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Quaker Tapestry Ltd Friends Meeting House, Stramongate Kendal, Cumbria LA9 4BH
Quaker Tapestry Ltd Friends Meeting House, Stramongate Kendal, Cumbria LA9 4BH 01539 722975 [email protected] www.quaker-tapestry.co.uk Charity Registration No. 1035077 Company Registration No. 2901085 VAT Registration No. 621 2925 64 Quaker Tapestry Museum Assistant (Seasonal) Summary Your role will be to ensure that every aspect of our visitor experience will delight our customers and exceed all expectations of their visit. Hours 14 hours a week March to end of November, Monday to Friday during museum opening times and occasional Saturdays. Tuesday 9.30am to 5.30pm And another full day or two half days to be agreed Rate of Pay: £9.30 per hour You will be working alongside a staff team and a team of experienced volunteers in a small independent museum within the historic, Georgian Quaker Meeting House in Kendal. The Quaker Tapestry consists of a modern community embroidery displayed in individual panels depicting Quaker stories from 350 years. Alongside the panels of embroidery visitors can enjoy other subsidiary displays, films and artefacts from our collection. We have a gift shop featuring our own Quaker Tapestry books, cards and embroidery products, a small garden, visitor parking and The Garden Café and Takeaway. What you'll be doing You'll be responsible for welcoming visitors to the Museum and ensuring that you provide an excellent service to all our visitors. You will be selling tickets and Gift Aid on entry through our till system. Advising visitors with their purchases in our shop, replenishing stock from stock rooms, maintaining the displays and keeping the shop clean. -
Collections Development Policy 2021 – 2023
Britain Yearly Meeting Collections development policy 2021 – 2023 Approved by BYM Trustees 12 June 2021 (minute BYMT-2021-06-13) Contents 1 Britain Yearly Meeting collections ....................................................................... 3 1.1 Purpose ......................................................................................................... 3 1.2 Collecting remit and priorities ........................................................................ 4 1.3 How we will use this policy ............................................................................ 5 2 Authority and responsibility for collections development ..................................... 6 3 Background to the collections ............................................................................. 7 4 Outline of the collections ..................................................................................... 8 4.1 Britain Yearly Meeting (BYM) archive ........................................................... 8 4.2 The core library and archive collections ........................................................ 8 4.2.1 Rare books, tracts and other early printed material ................................ 9 4.2.2 Manuscripts ............................................................................................ 9 4.3 The current library and archive collections .................................................... 9 4.3.1 Archives .................................................................................................. 9 4.3.2 Published -
Liste Complète
Liste complète Juin 2016 1 308 titres Mission services aux chercheurs et Département du Développement des Collections de la BIS 2 Table des matières 1. Histoire générale ............................................................................... 3 2. Antiquité - Langue et littérature classiques - Art et archéologie ............... 7 3. Histoire médiévale - Art et archéologie médiévale ............................... 23 4. Histoire moderne ............................................................................. 38 5. Histoire contemporaine (19e-20e siècles) ........................................... 52 6. Art et archéologie - Généralités ......................................................... 65 7. Langue et littérature françaises ......................................................... 66 8. Langues et littératures étrangères ..................................................... 73 Langues et littératures étrangères (allemande) ................................... 73 Langues et littératures étrangères (anglaise) ...................................... 76 Langues et littératures étrangères (ibérique) ...................................... 78 Langues et littératures étrangères (italienne) ...................................... 78 9. Littérature générale et comparée....................................................... 80 10. Linguisitique et sciences du langage .................................................. 84 11. Philosophie ..................................................................................... 85 12 Sciences -
