'How the Corpse of a Most Mighty King…' the Use of the Death and Burial of the English Monarch
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												University of Southern Denmark
UNIVERSITY OF SOUTHERN DENMARK THE CHRISTIAN KINGDOM AS AN IMAGE OF THE HEAVENLY KINGDOM ACCORDING TO ST. BIRGITTA OF SWEDEN A DISSERTATION SUBMITTED TO THE FACULTY OF HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY INSTITUTE OF HISTORY, CULTURE AND CIVILISATION CENTRE FOR MEDIEVAL STUDIES BY EMILIA ŻOCHOWSKA ODENSE FEBRUARY 2010 2 ACKNOWLEDGMENTS In my work, I had the privilege to be guided by three distinguished scholars: Professor Jacek Salij in Warsaw, and Professors Tore Nyberg and Kurt Villads Jensen in Odense. It is a pleasure to admit that this study would never been completed without the generous instruction and guidance of my masters. Professor Salij introduced me to the world of ancient and medieval theology and taught me the rules of scholarly work. Finally, he encouraged me to search for a new research environment where I could develop my skills. I found this environment in Odense, where Professor Nyberg kindly accepted me as his student and shared his vast knowledge with me. Studying with Professor Nyberg has been a great intellectual adventure and a pleasure. Moreover, I never would have been able to work at the University of Southern Denmark if not for my main supervisor, Kurt Villads Jensen, who trusted me and decided to give me the opportunity to study under his kind tutorial, for which I am exceedingly grateful. The trust and inspiration I received from him encouraged me to work and in fact made this study possible. Karen Fogh Rasmussen, the secretary of the Centre of Medieval Studies, had been the good spirit behind my work. - 
												
												COLLOQVIA MARVLIANA XXVII Uredništvo
COLLOQVIA MARVLIANA XXVII Uredništvo: NEVEN JOVANOVIĆ (Filozofski fakultet Sveučilišta u Zagrebu) BRANKO JOZIĆ (Marulianum, Split) FRANCISCO JAVIER JUEZ GÁLVEZ (Universidad Complutense, Madrid) BRATISLAV LUČIN (Marulianum, Split) VLADO REZAR (Filozofski fakultet Sveučilišta u Zagrebu) Colloquia Maruliana I-XVI bila su u potpunosti posvećena proučavanju života i djela Marka Marulića. Od XVII sveska nadalje Colloquia Maruliana, uz pri- loge o Marku Maruliću, objavljuju i radove o drugim piscima i temama hrvatske književnosti humanizma i renesanse. Redovito se tiskaju tekstovi sa znanstvenoga skupa što se održava svake godine u Splitu, ali primaju se i drugi vrijedni prilozi. Colloquia Maruliana I-XVI were entirely devoted to the study of the life and works of Marko Marulić. From volume XVII on, Colloquia Maruliana, in conjunction with articles about Marko Marulić, also publish articles about other writers and themes from Croatian Humanist and Renaissance literature. Besides the papers ad- dressed to the conference held every year in Split, other worthwhile contributions can also be accepted. COLLOQVIA MARVLIANA XXVII TEKSTOLOŠKI IZAZOVI HRVATSKE KNJIŽEVNE BAŠTINE (II.) KNJIŽEVNI KRUG SPLIT SPLIT 2018 ITALIAN POETRY IN EARLY MODERN DALMATIA: THE STRANGE CASE OF HANIBAL LUCIĆ (1485-1553) I v a n L u p i ć UDK: 821.131.1-1.09Lucić, H. Ivan Lupić Original scientific paper Stanford University Stanford, California [email protected] The article announces the discovery of Sonetti di messer Anibal Lucio Lesignano, scritti a diversi, a collection of poems written in Italian by Hanibal Lucić (1485-1553), one of the leading poets of the Croatian Renaissance. Until now, scholars have known only one book by Lucić, his Croatian collection entitled Skladanja izvarsnih pisan razlicih, published posthumously by Hanibal’s son Antun. - 
												
