111 ISSN: 1756-1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Mor- ris Society. -
The Designs of William Morris Free
FREE THE DESIGNS OF WILLIAM MORRIS PDF Phaidon Press,William Morris,Editors of Phaidon Press | 160 pages | 19 Oct 1995 | Phaidon Press Ltd | 9780714834658 | English | London, United Kingdom + Best William Morris patterns images | william morris, morris, william morris designs William Morrisa founder of the British Arts and Crafts movementsought to restore the prestige and methods of hand-made crafts, including textilesin opposition to The Designs of William Morris 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced woven The Designs of William Morris printed cloth, upholstery, and other textiles. The first textile designs Morris made were created in the s. Furthermore, it is not worth doing unless it is either very copious and rich, or very delicate - or both. His first The Designs of William Morris designs were primitive, but later, working with his wife Jane, he created a set of wall hangings for his residence in the London suburbs, Red House. One of his designs in this historical style, stitched by Jane Morris, won the Morris company an award in an international competition in Morris and his workshop began making embroideries for the households of his friends as well as larger panels for some of the many new churches being constructed in England. In these designs, Morris created the decorative elements, while his friend Edward Burne-Jones drew the figures, and a team of embroiderers manufactured the work by hand. Other wall hangings were designed to be sold off the shelf of the new Morris and Company shop on Oxford Street which owned in Later, he and his daughter May made designs for panels for "embroider yourself" kits for cushion covers, fireplace screens, doorway curtains, bedcovers and other household objects. -
William Morris's Culture of Nature
IV The Object of Work 1. Decent surroundings It has been well-established that during the mid to late 1870s Morris became increasingly involved in public political debate, I and that in lectures and letters to the press he began to produce an educating, agitating discourse formulated initially upon his 'hopes and fears for art'.2 More recently, particular attention has been drawn to the ways that Morris's writings on art and society reveal 'a deep and resonant late nineteenth-century critique of contemporary environmental and social devastation'? These discussions have explored Morris's views on the preservation of 'the environment',4 and have tended to emphasise the 'eco-communal' or 'green' aspects of his work. Certainly the desire to protect and preserve the 'beauty of the earth' is a significant feature of Morris's rhetoric at this time. Yet perhaps more fundamental to his lectures and letters of the late 1870s and early 1880s is a concern to establish 'decent surroundings': to offer a view of the earth as a place of human habitation. Nature played an important, though not always central, role in his arguments. Yet what is apparent from the way he discusses nature is his increasing awareness that nature and humanity are interlinked, and that nature is frequently the object of human I Morris's first venture into politics was his involvement in the debate surrounding the 'Eastern Question'. In early 1876 a bankrupt Turkish government retaliated against an uprising of Christians in their Bulgarian province by massacring thousands. Morris was angered when Disraeli's Conservative Government proposed that Britain should intervene on behalf of Turkey against the threat of a Russian invasion. -
AFTERWORD Why a Spooky Tale?
AFTERWORD Why a spooky tale? Charles Dickens’ ‘A Christmas Carol’ has proved an enduringly popular ghost story. It was first published on 19th December 1843 and had sold out by Christmas Eve. Another twelve editions followed within its first year and it has never been out of print since. M. R. James (1862 – 1936), former Provost of King’s College, Cambridge and Director of the Fitzwilliam Museum, was also instrumental in making ghost stories a seasonal ‘treat’. M.R. James – 1900 Illustration: James McBryde Photographer unknown – public domain M. R. James’s (1904) ‘Ghost Stories of an Antiquary’ M. R. James would read his latest tale to friends at his college - in his own words, ‘usually at the Christmas season’ - thereby establishing a Cambridge tradition. Mark Gatiss explained in his BBC television programme on M. R. James, ‘He could combine his historical expertise, his scholarly fascination for the strange and the obscure with the desire to thrill, delight, and above all to connect with his friends… What must have made the reading really compelling is the rich detail and knowledge that Monty brought to them.’ Eluding to the entities which are invoked in M. R. James’s stories, Gatiss said of the author, rather chillingly, ‘It sounded as though he knew whereof he spoke.’ In this ‘Afterword’, the David Parr House will be linked to Monty James via William Morris and Charles Fairfax but, as it is October, first some more spookiness… Last month’s submission covered William Morris’s interest in medieval manuscripts and the printing press, so I shall start with the word: ‘Ghost’. -
