Keats House Consultative Committee
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Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
NMDC Response to the Culture, Media and Sport Select Committee Inquiry Into Tourism
NMDC response to CMS Select Committee Inquiry into Tourism This response is submitted on behalf of the National Museum Directors’ Council (NMDC). The NMDC represents the leaders of the UK's national collections and major regional museums. Our members are the national and major regional museums in England, Northern Ireland, Scotland and Wales, the British Library, the National Library of Scotland, and the National Archives. While our members are funded by government, the NMDC is an independent, non- governmental organisation. For more information on our activity and a full list of members see our website: www.nationalmuseums.org.uk Summary Museums are a critical part of the UK tourism offer, and visiting museums has never been so popular. Museums continue to develop their offer and operation to attract both domestic and overseas tourists. Museums and heritage continue to be primary reasons to visit Britain. Museums play a very significant role in the development of the regional tourist industry. They are frequently the most visited attraction in a town, city or region. They are also active in workforce development in this aspect of the tourism sector, including via apprenticeships and the sharing of good practice through local networks. Museum partnerships are an excellent and successful way of encouraging regional tourism, as well as building on the success of London. These partnerships have also helped with the regeneration of coastal towns built around culture or heritage. However, despite being so integral to the tourist industry, and the fact that supporting tourism is an economic priority for the Government, local authority and central Government investment for museums has substantially reduced since 2010. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
Conservation Area Statement Hampstead 2
Conservation area statement Hampstead 2 Conservation & Urban Design Team London Borough of Camden Environment Department Town Hall Extension Argyle Street London WC1H 8ND Telephone: 020 7974 1944 Produced by Camden Design & Print END200/01 4279 Tel: 020 7974 1985 page 3 Location page 8 History page 12 Character page 46 Audit page 57 Current Issues page 59 Guidelines page 68 Road Index HAMPSTEAD Conservation Area Statement The aim of this Statement is to provide a clear indication of the Council’s approach to the preservation and enhancement of the Hampstead Conservation Area. The statement is for the use of local residents, community groups, businesses, property owners, architects and developers as an aid to the formulation and design of development proposals and change in the area. The statement will be used by the Council in the assessment of all development proposals. Camden has a duty under the Planning (Listed Buildings and Conservation Areas) Act 1990 to designate as conservation areas any “areas of special architectural or historic interest, the character or appearance of which it is desirable to preserve or enhance.” Designation provides the basis for policies designed to preserve or enhance the special interest of such an area. Designation also introduces a general control over the demolition of unlisted buildings. The Council’s policies and guidance for Conservation Areas are contained in the Unitary Development Plan (UDP) and Supplementary Planning Guidance (SPG). This Statement is part of SPG and gives additional detailed guidance in support of UDP policies. The Statement describes the character of the area, provides an outline of the key issues and identifies development pressures which are currently a cause of concern. -
Economic Impact of Visits
[London MD logo] Museums survey 2018 DETAILED REPORT 1 Response rate Financial operations Summary of findings• 48 Accredited non-national museums in the • £10,641,596 was generated by This is the first survey of the 126 non national capital responded to the first London Annual responding museums in earned income London museums within the Accreditation Survey of Museums. (including admissions, retail, catering, Scheme. In this, the first year of the survey in • This equates to a 38% response rate from events, hospitality, educational and London, participation from the Local Authority London non-National museums within the other earned income from trading, e.g. funded museum sector was stronger than other Accreditation scheme property rental) parts of the sector. • £8,356,993 received in regular public Audiences funding (including ACE MPM/National • The government’s 2017 Mendoza Review of the A total of 3,876,653 visits in 2017-18 based Portfolio funding) English museum sector highlighted the on responses received • £979,186 received in grant funding • importance of accurate data to the health of the Responding museums held a total of 4,206 • £3,208,627 received in contributed sector. To date, the key sources of sector data activities and events that engaged 222,866 income (including all money received in have been generated through reporting to Arts participants donations, friends members/schemes, any sponsorship income, corporate Council England as a function of grant Economic impact investment for National Portfolio Organisations membership, or other non-earned • Visits to responding museums represented income) (previously Major Partner Museums) or through around £61,339,109 of gross visitor impacts the reporting of nationally sponsored museums • There were at least £9,955,117 of direct, Workforce – volunteers to government. -
