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Weaverswaver00stocrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
PROGRAMME Wed 30 Oct – Thu 31 Oct + Fri 1 Nov 2019
PROGRAMME Wed 30 Oct – Thu 31 Oct + Fri 1 Nov 2019 Wings by Anna Sorri, photo by Eeva Suorlahti AaltoTEXTILES textiles.aalto.fi | [email protected] | facebook.com/aaltotextiles/ PROGRAMME Wednesday 30 – Thursday 31 October 2019 Venue: Aalto University, Espoo, Finland + Company Visits on Friday 1 November 2019, Helsinki Textiles Tomorrow Summit brings together an international network of textile educators to discuss the future of textiles and share their knowledge and expertise. Aalto University is proud to host the Keynotes second textile education conference initiated by Lidewij Edelkoort Lidewij Edelkoort and Kirsi Niinimäki in 2018 at The New School/Parsons, New York. This year our aim is to continue sharing ideas as a community and to Speakers and Panelists take further steps to build bridges between textile academics and Michael Hummel, Helena Hyvönen, professionals. The summit provides a versatile platform for learning Pirjo Kääriäinen, Harri Puputti, Zane Berzina, and discussing topics of novel sustainable textile materials, cross- Mark Van Vorstenbos and Maarit Salolainen disciplinary collaborations, and artistic and technical expertise. The summit includes a number of exhibitions. The Väre Building Educational Talks and the Learning Centre exhibitions feature the versatility and high College of the Arts Windhoek, Design artistry of textile design at Aalto University. The ClimATE exhibition School Kolding, Ecole Nationale Supérieure showcases research, prototypes, artworks, workshops, readings and des Arts Décoratifs, Maastricht -
FP Library Main List.Xlsx
Bin # 1 Title 1 101 Quilt Blocks and Borders 1 Convergence Quilts 1 The Country Bride Quilt Collection 1 The Quilt that Walked to Golden 1 Little Quilts (copy 1) 1 Little Quilts (copy 2) 1 15 Memorable Projects for Quilt Lovers (copy 1) 1 15 Memorable Projects for Quilt Lovers (copy 2) 1 The Quilter's Book of Design 1 Decorate with Quilts & Collections 1 The Quilter's Book Resource Quilt Making Traditions from Around the World 1 Great American Quilts Book 8 1 Wisconsin Quilts‐Stories in Stitches 1 Enduring Grace‐Quilts from the Shelburne Museum 1 Hearts and Flowers Quilt Block Designs 1 The Complete Book of Quilting 1 Making History Quilts from 1890‐1970 1 Bloom Creek Quilts 1 Interpretations Innovations 1 A Quilter's Life in Patchwork 1 Scraps for all Seasons 1 I Can't Believe It's Not Sewn 1 40 Bright and Bold Paper‐Pieced Blocks 1 Quick Quilts from the Heart 1 Spirit of the Northwoods 1 Our Best Seasonal Quilts 1 Stars all Around Us 1 Design Quilts 1 Small Wonders Tiny Treasures in Patchwork and Applique 1 Surprisingly Simple Quilts 1 Legacy‐The Story of Talula Gilber Bottoms&Her Quilts 1 A Child's Comfort‐Baby Doll Quilts in American Folk Art 1 Great American Quilts Book 6 1 The Quilt Digest 1 Quilts in Bloom 1 Homage to Amanda 1 Yesterday's Charm 1 500 Traditional Quilts 1 Quick and Easy Quilting 1 Small Quilts 1 Dear Hannah 1 More Feather and Other Fancies 1 Quaint Quilts to Love 1 Piecing‐Expanding the Basics 1 Patriotic Little Quilts 1 Quilting with Jodie in Cotton Country 1 The McCalls Book of Quilts 1 Color Magic for Quilters -
MAD Visionaries!