Hope and Change: Teaching News from Nowhere Religion, with Morris Advocating That We All Must Live Our Lives As Artists: ‘The Repulsion to Pessimism
Hope and Change: Teaching News from Nowhere David Latham MY FIRST EXPERIENCE with teaching News from Nowhere was not at all what I expected. I had scheduled the book as the final text on our Victorian literature course, one intended to provide an inspirational resolution to the complex problems raised through-out the course. Earlier in the year we had read ‘The Defence of Guenevere’ and ‘King Arthur’s Tomb,’ poems about the triangular love relationships that lead to the decay of Camelot, a Celtic version of the fall from paradise and the hell that follows. With each poem and novel during that year I would repeatedly emphasize that the archetypal fall from paradise is one that each generation experiences, as most of us fall too quickly from hope and idealism to cynicism and despair, a fall that signals our transition from growth to death. The cynical attitude is the resort of those who are too lazy to struggle for more growth and who thus begin dying in their youth. News from Nowhere would provide the antidote; it would inspire us to strive towards the restoration of paradise. But I was not prepared for the depth of cynicism in the class. The students rolled their eyes at the naivety of Morris’s dream: ‘He can’t be serious; it’s Nowhere because it will never work; even the sunny weather would scorch the earth; I mean, get real.’ Though I had defined the mythical fall as a generational fall from the short growth of youth to the lengthy decay of death, I had overlooked the subtle ways each generation may experience the fall differently. -
Westerwald Stoneware at Kelmscott Manor : Morris, Pottery and the Politics of Production
This is a repository copy of Westerwald Stoneware at Kelmscott Manor : Morris, pottery and the politics of production. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/148418/ Version: Accepted Version Article: Chitty, Gillian Shirley orcid.org/0000-0001-6521-3785 and Stocker, David (2020) Westerwald Stoneware at Kelmscott Manor : Morris, pottery and the politics of production. The Antiquaries Journal. pp. 363-397. ISSN 1758-5309 https://doi.org/10.1017/S0003581519000027 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ WESTERWALD STONEWARE AT KELMSCOTT MANOR Morris, Pottery and the Politics of Production Gill Chitty, FSA, and David Stocker, FSA Gill Chitty Centre for Conservation Studies, Department of Archaeology, University of York, Kings Manor, York YO1 7EP [email protected] David Stocker Institute for Medieval Studies, Parkinson Building, University of Leeds, LS2 9JT [email protected] Kelmscott Manor, the country home of William Morris, houses a remarkable collection of ceramics bearing a singular relationship to one of the most influential figures in Victorian cultural history. -
World History--Part 2: Teacher's Guide [And Student Guide]. Parallel Alternative ,Strategies for Students (PASS)
DOCUMENT RESUME ED 462 785 EC 308 849 AUTHOR Schaap, Eileen, Ed.; Fresen, Sue, Ed. TITLE World History--Part 2: Teacher's Guide [and Student Guide]. Parallel Alternative ,Strategies for Students (PASS). INSTITUTION Leon County Schools, Tallahassee, FL. Exceptional Student Education. SPONS AGENCY Florida State Dept. of Education, Tallahassee. Bureau of Instructional Support and Community Services. PUB DATE 2000-00-00 NOTE 900p.; Course No. 2109310. Part of the Curriculum Improvement Project funded under the Individuals with Disabilities Education Act (IDEA), Part B. AVAILABLE FROM Florida State Dept. of Education, Div. of Public Schools and Community Education, Bureau of Instructional Support and Community Services, Turlington Bldg., Room 628, 325 West Gaines St., Tallahassee, FL 32399-0400. Tel: 850-488-1879; Fax: 850-487-2679; e-mail: [email protected]; Web site: http://www.leon.k12.fl.us/public/pass. PUB TYPE Guides Classroom Learner (051)-- Guides Classroom Teacher (052) EDRS PRICE MF06/PC36 Plus Postage. DESCRIPTORS *Academic Accommodations (Disabilities); Academic Standards; Curriculum; *Disabilities; Educational Strategies; Enrichment Activities; *European History; Inclusive Schools; Instructional Materials; Latin American History; Secondary Education; Social Studies; Teaching Guides; *Teaching Methods; Textbooks; Units of Study; World Affairs; *World History; World War I; World War II IDENTIFIERS *Florida; Holocaust; Russia ABSTRACT This teacher's guide and student guide unit contains supplemental readings, activities, and methods adapted for secondary students who have disabilities and other students with diverse learning needs. The materials differ from standard textbooks and workbooks in several ways: simplified text; smaller units of study; reduced vocabulary level; increased frequency of drill and practice; concise directions; and presentation of skills in small, sequential steps.