												Cremation Grave Textiles Examples from Vendel Upper Class in the Vendel and Viking Periods
Journal of Nordic Archaeological Science 13, pp. 59–74 (2002) Cremation grave textiles Examples from Vendel upper class in the Vendel and Viking Periods Anita Malmius Few are aware of the fact that organic material such as textiles and leather can survive in cremation graves. Even fewer are aware that charred textile fragments contain almost the same information as unburnt prehistoric textiles. This fact provides the opportunity for comparing textiles from different groups in society, for studying textile development, and for gaining access to a much greater textile material based on the numerous crema- tion graves. In this article the outfits of the men buried in the cremation graves in “Vendla’s Mound”, dated to the Vendel and Viking Periods, are compared with those buried in the contemporaneous boat-graves in Vendel. Introduction strong materialistic attitudes to death and life thereafter. The In an overview of Scandinavian textile- and leatherworking, buried person has been provided with a full set of equipment Eva Andersson (1995: 16) observes that the textile craft for the after-life. Thanks to the custom of equipping the tends to be mentioned only in passing in the archaeological dead with rich grave-goods, we can today obtain insights literature and research discussions, and that dress is primar- into some aspects of the culture of buried persons. But only ily seen as a complement to buckles and other ornaments. certain categories of objects have been laid down in the The reason for this would seem to be ‘the shortage of finds graves – already their contempories made choices as to what and other evidence’, but also, ‘poor knowledge of what has was at the time considered suitable and representative. - 
												
												Making Their Mark 17
Making Their Mark 17 A CELEBRATION OF GREAT WOMEN ARTISTS Susan Mary "Lily" Yeats, in a 1901 portrait by Photograph of Susan Mary "Lily" Yeats (left) and Elizabeth Corbet "Lolly" Yeats (right). Elizabeth Corbet "Lolly" Yeats, in an 1887 Jack Butler Yeats. National Gallery of Ireland. portrait by Jack Butler Yeats. Sisters Susan Mary "Lily" Yeats (1866-1949, above, left) and Elizabeth Corbet "Lolly" Yeats (1868-1940, above, right) were pivotal figures in the advancement of the Arts and Crafts style in Ireland. Founded in England by the British designer William Morris, the Arts and Crafts Movement advocated traditional, handcrafted objects as a rebellion against soulless factory-made furnishings. The Yeats sisters were from a preeminent Irish family--their father John and brother Jack were noted painters, and their other brother was the renowned poet William Butler Yeats. Born in Enniscrone, County Sligo, Ireland, Lily Yeats was a frequent visitor to William Morris when her family moved to London in the 1870s; she would learn embroidery from his daughter, May Morris. Younger sister Lolly Yeats, also in the Morris circle, was more interested in painting and printing; by the end of the century she had written and illustrated four instructional books on sketching directly with a brush. Upon returning to Ireland, both sisters would co-found the Dun Emer Guild, a Arts and Crafts group in Dublin managed and staffed entirely by women, with the textile designer Evelyn Gleeson (1855-1944). Guilds, as opposed to factories, were a return to the Medieval and Renaissance guilds that once served as the primary centers of art production. - 
												
												The Cathedral Priory of St. Andrew, Rochester
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society THE CATHEDRAL PRIORY OF ST. ANDREW, ROCHESTER By ANNE M. OAKLEY, M.A. THE church of St. Andrew the Apostle, Rochester, was founded by Ethelbert, King of Kent, as a college for a small number of secular canons under Justus, Bishop of Rochester, in A.D. 604. Very httle is known about the history of this house. It never seems to have had much influence outside its own walls, and though it possessed considerable landed estates, seems to have been relatively small and poor. It also suffered at the hands of the Danes. Bishops Justus, Romanus, Pauhnus and Ithamar were all remarkable men, but after Bishop Putta's transla- tion to Hereford in 676, very Httle is heard of Rochester. Their bishop, Siweard, is not mentioned as having been at Hastings with King Harold as were many of the Saxon bishops and abbots, and the house put up no opposition to William I when he seized their lands and gave them to his half brother Odo, Bishop of Bayeux, whom he had created Earl of Kent. The chroniclers say that the house was destitute, and that, when Siweard died in 1075, it was barely able to support the five canons on the estabHshment.1 Four years after his conquest of England, Wilham I invited his friend Lanfranc, Prior of Caen and a former monk of Bee in Normandy, to be bis archbishop at Canterbury. Lanfranc's task was specific: to reorganize EngHsh monasticism on the pattern of Bee; to develop a strict cloistered monasticism, but one of a kind that was not entirely cut off by physical barriers from the Hfe of the rest of the church. - 
												
												Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. - 
												
												Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. - 
												
												The Sermon of Urban II in Clermont and the Tradition of Papal Oratory Georg Strack Ludwig-Maximilians-Universität, Munich
medieval sermon studies, Vol. 56, 2012, 30–45 The Sermon of Urban II in Clermont and the Tradition of Papal Oratory Georg Strack Ludwig-Maximilians-Universität, Munich Scholars have dealt extensively with the sermon held by Urban II at the Council of Clermont to launch the First Crusade. There is indeed much room for speculation, since the original text has been lost and we have to rely on the reports of it in chronicles. But the scholarly discussion is mostly based on the same sort of sources: the chronicles and their references to letters and charters. Not much attention has been paid so far to the genre of papal synodal sermons in the Middle Ages. In this article, I focus on the tradition of papal oratory, using this background to look at the call for crusade from a new perspective. Firstly, I analyse the versions of the Clermont sermon in the crusading chronicles and compare them with the only address held by Urban II known from a non-narrative source. Secondly, I discuss the sermons of Gregory VII as they are recorded in synodal protocols and in historiography. The results support the view that only the version reported by Fulcher of Chartres corresponds to a sort of oratory common to papal speeches in the eleventh century. The speech that Pope Urban II delivered at Clermont in 1095 to launch the First Crusade is probably one of the most discussed sermons from the Middle Ages. It was a popular motif in medieval chronicles and is still an important source for the history of the crusades.1 Since we only have the reports of chroniclers and not the manuscript of the pope himself, each analysis of this address faces a fundamental problem: even the three writers who attended the Council of Clermont recorded three different versions, quite distinctive both in content and style. - 
												
												The Consolations of Death in Ancient Greek Literature
$B 44 125 The Consolations of Death In Ancient Greek Literature By SISTER MARY EVARISTUS, MA. of THE SISTERS OF CHABITY, HALIFAX, N. S. A DISSERTATION Submitted to the Catholic Sisters College of the Catholic University of America in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/consolationsofdeOOmorarich The Consolations of Death In Ancient Greek Literature SISTER MARY EVARISTUS, M.A. of THE SISTERS OF CHARITY, HALIFAX, N. S. A DISSERTATION Submitted to the Catholic Sisters College of the Cathoh University of America in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy NA.ICXAI SA'.TAL PICS' 'MC , WA'iUNOTON, D. C. TABLE OF CONTENTS Page Introduction 7 CHAPTER I The Inevitableness of Death 10 Universality of death a motive for consolation. Views of death in Homer. Homeric epithets for death. No power can ward off death. Consolation afforded by the thought that it cannot come before the appointed time. Inevitableness of death as depicted in the Lyric Poets, * Tragedians, Plato, Lysias, Apollonius Rhodius, ps.- Plutarch, Plutarch. CHAPTER II Others Have Had to Die 19 Treatment of t&kos in Homer, ov <roi /xopoj. Tragic Poets, Plutarch, ps.-Plutarch. Examples of those who have borne sufferings nobly. Extension of t&kos. Even better men have died. CHAPTER III Death the Payment of a Debt to Nature 26 Should not complain when loan is claimed. Simonides of Ceos. Euripides. Plato. ps.-Plutarch. CHAPTER IV Death Not to be Regarded as Unexpected 28 Nothing ought to appear unexpected. - 
												
												Anatomy of Melancholy by Democritus Junior
THE ANATOMY OF MELANCHOLY WHAT IT IS WITH ALL THE KINDS, CAUSES, SYMPTOMS, PROGNOSTICS, AND SEVERAL CURES OF IT IN THREE PARTITIONS; WITH THEIR SEVERAL SECTIONS, MEMBERS, AND SUBSECTIONS, PHILOSOPHICALLY, MEDICINALLY, HISTORICALLY OPENED AND CUT UP BY DEMOCRITUS JUNIOR [ROBERT BURTON] WITH A SATIRICAL PREFACE, CONDUCING TO THE FOLLOWING DISCOURSE PART 2 – The Cure of Melancholy Published by the Ex-classics Project, 2009 http://www.exclassics.com Public Domain CONTENTS THE SYNOPSIS OF THE SECOND PARTITION............................................................... 4 THE SECOND PARTITION. THE CURE OF MELANCHOLY. .............................................. 13 THE FIRST SECTION, MEMBER, SUBSECTION. Unlawful Cures rejected.......................... 13 MEMB. II. Lawful Cures, first from God. .................................................................................... 16 MEMB. III. Whether it be lawful to seek to Saints for Aid in this Disease. ................................ 18 MEMB. IV. SUBSECT. I.--Physician, Patient, Physic. ............................................................... 21 SUBSECT. II.--Concerning the Patient........................................................................................ 23 SUBSECT. III.--Concerning Physic............................................................................................. 26 SECT. II. MEMB. I....................................................................................................................... 27 SUBSECT. I.--Diet rectified in substance................................................................................... - 
												