2018 Annual Report
2A018 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT WMS VOLUNTEER ROLES Registered address: Jan Marsh (to 12 May 2018) Journal Editor: Owen Holland Kelmscott House Lord Sawyer of Darlington (from 12 May 2018) Magazine Editor: Susan Warlow 26 Upper Mall Librarian: Penny Lyndon Hammersmith TRUSTEES Journal Proofreader: Lauren McElroy London W6 9TA Martin Stott, Chair (to 12 May 2018) Stephen Bradley, Chair (from 12 May 2018) The William Morris Society is extremely Tel: 020 8741 3735 Rebecca Estrada-Pintel, Vice Chair fortunate to be able to draw on a wide range Email: [email protected] Andrew Gray, Treasurer of expertise and experience from our www.williammorrissociety.org Natalia Martynenko-Hunt, Secretary volunteers, who contribute many hundreds of Philip Boot (from 12 May 2018) hours of their time to help with welcoming TheWilliamMorrisSociety Jane Cohen visitors to the museum, delivering education @WmMorrisSocUK Serena Dyer (to 12 May 2018) sessions to schools and families, giving printing williammorrissocietyuk Michael Hall demonstrations, answering enquiries, Kathy Haslam (to 12 May 2018) cataloguing and caring for our collections, Registered Charity number 1159382 Jane Ibbunson (from 12 May 2018) office administration, serving refreshments and Fiona Rose maintaining our garden. John Stirling (from 12 May 2018) We are grateful to all who give up their time The Trustee Board operates through five to help with the work of the Society. committees. These are: Finance and General -
Keats House Forward Plan October 2016 – March 2020
APPENDIX 1 Keats House forward plan October 2016 – March 2020 Vicky Carroll (Principal Curator) and Frankie Kubicki (Senior Curator) October 2016 1 2 Contents Statement of purpose for Keats House ....................................................................................... 4 To preserve and develop Keats House as a museum and live memorial to John Keats and as a literary meeting place and centre for the education and benefit of the public. ........................................................................................................................................................... 4 Strategic context within the City of London Corporation ........................................................ 4 Current situation .............................................................................................................................. 5 Review of 2014-16 ........................................................................................................................... 5 Development of the Forward Plan .............................................................................................. 6 Our vision .......................................................................................................................................... 6 Our aims and objectives ............................................................................................................... 7 Our strategic aims ...................................................................................................................... -
May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10Am-12Pm
PRESS RELEASE For release 13 September 2019 May Morris: Art & Life 28 November 2019 – 14 March 2020 Press Preview: Monday 25 November 10am-12pm Honeysuckle wallpaper (c)William Morris Gallery London Borough of Waltham Forest May Morris c.1890s (c) William Morris Gallery, London Borough of Waltham Forest ‘I’m a remarkable woman – always was, though none of you seemed to think so.’ May Morris in a letter to George Bernard Shaw, 1936 Dovecot Studios brings the first-ever exhibition about the work of May Morris to Scotland Art & Life tells the overlooked story of May Morris (1862–1938), the youngest daughter of William Morris, and her extraordinary work and contribution to the British Arts and Crafts Movement The exhibition repositions May Morris as a key female force in securing the legacy and international influence of the Arts and Crafts Movement Exhibition organised by the William Morris Gallery London in association with Dovecot Studios Dovecot Studios stage a landmark exhibition exploring the life and work of May Morris (1862–1938), the youngest daughter of William Morris (1834–96) and one the most significant artists of the British Arts and Crafts movement in the early 20th century. Bringing together over 80 original textiles and Exhibition organised by the William Morris Gallery London in association with Dovecot Studios May Morris Art and Life press release www.dovecotstudios.com 1 drawings from collections around the UK, May Morris Art & Life will explore May’s extraordinary body of work, and why she deserves recognition outside her familial namesake. For more than 100 years May’s contribution to the decorative arts, in particular to embroidery, has languished behind her father’s illustrious career. -
University of Dundee DOCTOR of PHILOSOPHY Eco-Socialism in The