Press Release MUSEUM OF ARTS AND DESIGN TO PRESENT ANNUAL VISIONARIES! AWARDS NOVEMBER 20, 2013 The Evening Will Honor Materialise CEO and Founder Wilfried Vancraen, Artist Frank Stella, Vilcek Foundation Executive Director Rick Kinsel, and Designers David and Sybil Yurman NEW YORK, NY (November 5, 2013) – On Wednesday, November 20, PRESS CONTACT 2013, the Museum of Arts and Design (MAD) will host its 2013 Visionaries! Claire Laporte/Carnelia Garcia Gala, celebrating five influential creators and leaders in the art, craft, and Museum of Arts and Design design industries, whose work personifies the Museum’s mission to explore 212.299.7737 and celebrate contemporary creativity across all media: [email protected] • Wilfried Vancraen, Chief Executive Officer and Founder of Materialise, an international additive manufacturing company started in Belgium. MAD PRESS RESOURCES For more than twenty years, Materialise has been working with image library designers and scientists to help expand design, manufacturing, and release as .pdf biomedical research into new frontiers, while remaining committed to artistic creativity, sustainability and the improvement of people’s lives. MAD LINKS • Frank Stella, legendary painter and printmaker, most noted for his Minimalist, Post-Painterly Abstract works has challenged ideas collections database of abstraction and of painting itself by negating the evidence of facebook brushwork and asserting the flatness of the canvas. Today, Stella youtube continues to explore new forms and aesthetic avenues in creating flickr multidimensional, hybrid sculptures that combine painting with twitter geometrical and architectural elements. • Rick Kinsel, Executive Director, The Vilcek Foundation. For more than 10 years, the Vilcek Foundation, under Kinsel's leadership, has been an important philanthropic supporter of the arts and sciences. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Wool Wind Or Intarsia
WOOLWIND/INTARSIA This technique is used to knit blocks of different colours, avoiding the extra bulk of Fair Isle knitting. When using this method, you will need a separate ball for each section of colour. The colour twist method involves twisting the different coloured yarns over each other to prevent holes. Twist the colour to be used underneath and to the right of the colour just used. Always change colours on the wrong side of the work so colour change does not show on right side. CASTINGCASTING ON A ONSEAM A SEAM STITCH STITCH CASTING ON A SEAM ST When casting on a seam st, do not inc by knitting into front and back of stitch. Make a loop with yarn as shown and slip onto left hand needle as indicated by arrows, pulling up stitch firmly, then work as first stitch of next row. KNITTING UP STITCHES 1 2 3 4 Insert needle through One stitch knitted up. Repeat step 1 as many All stitches knitted up fabric one whole stitch times as required, ready to begin 1st row in from the edge, wrap spacing the number of or round. yarn around needle (as stitches evenly along the for knitting) and draw piece of knitting. through fabric. FRINGES Wind yarn round a piece of cardboard of required width and cut along one edge. With right side facing, using crochet hook and two or more strands of yarn (diagrams show three strands), fold yarn in half and draw loop through a stitch on item (diagrams A and B), draw ends through this loop (diagram C) and pull tightly to form knot. -
California and the Fiber Art Revolution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City. -
Celebrating 60 Years
Celebrating 60 Years NEW TITLES SPRING 2020 Get in touch... +44 (0)1392 790650 [email protected] www.davidandcharles.com catalogue_jacket2020.indd 1 30/01/2020 14:41 CONTENTS Frontlist ..........................................04 Art ............................................06 Knit & Crochet .............................12 Cross Stitch ................................18 Quilting & Sewing ........................20 Other Craft .................................30 Assisted Publishing ...........................36 Recently Published ...........................38 Dover .............................................50 Backlist ..........................................56 How to get in touch ..........................86 www.davidandcharles.com Catalogue.indd 1 29/01/2020 14:01 Catalogue.indd 2 29/01/2020 14:01 Our Autumn 2019 catalogue was incredibly well received and we’re excited to follow that up with our new titles for Spring 2020. This Spring, we have a great balance of perennially successful subjects alongside books that feature new ideas and trends. Long-standing D&C authors, Pam and Nicky Lintott, bring us Jelly Roll Quilts: The Classic Collection and we make a return to bag making with The Complete Bag Making Masterclass. Books such as Crochet Hacking, Macraweave and Dried Flowers pick up on the latest trends, while Cross Stitch for the Soul celebrates the strong link between crafting and mindfulness. Cat Knits is a fantastic book for the many million cat-loving knitters out there and I reserve a special mention for Magical Woodland Knits, a truly exquisite book with incredible projects and brilliant photography. The list sees us building on our success in practical art. 3000 Colour Mixing Recipes is a cornerstone book for all watercolour artists and DIY Watercolor Jungle is a follow up to our brilliantly successful 2019 book, DIY Watercolor Flowers. We’ve been overwhelmed by the support and encouragement for new David and Charles. -
RE-FRAME FASHION Report Innovation in Fashion Education ERASMUS+ KA2 Strategic Partnerships