												April 26, 2020
April 26, 2020 St. Ann’s Parish Mission St. Ann Parish seeks Pastor ....................................................................... Rev. Timothy S. Reid ........... 704-523-4641 x222 the salvation of souls Deacon ................................................................. Rev. Mr. Thomas Sanctis ........ 704-523-4641 x223 through the Deacon .................................................................... Rev. Mr. Peter Tonon ........... 704-523-4641 x227 redemption of Jesus Director of Faith Formation & Evangelization ....... Sister Mary Elizabeth........... 704-523-4641 x231 Christ as revealed to Liturgical Ministries ................................................... Chris Brunhuber .............. 704-523-4641 x229 us in and through the Tricia Stevenson ............... 704-523-4641 x229 Music ............................................................................. Terese Rowe .................. 704-523-4641 x234 divinely instituted Facilities/Scheduling/Maintenance Supervisor ............. Savas Mallos .................. 704-523-4641 x233 Holy Catholic Maintenance ............................................................... Raymond Mosley .............. 704-523-4641 x233 Church. We invite Financial Administrator ............................................... Terry Alderman ............... 704-523-4641 x224 all to receive God's Administrative Specialist & Secretary to Fr. Reid ......... Marcy Rothe .................. 704-523-4641 x221 love as we give of ourselves in compassionate Liturgical Schedule Monday through Friday 9:00 a.m. - 4:00 p.m. service. (Changes in the schedule noted inside) Closed 1:00 - 1:30 p.m. for lunch. Parish Office Hours Sunday Mass Schedule Weekday Masses Adoration Reconciliation Vigil Mass (Saturday): 4:30 p.m. Monday, Tuesday and Thursday: 7:00 a.m. Tuesday 8:00 a.m. through Thursday: 5:30-6:30 p.m. 8:00 a.m. and 10:30 a.m.; Wednesday: 6:00 p.m. (Mass in the Wednesday 5:00 p.m. Saturday: 3:00-4:00 p.m. Mass in the Extraordinary Extraordinary Form) Holy Hour: Form: 12:30 p.m. Friday: 7:00 a.m. - 
												
												MAY MORRIS. MUJER ARTESANA: Su Papel En El Movimiento Arts and Crafts
MAY MORRIS. MUJER ARTESANA: su papel en el movimiento Arts and Crafts TFG GRADO EN HISTORIA DEL ARTE UNIVERSIDAD DE FILOSOFÍA Y LETRAS DE VALLADOLID TUTOR: VÍCTOR LÓPEZ LORENTE Diciembre 2019 Eulalia Mateos Guzmán May Morris. Mujer Artesana: su papel en el movimiento Arts and Crafts 2 May Morris. Mujer Artesana: su papel en el movimiento Arts and Crafts ÍNDICE Definición y objetivos del TFG ( p. 5). Elaboración del estado de la cuestión sobre el tema expuesto ( p. 6-7). Exposición y justificación de la metodología o las metodologías empleadas y el uso de las TICS ( p. 8). IV. EstructuraciAn y ordenaciAn de los diferentes apartados del trabajo (p. 9). V. Desarrollo del trabajo: (p. 10-44). V.1. Contexto histArico-social del Movimiento Arts and Crafts (p. 10-11). V.2. El papel de la mujer en el Movimiento Arts and Crafts en Inglaterra ( p.12-14). V.3. May Morris: V. 3. 1. El padre de May Morris: William Morris (p. 15-20). V. 3. 2. May Morris: Vida (p. 20-23). V. 3. 3. May Morris: Artesana: V. 3. 3. a. IntroducciAn (p. 24). V. 3. 3. b. Bordado (p. 25-28). T>cnica (p. 29-30). V. 3. 3. c. Indumentaria (p. 30-34). 3 May Morris. Mujer Artesana: su papel en el movimiento Arts and Crafts V. 3. 3. d. Papel tapiz (p. 34-36). V. 3. 3. e. Joyer?a (p. 36-41). V. 3. 3. f. EncuadernaciAn y escritos (p. 41-44). VI. Conclusiones (p. 45-46). VII. Bibliograf?a (p. 47-50).