University of Dundee DOCTOR OF PHILOSOPHY Eco-socialism in the early poetry and prose of William Morris Macdonald, Gillian E. Award date: 2015 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 The University of Dundee Eco-socialism in the early poetry and prose of William Morris By Gillian E. Macdonald Thesis submitted to the University of Dundee in fulfilment of the requirements for the degree of Doctor of Philosophy. July 2015 Table of Contents Page Abbreviations Acknowledgments List of Illustrations Abstract Introduction 1 Chapter 1 The Defence of Guenevere and Other Poems and the Oxford and Cambridge Magazine (1856-59). (I) Introduction 15 (II) Sources and influences 15 (III) The Oxford and Cambridge Magazine 27 (i) Social equality and the sense of community -
Time for Me South Kensington & Chelsea Activities for Unpaid Carers Over 50
Time for Me South Kensington & Chelsea Activities for unpaid carers over 50 RA 250th Summer Exhibition Camber Sands Picasso Time for me means TIME for you... July, August & September 2018 Hello Carers, welcome to your Summer programme. Thank you for taking part in the Spring trips. This programme includes fruit picking, a country walk and seaside trip as well as fabulous art to see, and some other trips closer to home that may interest you. Hopefully you can join us, try new things and have some fun. To book a space call Reception on 020 8962 4141 ask for Ashley’s TFM Chelsea trips. All activities must be booked in advance, but to keep things fair please book only 5 activities at once. Please note these activities are for unpaid carers, over 50 and living in South Kensington and Chelsea. Thomas Hayes is the new Kensington & Chelsea Case Worker for Carers Network. You can contact him on 020 8960 3033, Thomas.Hayes @carers-network.org.uk or 07446 213 585. Thomas carries out the Carers Assess- ments for RBKC carers. Have you had your assessment yet? Get in touch with Thomas. The Porchester Spa - * Friday 3rd August & * 7th Septemer - Come and enjoy a sauna and steam, and let your troubles drift away. Sorry guy’s this one is for ladies only. We will meet at the Porchester Spa at 10.15am. Must Book! There are 8 free day passes available. Thursday 19th July - Fresh Flower Arranging Workshop. Would you like to try out your floristry skills with Ivy Gray a qualified florist who will be showing us some clever flower arranging skills. -
PRESS RELEASE 05 July 2018
UNDER STRICT EMBARGO UNTIL THURSDAY 5 JULY AT 10.00PM PRESS RELEASE 05 July 2018 TATE ST IVES WINS £100,000 ART FUND MUSEUM OF THE YEAR 2018 This evening (5 July 2018), Tate St Ives was announced as Art Fund Museum of the Year 2018, the largest and most prestigious museum prize in the world. Anne Barlow, Director of Tate St Ives, was presented with the £100,000 prize by artist Isaac Julien and the ‘world’s best teacher’ Andria Zafirakou at an award ceremony at the V&A, London. The winner was chosen from five finalists: Brooklands Museum (Weybridge), Ferens Art Gallery (Hull), Glasgow Women’s Library, The Postal Museum (London) and Tate St Ives (Cornwall). Each of the other finalist museums received a £10,000 prize in recognition of their achievements. Among the 400 guests at the dinner hosted by Stephen Deuchar, director, Art Fund were: Artists: Ron Arad, David Batchelor, Mat Collishaw, Michael Craig-Martin, Roger Hiorns, Gary Hume, Chantal Joffe, Isaac Julien, Ben Langlands and Nikki Bell, Lawrence Lek, Peter Liversidge, Junko Mori, Humphrey Ocean, Cornelia Parker, Grayson Perry, Gerald Scarfe, Yinka Shonibare, Bob & Roberta Smith, Linder Sterling, Mitra Tabrizian, Gavin Turk, Gillian Wearing, Stephen Willats and Bill Woodrow. Arts leaders: Maria Balshaw, Peter Bazalgette, Iwona Blazwick, Nicholas Cullinan, Michael Ellis MP, Alex Farquharson, Gabriele Finaldi, Tristram Hunt, Jay Jopling, Diane Lees, Jonathan Marsden, Nick Merriman, Munira Mirza, Frances Morris, Maureen Paley, Axel Rüger, Ralph Rugoff, and Nicholas Serota. The biggest museum prize in the world, Art Fund Museum of the Year seeks out and celebrate innovation, imagination and exceptional achievement in museums and galleries across the UK. -
May – June 2018 S John’S United Reformed Church Record Somerset & Mowbray Roads, New Barnet, Herts, EN5 1RH from the Minister Contents
S John’s United Reformed Church May – June 2018 S John’s United Reformed Church Record Somerset & Mowbray Roads, New Barnet, Herts, EN5 1RH From the Minister Contents SBeing Intentional about 2 Time for Jesus John’s United Reformed 3 Mothers’ Day Service Church Discipleship 4 Organ Refurbishment When people join a church, they are allowing 5 Christian Aid Week themselves to be formed as disciples of Jesus. 6 Calendar May wonder if you agree or disagree with this statement? I would not be 7 Calendar June surprised if you disagree with it. People join churches for many reasons. I Common among these are friendship, fellowship, worship, pastoral 8 Ministers’Gathering support and tradition. While there are other reasons, I suspect that allowing oneself to be formed as a disciple of Jesus would not be common among 9 Sheltered Housing them. Used Postage Stamps And yet the church does form us. We are enriched by church friends; encouraged by fellowship; inspired by worship; supported pastorally in 10 Fellowship: Stained Glass difficult times; and the Christian tradition can deeply shape our attitudes Windows and practices. Equally, as the church knows to its cost, when someone perceives that a church is lacking in one or more of these areas it be 11 Fellowship: Lionel Bart the reason people to drift away from the church. But being ‘formed as 12 Svitavy Visit Continued on page 2 Website: www.stjohnsnewbarnet.org.uk Record Editor: Laura Templeton, [email protected] Minister: Julian Templeton, Tel: 020 8441 0499. Email: [email protected] Contacts Secretary: Tony Alderman, Tel: 020 8441 4807.