RE-FRAME FASHION Report Innovation in Fashion Education ERASMUS+ KA2 Strategic Partnerships RE-FRAME FASHION Erasmus+ 2018 KA2 - Cooperation for Innovation and the Exchange of Good Practices KA203 - Strategic Partnerships for Higher Education Grant Agreement No: 2018-1-NL01-KA203-038957 PROJECT CO-ORDINATOR Erasmus University Rotterdam, The Netherlands Prof. dr. Ben Wubs Dr. Mariangela Lavanga PROJECT MEMBERS Université Paris-Dauphine - PSL (Paris Sciences & Lettres), France Prof. dr. Denis Darpy Dr. Colette Depeyre Gdańsk University of Technology, Poland Prof. dr. Luciano Segreto Dr. Magdalena Popowska December 2020 Graphic design, Nicoletta Ada De Pace Logo, Filip Popowski The project partners would like to thank the representatives of the higher education institutions, companies, organisations and students that contributed their time and insights to the writing of this report through participating in workshops, interviews, conversations and courses. In particular, we would like to thank dr. Eva Delacroix-Bastie, dr. Kristell Blanche-Comte and dr. Florence Benoit-Moreau (Université Paris- Dauphine - PSL) for their contribution in differnt phases of the project. Last but not least, a big thanks to our student assistants Daphne Geveke and Loes Julicher, both at Erasmus University Rotterdam, for their help in the final part of the project, right in the middle of the Covid-19 pandemic. This work is licensed under a Creative Commons Attribution- NonCommercial Licence (CC BY-NC) How to cite: Ben Wubs, Mariangela Lavanga, Denis Darpy, Colette Depeyre, Luciano Segreto, Magdalena Popowska (2020) RE-FRAME FASHION Report. Innovation in Fashion Education. Rotterdam, Paris, Gdańsk: REFRAME FASHION Publications, Erasmus+ Strategic Partnerships for Higher Education Programme of the European Union. -
Class 5 Beds 5 - 1
CLASS 5 BEDS 5 - 1 5 BEDS 1 MISCELLANEOUS 44.1 ..Advancing and unfolding seat 2.1 COMBINATION FURNITURE 45 ..Traversing over seat 3 .Table beds 46.1 ..Carried by seat to alignment 4 ..Outfolding sides 47 .Sliding and pivoting back 5 ..Unfolding top 48 ..Increasing seat 6 ..Folding bed enclosed 49 .Drop or standing leaf 7 ..Sofa form 50 .Drop leaf only 8 NESTED, TWIN AND STACKED 51.1 .Bed element 9.1 BERTH OR BUNK 52 ..Sofa head and arm rest 10.1 WINDOW, FLOOR, CEILING, OR ROOM 53.1 ..Headboard or footboard TO ROOM 53.2 ...Pivoted headboard 10.2 .Bed stored in ceiling 53.3 ...Pivoted footboard 11 ADJUSTABLE HEIGHT 54 ..Front board 12.1 SOFA BED 55.1 ..Latch 12.2 .Knockdown sofa bed 56 ..Assisting spring 13 .Link supported unfolding 57.1 ..Hinge 14 .Beds stowed under seat 57.2 ...Having anti-pivoting means 15 .Suspended bottoms 58 ..Receptacle, drawer, or 16 .Vertical unfolding sections compartment 17 .Extension 59.1 ..Shiftable back or seat 18.1 ..Slidable section 600 INVALID BED OR SURGICAL SUPPORT 19 ...Front and back extension 601 .Adapted for imaging (e.g., X- 20 ...Slide with rotation ray, MRI) 21 ...Change of level 602 .Adapted for birthing 22 ..Link walk-over 603 .Adapted for infant support 23 ..Traversing seat with rotary 604 .Having toilet means follower section 605 ..Having flushing means 24 .Rotary seats 606 .Having drain means 25 ..Unfolding sections on seat 607 .Tiltable along a longitudinal bottom axis 26.1 ..Seat rotator 608 ..And a transverse axis 27 .Pivoted seat over forward 609 ..With cyclical back and forth invertible -
Turning Tips
Tips from Old Millrat-James D Thompson Now put the piece with the spigot back into the lathe. Turning Wood oyster Box; I recently leant how to make an oyster shape box on the As you can lathe I used silky oak for this demonstration. Here’s a see, it has the step by step version of how; Make a cylinder about 6 or spigot facing 7 inches long out. and about 3 to 4 inches in diameter. as shown in the next picture Next you need to turn a dish into the end of the piece. The time to put your finish on is now. Approximately in the centre of this cylinder cut a groove about 1/4” deep and 3/8” wide. See next picture. Next you will need to cut a radius on the edge and cut the back of the piece most of the way down. Try to main- tain a constant thickness. Now you part off the piece. It will look something like this. It will be put into the next piece to finish it. Then cut an- other near one side of this groove. As shown. The spigot on the left will slip into a bell that you will cut into the piece on the right. The tiny Turn a recess for the spigot that re- spigot to fit into. This mains on this will be your jam chuck so make it piece will serve a tight fit. as a reference for Finish the piece. Remove it from the size of the bell that you will cut into it. -
Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2009 Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 21:3 — Fall 2009" (2009). Textile Society of America Newsletters. 56. https://digitalcommons.unl.edu/tsanews/56 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. T VOLUME 21 NUMBER 3 FALL, 2009 S A Conservation of Three Hawaiian Feather Cloaks by Elizabeth Nunan and Aimée Ducey CONTENTS ACRED GARMENTS ONCE to fully support the cloaks and and the feathers determined the worn by the male mem- provide a culturally appropriate scope of the treatment. 1 Conservation of Three Hawaiian bers of the Hawaiian ali’i, display. The museum plans to The Chapman cloak is Feather Cloaks S or chiefs, feather cloaks and stabilize the entire collection in thought to be the oldest in the 2 Symposium 2010: Activities and capes serve today as iconic order to alternate the exhibition collection, dating to the mid-18th Exhibitions symbols of Hawaiian culture. of the cloaks, therefore shorten- century, and it is also the most 3 From the President During the summer of 2007 ing the display period of any deteriorated.