The Ultimate Experience
The Ultimate Experience Battlefield Revelations and the Making of Modern War Culture, 1450–2000 Yuval Noah Harari The Ultimate Experience January 18, 2008 19:52 MAC/TUE Page-i 9780230_536920_01_prexvi Also by Yuval Noah Harari RENAISSANCE MILITARY MEMOIRS: War, History and Identity, 1450–1600 SPECIAL OPERATIONS IN THE AGE OF CHIVALRY, 1100–1550 January 18, 2008 19:52 MAC/TUE Page-ii 9780230_536920_01_prexvi The Ultimate Experience Battlefield Revelations and the Making of Modern War Culture, 1450–2000 Yuval Noah Harari Department of History Hebrew University of Jerusalem January 18, 2008 19:52 MAC/TUE Page-iii 9780230_536920_01_prexvi © Yuval Noah Harari 2008 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. -
FIS December 17
!1 December, 2017 patches in the fabric.. Carmella talked about it " being faded somewhat, though really, the colours were still quite stunning and the Visit to the National Gallery contrasts still work beautifully. Wilma Davidson The CSR is a controlled environment When I read Sally’s request to ‘go into therefore I wasn’t allowed to bring out my to National Gallery and check out the colours wools, however, both Rose and I took lots of of Linor Robey’s embroidery and match them photos to assist with the panel. I did have to with wools for the panel’ I did have a little sign a waver stating the photos would not be chuckle. If only it was that simple! published. I have included two photos of I checked the website and there are 32 details of the work that as long as they go no of her works in the Gallery, only a few which further than this newsletter, can be shared with are embroidery, and of those, few illustrations Quaker stitchers. on this list. And nothing was on display - not I feel very privileged to have viewed unusual in institutions holding large National this work that is considered so precious and collections. thank Sally and Margaret for the opportunity. The only information available to me " was who donated the work to the Gallery in " 2016 – no name for the work, no date of completion. The Gallery has a remarkable space, the collections study room (CSC) where works not on display can be viewed. I use this room often with our slow art group, when we want to look closely at works of particular artists. -
LIBRARY BOOKS.Xlsx
Cat No. Title Author Type 476 2,286 traditional stencil designs Roessing, H APPLIQUE 13 Afternoon Tea with May Morris Hill, Michele APPLIQUE 1094 Applique 12 Borders & Medallions Sienkiewicz, Elly APPLIQUE 1444 Applique 12 Easy Ways Sienkiewicz, Elly APPLIQUE Rodale's Successful Quilting 455 Applique made easy Library APPLIQUE 4 Applique Mastery Naylor, Philippa APPLIQUE 382 Applique outside the lines with Piece O' Cake Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 774 Applique, Applique, Applique Sinema, Laurene APPLIQUE 657 Artful applique II Townswick, Jane APPLIQUE 656 Artful applique the easy way Townswick, Jane APPLIQUE 251 At Play with Applique Fronks, Dilys A APPLIQUE Back to Front & New Approach to Machine Applique 1369 (2nd copy) Scouler, Larraine APPLIQUE 585 Baltimore Beauties & Beyond Vol 2 Sienkiewicz, Ely APPLIQUE 702 Baltimore blocks for beginners; a step-by-step guide Dietrich, Mimi APPLIQUE 404 Barbara Brackman's encyclopedia of applique Brackman, Barbara APPLIQUE Beautiful botanicals: 45 applique flowers & 14 quilt 520 projects Kemball, Deborah APPLIQUE 1751 Best of BaLtimore Beauties Sienkiewicz, Elly APPLIQUE 1783 Best of Jacobean Applique Campbell, Patricia B & Ayars, Mimi APPLIQUE Best-ever applique sampler from Piece O' Cake 684 Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 1842 Blossoms in Winter Eaton, Patti & Mostek, Pamela APPLIQUE 1795 Bouquet of Quilts Rounds & Rymer APPLIQUE 1594 Celtic Style Floral Applique Rose, Scarlett APPLIQUE 1998 Classic Four-Block Applique Quilts Marston, Gwen APPLIQUE 235 -
JANICE WILLIAMS THREADS - Shiny & Glittery Threads Etc
CREATIONS nature Silken Strands & Fantasy Fabrics JANICE WILLIAMS THREADS - shiny & glittery threads etc... GOLDWORK AND JAPANESE EMBROIDERY Natesh Indian Rayons - 300+ colours. 95 Multi. We stock a wide range of traditional Madeira - Rayons, Metallics, Pure Silks & Lana. and contemporary metal threads; DMC, Perlé (especially 8’s & 12’s), Japanese metallics, including fine, coloured metallics, GIMP, Aquafilm, Solvy, Rajmahal. and over 200 shades of flat silks; YLI, Seta Reale, traditional & glass shisha Metallic skin in gold, silver, copper, and pewter; Books on goldwork and other embroidery techniques. Visitors by Appointment only please We also stock the full range of Appleton’s crewel wool. Lots more as well: www.silkenstrands.co.uk Prompt mail order service E: [email protected] Please send 2 x 1st class stamps for our price list which includes details of the GOLDWORK GUILD magazine and events 01248 362361 Sheldon Cottage Studio (W), Epney, Gloucester, GL2 7LN The Spaldings, Silken Strands, 20 Y Rhos, Bangor, LL57 2LT Tel/Fax: 01452 740639 Visitors by appointment only ADVERTISE Not just for lace... Huge range of threads Threads - Sewing cotton Tools - Tatting shuttles HERE FROM - Fine crochet cotton - Scissors Mail Order & Online Shopping - Perle cotton - Pins and needles Suppliers of hand wound packs - Silks Mounting - Frames, velour of pure silk thread in beautiful JUST £40 - Linen …and lots more! colour schemes • Topics Connoisseur Range • Ribbons Call us now on - Metallic E: [email protected] Call on 01425 483450 www.mulberrysilks- 01395 233 247 85 North Poulner Road, Ringwood, Hants BH24 3LA patriciawood.com Email: [email protected] 2 The Old School, Stratford Road, Shipston-on-Stour, CV36 4AU www.claireslace.co.uk APPLETON’S WOOLS Shade Cards and complete range of 4ply tapestry and 2ply crewel skeins from stock. -
FIS March 19 Newsletter.Pdf
March, 2019. Newsletter think of that idea? It seems to have been https://www.quakersaustralia.info/Stitches lost. It is sometimes suggested that they should all be together at Silver Wattle. The [email protected] argument against that is, what if there was a fire or a flood and we lost the lot! Better to Putting the Panels to work. have them split up around the states so that by Sally O’Wheel the risk is spread.At the moment they are in Queensland, Victoria, South Australia and There is a rumour that there exists a US Tasmania. I cannot tell how many are on Quaker Tapestry that consists of a number of display but I can say that since November panels, stored under a bed in a nursing the five panels in Tasmania have mostly home. This is nightmare material! been in a suitcase in the spare room. I have Meanwhile we have now 20 Australian the Elizabeth Fry Retreat on display in the panels and it is a concern for me. Where dining room. It has also been viewed by the are they stored? Devonport Embroiderers Guild at ‘show and tell’ and taken to Melbourne City I understand the original idea was that the Meeting. When Jason McLeod held a person who stitched a panel would be session in Deloraine I took the Vigil and the responsible for caring for it. What do we East Timor panels and I have also taken East Timor to a Greens Meeting, and quoted it in Indeed these are issues to consider. -
Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2016 Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 28:1 — Spring 2016" (2016). Textile Society of America Newsletters. 73. https://digitalcommons.unl.edu/tsanews/73 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 28. NUMBER 1. SPRING, 2016 TSA Board Member and Newsletter Editor Wendy Weiss behind the scenes at the UCB Museum of Anthropology in Vancouver, durring the TSA Board meeting in March, 2016 Spring 2016 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Caroline Charuk (Membership & Communications Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives. -
Hardanger Embroidery
Sons of Norway Information Banks #205: hardanger embroidery IN THIS INFORMATION BANK Introduction |01 Origins |01 The Development of a Tradition |01 Today |02 Learning More |02 IntroductIon Hardanger embroidery or hardangersøm is a traditional form of decorative Norwegian needlework. Named for the Hardanger district of Norway where it was developed, hardangersøm has become so popular over the years that it has been adopted by craftspeople from all over the country and beyond. What sets hardangersøm apart is the sheer variety of stitches and techniques it encompasses. The vast range of techniques one must master make it a demanding skill to learn, but also empower artisans to continue creating an infinite array of new designs. Perhaps that’s why after more than three centuries, hardangersøm continues to inspire stitchers all over the world. orIgIns Although hardangersøm is distinctively Norwegian, its origins can be traced through many other countries. The type of embroidery that would eventually develop into hardangersøm is thought to have come to Europe from the Middle East or Persia during the Renaissance. By the 1600s the Italians had developed their own style of embroidery called reticella that soon became popular and spread throughout the continent and eventually to Norway. The earliest recognizable hardangersøm pieces date from the 1700s. Around the same time, many other regions of Norway began to develop their own distinctive styles of embroidery and other textile crafts. During the 1800s, when Norway was stirred by a great national romantic movement, people from all over the country were united in a new enthusiasm for traditional folk culture. -
Lone Star Library, Alphabetic by Author
7/5/2018 Lone Star Library, Alphabetic by Author 1 Agnew, Patience Needlepoint for Churches 2 Aimee Stitch Your State 3 Alderson, Chottie Stitchin' with Chottie, Bk 1 4 Alderson, Chottie A Rare Delight, Or Nue Project 5 Alderson, Chottie Stitchin' with Chottie, Bk 2 6 Alderson, Chottie Stitchin' with Chottie, Bk 3 7 Alderson, Chottie Stitchin' with Chottie, Bk 4 8 Alderson, Chottie Stitchin' with Chottie, Bk 5, Albuquerque Game 9 Altherr, Ilse Blackwork and Holbein Embroidery 10 Altherr, Ilse Mastering the Art of Pulled Thread Embroidery 11 Ambuter, Carolyn Carolyn Ambuter's Complete Book of Needlepoint 12 Ambuter, Carolyn Carolyn Ambuter's Even More Complete Book of Needlepoint 13 Ambuter, Carolyn The Open Canvas 14 Anchor Mezzopunto e Punti di Tappezzeria 15 ANG A Stitch Book 25th Anniversary of ANG 16 ANG Stitch Book II 17 ANG, Atlanta Chapter A Canvas Christmas II 18 ANG, Masters Teacher Program Teachers' Treasures South Central Area's 2003 ANG Seminar Project: Two-Sided 19 ANG, South Central Area Nativity Set with Stable 20 ARO Designs Historic Houston 21 ARO Designs Houston Skyline Shapes of Needlepoint, Series I, 22 Arthur, Sandra Circles/Squares/Triangles/Rectangles Shapes of Needlepoint, Series II, 23 Arthur, Sandra Diamonds/Hearts/Octagons/Stars Shapes of Needlepoint, Series III, 24 Arthur, Sandra Corners/Hexagons/Ovals/Parallelograms Shapes of Needlepoint, Series IV, 25 Arthur, Sandra Diagonals/Horizontals/Verticals 26 Ashby, D. & Woolsey, J. Creative Embroidery Techniques Using Color Through Gold 27 Ashby, D. & Woolsey, J. Ribbon Embroidery 28 Bahouth, Candace Flowers, Birds, and Unicorns: Medieval Needlepoint 29 Bahouth, Candace Romantic Needlepoint 30 Baird, Carolyn Hedge Favorite Stitches, Revised 31 Baird, Carolyn Hedge Favorite Stitches, Volume 2 32 Baird, Carolyn Hedge Merry Easter Eggs 33 Baird, Carolyn Hedge Merry Needlepoint 34 Baker, Muriel The ABC's of Canvas Embroidery 35 Baker, Muriel The XYZ's of Canvas Embroidery 36 Baker, Muriel Scribner Book of Embroidery Designs 37 Banbury, G. -
PDF Download Hardanger Embroidery
HARDANGER EMBROIDERY PDF, EPUB, EBOOK Donatella Ciotti | 96 pages | 03 May 2007 | Sterling Publishing Co Inc | 9781402732270 | English | New York, United States Hardanger Embroidery PDF Book Minimum monthly payments are required. Close Help Do you have a picture to add? Shipping and handling. I especially love the close-up pictures of examples of early-style Hardanger. She wore a crisp white apron UNDER her colorful daily one, so if company showed up, she could whisk off the colorful, but mussed up one and look presentable. I love the hardanger on the collar of a blouse. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. During the Renaissance , this early form of embroidery spread to Italy where it evolved into Italian Reticella and Venetian lacework. Condition see all. Hardanger kloster …. This amount is subject to change until you make payment. Ensure that the holes are facing stitches going outside; as shown in the picture above. Picture Information. If you take a shortcut and miss out a number on the diagram your stitches won't hold when you start the cutting process. Apparently wait list means go online and buy it quickly as the store does not wait for you to response to the email. Listed in category:. As you progress through the course, I introduce you to the different stitches that you need. However, that number can vary. The seller has not specified a shipping method to Germany.